DOCSLIB.ORG

How We Are Hungry by Dave Eggers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
How We Are Hungry by Dave Eggers Read and Download Ebook How We Are Hungry... How We Are Hungry Dave Eggers PDF File: How We Are Hungry... 1 Read and Download Ebook How We Are Hungry... How We Are Hungry Dave Eggers How We Are Hungry Dave Eggers "Another" "What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust" "The Only Meaning of the Oil-Wet Water" "On Wanting to Have Three Walls Up Before She Gets Home" "Climbing to the Window, Pretending to Dance" "She Waits, Seething, Blooming" "Quiet" "Your Mother and I" "Naveed" "Notes for a Story of a Man Who Will Not Die Alone" "About the Man Who Began Flying After Meeting Her" "Up the Mountain Coming Down Slowly" "After I Was Thrown in the River and Before I Drowned" From the Trade Paperback edition. How We Are Hungry Details Date : Published October 11th 2005 by Vintage (first published 2005) ISBN : 9781400095568 Author : Dave Eggers Format : Paperback 224 pages Genre : Short Stories, Fiction, Contemporary, Literature Download How We Are Hungry ...pdf Read Online How We Are Hungry ...pdf PDF File: How We Are Hungry... 2 Read and Download Ebook How We Are Hungry... Download and Read Free Online How We Are Hungry Dave Eggers PDF File: How We Are Hungry... 3 Read and Download Ebook How We Are Hungry... From Reader Review How We Are Hungry for online ebook Chris Tempel says I read only a few sentences in this book while browsing the library. all of the sentences were incorrect sentences. this did not please me. Goran Gluš?i? says Uf... Ova me naživcirala. Ima ovdje dobrih pri?a. Od 15, dvije su i više nego solidne, a jedna je ?ak i odli?na. Stvarno. Toj bih dao peticu! Ali to ne mijenja ?injenicu da su ostalih 13 pretenciozni gibberish. Ve?ina njih kao da ima 'I be smart' napisano na ?elu i da su osoba, slapnuo bih ih. Ne može ih se opisati nikako druga?ije, ?esto se ništa ne dogodi, nemaju poruku, nemaju ?ak ni stil, samo su doslovno waste of space. DOSLOVNO! Evo na primjer pri?a "Neke bi stvari trebao zadržati za sebe" se DOSLOVNO sastoji od ?etiri prazne stranice. Kako reagirati na to?! Jedna pri?a doslovno se sastoji od bilješki za pri?u! To su natuknice koje je autor pisao za daleko dulju (i niš spešl) pri?u koju nikad nije napisao zato jer je umjesto doga jednostavno objavio natuknice! WHAT! Kužim ja da cijeli taj postmoderni smjer omogu?ava takve igre formom, ali neki put te igre funkcioniraju, a neki put su samo zato jer "I be smart." Fuck you! *slap* Mrzio sam ve?inu pri?a u ovoj zbirki, ali tri najbolje su istovremeno i daleko najdulje (jedna od njih zauzima ?etvrtinu knjige), zato dvojka... Mogla je ?ak možda biti i trojka, ali trenutno sam previše iživciran za to. A one ?etiri prazne stranice su tu da ih ispunite krvlju ovog mamlaza ako ikad nai?ete na njega. P.S: Ne pomaže ni to što hrvatsko izdanje ove knjige ima jedan od najgorih prijevoda ikad. Tipfeleri, pravopisne greške (prevoditelj doslovno ne zna s/sa), neshva?anje teksta (Intel proizvodi ?ips???)... Ma grozno. I to još od VBZ-a. *slap* svima. Splendy says Like your wardrobe, this book is incohesive, comfortable, curious and cozy. Instead of getting furious because nothing fits together and it's impossible for you to create a suitable outfit, just pause, take a thoughtful second glance, and appreciate that despite it all, you own a collection of hand-selected garments PDF File: How We Are Hungry... 4 Read and Download Ebook How We Are Hungry... that are individually interesting, eclectic, and varied. Not all of us can show up at the party lookin' all What is the What. I really liked the way the stories alternate from long, involved tales to brief snapshots. Sometimes the stories don't go anywhere, and that's okay. You just float in a moment. Or glimpse a character's thought process. Eventually, you let go of the expectation that the story will lead you, over character archs and surprising plot twists, to a place of resolution and finality. Instead, you appreciate the more subtle parts of excellent storytelling, like details and language and descriptions like, "the streamlined, utilitarian body of a tomboy teenager." Any one of Egger's shorter pieces could be performed at a poetry reading. And maybe they should be. You wonder about his writing methodology. Does he keep a running list of one-line prose poems ("Climbing to the Window, Pretending to Dance") and later revisit his list, expounding