CURRICULUM VITAE KATHLEEN MARTIN, Soprano

Total Page:16

File Type:pdf, Size:1020Kb

CURRICULUM VITAE KATHLEEN MARTIN, Soprano CURRICULUM VITAE KATHLEEN MARTIN, Soprano CURRENT STUDIO ADDRESS 24571 KINGS VIEW LAGUNA NIGUEL, CA 92677 (949) 249-2101 [email protected] CHRONOLOGY OF EDUCATION/MUSICAL STUDIES ADVANCED DEGREES 1972 MASTER OF ARTS DEGREE - MUSIC, CALIFORNIA STATE COLLEGE, LONG BEACH 1969 SECONDARY TEACHING CREDENTIAL - CSCLB 1968 BACHELOR OF ARTS DEGREE, MUSIC CSCLB 1965 – 66 UNIVERSITY OF SOUTHERN CALIFORNIA VOCAL STUDIES 1980 – 92 STUDY WITH FRANZ-HANS HASL AND JAMES E. PEARSON FRANKFURT AM MAIN, GERMANY 1978 – 82 STUDY AND RESEARCH WITH BERTON COFFIN 1970 – 72 STUDY WITH FRITZ ZWEIG, LOS ANGELES 1972 SAN FRANCISCO OPERA, MEROLA PROGRAM 1967 – 70 STUDY WITH JACK METZ, LOS ANGELES 1966 – 72 STUDY WITH JOSEPHINE LOTT, LONG BEACH 1965 – 66 STUDY WITH WALTER DECLOUX, KARL LAUFKOTTER, HANS BEER - UNIVERSITY OF SOUTHERN CALIFORNIA SCHOLARSHIPS 1969 – 72 UNIVERSITY WOMEN’S CLUB SCHOLARSHIP 1966 – 69 CALIFORNIA STATE COLLEGE OPERA SCHOLARSHIP VOCAL COMPETITIONS - FIRST PLACE SAN FRANCISCO OPERA AUDITIONS METROPOLITAN OPERA NATIONAL COUNCIL AUDITIONS, LOS ANGELES NATIONAL ASSOCIATION OF TEACHERS OF SINGING, YOUNG ARTIST, LOS ANGELES LONG BEACH SYMPHONY YOUNG MUSICIANS COMPETITION SOUTHERN CALIFORNIA VOCAL ASSOCIATION COMPETITION SAN GABRIEL SYMPHONY YOUNG MUSICIANS COMPETITION MUSIC ORGANIZATIONS 2005 - to date PROFESSIONAL OPERA SINGER’S ASSOCIATION COMPETITION- FOUNDER AND DIRECTOR 2003 - to date OPERA PACIFIC, LAILA S. CONLIN HIGH SCHOOL VOCAL COMPETITION, DIRECTOR 2002 - to date SOUTHERN CALIFORNIA VOCAL ASSOCIATION 1999 - to date MUSIC TEACHERS ASSOCIATION OF CALIFORNIA - SO. COAST CITIES - COORDINATOR of CM 1997 - to date MUSICAL ARTS CLUB OF ORANGE COUNTY 1993 - to date NATIONAL ASSOCIATION OF TEACHERS OF SINGING - LOS ANGELES - BOARD ‘94 -‘96;’04 -‘06 2001 - 2005 METROPOLITAN OPERA NATIONAL COUNCIL - ORANGE COUNTY DISTRICT AUDITIONS - ASSISTANT DIRECTOR - SINGER & TEACHER LIAISON 1998 - 2004 SOUTHWESTERN YOUTH MUSIC FESTIVAL EMPLOYMENT TEACHING AND LECTURE EXPERIENCE 1997 – 2005 P/T FACULTY - VOICE CALIFORNIA STATE UNIVERSITY, LONG BEACH 2004 GUEST SPEAKER – NATIONAL ASSOCIATION OF TEACHERS OF SINGING – HOUSTON, TX (NOV.20) 1996 MASTER CLASS CALIFORNIA STATE UNIVERSITY, LONG BEACH 1994 GUEST TEACHER AND LECTURER UNIVERSITY OF ARIZONA, TUCSON 1994 GUEST LECTURER SELECTED SCHOOLS - ORANGE COUNTY, CA 1994 - to date