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Boulez Domaine PIERRE LE BOULEZ DOMAINE MUSICAL I956…I967 PIERRE BOULEZ LE DOMAINE MUSICAL I956…I967 VOL 1. LE CONCERT DU 10E ANNIVERSAIRE [68’20] VOL 2. LES RÉFÉRENCES FRANÇAISES [62’32] Karlheinz Stockhausen[1928-2007] Claude Debussy [1862-1918] 1. Kontra-punkte [Contrepoints] pour 10 instruments, opus 1 [1952-53] [11’26] 1. Syrinx pour flûte seule [1912] [03’34] Solistes du Domaine musical ; Pierre BOULEZ, direction Severino GAZZELLONI, flûte Luciano Berio [1925-2003] Edgar Varèse [1883-1965] 2. Serenata I pour flûte et 14 instruments [1957] [10’24] 2. Densité 21,5 pour flûte seule [1936/1946] [05’50] Severino GAZZELLONI, flûte Severino GAZZELLONI, flûte Solistes du Domaine musical ; Pierre BOULEZ, direction 3. Hyperprism pour petit orchestre et percussion [1922-1923] [04’40] Pierre Boulez [né en 1925] Orchestre du Domaine musical ; Pierre BOULEZ, direction Le Marteau sans maître pour voix d’alto et 6 instruments [1953-1955/1957] [32’16] Octandre pour petit ensemble orchestral [1923] [06’34] 3. 1. Avant “L’artisanat furieux” 1’29 4. 1. Assez lent 2’46 4. 2. Commentaire I de “Bourreaux de solitude” 3’40 5. 2. Très vif et nerveux 1’31 5. 3. “L’artisanat furieux” 2’03 6. 3. Grave 2’17 6. 4. Commentaire II de “Bourreaux de solitude” 4’11 Jacques CASTAGNER, flûte ; Claude MAISONNEUVE, hautbois ; Guy DEPLUS, clarinette 7. 5. “Bel édifice et les pressentiments”, version première 3‘23 Marcel NAULAIS, petite clarinette ; André RABOT, basson ; André FOURNIER, cor 8. 6. “Bourreaux de solitude” 3’19 Roger DELMOTTE, trompette ; René ALLAIN, trombone ; Jacques CAZAURAN, contrebasse 9. 7. Après “L’artisanat furieux” 1’04 Pierre BOULEZ, direction 10. 8. Commentaire III de “Bourreaux de solitude” 5’47 7. Intégrales pour petit orchestre et percussion [1923-1925] [11’10] 11. 9. “Bel édifice et les pressentiments”, double 7’20 Orchestre du Domaine musical ; Pierre BOULEZ, direction Jeanne DEROUBAIX, contralto Olivier Messiaen [1908-1992] Severino GAZZELLONI, flûte ; Georges VAN GUCHT, xylorimba ; Claude RICOU, vibraphone Jean BATIGNE, percussion ; Anton STINGL, guitare ; Serge COLLOT, alto ; Pierre BOULEZ, direction 8. Cantéyodjayâ pour piano [1948] [12’01] Olivier Messiaen [1908-1992] Sept Haïkaï esquisses japonaises pour piano solo, xylophone et marimba soli, deux clarinettes, trompette et petit ensemble [1962] [18’43] 12. Oiseaux exotiques [1955-1956] [13’52] 9. 1. Introduction 1’50 Yvonne LORIOD, piano 10. 2. Le parc de Nara et les lanternes de pierre 1’30 Orchestre du Domaine musical ; Rudolf ALBERT, direction Enregistrement public de la création. Transfert numérique du 33 tours original : Studio Parélies, www.parelies.com 11. 3. Yamanaka-cadenza 3’40 Remerciements à Monsieur Nigel Simeone 12. 4. Gagaku 2’56 Éditeurs graphiques : Universal Edition, Wien (BOULEZ, STOCKHAUSEN) ; Edizioni Suvini Zerboni (BERIO, MESSIAEN) ൿ 1956 (BERIO, STOCKHAUSEN, MESSIAEN) ; 1964 (BOULEZ) Universal Music Classics & Jazz France PIERRE BOULEZ LE DOMAINE MUSICAL I956…I967 VOL 2. LES RÉFÉRENCES FRANÇAISES VOL 4. LES COMPAGNONS DE ROUTE [73’15] 13. 5. Miyajima et le Torii dans la mer 1’22 Maurizio Kagel [1931-2008] 14. 6. Les oiseaux de Karuizawa 5’35 1. Sextuor à cordes pour 2 violons, 2 altos, 2 violoncelles [1953, révisé en 1957] [07’34] 15. 