DOCSLIB.ORG

Nuggets Golden

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nuggets Golden Jan. 1930 (AO) JOHN JENSEN, CALFE at the Raymond Theatre, treasurer of the Los Angeles The­ Pasadena ... 4/25 CLAUDE L. NUGGETS atre Organists' Club, had two of REIMER, Loew's State, Los Angeles from the his compositions purchased by Fox ... 5/25 CHAUNCEY HAINES Film Company, and has several Jr., Egyptian in Long Beach ... GOLDEN others to be released soon. 6/25 JULIUS K. JOHNSON, Forum Jan. 17, 1931 (MPH) "CON" Theatre, and HERBERT KERN, MAFFIE, formerly of the Para­ Criterion in Los Angeles . 11/25 mount in Portland, Oregon, is taking FRANK LANTERMAN, Glendale's EARL ABEL'S position at the Para­ Alexander ... The following mem­ mount in Los Angeles, and Abel is bers of the Los Angeles Theatre taking LEO WEBER'S place at the Organists' Club were playing west Texas Theatre in San Antonio. coast theatres in 1925: R.E. BECK­ ER, Grauman's Egyptian, Holly­ Dec. 26, 1931 (MPH) ALBERT wood; L. BEAUMONT CONKEY, HAY MALOTTE of the Los Angeles theatre & Masonic organist; PRICE Western Theatre, offered a very DUNLAVY, Jr., Hollywood The­ pleasing, though unpretentious solo, atres Inc.; EDWARD C. HOPKINS built around the Waltz hit, "Pagan in Pasadena; FRANK LANTER­ Moon". His work is, at all times, MAN, Alexander's 3/10 Wurlitzer, Prospected by Lloyd E. Klos that of the true artist. His regis­ Glendale; JOHN E. HILL, 2/10 tration is perfect, so that one may Wurlitzer, Beverly Theatre; F. Next month, northern California sit back and forget that it is merely QUENTIN LANDWEHR, Grau­ will be the scene of the 20th annual another waltz which he is playing, man's Million Dollar; JULIUS K. ATOS Convention. As a salute, and imagine that those same strains JOHNSON, GEOFFRY GLED­ Jason and I have found some choice JS­ HILL, Los Angeles theatres; nuggets from the Golden State.Ref­ come from some old master. His GEORGE TURNER, West Coast's erences were American Organist minute recital (submerged in the pit) Walker Theatre in Santa Ana ... (AO), Jacobs (J), Melody (M), Metro­ was also a treat, though played in nome (Met.) and Motion Picture rather a haphazzard and undignified 9/26 FREDERICK BURR SCHOLL Herald (MPH) magazines. fashion. And in this reviewer's opin­ Los Angeles' Carthay Circle .. '. Aug. 1926 (M) The El Capitan ion, a straight, consistent program of 1/27 FLORENCE K. REESE, Selma (Cal.) Theatre; IRIS VINING, Theatre in Hollywood opened May three or four numbers, played with San Francisco's Granada ... 3/27 3. Opening night prices were $15 top the organ console raised, would be and $5 for lowest priced seats. more entertaining and appreciative. ARTHUR B. FRITZ, Parisienne, and J. WESLEY LORD at 3-manual Oct. 12, 1926 (Met.) ELBERT LA Dec. 26, 1931 (MPH) TED CRAW­ Wurlitzer in United Artists The­ CHELLE and ELMER VINCENT FORD of the Granada Theatre in L. opened the Peninsula Theatre's atre, Los Angeles ... 9/27 ROY Santa Barbara, offered one of the Robert Morton in Burlingame. MEDCALFE & GEORGE W. cleverest community sings of his Sep. 1927 (J)J. WESLEY LORD is BROADBENT, Long Beach's Im­ doing novel solos at the Figueroa engagement here. The title was perial; WALTER DANZIGER, Makes Good". The Theatre in Los Angeles. "Local Boy Chotiner's Roosevelt and J. WES­ Sep. 1927 (J) LEONARD CLARK solo was conceived and used as a LEY LORD, Figueroa in Los Ange­ prologue to the feature picture of is heavily featured at the California les; HAROLD CURTIS, Pasadena's the same title. The theme was Theatre in Anaheim. Colorado Theatre; HENRI C. LE nothing like the picture, but was a Sep. 1927 (J) Mexico City's pre­ BEL, Pantages in San Francisco; miere organist, C. ROY CARTER boost for local personages who have SAM NELSON ROPER, Sunbeam, is at the Highland Theatre in Los made good. Cleverly written special WILLIAM FITZPATRICK, Strand Angeles. lyrics were used for this, and Craw­ and CHESTER GILLETTE, Circle Sep. 1927 (J) EFFIE DIEDERICH ford naively brought out the fact that in Los Angeles; LARRY CANILO, the audience's singing would be has been a fixture at the San Carlos Oakland's Grand Lake; HARRY Theatre in Los Angeles for two years. instrumental in helping him "to QUINN MILLS, Loew's State· June 1928 (AO) PAUL CARSON make good." ALBERT HAY MALOTTE, Holly~ and FRANK LANTERMAN di­ They helped as much as they wood Chinese; FREDERICK BURR rected an ensemble of 15 portable could, and that was by singing all SCHOLL, Grauman's Egyptian organs and Celestes in the Forum the popular melodies he had chosen. Wurlitzer; ALEXANDER SCHREI­ Theatre for the Los Angeles Theatre Applause was tremendous. This NER, Metropolitan and ARTHUR Organists' Club. Others partici­ type of solo which this organist is B. FRITZ, Rialto in Los Angeles pating included HARRY QUINN offering is helping him greatly and ... 