List of Ceramic Ware
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From the Lands of Asia
Education Programs 2 3 TABLE OF CONTENTS Preparing students in advance p. 4 Vocabulary and pronunciation guide pp. 5–8 About the exhibition p. 9 The following thematic sections include selected objects, discussion questions, and additional resources. I. Costumes and Customs pp. 10–12 II. An Ocean of Porcelain pp. 13–15 III. A Thousand Years of Buddhism pp. 16–19 IV. The Magic of Jade pp. 20–23 Artwork reproductions pp. 24–32 4 PREPARING STUDENTS IN ADVANCE We look forward to welcoming your school group to the Museum. Here are a few suggestions for teachers to help to ensure a successful, productive learning experience at the Museum. LOOK, DISCUSS, CREATE Use this resource to lead classroom discussions and related activities prior to the visit. (Suggested activities may also be used after the visit.) REVIEW MUSEUM GUIDELINES For students: • Touch the works of art only with your eyes, never with your hands. • Walk in the museum—do not run. • Use a quiet voice when sharing your ideas. • No flash photography is permitted in special exhibitions or permanent collection galleries. • Write and draw only with pencils—no pens or markers, please. Additional information for teachers: • Please review the bus parking information provided with your tour confirmation. • Backpacks, umbrellas, or other bulky items are not allowed in the galleries. Free parcel check is available. • Seeing-eye dogs and other service animals assisting people with disabilities are the only animals allowed in the Museum. • Unscheduled lecturing to groups is not permitted. • No food, drinks, or water bottles are allowed in any galleries. -
Karbury's Auction House
Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300 -
Ceramic's Influence on Chinese Bronze Development
Ceramic’s Influence on Chinese Bronze Development Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2007 Photos on cover page Jue from late Shang period decorated with Painted clay gang with bird, fish and axe whorl and thunder patterns and taotie design from the Neolithic Yangshao creatures, H: 20.3 cm [34]. culture, H: 47 cm [14]. Flat-based jue from early Shang culture Pou vessel from late Shang period decorated decorated with taotie beasts. This vessel with taotie creatures and thunder patterns, H: is characteristic of the Erligang period, 24.5 cm [34]. H: 14 cm [34]. ii Table of Contents Abstract Approximate timeline 1 Introduction 2 Map of Chinese Provinces 3 Neolithic culture 4 Bronze Development 10 Clay Mold Production at Houma Foundry 15 Coins 16 Mining and Smelting at Tonglushan 18 China’s First Emperor 19 Conclusion 21 References 22 iii The transition from the Neolithic pottery making to the emergence of metalworking around 2000 BC held significant importance for the Chinese metal workers. Chinese techniques sharply contrasted with the Middle Eastern and European bronze development that relied on annealing, cold working and hammering. The bronze alloys were difficult to shape by hammering due to the alloy combination of the natural ores found in China. Furthermore, China had an abundance of clay and loess materials and the Chinese had spent the Neolithic period working with and mastering clay, to the point that it has been said that bronze casting was made possible only because the bronze makers had access to superior ceramic technology. -
Cambridge University Press 978-1-108-49995-8 — the City of Blue and White Anne Gerritsen Index More Information
