Mircea Eliade's Vision for a New Humanism This Page Intentionally Left Blank Mircea Eliade's Vision for a New Humanism

Total Page:16

File Type:pdf, Size:1020Kb

Mircea Eliade's Vision for a New Humanism This Page Intentionally Left Blank Mircea Eliade's Vision for a New Humanism Mircea Eliade's Vision for a New Humanism This page intentionally left blank Mircea Eliade's Vision for a New Humanism DAVID CAVE New York Oxford OXFORD UNIVERSITY PRESS 1993 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Kuala Lumpur Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland Madrid and associated companies in Berlin Ibadan Copyright © 1993 by David Cave Published by Oxford University Press, Inc. 200 Madison Avenue, New York, NY 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Cave, David. Mircea Eliade's vision for a new humanism / David Cave. p. cm. Includes bibliographical references and index. ISBN 0-19-507434-3 1. Eliade, Mircea, 1907- 2. Humanism—20th century, 3. Religion. 4. Man. I. Title. BL43.E4C38 1993 291'.092-—dc20 91-39810 135798642 Printed in the United States of America on acid-free paper To Peggy, faithful companion, wonderful friend, and loving wife This page intentionally left blank PREFACE I first became acquainted with Eliade through his autobiography. What amazed me was how driven he was in his need to create, which for him meant to write from the enormous range of his readings and his multiform experi- ences. Eliade wrote broadly. He had an obsessive need to create an oeuvre. From the journalistic and apologetic to the literary and the scholarly, Eliade wrote in all genres for all audiences. Yet behind this body of work an interpretive schema and visionary impulse cohered, stabilized, and directed his life. Eliade interpreted his life, as he would all human life, as being mythological in structure. Humans undergo repeated initiations in the pursuit of meaning. This mythological thrust to human life interested me. But what interested me more was the nature of the vision and impulse that inspired and drove him as a humanist. This study is a prolegomenon to the visionary impulse behind Eliade's prolix life. It also looks at how Eliade foresaw this impulse for culture at large, the audience to whom Eliade ultimately directed his writings. In helping me refine and sober my initial readings of Eliade and initiate me into the complexities and controversies surrounding him, I am grateful to a number of people. Now at Baylor University, John Jonsson encouraged me to consider researching the thought of Eliade. Glen Stassen and E. Glenn Hin- son, at Southern Seminary, commented on the initial drafts of each chapter and on the final manuscript. At the University of Chicago, Jerald Brauer, Joseph Kitagawa, Wendy Doniger O'Flaherty, and Paul Wheatley provided helpful perspectives on the life and thought of Eliade. The late Ioan Culianu confirmed my research direction at a time when I needed it, read the entire manuscript, and encouraged its publication. I am grateful for what he did and am grieved that such an eminent scholar and warm human being should have been so tragically taken from us. Special thanks goes to Lawrence Sullivan at Harvard University. From when he first instructed me when I was a visiting student at the University of Chicago to when he read the entire text, Sullivan's comments were indispens- able for giving me and others confidence in the manuscript. viii Preface At Indiana University, Matei Calinescu taught me how to appreciate and read Eliade's fantastic literature. He also alerted me to upcoming and existing studies on Eliade. Mac Linscott Ricketts, at Louisburg College, carefully read and edited the entire manuscript. He offered helpful suggestions and criticisms. When I wrote to him for information on Eliade's Romanian years, he promptly re- sponded with valuable material. To Ed Linenthal at the University of Wisconsin, Oshkosh, I owe a word of thanks. He urged me to follow through with my revisions and affirmed my labors when I was feeling guilty for giving too much attention to the book at the expense of other obligations. Also at Oshkosh, I am grateful to Betty Dickinson for helping me in the mechanics of computer operation and in the use of new software. Indeed, the entire Religious Studies department at Oshkosh was a timely support group during the year I taught there and went through the lonely ordeal of the work of writing and revising. Lastly, but always firstly and faithfully, I am grateful to my wife, Peggy. She has put up with many sacrifices, always, though, with devoted patience and understanding. And to Jonathan, our two-year-old, I am also grateful. His presence reminds me of what is finally most important. Fort Mitchell, Ky. D.C. April 1992 CONTENTS 1 Introduction, 3 Biography of Eliade, 6 Nature of This Book, 12 2 The New Humanism as a Hermeneutics of a "Participatory Morphology" and as a Spiritual Vision, 14 A Hermeneutics of a "Participatory Morphology," 14 The New Humanism as a Spiritual Vision, 25 3 The Nature of the Human Condition: Humans as Symbolic, 32 The Character of Symbolic Existence, 33 The New Humanism as Dialectical and Incarnational, 35 As a Cosmic Spirituality, 41 The New Humanism and the Relation to the Whole, 54 4 The Nature of the Human Condition: The Human as Mythic and as Homo Religiosus, 65 Humans as Mythic, 66 Humans Make and Live in Myth, 67 The New Humanism as Transhistorical, 72 The New Humanism Patterned After Exemplary Models, 81 The New Humanism Patterned After Communitarian Models, 90 The Human Being as Homo Religiosus, 92 5 The Goals of the New Humanism, 103 Humans as Authentic, 104 Humans as Free, 119 Humans as Cultural, 127 Humans at the Center, 140 x Contents 6 The Challenges of the New Humanism, 169 Humans as