11/29 The broadcasting scene: MILLS, CHARLES MURRAY, will assist in making the local papers Prof. RUDOLPH SCHRAEGER on CLAUDE REIMER and ROY L. carry items about another "local Fox Boulevard Wurlitzer over MEDCALF£. boy who makes good" ifhe continues KPLA; ROY L. MEDCALFE on to give them this fine entertainment. March 1929 (AO) Publix Theatres his studio Robert Morton over has changed the name of Grauman's GOLD DUST: California was a KFOX, Long Beach. Metropolitan in Los Angeles to big center of theatre organ activity That's it for this time. See y'all "Paramount", and installed MIL­ in the old days, a situation which is in California. So long, sourdoughs! TON CHARLES in a daily program prevelent today, as these dust parti­ of organ novelties. cles will attest: 2/25 ROY L. MED- Jason & The Old Prospector 42 THEATRE ORGAN MAY-JUNE, 1975 .
Load more

Recommended publications
  • Part Two Biographies of Representative
    PART TWO BIOGRAPHIES OF REPRESENTATIVE MEN SAN MATEO COUNTY'S History with its exposition of contem porary local conditions, resources and advantages, would be incomplete without the following biographical sketches of pioneers and leading business and professional men. These supplement the history and add that intimate and personal touch, without which no work of this kind could be truly interesting. In the following life stories may be found many of the most important events that have taken place in both early and contem porary county history. A collection of biographies of this kind is always interesting; but their greatest value lies in the fact that they chronicle much that might otherwise be forgotten, thereby becoming of greater value as time goes on. They are arranged in no particular sequence, being printed on the following pages in the order in which they were obtained. Frederick Ernest Beer Mr. Beer has his share of civic pride, and every movement for the REI)ERltfK Ernest Beer, one of welfare of the community finds an en the proprietors of the San Ma thusiastic supporter in him. At teo Garage, came to San Mateo in present Mr. lleer is Master of the San 1907, and with his partner, Mr. C. B. Mateo Masonic Lodge. Morton, opened the San Mateo Gar Frederick Ernest Beer was born in age and Machine Works. Since then Charlottetown, Prince Edward island the business has steadily grown, and Canada, on June 20, 1880. He has today is one of the largest on the Pe been in California fourteen years. ninsula. Mr.
    [Show full text]
  • On a Sunday Afternoon We Visited Elbert La Chelle (Pronounced La Shell) at His Home in San Francisco. the Living Room Had a Bald
    LaChelle at the Console by Doris Taylor On a Sunday afternoon we visited reer as a theatre organist he said, "I His training started with piano les­ Elbert La Chelle (pronounced La was born at the right time to have sons at the age of five as a student of Shell) at his home in San Francisco. many opportunities as an organist. In Mrs. Walter Denton. He also studied The living room had a Baldwin with a those days one could get employment pipe organ with Cecil Teague, an En­ synthesizer, a large Conn, and a Stein­ if he could play Chopsticks.'' He in­ glish organ teacher in Portland, Ore­ way Grand - a fine setting for a great deed was born at the right time, as he gon, in the twenties. He was ready for theatre organist. had opportunities to see and hear the­ the opportunities that arose. When we asked Elbert about his ca- atre organs in their natural habitat. As Elbert was born in Salem, Ore­ gon, it was natural that his first job Elbert La Chelle at the San Francisco Paramount Wurlitzer . was playing the three-rank Hope­ Jones at the Liberty Theatre in Salem. He knew very early in life that he wanted to make playing theatre pipe organs his career, so he convinced his mother to let him quit high school in the second year. His first full-time job was at the Oregon Theatre in Salem. He left Salem in 1922 at the age of 17 to become head organist at the Heilig Theatre in Eugene, Oregon, where he played the 2/4 Robert-Morton for two years.
