Orchestre National De Lyon Leonard Slatkin, Music Director Jennifer Gilbert, Violin

Total Page:16

File Type:pdf, Size:1020Kb

Orchestre National De Lyon Leonard Slatkin, Music Director Jennifer Gilbert, Violin Saturday, February 18, 2017 at 8:00 pm University of Connecticut School of Fine Arts Anne D'Alleva, Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents Orchestre National de Lyon Leonard Slatkin, Music Director Jennifer Gilbert, Violin PROGRAM Shéhérazade, Ouverture de féerie Maurice Ravel Kinah Leonard Slatkin Tzigane Maurice Ravel Jennifer Gilbert, Violin Intermission Symphonie fantastique, Op. 14 Hector Berlioz Daydreams – Passions A Ball Scene in the Country March to the Scaffold Dream of a Witches' Sabbath – Please hold applause between movements – Columbia Artists Management LLC Media Sponsor Tour Direction: R. Douglas Sheldon 1790 Broadway New York, NY 10019 www.cami.com ORCHESTRE NATIONAL DE LYON The Orchestre National de Lyon was founded in 1905 by Georges Martin Witkowski, as the Société des Grands Concerts de Lyon. The orchestra is proud of an illustrious past to which great musicians such as André Cluytens, Charles Munch, Paul Paray and Pierre Monteux have contributed. In 1969, following an initiative by the Lyon authorities and on the occasion of the establishment of regional orchestras by Marcel Landowski, it became a permanent orchestra with 102 musicians under the name “Orchestre philharmonique Rhône-Alpes,” with Louis Frémaux as its first Music Director. The orchestra was, from that date on, managed and supported by the City of Lyon. In 1983, the orchestra became the Orchestre National de Lyon, the same year that Lyon Opera founded their own orchestra. In 1975, the orchestra’s own concert hall – Auditorium Maurice-Ravel – was opened in Lyon, funded by the City of Lyon. It is one of the largest concert halls in France, with more than 2,000 seats, and it boasts remarkable acoustics. The French conductor Serge Baudo became the ONL’s Music Director in 1971 and until 1986 he made the orchestra a musical force to be reckoned with, both at home and abroad. Under the Music Directorship of Emmanuel Krivine (1987-2000), the orchestra continued to increase in artistic stature and received considerable international critical acclaim. David Robertson became Music Director in 2000 as well as Artistic Director of the Auditorium, and his arrival brought a very creative approach to programming and musical styles. He was succeeded by Jun Märkl (2005-2011) and he, in turn, was succeeded by Leonard Slatkin who arrived in September 2011 and continues as Music Director to this day. The ONL has been intensely busy outside of Lyon. It tours regularly to Asia (Japan and China), to the USA and in Europe and has been invited to take part in the BBC Proms season in London, in the “Chorégies” in Orange and at the Philharmonie in Paris. Future touring plans include the USA and Europe. The ONL is proud to promote the music of living composers. It has welcomed great artists such as Luciano Berio and Krzysztof Penderecki, and it has given world or European premieres of works by Pierre Boulez, Steve Reich, Michael Jarrell, Thierry Escaich and Kaija Saariaho. In the current season, John Adams and Guillaume Connesson are the ONL’s associate composers. The wealth of the ONL’s repertoire is reflected in a vast series of recordings which have regularly won important awards including Ravel’s Bolero in 1984 to Debussy’s complete orchestral works under the baton of Jun Märkl (Naxos) and a CD of works by Thierry Escaich released in 2011 (Universal). Leonard Slatkin leads two ambitious recording projects, the complete symphonic works of both Ravel and Berlioz (Naxos). The ONL is a pioneer in community engagement and is the only French orchestra to have developed two annual orchestra projects for young musicians. It has developed ambitious projects for schools, lecture series, participatory concerts for families and other ground-breaking activities outside of the concert hall. It is also proud to offer heavily discounted tickets to young audience members. LEONARD