Emerging Self
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
The Humanities and Posthumanism
english edition 1 2015 The Humanities and Posthumanism issue editor GRZEGORZ GROCHOWSKI MICHAł PAWEł MARKOWSKI Humanities: an Unfinished Project E WA DOMAńSKA Ecological Humanities R YSZARD NYCZ Towards Innovative Humanities: The Text as a Laboratory. Traditions, Hypotheses, Ideas O LGA CIELEMęCKA Angelus Novus Looks to the Future. On the Anti-Humanism Which Overcomes Nothingness SYZ MON WRÓBEL Domesticating Animals: A Description of a Certain Disturbance teksty drugie · Institute of Literary Research Polish Academy of Science index 337412 · pl issn 0867-0633 EDITORIAL BOARD Agata Bielik-Robson (uk), Włodzimierz Bolecki, Maria Delaperrière (France), Ewa Domańska, Grzegorz Grochowski, Zdzisław Łapiński, Michał Paweł Markowski (usa), Maciej Maryl, Jakub Momro, Anna Nasiłowska (Deputy Editor-in-Chief), Leonard Neuger (Sweden), Ryszard Nycz (Editor-in-Chief), Bożena Shallcross (usa), Marta Zielińska, Tul’si Bhambry (English Translator and Language Consultant), Justyna Tabaszewska, Marta Bukowiecka (Managing Editor) ADVISORY BOARD Edward Balcerzan, Stanisław Barańczak (usa) , Małgorzata Czermińska, Paweł Dybel, Knut Andreas Grimstad (Norway), Jerzy Jarzębski, Bożena Karwowska (Canada), Krzysztof Kłosiński, Dorota Krawczyńska, Vladimir Krysinski (Canada), Luigi Marinelli (Italy ), Arent van Nieukerken (Holland), Ewa Rewers, German Ritz (Switzerland), Henryk Siewierski (Brasil), Janusz Sławiński , Ewa Thompson (usa), Joanna Tokarska-Bakir, Tamara Trojanowska (Canada), Alois Woldan (Austria), Anna Zeidler-Janiszewska ADDRESS Nowy Świat 72, room. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Animal Studies Ecocriticism and Kafkas Animal Stories 4
Citation for published version: Goodbody, A 2016, Animal Studies: Kafka's Animal Stories. in Handbook of Ecocriticism and Cultural Ecology. Handbook of English and American Studies, vol. 2, De Gruyter, Berlin, pp. 249-272. Publication date: 2016 Document Version Peer reviewed version Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Animal Studies: Kafka’s Animal Stories Axel Goodbody Franz Kafka, who lived in the city of Prague as a member of the German-speaking Jewish minority, is usually thought of as a quintessentially urban author. The role played by nature and the countryside in his work is insignificant. He was also no descriptive realist: his domain is commonly referred to as the ‘inner life’, and he is chiefly remembered for his depiction of outsider situations accompanied by feelings of inadequacy and guilt, in nightmarish scenarios reflecting the alienation of the modern subject. Kafka was only known to a small circle of when he died of tuberculosis, aged 40, in 1924. However, his enigmatic tales, bafflingly grotesque but memorably disturbing because they resonate with readers’ own experiences, anxieties and dreams, their sense of marginality in family and society, and their yearning for self-identity, rapidly acquired the status of world literature after the Holocaust and the Second World War. -
Franz Kafka - Quotes
Franz Kafka - Quotes It is the thousandth forgetting of a dream dreamt a thousand times and forgotten a thousand times, and who can damn us merely for forgetting for the thousandth time? - Investigations Of A Dog Ours is a lost generation, it may be, but it is more blameless than those earlier generations. - Investigations Of A Dog So long as you have food in your mouth, you have solved all questions for the time being. - Investigations Of A Dog You need not leave your room. Remain sitting at your table and listen. You need not even listen, simply wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked. It has no choice; it will roll in ecstasy at your feet. - Journals My peers, lately, have found companionship through means of intoxication--it makes them sociable. I, however, cannot force myself to use drugs to cheat on my loneliness--it is all that i have--and when the drugs and alcohol dissipate, will be all that my peers have as well. - Journals A book should serve as the ax for the frozen sea within us. - Journals A man of action forced into a state of thought is unhappy until he can get out of it. - Journals Anyone who keeps the ability to see beauty never grows old. - Journals By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired. - Journals In me, by myself, without human relationship, there are no visible lies. -