Cambridge University Press 978-1-108-49995-8 — The City of Blue and White Anne Gerritsen Index More Information 321 Index Note: Page numbers in bold refer to fi gures, and those in italics refer to maps. Abbasid Caliphate (750–1258), trade in, 1 – 2 introduction of, 15 Abu- Lughod, Janet, 44 – 46 , 45 , 47 , 55 Jingdezhen emergence of, 61 , 68 Ackerman- Lieberman, Phillip, 59 Jingdezhen global production of, 5 Africa, porcelain trade in, 59 in Joseon Korea, 125 , 125 , 126 animal patterns, 198 Kessler on dating of, 64 in Jizhou ceramics, 82 – 83 , 93 – 94 , 95 Linjiang kilns and, 102 – 103 see also deer ; dragon in ritual texts, 127 – 128 archaeologists, on porcelains, 6 , 117 in shard market, 3 – 5 , 16 , 1 7 archaeology, 6 , 12 – 13 , 34 , 52 , 82 – 83 , 106 underglaze painting of, 67 Cizhou ware ceramics, 32 – 33 Yu a n d y n a s t y a n d , 6 6 Ding ware ceramics, 24 , 32 – 33 bluish- white glaze, of qingbai ceramics, 40 Fengzhuang storehouse, 21 – 22 ‘Book of Ceramics’, see Taoshu hoards, 72 bottle Hutian kilns, 49 , 264n54 gourd- shaped, 196 – 197 , 196 , 198 , 214 Jizhou ware, 93 , 97 in shard market, 3 – 5 Linjiang kiln site, 102 – 103 tall- necked porcelain, 198 , 199 , maritime, 12 – 13 , 52 – 55 , 127 – 128 204 – 205 , 215 qingbai ceramics, 52 bowl, 172 shard market, 1 , 16 , 1 7 fi sh, 228 – 230 S i n a n s h i p w r e c k , 5 2 – 5 5 glaze patterns for, 35 – 36 Western Xia dynasty, 51 Jizhou ceramics dated, 95 , 96 , 97 Yonghe kilns, 76 , 77 w i t h luanbai glaze, 47 – 48 , 48 Ardabil collection, 205 in shard market, 3 – 5 art history, of porcelains, 6 see also tea bowls ‘Assorted Jottings of Shi Yushan’ Shi Yushan Brandt, George, 64 bieji (Shi Runzhang), 101 Brankston, A. -
Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
Page 1 578 a Japanese Porcelain Polychrome Kendi, Kutani, 17Th C
Ordre Designation Estimation Estimation basse haute 551 A Chinese mythological bronze group, 19/20th C. H: 28 cm 250 350 552 A Chinese bronze elongated bottle-shaped vase, Ming Dynasty H.: 31 600 1200 cm 553 A partial gilt seated bronze buddha, Yongzheng mark, 19th C. or earlier 800 1200 H: 39 cm L: 40 cm Condition: good. The gold paint somewhat worn. 554 A Chinese bronze jardiniere on wooden stand, 19/20th C. H.: 32 cm 300 600 555 A Chinese figural bronze incense burner, 17/18th C. H.: 29 cm 1000 1500 556 A Chinese bronze and cloisonne figure of an immortal, 18/19th C. H.: 31 300 600 cm 557 A Chinese bronze figure of an emperor on a throne, 18/19th C. H.: 30 cm 800 1200 Condition: missing a foot on the right bottom side. 558 A bronze figure of Samanthabadra, inlaid with semi-precious stones, 4000 8000 Ming Dynasty H: 28 cm 559 A Chinese gilt bronze seated buddha and a bronze Tara, 18/19th C. H.: 600 1200 14 cm (the tallest) 560 A Chinese bronze tripod incense burner with trigrams, 18/19th C. H.: 350 700 22,3 cm 561 A tall pair of Chinese bronze “Luduan� figures, 18/19th C. H.: 29 1200 1800 cm 562 A tall gilt bronze head of a Boddhisatva with semi-precious stones, Tibet, 1000 1500 17/18th C. H.: 33 cm 563 A dark bronze animal subject group, China, Ming Dynasty, 15-16th C. H.: 1500 2500 25,5 cm 564 A Chinese dragon censer in champlevé enameled bronze, 18/19th C. -
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention Sabrina Rastelli Department of Asian and North African Studies, Ca’ Foscari University of Venice, Venice, Italy Abstract The concept of the five famous wares of the Song dynasty is a fundamental theory that has influenced both researching and learning about Chinese ceramics. Archaeological excavations carried out since the 1950s and particularly during the past two decades have provided modern scholars with many and precious pieces of information that have deeply changed our understanding of the history of Chinese ceramics. They have also undermined the