until it becomes a short story or longer piece of prose poetry? Eggers gets away with things that are hard to pull off, like skipping a description of the setting and instead opting to break from the narrative for a brief dialogue between the clouds and the treetops. Shit, I hadn't even wondered what they were thinking, no less entertained the possibility of these objects as telling, feeling, descriptive characters. It's these little touches that makes it worthwhile to hang on and endure this break from Egger's typical form. Ryan says A criticism I've heard about Dave Eggers is that his stories tend to be gimmicky, overly self-aware, unrealistic, jokey, or filled with dopey sentimentalism. Those criticisms may be true, but that doesn't prevent How We Are Hungry from being an absolutely great collection of short stories. Having now read three Eggers novels and two short story books, I think his writing style is especially suited toward short stories, where he has a compact space to explore ideas that might otherwise get tired in a long format. I especially enjoyed the final story in How We Are Hungry, written from the perspective of a dog, which turned out to be one of the most contemplative and emotional stories of the dozen-or-so in the book. Recommended. Roxanne says This is a mostly enjoyable collection of stores. There are moments when I felt like Mr. Eggers got a bit carried away with his conception of his own cleverness, as in "Notes for a Story of a Man Who Will Not Die Alone". Come on, Mr. Eggers. Save it for your blog. People who are rabidly enamored of you may want to read stuff like that; I do not. I enjoyed "After I was Thrown Into the River and Before I Drowned" more than I thought I did. I was annoyed by "There are Some Things He Should Keep to Himself". Faulkner did it ages before Eggers, and did it WAY better, creating blank space that actually contributes to the story rather than PDF File: How We Are Hungry... 5 Read and Download Ebook How We Are Hungry... to the author's self-congratulating. All that being said, it's a quick read, and there are some enjoyable nuggets. I did like "The Only Meaning of the Oil-Wet Water", mainly for the scene in the boat, and "Another" has a certain frenzy that was somewhat appealing. Tulpesh Patel says The fact that Dave Eggers is a celebrated literary figure and writer is no secret but reading his work, especially How We Are Hungry, always feels like a very private act. The sparse, punchy prose drive to the heart of what people hunger for: love, acceptance, companionship, approval, that thing they feel will fill that growing hole in the soul. I’m not normally a massive fan of short story collections as I am often left feeling unfulfilled; if the idea and the story is good enough, I (selfishly) want the character’s lives to continue and so I frequently end up feeling short-changed. Here, however, not a single world is wasted in creating small worlds of flawed, fascinating and wholly relatable characters, that feel complete and end where and when they are supposed to. I hope this is not too laboured a metaphor but it often feels like the stories are skeletons for an array of different animals, to which you add your own flesh and colours as you read, creating a personal and intimately reflective zoo. As with much of his other work, Eggers tries to push the art of story-telling a little further. Notes For A Story Of A Man Who Will Not Die Alone, is, as the title says, made up of simple, sketched notes. ‘Simple’ however does not do the passage justice as it contains as much thought and nuance as the much, and rightly, celebrated Up the Mountain Coming Down Slowly, which at 60 pages takes up a quarter of the book. The apotheosis of Egger’s economy with words is There Are Some Things He Should Keep To Himself, which is the very bare bones of one the skeletons I referred to earlier. For some, I can see that this ‘story’ might be a step too far, and a step into the land of literary pretension. For my money, Eggars stays on the right side of the line by virtue of the quality, beauty and sheer elegance of his writing, and just as often, the elegance of what he didn’t write. Benjamin Champagne says Fiction Deflation. I wonder if I just don't get Dave Eggers. A Heartbreaking Work of Staggering Genius is pretty much what the title suggests. One of the most unbelievable memoirs I've ever read. McSweeney's consistently puts out the most cutting edge mags and anthologies.