SLATKIN, Music Director Internationally acclaimed conductor Leonard Slatkin is Music Director of the Detroit Symphony Orchestra (DSO) and the Orchestre National de Lyon (ONL). He also maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator. Highlights of the 2015-16 season included a three-week Brahms festival in Detroit; engagements with the St. Louis Symphony, Pittsburgh Symphony, Los Angeles Philharmonic, and NHK Symphony in Tokyo; and debuts with Beijing's China Philharmonic Orchestra and the Shanghai Symphony Orchestra. Summer events included a tour of Japan with the ONL and performances of Barber’s Vanessa in Santa Fe. During the 2016-17 season—in addition to his regular duties in Detroit and Lyon—he will return to St. Louis; tour the U.S. and Europe with the ONL; conduct overseas with the WDR Symphony Orchestra in Cologne, Verdi Orchestra in Milan, and San Carlo Theatre Orchestra in Naples; and serve as chairman of the jury and conductor of the 2017 Cliburn Competition. Slatkin’s more than 100 recordings have garnered seven Grammy awards and 64 nominations. His recent Naxos recordings include works by Saint-Saëns, Ravel, and Berlioz (with the ONL) and music by Copland, Rachmaninov, Borzova, McTee, and John Williams (with the DSO). In addition, he has recorded the complete Brahms, Beethoven, and Tchaikovsky symphonies with the DSO (available online as digital downloads). A recipient of the prestigious National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has received Austria’s Decoration of Honor in Silver, the League of American Orchestras’ Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his book, Conducting Business. Slatkin has conducted virtually all of the leading orchestras in the world. As Music Director, he has held posts with the New Orleans, St. Louis, and National symphony orchestras, and he was Chief Conductor of the BBC Symphony Orchestra. He has served as Principal Guest Conductor of London’s Philharmonia and Royal Philharmonic, the Pittsburgh Symphony Orchestra, the Los Angeles Philharmonic at the Hollywood Bowl, and the Minnesota Orchestra. For more information, visit leonardslatkin.com. JENNIFER GILBERT, Violin Jennifer Gilbert is the violin soloist and concertmaster of the Orchestre National de Lyon and also conducts an international career as soloist and chamber musician. In recent seasons, Jennifer Gilbert appeared as soloist with Orchestra National de Lyon, Sinfonica de Galicia, Corona Symphony Youth Symphony, the Metamorphosen Chamber Orchestra, Tokyo Symphony Orchestra, the Tokyo Metropolitan Symphony Orchestra and Kyoto Symphony Orchestra. Jennifer Gilbert participated in chamber music festivals around the world, including festivals of Marlboro, Santa Fe and Las Vegas in the US, Stavelot in Belgium, Auvers-sur-Oise, Chambery and Lyon (Musicades) in France. She has collaborated with pianists Jean-Yves Thibaudet, Leon Fleisher, Emanuel Ax, Peter Serkin and Hélène Grimaud, and violinists Midori, Julia Fischer, Renaud Capuçon and Cho-Liang Lin. Contemporary music plays an important role in the career of Jennifer Gilbert, who has recorded John Harbison’s Due Libri on Archetype Records and Earl Kim’s Three Poems in French at New World Records. Jennifer Gilbert was invited as concertmaster of the Mahler Chamber Orchestra, the Toulouse Capitole Orchestra, the Galicia Symphony Orchestra and the Chamber Orchestra Metamorphosen. In addition, she is regularly concertmaster and member of the Saito Kinen Orchestra, conducted by Seiji Ozawa. Jennifer Gilbert is Director of MMCJ, an international music summer school founded in Yokohama, Japan. This season, she will play at MMCJ, Festival Sangat de Bombay (India) and the Chamber Music Festival of Santa Fe (New Mexico), as well as performing as soloist with the Philharmonic City of Tokyo, Japan. Jennifer Gilbert studied Music at Harvard University, as well as English and American literature. She plays a 1781 Guadagnini violin. The Orchestre National de Lyon, a City of Lyon institution, is funded by the French Ministry of Culture and the Auvergne-Rhône-Alpes Region. .