Hyper Memory, Synaesthesia, Savants Luria and Borges Revisited
Dement Neuropsychol 2018 June;12(2):101-104 Views & Reviews http://dx.doi.org/10.1590/1980-57642018dn12-020001 Hyper memory, synaesthesia, savants Luria and Borges revisited Luis Fornazzari1, Melissa Leggieri2, Tom A. Schweizer3, Raul L. Arizaga4, Ricardo F. Allegri5, Corinne E. Fischer6 ABSTRACT. In this paper, we investigated two subjects with superior memory, or hyper memory: Solomon Shereshevsky, who was followed clinically for years by A. R. Luria, and Funes the Memorious, a fictional character created by J. L. Borges. The subjects possessed hyper memory, synaesthesia and symptoms of what we now call autistic spectrum disorder (ASD). We will discuss interactions of these characteristics and their possible role in hyper memory. Our study suggests that the hyper memory in our synaesthetes may have been due to their ASD-savant syndrome characteristics. However, this talent was markedly diminished by their severe deficit in categorization, abstraction and metaphorical functions. As investigated by previous studies, we suggest that there is altered connectivity between the medial temporal lobe and its connections to the prefrontal cingulate and amygdala, either due to lack of specific neurons or to a more general neuronal dysfunction. Key words: memory, hyper memory, savantism, synaesthesia, autistic spectrum disorder, Solomon Shereshevsky, Funes the memorious. HIPERMEMÓRIA, SINESTESIA, SAVANTS: LURIA E BORGES REVISITADOS RESUMO. Neste artigo, investigamos dois sujeitos com memória superior ou hipermemória: Solomon Shereshevsky, que foi seguido clinicamente por anos por A. R. Luria, e Funes o memorioso, um personagem fictício criado por J. L. Borges. Os sujeitos possuem hipermemória, sinestesia e sintomas do que hoje chamamos de transtorno do espectro autista (TEA). -
The Fragments Around Franz Kafka's “A Report to an Academy”
humanities Article Narrative Transformed: The Fragments around Franz Kafka’s “A Report to an Academy” Doreen Densky Department of German, New York University, 19 University Place, 3rd Floor, New York, NY 10003, USA; [email protected] Academic Editor: Joela Jacobs Received: 7 February 2017; Accepted: 6 April 2017; Published: 10 April 2017 Abstract: Franz Kafka’s “A Report to an Academy”, in which the ape-turned-human Rotpeter provides a narrative account of his life, has been scrutinized with regard to its allegorical, scientific, and historical implications. This article shifts the focus toward the narrative set-up by closely reading the transformation that can be traced in the sequence of several narrative attempts found in Kafka’s manuscripts. Analyzing the fragments around this topic, I show how Kafka probes different angles—from a meeting between a first-person narrator and Rotpeter’s impresario and a dialogue between the narrator and Rotpeter, via the well-known “Report” itself, on to a letter by one of Rotpeter’s former teachers—that reveal a narrative transformation equally important as the metamorphosis from animal to human. The focus on the narrative constellations and on the lesser-known constitutive margins of the “Report” help to better understand, moreover, the complex relationship between immediacy and mediation, the ethnological concern of speech for the self and the unknown animal other, and poetological questions of production, representation, and reception. Keywords: animal narrators; human-animal studies; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation 1. Introduction Franz Kafka’s famous text narrated by an ape who has become human, “A Report to an Academy” (“Ein Bericht für eine Akademie”), was penned one hundred years ago, in 1917 [1–5]. -