7. Coda 1’50 Solistes du Domaine musical ; Pierre BOULEZ, direction Yvonne LORIOD, piano ; Les Percussions de Strasbourg Orchestre du Domaine musical ; Pierre BOULEZ, direction Luigi Nono [1924-1990] Éditeurs graphiques : Jobert (DEBUSSY) ; Ricordi (VARESE [2-6]) ; Salabert (VARESE [7]) ; Durand (MESSIAEN [8]) ; Leduc (MESSIAEN [9-15]) 2. Incontri [Rencontres] pour 24 instruments [1955] [06’01] ൿ 1958 (VARÈSE [1,2], (MESSIAEN [8]) ; 1964 (VARÈSE [3-7]) ; 1964 (MESSIAEN [9-15]) Universal Music Classics & Jazz France Orchestre du Domaine musical ; Pierre BOULEZ, direction Hans Werner Henze [1926-2012] VOL 3. LE COMPOSITEUR PIERRE BOULEZ [59’46] 3. Concerto per il Marigny pour piano et orchestre [1956] [06’35] Yvonne LORIOD, piano Pierre Boulez [né en 1925] Orchestre du Domaine musical ; Rudolf ALBERT, direction Structures, Livre I pour 2 pianos [1951-1952] [14’21] Henri Pousseur [1929-2009] 1. 1. 3’07 4. Madrigal III pour clarinette, violon, violoncelle, percussions et piano [1962] [12’01] 2. 2. 8’48 Guy DEPLUS, clarinette ; Gérard JARRY, violon ; Michel TOURNUS, violoncelle 3. 3. 2’11 Diego MASSON, Jean-Charles FRANÇOIS, percussions ; Fabienne BOURY, piano Alfons et Aloys KONTARSKY, pianos 5. Mobile pour deux pianos [1958] [10’11] 4. Sonatine pour flûte et piano [1946] [11’44] Alfons et Aloys KONTARSKY, pianos Severino GAZZELLONI, flûte ; David TUDOR, piano Karlheinz Stockhausen [1928-2007] Sonate n°2 pour piano [1948] [33’36] 6. [Mesures du temps] pour flûte, hautbois, cor anglais, 5. Extrêmement rapide 7’06 Zeitmasse clarinette et basson, opus 5 [1956] [13’38] 6. Lent 11’10 7. Modéré, presque vif 2’41 Jacques CASTAGNER, flûte ; Claude MAISONNEUVE, hautbois ; Paul TAILLEFER, cor anglais clarinette basson 8. Vif 11’38 Guy DEPLUS, ; André RABOT, Yvonne LORIOD, piano 7. Klavierstück VI [Pièce pour piano VI] opus 4/II [1956] [17’03] Éditeurs graphiques : Universal Edition, Wien (Structures) ; Amphion (Sonatine) ; Heugel (Sonate n°2) David TUDOR, piano ൿ 1958 (Sonatine) ; 1960 (Structures) ; 1961 (Sonate n°2) Universal Music Classics & Jazz France Éditeurs graphiques : Universal Edition, Wien (KAGEL, POUSSEUR [4] ; STOCKHAUSEN [6]) ; Edizioni Suvini Zerboni (POUSSEUR [5]) ; Schott (HENZE); Ars Viva Verlag (NONO) ; Stockhausen Verlag (STOCKHAUSEN [7]) ൿ 1956 (NONO, HENZE) ; 1957 (STOCKHAUSEN [6]) ; 1960 (KAGEL, POUSSEUR [5], STOCKHAUSEN [7]) Universal Music Classics & Jazz France PIERRE BOULEZ LE DOMAINE MUSICAL I956…I967 VOL 5. IGOR STRAVINSKY [62’14] VOL 5. IGOR STRAVINSKY Igor Stravinsky [1882-1971] 12. Triple Pas-de-Quatre 0’59 13. Prélude 0’50 1. Concertino pour douze instruments 14. First Pas-de-Trois : Saraband-Step 1’14 arrangement du “Concertino pour quatuor à cordes” [1920/1952] [05’45] 15. Gaillarde 1’12 Jacques PARRENIN, violon ; Pierre PENASSOU, violoncelle ; Jacques CASTAGNER, flûte 16. Coda 1’16 Claude MAISONNEUVE, hautbois ; Paul TAILLEFER, cor anglais ; Guy DEPLUS, clarinette André RABOT, Jean-Pierre LAROQUE, bassons ; Pierre POLLIN, Jacques LECOINTRE, trompettes 17. Interlude 0’49 René ALLAIN, trombone ténor ; Maurice SUZAN, trombone basse 18. Second Pas-de-Trois 0’56 Pierre BOULEZ, direction 19. Bransle Gay 0’51 Trois pièces pour clarinette seule [1919] [04’10] 20. Bransle Double 1’20 21. 2. 1. 1’47 Interlude 0’50 22. 3. 2. 1’04 Pas-de-Deux – Coda 5’37 23. 