concept itself, but when discussing Ding, Ru, Jun, Guan or Ge experts seldom resist the temptation to remind that it is one of the five famous wares. The aim of this paper is to trace back when and how this definition was coined, by combing through Chinese sources. Key words five famous wares China ceramics ceramic literature Song The concept of the five famous wares of the Song dynasty (Songdai Wuda Mingyao 宋代五大名窑 ) is a fundamental theory that has influenced both researching and learning about Chinese ceramics. At the end of the 1980s, Song wares were classified as either official or popular. The first category was constituted by the so-called five famous wares of the Song dynasty, namely Ding(定), Ru(汝), Jun(钧), Guan(官)and Ge(哥). Ten years later, while researching for my PhD thesis, I began to doubt the exactness of this theory, but I explored the problem only from the perspective of the Yaozhou ( 耀州 ) kilns (Rastelli, 2008). -
Comparative Study of Black and Gray Body Celadon Shards Excavated from Wayaoyang Kiln in Longquan, China
Microchemical Journal 126 (2016) 274–279 Contents lists available at ScienceDirect Microchemical Journal journal homepage: www.elsevier.com/locate/microc Comparative study of black and gray body celadon shards excavated from Wayaoyang kiln in Longquan, China Hongying Duan a,b,⁎, Dongge Ji a,b, Yinzhong Ding a,b, Guangyao Wang c, Jianming Zheng d, Guanggui Zhou e, Jianmin Miao a,b a Key Scientific Research Base of Ancient Ceramics (the Palace Museum), State Administration of Cultural Heritage, Beijing 100009, China b Conservation Department, the Palace Museum, Beijing 100009, China c Department of Objects and Decorative Arts, the Palace Museum, Beijing 100009, China d Zhejiang Provincial Cultural Relics Archaeological Research Institute, Hangzhou, Zhejiang 310014, China e The Museum of Longquan City, Longquan, Zhejiang 323700, China article info abstract Article history: Longquan celadon is one of the most valuable treasures in Chinese ceramic history. Representative products are Received 8 August 2015 Ge ware (Ge meaning elder brother, black body celadon) and Di ware (Di meaning younger brother, gray body Received in revised form 12 December 2015 celadon) of the Song Dynasty (960–1279 A.D.). In this study, Ge and Di ware shards excavated from Wayaoyang Accepted 12 December 2015 kiln site in Longquan were collected and studied. Chemical and crystallite composition, microstructure, body and Available online 19 December 2015 glaze thickness, firing temperature and glaze reflectance spectrum were observed and examined. Differences in Keywords: raw materials and manufacturing technology between Ge and Di ware were studied. Based on the results and Longquan Ge ware historical background, it was speculated that some Ge wares from Wayaoyang kiln site might be the test products Longquan Di ware of jade-like black body celadon for the imperial court. -
Chinese Art the Szekeres Collection
Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting. -
Technical Studies and Replication of Guan Ware, an Ancient Chinese Ceramic
www.mrs.org/publications/bulletin Although an intensive surface survey has uncovered some sherds at Wansongling, no kilns have been found there. However, a kiln site was discovered in 1996 about Technical Studies and 2.5 km away from the Jiaotanxia Guan kiln site at Laohudong (Tiger Cave), a rela- tively inaccessible site in a small, steep valley to the south of Wansongling (see Replication of Guan Figure 2). Since 1998, a 15-m-long dragon kiln and three bisque-firing (first-firing) kilns have been excavated; a large enclo- sure wall has also been found. In total, the Ware, an Ancient 2 excavations