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 88
    BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Discours Prononcé Par M. Laurent
    INSTITUT DE FRANCE ACADEMIE DES BEAUX-ARTS NOTICE SUR LA VIE ET LES TRAVAUX DE M. Marcel LANDOWSKY (1915-1999) par M. Laurent PETITGIRARD Lue à l’occasion de son installation comme membre de la Section de Composition musicale SEANCE DU MERCREDI 12 DECEMBRE 2001 Monsieur le Président, Messieurs les Secrétaires perpétuels, Chers confrères, Chers amis, Marcel Landowski aurait certainement apprécié que son successeur soit reçu par un grand sculpteur et je remercie de tout cœur Jean Cardot pour ses propos chaleureux. Dès son enfance, Marcel Landowski est impressionné par la puissance de travail de son père, Paul Landowski, qu'il décrit ainsi: "C’est dans son atelier, en le voyant travailler douze heures par jour aux grandes œuvres qu’il a sculptées et qu’il remettait vingt fois sur le chantier, que j’ai, du moins je l’espère, appris la valeur du travail et du vrai métier". Marcel Landowski aura le privilège d’y passer de longs moments, et l’on imagine sans peine l’influence qu’a pu avoir sur un jeune garçon à la sensibilité exacerbée la vision de la gigantesque tête de sept mètres de haut du Christ du Mont Corcovado que son père sculptait pour la baie de Rio de Janeiro. Sa mère, Amélie, femme d’une grande culture, lui donnera le goût d’un univers secret, très dense et nourri de réflexion intellectuelle. Deux autres femmes, Nadine, sa sœur aînée, peintre et sa grand-mère, allaient avoir sur lui une pondérante. C’est à Lamaguère, le domaine de son grand-père Jean Cruppi, ministre de la troisième République, situé devant la chaîne des Pyrénées, au bord de la Garonne, que sa grand-mère Louise va lui donner ses premiers cours de piano et de solfège.
    [Show full text]
  • International Useful Links
    STUDIES AREA ARTS - APPLIED ARTS • 26.4 million tickets to contemporary • 316 M€ in export revenues for • 930 M€ in ticket sales (2017) Music musical and variety performances; the French music sector, 2.3 million attendees at operas, ballets, • 456 conservatories; orchestral concerts (2017) 80.5 M€ of export revenues for the performing arts market of which 1 377 music students in Paris and • jobs in the music 13.5% for classical music (2019) 234,700 in Lyon (2020) world, up more than 3% in 2 years 654 (2020) Sources : INSEE - MC - MESRI France has long had a major presence on the world musical scene. In 1669, Louis XIV founded the Royal Academy of Music, and, since the 19th century, Paris has been a major concert venue for the greatest piano virtuosi of Europe (Liszt, Chopin, others). In the second half of the century, France was the world’s International leading venue for lyric opera. In 1966, seven years Claude Debussy, Hector Berlioz, Pierre Boulez, after André Malraux became France’s first minister Pierre Henry, Maurice Ravel, Erik Satie - these are just Useful links of culture, an office of music was created under the a few of the French musicians who have set rather • Bureau Export-CNM: www.lebureauexport.fr leadership of Marcel Landowski, whose support for than followed trends. Many French musicians and the popularization of music bore fruit (in June 1982) composers are recognized abroad for their unique • Campusart, art, design, music, architecture, ... in the form of the first Fête de la Musique, which has musical mark, among them Michel Petrucciani, Pierre degrees online application: www.campusart.org since spread to 120 countries and 350 cities.
    [Show full text]
  • Opera & Ballet 2017
    12mm spine THE MUSIC SALES GROUP A CATALOGUE OF WORKS FOR THE STAGE ALPHONSE LEDUC ASSOCIATED MUSIC PUBLISHERS BOSWORTH CHESTER MUSIC OPERA / MUSICSALES BALLET OPERA/BALLET EDITION WILHELM HANSEN NOVELLO & COMPANY G.SCHIRMER UNIÓN MUSICAL EDICIONES NEW CAT08195 PUBLISHED BY THE MUSIC SALES GROUP EDITION CAT08195 Opera/Ballet Cover.indd All Pages 13/04/2017 11:01 MUSICSALES CAT08195 Chester Opera-Ballet Brochure 2017.indd 1 1 12/04/2017 13:09 Hans Abrahamsen Mark Adamo John Adams John Luther Adams Louise Alenius Boserup George Antheil Craig Armstrong Malcolm Arnold Matthew Aucoin Samuel Barber Jeff Beal Iain Bell Richard Rodney Bennett Lennox Berkeley Arthur Bliss Ernest Bloch Anders Brødsgaard Peter Bruun Geoffrey Burgon Britta Byström Benet Casablancas Elliott Carter Daniel Catán Carlos Chávez Stewart Copeland John Corigliano Henry Cowell MUSICSALES Richard Danielpour Donnacha Dennehy Bryce Dessner Avner Dorman Søren Nils Eichberg Ludovico Einaudi Brian Elias Duke Ellington Manuel de Falla Gabriela Lena Frank Philip Glass Michael Gordon Henryk Mikolaj Górecki Morton Gould José Luis Greco Jorge Grundman Pelle Gudmundsen-Holmgreen Albert Guinovart Haflidi Hallgrímsson John Harbison Henrik Hellstenius Hans Werner Henze Juliana Hodkinson Bo Holten Arthur Honegger Karel Husa Jacques Ibert Angel Illarramendi Aaron Jay Kernis CAT08195 Chester Opera-Ballet Brochure 2017.indd 2 12/04/2017 13:09 2 Leon Kirchner Anders Koppel Ezra Laderman David Lang Rued Langgaard Peter Lieberson Bent Lorentzen Witold Lutosławski Missy Mazzoli Niels Marthinsen Peter Maxwell Davies John McCabe Gian Carlo Menotti Olivier Messiaen Darius Milhaud Nico Muhly Thea Musgrave Carl Nielsen Arne Nordheim Per Nørgård Michael Nyman Tarik O’Regan Andy Pape Ramon Paus Anthony Payne Jocelyn Pook Francis Poulenc OPERA/BALLET André Previn Karl Aage Rasmussen Sunleif Rasmussen Robin Rimbaud (Scanner) Robert X.