PRIVATE VOICE STUDIO, LAGUNA NIGUEL, CA 1992 GUEST SPEAKER - NATS CONVENTION - PASADENA (JAN. 3-5) 1987 GUEST SPEAKER - AMERICAN INSTITUTE OF MUSICAL STUDIES, GRAZ, AUSTRIA 1980 GUEST LECTURER - CALIFORNIA STATE UNIVERSITY, LONG BEACH 1976 GUEST LECTURER - OCCIDENTAL COLLEGE, LOS ANGELES 1969 – 1972 HUNTINGTON BEACH UNIFIED SCHOOL DISTRICT LONG BEACH UNIFIED SCHOOL DISTRICT A B C UNIFIED SCHOOL DISTRICT PERFORMANCE EXPERIENCE 1982 – 93 INTERNATIONAL FREELANCE ARTIST (see ENGAGEMENTS) 1991 – 93 STAEDTISCHE BUEHNEN FRANKFURT AM MAIN 1980 – 88 STAEDTISCHE BUEHNEN FRANKFURT AM MAIN 1988 OPERA VOOR FLANDERS, BELGIUM 1987 JUBILEE CONCERT WITH MAESTRO DANIEL BARENBOIM AND L’ORCHESTRE DE PARIS 1985 – 87 THEATRE NATIONAL DE L’OPERA DE PARIS, L’OPERA DE LYON, THEATRE DU CAPITOL DE TOULOUSE, GRANDE THEATRE DE BORDEAUX WITH MAESTRO MICHAEL PLASSON 1985 TELEVISION AND RADIO FRANCE PRESENTATION OF THE WORLD PREMIERE OF THE OPERA “MONTSEGUR” BY MARCEL LANDOWSKI 1985 – 87 DEUTSCHE OPER BERLIN (WITH MAESTRO CHRISTOF PRICK) 1985 ROYAL OPERA OF COPENHAGEN, DENMARK 1983 DEUTSCHE OPER AM RHEIN - DUESSELDORF / DUISBURG 1974 – 80 STAEDTISCHE BUEHNEN LUEBECK 1973 PORTLAND OPERA - OREGON ENGAGEMENTS - OPERA SAN FRANCISCO OPERA PORTLAND OPERA ASSOCIATION THEATRE NATIONAL DE L’OPERA DE PARIS THEATRE DU CAPITOLE DE TOULOUSE GRAND THEATRE DE BORDEAUX L’OPERA DE LYON DUESSELDORF STAEDTISCHE BUEHNEN FRANKFURT AM MAIN GAERTNERPLATZ MUENCHEN STAEDTISCHE BUEHNEN AUGSBURG BUEHNEN DER STADT ESSEN SAARBRUECKEN BUEHNEN DER HANSESTADT LUEBECK BUEHNEN DER LANDESHAUPTSTADT KIEL BUEHNEN DER STADT BIELEFELD STAEDTISCHE BUEHNEN HAGEN OPERA VOOR VLAANDEREN, GENT TURKISH NATIONAL THEATER ISTANBUL ROYAL OPERA OF KOPENHAGEN STADTTHEATER BERN LANDESTHEATER SALZBURG DEUTSCHE OPER BERLIN DEUTSCHE OPER AM RHEIN DUESSELDORF - DUISBURG NATIONALTHEATER MANNHEIM NIEDERSACHSCHE STAATSTHEATER HANNOVER STAATSTHEATER AM GAERTNERPLATZ MUENCHEN THEATER DER FREIEN HANSESTADT BREMEN STAATSTHEATER KASSEL HESSISCHES STAATSTHEATER WIESBADEN SAARLANDSCHES STAATSTHEATER SAARBRUECKEN STAATSTHEATER BRAUNSCHWEIG STADTTHEATER AACHEN THEATER DER STADT TRIER - 2000 YEAR ANNIVERSARY OF THE CITY STADTTHEATER BREMERHAVEN STADTTHEATER REGENSBURG ANHALTISCHES STADTTHEATER DESSAU ENGAGEMENTS - CONCERT RADIO-SYMPHONIE-ORCHESTER DER STADT NUERNBERG ORCHESTRE DE PARIS - DANIEL BARENBOIM -“JUBILEE OF THE FOUNDING OF THE ORCHESTRA” SAN FRANCISCO SYMPHONY ORCHESTRA SYMPHONISCHES ORCHESTER BERLIN HAMBURGER SYMPHONIKER