    [Show full text]
  • OPERA HOUSES, THEATERS and MOVIE THEATERS [Compiled and Transcribed by William J
    DICKINSON COUNTY HISTORY – OPERA HOUSES, THEATERS AND MOVIE THEATERS [Compiled and Transcribed by William J. Cummings] ARMORY HALL probably Iron Mountain’s first theater to Iron Mountain regularly feature motion pictures. According to the Iron Mountain Press, The Menominee Range, Iron Mountain, the Bijou was the site of the St. Joseph’s Menominee County, Michigan, Volume Church Fair during the week of November XI, Number 8 [Thursday, May 16, 1889], 16, 1908. However, the theater was first page 1, column 4 listed in the 1913 Iron Mountain city directory, with Martin D. Thomas serving as Kendal’s “Pair of Kids.” manager. Across the street from the Bijou, where the post office now stands, was the A.J. One of the largest and best pleased Rundle Hardware Store and Rundle’s audiences that ever assembled in Armory Opera House, in all probability the Bijou Hall applauded and laughed immensely at Theatre’s biggest competitor. While the Ezra Kendall last evening in his latest play, Iron Mountain Press regularly featured “A Pair of Kids.” There is no plot worth news articles regarding the performances at mentioning to the play, merely a frame work Rundle’s Opera House, as well as frequent [sic – framework] to give Kendall scope to reviews, the Bijou Theatre’s first advertising display his oddities, mirth provoking actions campaign apparently began in March of and speeches. Arthur Dunn as “Flip,” and 1911. Jennie Dunn as “Pearl, a cash girl,” the pair Advertisements noted the Bijou’s doors of kids[,] sing very nicely and dance their opened at 7:30 p.m.
    [Show full text]
  • "Resurrection" Since About 1930, Theatre Organ En­ Organs
    THE SAN FRANCISCO PARAMOUNT THEATRES WURLITZER 285 SPECIAL, AND ITS "Resurrection" Since about 1930, theatre organ en­ organs. Every true crgan fan shook ¥s thusiasts have become used to hearing head and scratched another organ from about the death of some famous theatre his list of re-constructable instruments. organ. Relentlessly, one by one, these The same old story - a wonderful, ex­ magnificent instruments have departed pensive, mighty theatre organ, neglected, the contemporary scene without fanfare cannibalized, and permanently out of and without any apparent concern ex­ use. cept for the saddening void left in the But for once, all enthusiasts can take memories of those who understand the down the crepe, because the mighty San •·1 ~ wonderful music produced by them. Francisco Paramount WurliTzer speaks The Paramount Theatre, San Francis­ again with all its grandeur. Many people During the current restoration, the Mor - co, was opened in 1921 as the Granada are responsible for this resurrection, ton Tibia has been replaced by a Solo scale and contained a gorgeous WurliTzer, and it is hoped that all of them will re­ WurliTzer Tibia Clausa. A further note of Style 285, 4/33. The story of this organ ceive the plaudits deserved. interest at this time is that there are no is typical of hundreds of others in that The great WurliTzer organ in the Para­ dead magnets in the entire organ, nor it was in daily use during the era of mount Theatre in San Francisco is were there any at the time the restora­ silent movies, being played by many housed in six large chambers which tion work began in October, 1960.
    [Show full text]
  • History of San Mateo County
    HISTORY Q} SAN MATEO COUNTY FROM THE EARLIEST TIMES WITH A DESCRIPTION OF ITS RESOURCES AND ADVANTAGES; AND THE BIOGRAPHIES OF ITS REPRESENTATIVE MEN /‘:1 ILLUSTRATED COMPILED AND WRITEN BY PHILIP W. ALEXANDER CHARLES P. HAMM BURLINGAME. CALIFORNIA | 9| 6 PRESS OF BURLINCAME PUBLISHING CO. Burlingame. CaliIornia FOREWORD IN the following brief historical sketch are shown only the main phases of San Mateo County’s growth, as it would be impossible to portray in detail all the events of historical importance which have occurred in the county during the last one hundred and forty years, since the white man first set foot upon peninsular soil. First were the Indians already in loose and scattered possession of the soil; then the Spanish explorers, followed by the Jesuit and Fran ciscan fathers. Next came the great land grants or ranchos with titles from the Spanish crown itself. These in turn were divided into lesser estates consisting, nevertheless, of thousands of acres apportioned among various rich men with their stately country seats. The last stage of development of the county is now at hand,—that in which the land is divided into its final segments consistingr of smaller country estates and lots of the suburban home dweller. ACKNOWLEDGMENT The chronicling of the events which have transpired in a com munity such as San Mateo County, is a task that requires the cooperation of many. Assistance of various kinds has come from many sources, making it possible to compile this work. The publish ers wish to express their appreciation to the following, for their cooperation:—Henry P.
    [Show full text]