Load more

Recommended publications
  • Reading and Resource Guide
    IN PHILADELPHIA EVERYONE IS READING JANUARY 8 – MARCH 20, 2008 COMPANION BOOKS A PROJECT OF THE OFFICE OF THE MAYOR AND THE FREE LIBRARY OF PHILADELPHIA Lead Sponsor: www.freelibrary.org RESOURCE GUIDE One Book, One Philadelphia is a joint project of the Mayor’s Office and the Free Library of Philadelphia. The mission of the program—now entering its sixth year—is to promote reading, literacy, library usage, and community building throughout the Greater Philadelphia region. This year, the One Book, One Philadelphia Selection Committee has chosen Dave Eggers’ What Is the What as the featured title of the 2008 One Book program. To engage the widest possible audience while encouraging intergenerational reading, two thematically related companion books were also selected for families, children, and teens—Mawi Asgedom’s Of Beetles and Angels: A Boy’s Remarkable Journey from a Refugee Camp to Harvard and Mary Williams’ Brothers In Hope: The Story of the Lost Boys of Sudan. Both of these books provide children and adults opportunities to further understand and discuss the history of the conflict in Sudan, as well as other issues of violence in the world and in our own region. Contents Read one, or read them all—just be sure to get 2 Companion Titles out there and share your opinions! 3 Questions for Discussion What Is the What For more information on the 2008 One Book, Of Beetles and Angels: One Philadelphia program, please visit our A Boy’s Remarkable Journey from a Refugee Camp to Harvard website at www.freelibrary.org, where you Brothers In Hope: The Story can view our calendar of events, download of the Lost Boys of Sudan podcasts of One Book author appearances, 6 Timeline: A Recent History of Sudan and post comments on our One Book Blog.
    [Show full text]
  • American Teacher PK
    American Teacher A Film By Vanessa Roth 81 minutes, color, HD, English, USA, 2011 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 Tel (212) 243-0600 | Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] http://firstrunfeatures.com/americanteacher Advance Praise for American Teacher “This is an important film that raises important questions about America’s teachers. It should spark a much-needed conversation.” – Arne Duncan, U.S. Secretary of Education “It was moving, overwhelming and made me love (even more) all the teachers out there doing what I think is the toughest job.” – Sarah , Isabel Allende’s blog “Empathetically narrated by Matt Damon, [this] engaging pic is nicely assembled in all departments.” – Dennis Harvey, Variety “Powerful—‘How long can we let this go on?,’ you wonder—and could generate some important conversations… As one of the teachers featured in the film said in a panel discussion after the preview, ‘I think it’s about time there’s a film like this.’” – Anthony Rebora, Education Week’s Teaching Now blog “Their stories will make your heart drop, but their unwavering strength is uplifting and their stories need to be out there. This film is a remarkable platform for them. American Teacher goes inside and beyond the classroom and shows that quality education starts with great educators—but it must start by making things better for them.” – Karen Datangel, Karen-On “Captivating…shows, through gripping portraits like Benner’s, why we must value our nation’s educators more by paying them more.” – ABCDE Blog “American Teacher exposes the reality of any normal teacher’s life, calls for action, and raises some important questions.” – Isabel Allende Synopsis American Teacher is the feature-length documentary created and produced by Vanessa Roth, Nínive Calegari, Dave Eggers, and Brian McGinn.