RADIO-SYMPHONIE-ORCHESTER DER STADT NUERNBERG SINFONIEORCHESTER DER BUEHNEN DER HANSESTADT LUEBECK RADIO-SYMPHONIE-ORCHESTER DER STADT HAMBURG RADIO-SYMPHONIE-ORCHESTER FRANKFURT AM MAIN PHILHARMONISCHES ORCHESTER DER STADT HEIDENHEIM PHILHARMONISCHES STAATSORCHESTER DER FREIEN HANSESTADT BREMEN ENGAGEMENTS - TELEVISION AND RADIO RADIO AND TELEVISION FRANCE - “MONTSEGUR” BY MARCEL LANDOWSKY NORDDEUTSCHER RUNDFUNK - SENDER FREIES BERLIN WESTDEUTSCHER RUNDFUNK HESSISCHER RUNDFUNK HESSEN DREI - TELEVISION RADIO FRANCE - DANIEL BARENBOIM AND L’ORCHESTRE DE PARIS REPERTOIRE - OPERA BIZET CARMEN MICAELA FRENCH / GERMAN BRITTEN PETER GRIMES ELLEN ORFORD GERMAN MIDSUMMERNIGHT’S DREAM HELENA GERMAN DVORAK RUSALKA RUSALKA GERMAN FREMDE FUERSTIN GERMAN GERSHWIN PORGY AND BESS CLARA GERMAN GOUNOD FAUST MARGUERITE FRENCH JANACEK KATJA KABANOVA KATJA GERMAN LANDOWSKI MONTSEGUR JORDANE FRENCH LEONCAVALLO I PAGLIACCI NEDDA GERMAN MENOTTI AMAL AND THE NIGHT VISITORS MOTHER ENGLISH / GERMAN THE TELEPHONE LUCY ENGLISH MILAUD DIE ARME MATROSE WIFE GERMAN MOZART COSI FAN TUTTE FIORDILIGI ITALIAN / GERMAN DONNA ELVIRA ITALIAN / GERMAN LA NOZZE DI FIGARO COUNTESS ITALIAN / GERMAN DIE ZAUBERFLOETE 1ste DAME GERMAN OFFENBACH LA PERICHOLE PERICHOLE ENGLISH PUCCINI LA BOHEME MIMI ITALIAN / GERMAN / ENGLISH MUSETTA ITALIAN MADAMA BUTTERFLY CIO CIO SAN ITALIAN / GERMAN TURANDOT LIU GERMAN RAMEAU CASTOR ET POLLUX PHEBE FRENCH SMETANA THE BARTERED BRIDE MARIE ENGLISH J. STRAUSS DIE FLEDERMAUS ROSALINDE ENGLISH DER ZIGERNERBARON SAFFI GERMAN R STRAUSS ARABELLA ARABELLA GERMAN ARIADNE AUF NAXOS NAJADE GERMAN ECHO GERMAN ELEKTRA 5THE MAGD GERMAN AUFSEHERIN GERMAN TSCHAIKOWSKY EUGENE ONEGIN TATJANA GERMAN VERDI DON CARLOS ELISABETTA ITALIAN ERNANI ELVIRA GERMAN LA FORZA DEL DESTINO LEONORA GERMAN OTELLO DESDEMONA GERMAN LA TRAVIATA VIOLETTA ITALIAN IL TROVATORE LEONORA GERMAN WAGNER LOHENGRIN ELSA GERMAN DIE MEISTERSINGER EVA GERMAN PARSIFAL 1.BLUMENM., 1.GRP. GERMAN 2 BLUMENM., 2.GRP GERMAN DAS RHEINGOLD FREIA GERMAN WOGLINDE GERMAN DIE WALKUERE HELMWIGE GERMAN REPERTOIRE - CONCERT - MASS - ORATORIO BEETHOVEN MISSA SOLEMNIS LATIN 9TH SYMPHONY GERMAN BRAHMS A GERMAN REQUIEM GERMAN DUBOIS THE SEVEN LAST WORDS OF CHRIST ENGLISH HANDEL THE MESSIAH ENGLISH THEODORA GERMAN MENDELSSOHN ELIJAH ENGLISH MOZART BETULIA LIBERATA ITALIAN REQUIEM LATIN SCHUBERT MASS IN A- MINOR LATIN VIVALDI CHAMBER MASS LATIN VERDI REQUIEM MASS LATIN ROSSINI PETTIT MESSE SOLENELLE LATIN .