Creative, 170 Humans and Initiation, 178 The New Humanism: A Science, 185 7 Conclusion, 192 Summary of Intent, 192 Appraisal of Findings, 194 BIBLIOGRAPHY, 197 INDEX, 211 Mircea Eliade's Vision for a New Humanism This page intentionally left blank 1 Introduction Despite the great number of works on the late historian of religion and write! Mircea Eliade, there is the need for another book. For no book that I have seer has adequately dealt with the visionary impulse behind the totality of Eliade's prolific and manifold life work, as both a scholar and writer. This visionary impulse I identify as his hope for a new humanism. Certainly many studies devoted to Eliade have scrutinized his theoretical assumptions, have dug for his elusive methodology, have highlighted his contributions to the already large corpus on myth and religious symbolism, explored the existential impli- cations to his sacred/profane cosmology, and—perhaps most consistently— have responded to his interpretation of history. And to Eliade the writer of novels, short stories, and plays, the above themes and intentions have been equally applied as well. Literary critics have analyzed Eliade's style, content, plot and character development, use of genre and paralleled these to other writers. In short, Eliade has been approached from many directions. Left to themselves, these studies hardly offer a cohesive picture of Eliade Moreover, some of the criticisms brought against him are misaligned because they fail to take Eliade for what he was trying to do. So if we are to find any cohesion to this diversity and realign many of the criticisms, it is essential to position Eliade around that which motivated his life work: a hope for a new humanity. I do not claim this is his only impulse. But I do believe it is the most encompassing and persistent. Not only is a book necessary to reposition Eliade, but there is also room for demonstrating the relevance of his thought and methodological orientation to issues circulating today in and outside the academy of religion. Certainly pluralism in all its varieties—religious, cultural and ethnic, socio-political, linguistic, disciplinary, methodological—with relativism and fragmentation as its side effects, is a stimulating, creative, yet often divisive problem in the academy and in popular culture. Canon formation, the reading and use of other 3 4 Mircea Eliade's Vision for a New Humanism peoples' texts and myths—be it from feminists, deconstructionists, funda- mentalists—the soundness of one methodology or assumption over another, conversations (or lack of) between disparate fields, moral and cultural relativ- ism, these and other dynamics interpenetrate the problematics of pluralism. To the creative yet problematic opportunities of pluralism, Eliade has something to say. To another contemporary issue, Eliade's interpretation of symbols as tied to cosmic structures and rhythms is appropriate to current and ongoing ecological concerns. Less concerned with the physical threat to human surival, Eliade's understanding of symbols addresses the importance of ecology as a paradigm within which humans define themselves as human beings and orient their existential sense of place. For, at least for the present, there is only one habitable world, and all humans live on it, regardless of whether they con- sciously see it as having meaning for them or not. Ecology or landscape affects our hermeneutics. There is the need, then, to take seriously a "hermeneutics of landscape."1 Yet this "hermeneutics of landscape" is today less defined by the natural world as by the modern city and the electronic world of communications and its array of artifical images. However beneficial and destructive the modern city and electronic communications are, it cannot be denied that humans rely less on the natural landscape to interpret their place in the world and center themselves accordingly.
Recommended publications
  • Download Download
    2 (2015) Miscellaneous 1: A-N Biographical Metamorphoses in the History of Religion Moshe Idel and Three Aspects of Mircea Eliade EDUARD IRICINSCHI Käte Hamburger Kolleg “Dynamics in the History of Religions between Asia and Europe”, Ruhr-Universität Bochum, Germany © 2015 Ruhr-Universität Bochum Entangled Religions 2 (2015) ISSN 2363-6696 http://dx.doi.org./10.13154/er.v2.2015.A–N Biographical Metamorphoses in the History of Religion Biographical Metamorphoses in the History of Religion Moshe Idel and Three Aspects of Mircea Eliade EDUARD IRICINSCHI Ruhr-Universität Bochum ABSTRACT This paper includes an extended review of Moshe Idel’s Mircea Eliade: From Magic to Myth (New York: Peter Lang, 2014) through a triple analysis of Eliade’s early literary, epistolary, and academic texts. The paper examines Idel’s analysis of some important themes in Eliade’s research, such as his shift from understanding religion as magic to its interpretation as myth; the conception of the camouflage of sacred; the notions of androgyny and restoration; and also young Eliade’s theories of death. The paper also discusses Idel’s evaluation of Eliade’s programatic misunderstanding of Judaism and Kabbalah, and also of Eliade’s moral and professional abdication regarding the political and religious aspect of the Iron Guard, a Romanian nationalist extremist and anti-Semitic group he was affiliated with in 1930s. KEY WORDS Mircea Eliade; Moshe Idel; history of religion; magic; myth; sacred and profane; the Iron Guard Gershom Scholem sent Mircea Eliade a rather personal letter on June 6, 1972. The two famous historians of religion met with a certain regularity, between 1950 and 1967, at various summer Eranos meetings in Ascona, Switzerland, for interdisciplinary conferences initially organized under the guidance of Carl G.