    [Show full text]
  • Literature for the 21St Century Summer 2013 Coursebook
    Literature for the 21st Century Summer 2013 Coursebook PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 26 May 2013 16:12:52 UTC Contents Articles Postmodern literature 1 Alice Munro 14 Hilary Mantel 20 Wolf Hall 25 Bring Up the Bodies 28 Thomas Cromwell 30 Louise Erdrich 39 Dave Eggers 44 Bernardo Atxaga 50 Mo Yan 52 Life and Death Are Wearing Me Out 58 Postmodernism 59 Post-postmodernism 73 Magic realism 77 References Article Sources and Contributors 91 Image Sources, Licenses and Contributors 94 Article Licenses License 95 Postmodern literature 1 Postmodern literature Postmodern literature is literature characterized by heavy reliance on techniques like fragmentation, paradox, and questionable narrators, and is often (though not exclusively) defined as a style or trend which emerged in the post–World War II era. Postmodern works are seen as a reaction against Enlightenment thinking and Modernist approaches to literature.[1] Postmodern literature, like postmodernism as a whole, tends to resist definition or classification as a "movement". Indeed, the convergence of postmodern literature with various modes of critical theory, particularly reader-response and deconstructionist approaches, and the subversions of the implicit contract between author, text and reader by which its works are often characterised, have led to pre-modern fictions such as Cervantes' Don Quixote (1605,1615) and Laurence Sterne's eighteenth-century satire Tristram Shandy being retrospectively inducted into the fold.[2][3] While there is little consensus on the precise characteristics, scope, and importance of postmodern literature, as is often the case with artistic movements, postmodern literature is commonly defined in relation to a precursor.
    [Show full text]
  • The Interrelationship Between Testifier, Author, and Reader in Dave Eggers's What Is T
    “THE COLLAPSIBLE SPACE BETWEEN US”: THE INTERRELATIONSHIP BETWEEN TESTIFIER, AUTHOR, AND READER IN DAVE EGGERS’S WHAT IS THE WHAT A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Allison Moore Correll, B.A. Washington, D.C. April 24, 2009 Acknowledgments First, I am indebted to my family and friends for their unwavering support and encouragement. Thank you for allowing me to discuss my thoughts passionately and freely and for taking your own interest in the work of this thesis. To my graduate school colleagues Kimberly Hall, Michelle Repass, and David Weinstein, I am beyond grateful for the many discussions we had that enabled me to trace out my ideas and intentions for this thesis. This project would not have been completed without those conversations, your suggestions, and more simply put, your friendship. This project would have been impossible without Dr. Patricia E. O’Connor. Her enthusiasm for the subject, along with her probing questions, helped me complete a thesis of which I am both passionate and proud. Professor Carolyn Forché served as a source of inspiration both inside and outside of the classroom. To all of my professors who guided me (and inspired me) along the way, thank you. Finally, thank you to Valentino Achak Deng and Dave Eggers for their tenacity and commitment in completing the project that became What Is the What . This book reaffirmed my faith in the power of literature—that a book can not only be good, but it can do good as well.