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 88
    BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Discours Prononcé Par M. Laurent
    INSTITUT DE FRANCE ACADEMIE DES BEAUX-ARTS NOTICE SUR LA VIE ET LES TRAVAUX DE M. Marcel LANDOWSKY (1915-1999) par M. Laurent PETITGIRARD Lue à l’occasion de son installation comme membre de la Section de Composition musicale SEANCE DU MERCREDI 12 DECEMBRE 2001 Monsieur le Président, Messieurs les Secrétaires perpétuels, Chers confrères, Chers amis, Marcel Landowski aurait certainement apprécié que son successeur soit reçu par un grand sculpteur et je remercie de tout cœur Jean Cardot pour ses propos chaleureux. Dès son enfance, Marcel Landowski est impressionné par la puissance de travail de son père, Paul Landowski, qu'il décrit ainsi: "C’est dans son atelier, en le voyant travailler douze heures par jour aux grandes œuvres qu’il a sculptées et qu’il remettait vingt fois sur le chantier, que j’ai, du moins je l’espère, appris la valeur du travail et du vrai métier". Marcel Landowski aura le privilège d’y passer de longs moments, et l’on imagine sans peine l’influence qu’a pu avoir sur un jeune garçon à la sensibilité exacerbée la vision de la gigantesque tête de sept mètres de haut du Christ du Mont Corcovado que son père sculptait pour la baie de Rio de Janeiro. Sa mère, Amélie, femme d’une grande culture, lui donnera le goût d’un univers secret, très dense et nourri de réflexion intellectuelle. Deux autres femmes, Nadine, sa sœur aînée, peintre et sa grand-mère, allaient avoir sur lui une pondérante. C’est à Lamaguère, le domaine de son grand-père Jean Cruppi, ministre de la troisième République, situé devant la chaîne des Pyrénées, au bord de la Garonne, que sa grand-mère Louise va lui donner ses premiers cours de piano et de solfège.
    [Show full text]
  • International Useful Links
    STUDIES AREA ARTS - APPLIED ARTS • 26.4 million tickets to contemporary • 316 M€ in export revenues for • 930 M€ in ticket sales (2017) Music musical and variety performances; the French music sector, 2.3 million attendees at operas, ballets, • 456 conservatories; orchestral concerts (2017) 80.5 M€ of export revenues for the performing arts market of which 1 377 music students in Paris and • jobs in the music 13.5% for classical music (2019) 234,700 in Lyon (2020) world, up more than 3% in 2 years 654 (2020) Sources : INSEE - MC - MESRI France has long had a major presence on the world musical scene. In 1669, Louis XIV founded the Royal Academy of Music, and, since the 19th century, Paris has been a major concert venue for the greatest piano virtuosi of Europe (Liszt, Chopin, others). In the second half of the century, France was the world’s International leading venue for lyric opera. In 1966, seven years Claude Debussy, Hector Berlioz, Pierre Boulez, after André Malraux became France’s first minister Pierre Henry, Maurice Ravel, Erik Satie - these are just Useful links of culture, an office of music was created under the a few of the French musicians who have set rather • Bureau Export-CNM: www.lebureauexport.fr leadership of Marcel Landowski, whose support for than followed trends. Many French musicians and the popularization of music bore fruit (in June 1982) composers are recognized abroad for their unique • Campusart, art, design, music, architecture, ... in the form of the first Fête de la Musique, which has musical mark, among them Michel Petrucciani, Pierre degrees online application: www.campusart.org since spread to 120 countries and 350 cities.