Argentina's Right to Be Forgotten
Emory International Law Review Volume 27 Issue 1 2013 Argentina's Right to be Forgotten Edward L. Carter Follow this and additional works at: https://scholarlycommons.law.emory.edu/eilr Recommended Citation Edward L. Carter, Argentina's Right to be Forgotten, 27 Emory Int'l L. Rev. 23 (2013). Available at: https://scholarlycommons.law.emory.edu/eilr/vol27/iss1/3 This Recent Development is brought to you for free and open access by the Journals at Emory Law Scholarly Commons. It has been accepted for inclusion in Emory International Law Review by an authorized editor of Emory Law Scholarly Commons. For more information, please contact [email protected]. CARTER GALLEYSFINAL 6/19/2013 11:44 AM ARGENTINA’S RIGHT TO BE FORGOTTEN ∗ Edward L. Carter INTRODUCTION The twentieth century Argentine author Jorge Luis Borges wrote a fictional short story about a boy named Ireneo Funes who suffered the curse of remembering everything.1 For Funes, the present was worthless because it was consumed by his memories of the past. One contemporary author has described the lesson of Funes: “Borges suggests that forgetting—that is, forgetting ceaselessly—is essential and necessary for thought and language and literature, for simply being a human being.”2 The struggle between remembering and forgetting is not unique to Borges or Argentina, but that struggle has manifested itself in Argentina in poignant ways, even outside the writings of Borges. In recent years, the battle has played out in Argentina’s courts in the form of lawsuits by celebrities against the Internet search engines Google and Yahoo. -
The Complete Stories by Franz Kafka
Franz Kafka: The Complete Stories by Franz Kafka Ebook Franz Kafka: The Complete Stories currently available for review only, if you need complete ebook Franz Kafka: The Complete Stories please fill out registration form to access in our databases Download here >> Paperback: 488 pages Publisher: Schocken Books Inc.; Reprint edition (November 14, 1995) Language: English ISBN-10: 0805210555 ISBN-13: 978-0805210552 Product Dimensions:5.2 x 1 x 8 inches ISBN10 0805210555 ISBN13 978-0805210 Download here >> Description: The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. Hello All,I recently purchased this book in faith, though I was also frustrated by the lack of information in the book description. So, I will provide here for you the table of contents so that whoever purchases this book from now on can know exactly what they are getting:(By the way, the book is beautifully new & well designed, with the edges of the pages torn, not cut.)When it says the complete stories, it means it. The foreword assures that the book contains all of the fiction that Kafka committed to publication during his lifetime. That meas his novels, which he did NOT intend to be published but left note in his will to be destroyed, are NOT included: The Trial, America, The Castle. -
In the Metamorphosis, 83-89 in Also Sprach Zarathustra, 172 in The
Index Abraham, Nicolas, 33 in open metaphor, 98 Adler, Friedrich, I to the Promised Land, 8 Adorno, Theodor W., 298n in The Sentimental Education, 190 on cultural debasement, 257-59 in "'You,' I Said ...," 18 against existentialism, 14n See also Allegory on hermeneutic force, 24-26 Alter, Robert, 183 on "The Judgment," 24-25, 28 Althusser, Louis, 141 and literalness, I Amadis of Gaul, 2 I I materialism of, 296 Anders, Gunther, 49-50, 55, 78 on names, 56-57 Anderson, Mark, 87n, 92, 229n, 243n, on silent film, 258-59, 271 244n Allegory, 149, 2oon, 224n, 275, 295, Anthropology, 123, 165-67, 170, 202 301n Antithesis, 139, 145, 148-49, 16o in aphorisms, 126 Aporia, 3, 102, 142 Benjamin's view of, 296-97 Aristotle, 91 of desire, 301n Auerbach, Erich, 144n, 185-86 