    [Show full text]
  • How We Are Hungry
    Table of Contents Title Page Dedication Praise ANOTHER WHAT IT MEANS WHEN A CROWD IN A FARAWAY NATION TAKES A SOLDIER REPRESENTING YOUR OWN NATION, SHOOTS HIM, DRAGS HIM FROM HIS VEHICLE AND THEN MUTILATES HIM IN THE DUST THE ONLY MEANING OF THE OIL-WET WATER ON WANTING TO HAVE AT LEAST THREE WALLS UP BEFORE SHE GETS HOME CLIMBING TO THE WINDOW, PRETENDING TO DANCE SHE WAITS, SEETHING, BLOOMING QUIET YOUR MOTHER AND I NAVEED NOTES FOR A STORY OF A MAN WHO WILL NOT DIE ALONE ABOUT THE MAN WHO BEGAN FLYING AFTER MEETING HER UP THE MOUNTAIN COMING DOWN SLOWLY WHEN THEY LEARNED TO YELP AFTER I WAS THROWN IN THE RIVER AND BEFORE I DROWNED About the Author ALSO BY DAVE EGGERS Copyright Page THIS BOOK IS FOR CHRIS Acclaim for Dave Eggers’s HOW WE ARE HUNGRY A San Francisco Chronicle Best Book of the Year “Full of the raw stuff of lives. The pain and the anger. Emotions that get mixed up and change from one minute to the next. The wonder and the joy. It’s all condensed and crafted, working, that’s what fiction is. But it feels raw, and it’s exhilarating. And that’s not even getting into how electrically funny Eggers can be.” —The Globe and Mail (Toronto) “ ‘After I Was Thrown in the River and Before I Drowned’ is a small tour de force that ratifies [Eggers’s] ability to write about anything with style and vigor and genuine emotion.” —The New York Times “Haunting character-driven narratives.
    [Show full text]
  • Press Release for the Best American Nonrequired Reading 2004 Edited
    Press Release The Best American Nonrequired Reading 2004 edited by Dave Eggers introduction by Viggo Mortensen • About the Book • About the Editors About the Book With returning editor Dave Eggers and his troop of writing workshop students from 826 Valencia at the helm, The Best American Nonrequired Reading 2004 (Houghton Mifflin; publication date: October 14, 2004) is in its third year of publication. This year's contributors present work ranging from the hilarious to the macabre, from the journalistic essay to the graphic one-frame story. Daniel Alarcón leads us through a maze of psychologically riveting events following the death of a young reporter's philandering father in Lima in "City of Clowns." The narrator, refusing to display any emotion about his father's death, disappears deep into the swirling city on the hunt for a story that will allow him distance from his own life. In a brilliant take on ghost stories, Gina Ochsner's "Hidden Lives of Lakes" bridges the world between human and spirit when two couples discover their dead neighbors and relatives living full, new lives under the thick ice of a frozen winter lake. Back in the real world, Michelle Tea contributes a sharp, moving, and important piece of journalism reporting on Camp Trans, a transgendered/transsexual protest camp set up outside the Michigan Womyn's Music Festival after trasgendered attendees learned of the festival's policy to exclude them. While Tea never loses sight of her main agenda, she fills out the report with fascinating interviews, detailed accounts of camp life and politics, and a consistently empathetic portrayal of all the parties involved.
    [Show full text]
  • What Is the What Press Info
    WHAT IS THE WHAT a novel by DAVE EGGERS Separated from his family, Valentino Achak Deng becomes a refugee in war-ravaged southern Sudan. His travels bring him in contact with enemy soldiers, with liberation rebels, with hye- nas and lions, with disease and starvation, and with deadly murahaleen (militias on horse- back)—the same sort who currently terrorize Darfur. Based closely on actual experiences, What is the What is heartrending and astonishing, filled with adventure, suspense, tragedy and, finally, triumph. “Dave Eggers has done something remarkable with this book. He has managed to cross many barriers both real and artificial to tell the story of one man’s tragedy and triumph in a way that emphasizes his simple humanity above the drama of his ter- rible situation. It is a book that shows there is no reason why geographical and cul- tural divides should prevent us from attempting to understand each other as citi- zens of this world.” —UZODINMA IWEALA, author of Beasts of No Nation “I cannot recall the last time I was this moved by a novel. What is the What is that rare book that truly deserves the overused and scarcely warranted moniker of ‘sprawling epic.’ Told with humor, humanity, and bottomless compassion for his subject, one Valentino Achak Deng, Eggers shows us the hardships, disillusions, and hopes of the long suffering people of southern Sudan. This is the story of one boy’s astonishing capacity to endure atrocity after atrocity and yet refuse to abandon decency, kindness, and hope for home and acceptance. It is impossible to read this book and not be humbled, enlightened, transformed.