    [Show full text]
  • Opera & Ballet 2017
    12mm spine THE MUSIC SALES GROUP A CATALOGUE OF WORKS FOR THE STAGE ALPHONSE LEDUC ASSOCIATED MUSIC PUBLISHERS BOSWORTH CHESTER MUSIC OPERA / MUSICSALES BALLET OPERA/BALLET EDITION WILHELM HANSEN NOVELLO & COMPANY G.SCHIRMER UNIÓN MUSICAL EDICIONES NEW CAT08195 PUBLISHED BY THE MUSIC SALES GROUP EDITION CAT08195 Opera/Ballet Cover.indd All Pages 13/04/2017 11:01 MUSICSALES CAT08195 Chester Opera-Ballet Brochure 2017.indd 1 1 12/04/2017 13:09 Hans Abrahamsen Mark Adamo John Adams John Luther Adams Louise Alenius Boserup George Antheil Craig Armstrong Malcolm Arnold Matthew Aucoin Samuel Barber Jeff Beal Iain Bell Richard Rodney Bennett Lennox Berkeley Arthur Bliss Ernest Bloch Anders Brødsgaard Peter Bruun Geoffrey Burgon Britta Byström Benet Casablancas Elliott Carter Daniel Catán Carlos Chávez Stewart Copeland John Corigliano Henry Cowell MUSICSALES Richard Danielpour Donnacha Dennehy Bryce Dessner Avner Dorman Søren Nils Eichberg Ludovico Einaudi Brian Elias Duke Ellington Manuel de Falla Gabriela Lena Frank Philip Glass Michael Gordon Henryk Mikolaj Górecki Morton Gould José Luis Greco Jorge Grundman Pelle Gudmundsen-Holmgreen Albert Guinovart Haflidi Hallgrímsson John Harbison Henrik Hellstenius Hans Werner Henze Juliana Hodkinson Bo Holten Arthur Honegger Karel Husa Jacques Ibert Angel Illarramendi Aaron Jay Kernis CAT08195 Chester Opera-Ballet Brochure 2017.indd 2 12/04/2017 13:09 2 Leon Kirchner Anders Koppel Ezra Laderman David Lang Rued Langgaard Peter Lieberson Bent Lorentzen Witold Lutosławski Missy Mazzoli Niels Marthinsen Peter Maxwell Davies John McCabe Gian Carlo Menotti Olivier Messiaen Darius Milhaud Nico Muhly Thea Musgrave Carl Nielsen Arne Nordheim Per Nørgård Michael Nyman Tarik O’Regan Andy Pape Ramon Paus Anthony Payne Jocelyn Pook Francis Poulenc OPERA/BALLET André Previn Karl Aage Rasmussen Sunleif Rasmussen Robin Rimbaud (Scanner) Robert X.
    [Show full text]
  • Central Opera Service Bulletin Volume 29, Number A
    CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
    [Show full text]
  • Orchestrating French Music Conservatories: European Political Interventions and Local Governance Elena Raevskikh
    Orchestrating French Music Conservatories: European Political Interventions and Local Governance Elena Raevskikh To cite this version: Elena Raevskikh. Orchestrating French Music Conservatories: European Political Interventions and Local Governance. IAFOR Journal of Education, 2017, 5 (1), 10.22492/ije.5.1.09. hal-01655357 HAL Id: hal-01655357 https://hal.archives-ouvertes.fr/hal-01655357 Submitted on 4 Dec 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. the iafor journal of education Volume 5 – Issue 1 – Spring 2017 Editor: Bernard Montoneri ISSN: 2187-0594 The IAFOR Journal of Education Volume 5 – Issue I – Spring 2017 IAFOR Publications The International Academic Forum IAFOR Journal of Education Editor Bernard Montoneri, Tamkang University, Taiwan Co-editor Lucy K. Spence, University of South Carolina, USA Published by The International Academic Forum (IAFOR), Japan IAFOR Publications, Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Executive Editor: Joseph Haldane Design: Bernard Montoneri IAFOR Journal of Education Volume 5 – Issue
    [Show full text]
  • TEMPO Henri Dutilleux and Maurice Ohana
    TEMPO http://journals.cambridge.org/TEM Additional services for TEMPO: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?. Caroline Rae TEMPO / Volume 212 / Issue 212 / April 2000, pp 22 - 30 DOI: 10.1017/S0040298200007580, Published online: 23 November 2009 Link to this article: http://journals.cambridge.org/abstract_S0040298200007580 How to cite this article: Caroline Rae (2000). Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?. TEMPO, 212, pp 22-30 doi:10.1017/S0040298200007580 Request Permissions : Click here Downloaded from http://journals.cambridge.org/TEM, IP address: 131.251.254.238 on 31 Jul 2014 Caroline Rae Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone? Until recently, the music of Henri Dutilleux and known more as a concert pianist than as a com- Maurice Ohana was largely overlooked in poser and by 1939 had given recitals at the Salles Britain, despite both composers having achieved Gaveau and Chopin, performed concertos with widespread recognition beyond our shores. In the orchestras of the Concerts Lamoureux and France they have ranked among the leading Pasdeloup, and completed several European composers of their generation since at least the tours. (In 1947 he gave recitals in London at the 1960s and have received many of the highest Wigmore Hall as well as for the BBC Home official accolades. In Britain, the view of French Service.) Indicating the path of his subsequent music since 1945 has often been synonymous compositional development, his recital program- with the music of Olivier Messiaen and Pierre mes reflected a cultural alignment independent Boulez, to the virtual exclusion of others whose of the Austro-German tradition and typically work has long been honoured not only in comprised works by Scarlatti, Chopin, Debussy, France and elsewhere in Europe but in the Ravel and the Spaniards, Falla, Albeniz and wider international arena.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
    [Show full text]
  • Musiciennes:Women Musicians in France During the Interwar Years
    Musiciennes: Women Musicians in France during the Interwar Years, 1919-1939 Laura Ann Hamer Submitted for the Degree of Doctor of Philosophy Cardiff University, 2009 UMI Number: U584377 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584377 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The musical life of interwar France (1919-39) has fascinated many writers; however, the part played by women musicians has been much neglected. This thesis seeks to rectify this situation by presenting a study of the activities and reception of the musiciennes of interwar France. The thesis is divided into three parts: part one provides a contextual framework within which to situate the pursuits of women musicians by considering both their contemporary social position and the gender- specific conditions which affect the lives, careers, and reception of musiciennes. Part two focuses on conductors and composers. Jane Evrard and her Orchestre feminin de Paris are discussed within the context of the contemporaneous development of the all­ woman orchestra and rise of the first professional female conductors.