have covered about 800 m . A workshop area to the east of the kiln con- tained large vats of raw glaze. A large Chinese Ceramic quantity of glazed sherds, bisque-fired sherds, and kiln furniture, such as setters (supports) and saggars (coarse ceramic Li Jiazhi, Deng Zequn, and Xu Jiming containers for protection of the ware during firing and cooling), have been excavated in the Southern Song stratum. In addition, a later Yuan dynasty (1271–1368 A.D.) stra- Introduction tum that overlies the Southern Song stra- When North China was invaded in 1127, (the imperial kiln) was first established at the emperor of the Song dynasty moved Xiuneisi (the Bureau of the Imperial the capital to Lin’an (now called Hangzhou) Household) near Wansongling (the Forest in Zhejiang Province southeast of Shang- of 10,000 Pines) at the foot of Fenghuang- hai. He established the Southern Song dy- shan (Phoenix Hill), and then somewhat nasty (1127–1279 A.D.), known as a period later, another new kiln was set up in the of cultural flowering and stability in foothills, Wuguishan, below the “subur- Chinese history. -
Masterpieces of Chinese Ceramics from the Collection of the Tokyo Fuji Art Museum
Masterpieces of Chinese Date: Jan.12 Ceramics from the collection of the Tokyo Fuji Art Museum title artist size:HP 1 Jar with Two Handles and Spiral Design, Painted Earthenware H 44.0 cm, Dia. 45.0 cm 2 Jar with Two Handles and Incised Design, Ash Glaze H 20.5 cm, Dia. 27.3 cm 3 Jar with Two Handles and Design of Clouds, Painted Earthenware H 59.2 cm, Dia. 41.0 cm 4 Jar with Two Handles and Impressed Design, Earthenware H 49.7 cm, Dia. 35.5 cm 5 Liquor Jar with Design of Cloud, Painted Earthenware H 17.2 cm 6 Jar in Shape of owl, Painted Earthenware H 15.2 cm, W 15.0 cm, D 8.4 cm 7 Figure of Lady, Painted Earthenware H 67.1 cm, W 25.4 cm, D 13.2 cm 8 Figure of Warrior, Painted Earthenware H 33.2 cm, W 9.8 cm, D 5.4 cm 9 Cups with Handles, Painted Earthenware Large: 12.1 x 10.6 x 4.2 cm / Middle: 10.2 x 9.0 x 3.7 cm / Small: 8.8 x 7.8 x 3.1 cm 10 Table, Painted Earthenware 30.0 x 40.6 x 10.2 cm 11 Cup with Handles and Impressed Design, Green Glaze 14.2 x 12.0 x 4.7 cm 12 Cup with Handles, Brown Glaze 14.7 x 11.5 x 4.3 cm 13 Jar with Two Handles , Green Glaze H 41.0 cm, Dia. 30.7 cm 14 Vessel in Shape of Bronze Ding, Green Glaze H 18.0 cm, Dia. -
Autumn 07 Cover
Mallams 30-31 October Asian Cover.qxp_Layout 1 15/10/2019 15:48 Page 1 MALLAMS Mallams 1788 Asian Art ASIAN ART Wednesday 30th & Thursday 31st October 2019 at 11am www.mallams.co.uk 30TH & 31ST OCTOBER 2019 Mallams 30-31 October Asian Cover.qxp_Layout 1 15/10/2019 15:48 Page 2 Mallams 30-31 October Asian pages.qxp_Layout 1 15/10/2019 15:50 Page 1 Mallams 1788 Asian Art Wednesday 30th & Thursday 31st October 2019 at 11am Day One Chinese Art 1 - 621 Day Two Viewing Japanese, Korean Friday 25th October 10am – 4pm & Asian Art 700 – 889 Monday 28th October 10am – 5pm Tuesday 29th October 10am – 5pm Auction Enquiries Mallams Condition Reports & Images Grosvenor Galleries [email protected] 26 Grosvenor Street Cheltenham GL52 2SG Conditions of sale This auction is subject to Important Notices, Bids Conditions of Sale and Reserves. 01242 235712 To bid via the internet please go to Important notice: www.the-saleroom.com Buyer’s premium 27% inclusive of VAT on Or to view the catalogue online go to each lot. www.mallams.co.uk Credit card fees where applicable are 2.28% inclusive of VAT Condition Reports: Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault. Mallams 30-31 October Asian pages.qxp_Layout 1 15/10/2019 15:50 Page 2 Chinese Art 1 - 621 Mallams 30-31 October Asian pages.qxp_Layout 1 15/10/2019 15:50 Page