    [Show full text]
  • Central Opera Service Bulletin Volume 29, Number A
    CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
    [Show full text]
  • Orchestrating French Music Conservatories: European Political Interventions and Local Governance Elena Raevskikh
    Orchestrating French Music Conservatories: European Political Interventions and Local Governance Elena Raevskikh To cite this version: Elena Raevskikh. Orchestrating French Music Conservatories: European Political Interventions and Local Governance. IAFOR Journal of Education, 2017, 5 (1), 10.22492/ije.5.1.09. hal-01655357 HAL Id: hal-01655357 https://hal.archives-ouvertes.fr/hal-01655357 Submitted on 4 Dec 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. the iafor journal of education Volume 5 – Issue 1 – Spring 2017 Editor: Bernard Montoneri ISSN: 2187-0594 The IAFOR Journal of Education Volume 5 – Issue I – Spring 2017 IAFOR Publications The International Academic Forum IAFOR Journal of Education Editor Bernard Montoneri, Tamkang University, Taiwan Co-editor Lucy K. Spence, University of South Carolina, USA Published by The International Academic Forum (IAFOR), Japan IAFOR Publications, Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Executive Editor: Joseph Haldane Design: Bernard Montoneri IAFOR Journal of Education Volume 5 – Issue
    [Show full text]
  • TEMPO Henri Dutilleux and Maurice Ohana
    TEMPO http://journals.cambridge.org/TEM Additional services for TEMPO: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?. Caroline Rae TEMPO / Volume 212 / Issue 212 / April 2000, pp 22 - 30 DOI: 10.1017/S0040298200007580, Published online: 23 November 2009 Link to this article: http://journals.cambridge.org/abstract_S0040298200007580 How to cite this article: Caroline Rae (2000). Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?. TEMPO, 212, pp 22-30 doi:10.1017/S0040298200007580 Request Permissions : Click here Downloaded from http://journals.cambridge.org/TEM, IP address: 131.251.254.238 on 31 Jul 2014 Caroline Rae Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone? Until recently, the music of Henri Dutilleux and known more as a concert pianist than as a com- Maurice Ohana was largely overlooked in poser and by 1939 had given recitals at the Salles Britain, despite both composers having achieved Gaveau and Chopin, performed concertos with widespread recognition beyond our shores. In the orchestras of the Concerts Lamoureux and France they have ranked among the leading Pasdeloup, and completed several European composers of their generation since at least the tours. (In 1947 he gave recitals in London at the 1960s and have received many of the highest Wigmore Hall as well as for the BBC Home official accolades. In Britain, the view of French Service.) Indicating the path of his subsequent music since 1945 has often been synonymous compositional development, his recital program- with the music of Olivier Messiaen and Pierre mes reflected a cultural alignment independent Boulez, to the virtual exclusion of others whose of the Austro-German tradition and typically work has long been honoured not only in comprised works by Scarlatti, Chopin, Debussy, France and elsewhere in Europe but in the Ravel and the Spaniards, Falla, Albeniz and wider international arena.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
    [Show full text]
  • Musiciennes:Women Musicians in France During the Interwar Years
    Musiciennes: Women Musicians in France during the Interwar Years, 1919-1939 Laura Ann Hamer Submitted for the Degree of Doctor of Philosophy Cardiff University, 2009 UMI Number: U584377 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584377 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The musical life of interwar France (1919-39) has fascinated many writers; however, the part played by women musicians has been much neglected. This thesis seeks to rectify this situation by presenting a study of the activities and reception of the musiciennes of interwar France. The thesis is divided into three parts: part one provides a contextual framework within which to situate the pursuits of women musicians by considering both their contemporary social position and the gender- specific conditions which affect the lives, careers, and reception of musiciennes. Part two focuses on conductors and composers. Jane Evrard and her Orchestre feminin de Paris are discussed within the context of the contemporaneous development of the all­ woman orchestra and rise of the first professional female conductors.