    [Show full text]
  • Orchestrating French Music Conservatories: European Political Interventions and Local Governances
    Orchestrating French Music Conservatories: European Political Interventions and Local Governances Elena Raevskikh, Centre Norbert Elias (French National Center for Scientific Research - CNRS), France The IAFOR International Conference on Global Studies 2016 Official Conference Proceedings Abstract Supported by the omnipresent State in the past, the French music education leans increasingly towards more liberal and competitive model. In the current context of decentralized economy and European integration, the music conservatoires are called to contribute to regional and municipal development and enhance the European student mobility. How do the conservatories react to the restructuring of competitive field? How do they impact the European territorial cohesion? Are they managing adaptive or hybrid strategies with new conceptions of music education? Or, conversely, do they gradually move away from the marketplace and become an obsolete and difficult heritage to maintain? To answer these questions, it is necessary to analyze the current balance of power among the different elements of the French multi-level system of conservatories, that includes Communal, Inter-communal, Departmental, Regional, National and European institutions. By combining different sources of spatial and statistical data, this paper contributes to building the comparative institutional geography of French multi-level territorial divisions. The cartographic approach to music conservatories allows identifying the problems that deserve more detailed qualitative and statistical study in future. Keywords: Cultural Policies; Music Education; Cultural Institutions; European Integration; Territorial Administration; Institutional geography. iafor The International Academic Forum www.iafor.org Conservatories balancing between national prestige and territorial needs The French multi-level territorial divisions - Regions, Departments (counties) and Communes (districts) - are both administrative channels for central government and decentralised territorial units.
    [Show full text]
  • Orchestre National De Lyon Leonard Slatkin, Music Director Jennifer Gilbert, Violin
    Saturday, February 18, 2017 at 8:00 pm University of Connecticut School of Fine Arts Anne D'Alleva, Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents Orchestre National de Lyon Leonard Slatkin, Music Director Jennifer Gilbert, Violin PROGRAM Shéhérazade, Ouverture de féerie Maurice Ravel Kinah Leonard Slatkin Tzigane Maurice Ravel Jennifer Gilbert, Violin Intermission Symphonie fantastique, Op. 14 Hector Berlioz Daydreams – Passions A Ball Scene in the Country March to the Scaffold Dream of a Witches' Sabbath – Please hold applause between movements – Columbia Artists Management LLC Media Sponsor Tour Direction: R. Douglas Sheldon 1790 Broadway New York, NY 10019 www.cami.com ORCHESTRE NATIONAL DE LYON The Orchestre National de Lyon was founded in 1905 by Georges Martin Witkowski, as the Société des Grands Concerts de Lyon. The orchestra is proud of an illustrious past to which great musicians such as André Cluytens, Charles Munch, Paul Paray and Pierre Monteux have contributed. In 1969, following an initiative by the Lyon authorities and on the occasion of the establishment of regional orchestras by Marcel Landowski, it became a permanent orchestra with 102 musicians under the name “Orchestre philharmonique Rhône-Alpes,” with Louis Frémaux as its first Music Director. The orchestra was, from that date on, managed and supported by the City of Lyon. In 1983, the orchestra became the Orchestre National de Lyon, the same year that Lyon Opera founded their own orchestra. In 1975, the orchestra’s own concert hall – Auditorium Maurice-Ravel – was opened in Lyon, funded by the City of Lyon. It is one of the largest concert halls in France, with more than 2,000 seats, and it boasts remarkable acoustics.
    [Show full text]