    [Show full text]
  • A Book to Read Over the Summer? but It's My Vacation!
    What?! A book to read over the summer? But it’s my vacation! Yes, you received your first college assignment before even starting classes. Actually, thousands of other freshmen were also reading books over the summer in preparation for their first days on campus. Many colleges and universities across the nation have instituted First Year and/or Campus reading programs, but why? There are many reasons for having students – and faculty and staff – read a common book. As a new student, you are entering a community of other learners with a variety of life experiences. A common reading program allows incoming students to have at least one thing in common and something to talk about right from move­in day. Reading a common book provides numerous opportunities to connect with, engage in, and contribute to your new community. Common reading programs also set the tone for college academic expectations. College will be work and will demand that you challenge yourself in many ways; participating in a shared reading program is one way to start this academic journey. According to a 2007 report from the National Endowment for the Arts (NEA), among seventeen­year­olds, the percentage of non­readers has doubled, from nine percent in 1984 to nineteen percent in 2004. The fact is that Americans of most age levels are reading less, which, according to the study, results in lower reading scores and civic, social, and economic implications. The NEA also found that “literary readers are more likely than non­readers to engage in positive civic and individual activities – such as volunteering, attending sports or cultural events, and exercising.” Overall, reading literary fiction and non­fiction, not just the latest issue of People or checking the news on CNN.com, is an important part of being a college student and in being a thoughtful, engaged citizen of your community and your world.
    [Show full text]
  • Dave Eggers' a Heartbreaking Work of Staggering Genius Subverts The
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 6-17-2009 This was uncalled for : Dave Eggers' A heartbreaking work of staggering genius subverts the genre of traditional autobiography as an attempt at rendering his life Krystal Alvarez Florida International University DOI: 10.25148/etd.FI14031607 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the English Language and Literature Commons Recommended Citation Alvarez, Krystal, "This was uncalled for : Dave Eggers' A heartbreaking work of staggering genius subverts the genre of traditional autobiography as an attempt at rendering his life" (2009). FIU Electronic Theses and Dissertations. 1265. https://digitalcommons.fiu.edu/etd/1265 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida THIS WAS UNCALLED FOR: DAVE EGGERS' A HEARTBREAKING WORK OF STAGGERING GENIUS SUBVERTS THE GENRE OF TRADITIONAL AUTOBIOGRAPHY AS AN ATTEMPT AT RENDERING HIS LIFE A thesis submitted in partial fulfillment of the requirements for the degree of MASTERS OF ARTS in ENGLISH by Krystal Alvarez 2009 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Krystal Alvarez, and entitled This Was Uncalled For: Dave Eggers' A Heartbreaking Work of Staggering Genius Subverts the Genre of Traditional Autobiography as an Attempt at Rendering His Life, having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]
  • Zeitoun and Zeitoun
    Promotor Prof. dr. Stef Craps Universiteit Gent Copromotor Prof. dr. Pieter Vermeulen KU Leuven Decaan Prof. dr. Marc Boone Rector Prof. dr. Anne De Paepe Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch, door fotokopieën, opnamen, of enige andere manier, zonder voorafgaande toestemming van de uitgever. Faculteit Letteren & Wijsbegeerte Sean Bex Dave Eggers and Human Rights Culture Proefschrift voorgelegd tot het behalen van de graad van Doctor in Letterkunde 2016 Acknowledgements As much as the myth of the solitary and confined doctoral researcher may seem to confirm it, this research project on human rights culture and Dave Eggers would not have been possible without the considerable support of a great many people. Indeed, I have been able to count on a wide range of colleagues, friends, and family who were always there to celebrate every victory – however small – and overcome any obstacle – however daunting. First and foremost, I would like to mention my supervisors, Prof. Stef Craps and Prof. Pieter Vermeulen. I want to thank them both for the faith they placed in me to take on this FWO-funded research project and for the convivial relationship we maintained throughout. In an academic world where a PhD depends so heavily on the working relationships researchers and their supervisors have, I was exceptionally lucky to work with two who were eminently approachable and intellectually engaging in equal measure. My thanks also go out to the members of my Doctoral Guidance Committee (DGC), Prof.