in "In the Penal Colony, " 243 Autobiography, 107 in "The Judgment," 26, 28; 201 in The Metamorphosis, 83-89 Babel, 52, 277 in Nietzsche, 148 Bachelor, 14, 17-23, 35-39, 73, 230 in Romanticism, 78-79 Baioni, Giuliano, 65 violence of, 103 Baker, Josephine, 252-54, 258 vs. symbol, 83-89, 160, 277 Ball, Hugo, 252 Allusion, 37-38, 54, I 14n, 129, 149, Balzac, Honore de, 152-53, 226n 295 Barthes, Roland, 191, 204n, 295 in Also Sprach Zarathustra, 172 Basho (Matsuo Munefusa), 203 in Goll's aesthetics, 273 Bataille, Georges, So Messianic function of, 276-77 Batts, Michael, 141n in Th e Metamorphosis, 72n, 78 Baudelaire, Charles, 266, 296 3 1 3 Index Bauer, Felice, 239 Cabinet of Doctor Caligari, The, 257n as a Berlin woman, 268 Canetti, Elias, 3, 4, 7, 47n, 156, 247n, correspondence with, 37, 39 26on engagement to, 6, 109n, 229, 232n, Carson, Anne, 213n, 274n 240 Castanon. -
The Visualizing Capacity of Magical Realism: Objects and Expression in the Work of Jorge Luis Borges
The Visualizing Capacity of Magical Realism: Objects and Expression in the Work of Jorge Luis Borges Lois Parkinson Zamora University of Houston In those days the world of mirrors and the world of men were not, as they are now, cut off from each other. —Jorge Luis Borges, “Fauna of Mirrors,” Borges and Guerrero 67 The term “magical realism” was first uttered in a discussion of the visual arts. The German art critic Franz Roh, in his 1925 essay, de- scribed a group of painters whom we now categorize generally as Post- Expressionists, and he used the term Magischer Realismus to emphasize (and celebrate) their return to figural representation after a decade or more of abstract art. In the introduction to the expanded Spanish-lan- guage version of this essay published two years later, in 1927, by José Ortega y Gasset by his Revista de Occidente, Roh again emphasized these painters’ engagement of the “everyday,” the “commonplace”: “with the word ‘magic’ as opposed to ‘mystic,’ I wish to indicate that the mystery does not descend to the represented world, but rather hides and palpi- tates behind it” (“Magical” 16). An alternative label circulating at the time for this style of German painting was Neue Sachlichkeit, New Ob- jectivity, a term that has outlived Magischer Realismus, in part because Roh eventually disavowed his own designation. In his 1958 survey of twentieth-century German art, he explicitly retired the term “magical re- 22 Lois Parkinson Zamora alism,” tying its demise to the status of the object itself: “In our day and age, questions about the character of the object … have become irrel- evant … I believe that we can demonstrate that in abstract art the greatest [achievements] are again possible” (German 10). -
What Is a Minor Literature? Author(S): Gilles Deleuze, Félix Guattari and Robert Brinkley Source: Mississippi Review, Vol
University of Southern Mississippi What Is a Minor Literature? Author(s): Gilles Deleuze, Félix Guattari and Robert Brinkley Source: Mississippi Review, Vol. 11, No. 3, Essays Literary Criticism (Winter/Spring, 1983), pp. 13-33 Published by: University of Southern Mississippi Stable URL: http://www.jstor.org/stable/20133921 Accessed: 09-02-2017 01:43 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of Southern Mississippi is collaborating with JSTOR to digitize, preserve and extend access to Mississippi Review This content downloaded from 148.84.56.115 on Thu, 09 Feb 2017 01:43:40 UTC All use subject to http://about.jstor.org/terms Gilles Deleuze and Felix Guattari WHAT IS A MINOR LITERATURE? Editor's Note: Deleuze and Guattari begin their work on Kafka by wondering how to enter Kafka's work. "It is a rhizome, a burrow," they write. "The Castle has many entrances. The hotel in America has too many doors for us to count." Among these entrances, none seems privileged; no sign over the entrance announces that this is the way in. The reader of Kafka's work will choose an opening and map the passage he finds himself following.