    [Show full text]
  • Orchestrating French Music Conservatories: European Political Interventions and Local Governances
    Orchestrating French Music Conservatories: European Political Interventions and Local Governances Elena Raevskikh, Centre Norbert Elias (French National Center for Scientific Research - CNRS), France The IAFOR International Conference on Global Studies 2016 Official Conference Proceedings Abstract Supported by the omnipresent State in the past, the French music education leans increasingly towards more liberal and competitive model. In the current context of decentralized economy and European integration, the music conservatoires are called to contribute to regional and municipal development and enhance the European student mobility. How do the conservatories react to the restructuring of competitive field? How do they impact the European territorial cohesion? Are they managing adaptive or hybrid strategies with new conceptions of music education? Or, conversely, do they gradually move away from the marketplace and become an obsolete and difficult heritage to maintain? To answer these questions, it is necessary to analyze the current balance of power among the different elements of the French multi-level system of conservatories, that includes Communal, Inter-communal, Departmental, Regional, National and European institutions. By combining different sources of spatial and statistical data, this paper contributes to building the comparative institutional geography of French multi-level territorial divisions. The cartographic approach to music conservatories allows identifying the problems that deserve more detailed qualitative and statistical study in future. Keywords: Cultural Policies; Music Education; Cultural Institutions; European Integration; Territorial Administration; Institutional geography. iafor The International Academic Forum www.iafor.org Conservatories balancing between national prestige and territorial needs The French multi-level territorial divisions - Regions, Departments (counties) and Communes (districts) - are both administrative channels for central government and decentralised territorial units.
    [Show full text]
  • Marcel Landowski
    OUVRAGES DE MARCEL LANDOWSKI Honegger (Éditions du Seuil, 1957) Les Instruments de l'orchestre (Éditions « Que sais-je ? », 1951, 1960) Batailles pour la musique (Éditions du Seuil, 1979) La musique n'adoucit pas les mœurs (Éditions Belfond, 1990) OUVRAGES D'ANTOINE LIVIO Étoiles et ballerines (Éditions du Panorama/Vilo, 1965) Béjart (Éditions L'Âge d'Homme, Lausanne, 1969) Préface et compléments pour l'édition française du Dictionnaire du ballet de Mario Pasi (Éditions Denoël, 1981) L'Œuvre lyrique de Richard Wagner (Éditions du Chemin-Vert, 1983) Préface, notes et appareil critique de La Dame aux camélias (Livre de Poche classique, 1983) Notes et appareil critique de Don Giovanni (Livre de Poche classique, 1986) Préface, traduction, notes et appareil critique de Falstaff (Livre de Poche classique, 1987) Tania Bari (Éditions Le Cri, Bruxelles, 1998) MARCEL LANDOWSKI ANTOINE LIVIO Collection CONVERSATIONS AVEC... dirigée par Cynthia Liebow © 1998, by Éditions Denoël 9, rue du Cherche-Midi, 75006 Paris ISBN 2.207.24369.9 B 24369.8 Lettre à Marcel Landowski Monsieur le Chancelier de l'Institut de France, Si je ne suis pas surpris que vous ayez accepté ce jeu du dialogue — après tout, ce n'est pas la première fois que vous vous y livrez — je suis en tout cas honoré que vous m'ayez choisi comme interlocuteur. Car cette fois le propos est plus vaste, puisqu'il s'agissait au départ des « Grands Entretiens de France-Musique », que nous allons poursuivre, étendre, approfondir en vue du présent livre. L'histoire de la musique en France, périodiquement, se résume à la lutte de deux clans.
    [Show full text]