    [Show full text]
  • Fitting the Form
    The following document is an extract from For Argument’s Sake: Essays on Literature and Culture by Daniel Davis Wood, pages 85-93. It appears here, in PDF format, exactly as it appears in print. www.danieldaviswood.com FITTING THE FORM DAVE EGGERS‟ ZEITOUN This review originally appeared online in The Critical Flame 2.8 (July-August 2012). ON SEPTEMBER 6, 2005, IN AN AMERICAN CITY CONVULSING WITH chaos, an American citizen oF Middle-Eastern descent was detained without charge by the U.S. Army, imPrisoned indeFinitely in a make- shiFt jail, and there conFronted by an American soldier who Peered at him through the bars oF his cell and snarled the accusation: “Tali- ban” (223). The name of the prisoner was Abdulrahman Zeitoun, and his cell in that jail was one oF dozens oF demountable iron cages assembled by the Army in the Union Passenger Terminal in down- town New Orleans. At that time, in that Particular SePtember, the city was still engulFed by the Floodwaters oF Hurricane Katrina. Most residents had already been evacuated or had otherwise abandoned their homes and escaPed. OF those who chose to remain behind, some had Further ravaged the city with vandalism and looting so widesPread that the Bush Administration had disPatched the Army to restore the Peace. Yet For those like Abdulrahman Zeitoun, whose ethnicity recognisably matched the ProFile oF the Army‟s des- ignated Foreign enemy, the Price to be Paid For salvation From anar- chy was Punitive Persecution by Army oPeratives indulging in over- zealous authoritarianism. With “no questions [asked], no evidence seized, no charges levelled [against him],” Abdulrahman Zeitoun became “collateral damage in a war that had no discernible Fronts, no real shape, and no rules” (262).
    [Show full text]
  • San Diego Public Library New Additions October 2009
    San Diego Public Library New Additions October 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Wangenheim Collection Biographies Fiction Call # Author Title FIC/ABDULLAH Abdullah, Shaila, 1971- Saffron dreams : a novel FIC/ADAMS Adams, Will, 1963- The Alexander cipher FIC/ADLER Adler, Elizabeth (Elizabeth A.) There's something about St. Tropez FIC/AKPAN Akpan, Uwem. Say you're one of them FIC/ALBOM Albom, Mitch, 1958- For one more day FIC/ALCORN Alcorn, Randy C. Safely home FIC/ALEXANDER Alexander, Hannah. A killing frost FIC/ALLEN Allen, Sarah Addison. Garden spells FIC/ALLEN Allen, Sarah Addison. The sugar queen FIC/ALLENDE Allende, Isabel. The infinite plan : a novel FIC/AMIS Amis, Kingsley. The green man FIC/ANDERSON Anderson, Kevin J., 1962- Enemies & allies FIC/ANDREWS Andrews, Mary Kay, 1954- Hissy fit FIC/APPELFELD Appelfeld, Aron. Laish FIC/ARELLANO Arellano, Robert. Havana lunar [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity and the next of kin FIC/ATKINSON Atkinson, Kate. Behind the scenes at the museum FIC/ATWOOD Atwood, Margaret, 1939- The year of the flood : a novel FIC/AUEL Auel, Jean M. The mammoth hunters FIC/AUEL Auel, Jean M. The plains of passage FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BADEN Baden, Michael M. Skeleton justice : a novel [MYST] FIC/BAIN Bain, Donald, 1935- Murder on parade : a Murder, she wrote mystery : a novel [SCI-FI] FIC/BAKKER Bakker, R.
    [Show full text]