4. 3. 1’14 Four Duos 0’35 24. Four Trios - Coda 2’21 Guy DEPLUS, clarinette Orchestre du Südwestfunk de Baden-Baden ; Hans ROSBAUD, direction Trois pièces pour quatuor à cordes [1914] [06’27] Éditeurs graphiques : Chester Music (Renard ; 3 pièces pour clarinette seule) ; Boosey & Hawkes (Symphonies d’instruments à vent 5. 1. 0’56 3 pièces pour quatuor à cordes ; Agon) ; Wilhelm Hansen (Concertino pour 12 instruments) 6. 2. 1’54 ൿ 1962 et 1958 (Agon) Universal Music Classics & Jazz France 7. 3. 3’31 Quatuor PARRENIN : Jacques PARRENIN, violon I VOL 6. L’ÉCOLE DE VIENNE I. DE 1899 À 1912 [65’04] Jacques GHESTEM, violon II ; Michel WALES, alto ; Pierre PENASSOU, violoncelle 8. Symphonies d’instruments à vent Arnold Schoenberg [1874-1951] à la mémoire de Claude Debussy [1920, version 1947] [08’33] Verklärte Nacht [La Nuit transfigurée] pour sextuor à cordes, opus 4 [1899/1917] [31’12] Orchestre du Domaine musical ; Pierre BOULEZ, direction 1. Sehr langsam [très lent] 3’18 9. Renard histoire burlesque chantée et jouée [1915-16] [15’01] 2. Etwas bewegter [un peu plus animé] 9’14 Jean GIRAUDEAU, Louis DEVOS, ténors ; Louis-Jacques RONDELEUX, Xavier DEPRAZ, basses 3. Schwer betont [pesant] 2’22 Elemer KISS, cymbalum ; Orchestre du Domaine musical ; Pierre BOULEZ, direction 4. Sehr breit und langsam [très large et lent] 9’18 Agon ballet pour 12 danseurs [1953-57] [21’52] 5. Sehr ruhig [très calme] 4’20 10. Pas-de-Quatre 1’35 Jacques PARRENIN, violon I ; Marcel CHARPENTIER, violon II ; Denes MARTON, alto I ; 11. Double Pas-de-Quatre 1’27 Serge COLLOT, alto II ; Pierre PENASSOU, violoncelle I ; Michel TOURNUS, violoncelle II PIERRE BOULEZ LE DOMAINE MUSICAL I956…I967 VOL 6. L’ÉCOLE DE VIENNE I. DE 1899 À 1912 VOL 6. L’ÉCOLE DE VIENNE I. DE 1899 À 1912 Anton Webern [1883-1945] 24. 10. Raub 1’03 Sechs Stücke für Orchester 25. 11 Rote Messe 1’48 26. 12. Galgenlied 0’17 [Six pièces pour orchestre], opus 6 [1909, révisé en 1928] [10’17] 27. 13. Enthauptung 2’01 6. 1. Etwas bewegt [assez animé] 1’06 28. 14. Die Kreuze 2’16 7. 2. Bewegt [animé] 1’17 Troisième partie 8. 3. Zart bewegt [doucement animé] 0’52 29. 15. Heimweh 1’59 9. 4. Langsam, marcia funebre [lent, marche funèbre] 4’18 30. 16. Gemeinheit! 1’11 10. 5. Sehr langsam [très lent] 2’44 31. 17. Parodie 0’59 11. 6. Zart bewegt [doucement animé] 1’33 32. 18. Der Mondfleck 1’04 Orchestre du Südwestfunk de Baden-Baden ; Hans ROSBAUD, direction 33. 19. Serenade 1’55 Arnold Schoenberg [1874-1951] 34. 20.Heimfahrt 1’41 Trois pièces pour 12 instruments [1910] [02’02] 35. 21. O alter Duft 1’34 12. I. Rasch [rapide] 0’45 Helga PILARCZYK, récitante ; Maria BERGMANN, piano ; Jacques CASTAGNER, flûte et piccolo 13. II. Mäßig [modéré] 0’37 Guy DEPLUS, clarinette ; Louis MONTAIGNE, clarinette basse ; Luben YORDANOFF, violon 14. III. Gehend [allant] 0’40 Serge COLLOT, alto ; Jean HUCHOT, violoncelle Orchestre du Domaine musical ; Pierre BOULEZ, direction Éditeurs graphiques : Universal Edition, Wien ; Belmont (SCHOENBERG : Trois pièces) ൿ 1958 (WEBERN) ; 1962 (Pierrot lunaire) ; 1964 (Trois pièces pour ensemble) ; 1966 (La Nuit transfigurée) Universal Music Classics & Jazz France Pierrot lunaire pour voix parlée et 5 instrumentistes opus 21 [1912] [31’50] Première partie VOL 7.
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