    [Show full text]
  • Rhetoric and Resistance in Black Women's Autobiography
    Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M.
    [Show full text]
  • Revue D'etudes Tibétaines
    Revue d’Etudes Tibétaines Perspectives on Tibetan Culture A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by Michela Clemente, Oscar Nalesini and Federica Venturi numéro cinquante-et-un — Juillet 2019 PERSPECTIVES ON TIBETAN CULTURE PERSPECTIVES ON TIBETAN CULTURE A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by MICHELA CLEMENTE, OSCAR NALESINI AND FEDERICA VENTURI Perspectives on Tibetan Culture. A Small Garland of Forget-me-nots Offered to Elena De Rossi Filibeck Edited by Michela Clemente, Oscar Nalesini and Federica Venturi Copyright © 2019: each author holds the copyright of her/his contribution to this book All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the authors. Elena De Rossi Filibeck in Ladakh, 2005. Photo: Courtesy of Beatrice Filibeck Table of Contents Introduction 1 Tabula Gratulatoria 3 Elena De Rossi Filibeck’s Publications 5 1. Alessandro Boesi “dByar rtswa dgun ’bu is a Marvellous Thing”. Some Notes on the Concept of Ophiocordyceps sinensis among Tibetan People and its Significance in Tibetan Medicine 15 2. John Bray Ladakhi Knowledge and Western Learning: A. H. Francke’s Teachers, Guides and Friends in the Western Himalaya 39 3. Michela Clemente A Condensed Catalogue of 16th Century Tibetan Xylographs from South- Western Tibet 73 4. Mauro Crocenzi The Historical Development of Tibetan “Minzu” Identity through Chinese Eyes: A Preliminary Analysis 99 5. Franz Karl Ehrhard and Marta Sernesi Apropos a Recent Collection of Tibetan Xylographs from the 15th to the 17th Centuries 119 6.
    [Show full text]
  • Preparatory Document
    Preparatory document Please notice that we recommend that you read the first ten pages of the first three documents, the last document is optional. • International Holocaust Remembrance Alliance, Recognizing and Countering Holocaust Distortion: Recommendations for Policy and Decision Makers (Berlin: International Holocaust Remembrance Alliance, 2021), read esp. pp. 14-24 • Deborah Lipstadt, "Holocaust Denial: An Antisemitic Fantasy," Modern Judaism 40:1 (2020): 71-86 • Keith Kahn Harris, "Denialism: What Drives People to Reject the Truth," The Guardian, 3 August 2018, as at https://www.theguardian.com/news/2018/aug/03/denialism-what-drives- people-to-reject-the-truth (attached as pdf) • Optional reading: Giorgio Resta and Vincenzo Zeno-Zencovich, "Judicial 'Truth' and Historical 'Truth': The Case of the Ardeatine Caves Massacre," Law and History Review 31:4 (2013): 843- 886 Holocaust Denial: An Antisemitic Fantasy Deborah Lipstadt Modern Judaism, Volume 40, Number 1, February 2020, pp. 71-86 (Article) Published by Oxford University Press For additional information about this article https://muse.jhu.edu/article/750387 [ Access provided at 15 Feb 2021 12:42 GMT from U S Holocaust Memorial Museum ] Deborah Lipstadt HOLOCAUST DENIAL: AN ANTISEMITIC FANTASY* *** When I first began working on the topic of Holocaust deniers, colleagues would frequently tell me I was wasting my time. “These people are dolts. They are the equivalent of flat-earth theorists,” they would insist. “Forget about them.” In truth, I thought the same thing. In fact, when I first heard of Holocaust deniers, I laughed and dismissed them as not worthy of serious analysis. Then I looked more closely and I changed my mind.
    [Show full text]
  • SYMPOSIUM Moving Borders: Tibet in Interaction with Its Neighbors
    SYMPOSIUM Moving Borders: Tibet in Interaction with Its Neighbors Symposium participants and abstracts: Karl Debreczeny is Senior Curator of Collections and Research at the Rubin Museum of Art. He completed his PhD in Art History at the University of Chicago in 2007. He was a Fulbright‐Hays Fellow (2003–2004) and a National Gallery of Art CASVA Ittleson Fellow (2004–2006). His research focuses on exchanges between Tibetan and Chinese artistic traditions. His publications include The Tenth Karmapa and Tibet’s Turbulent Seventeenth Century (ed. with Tuttle, 2016); The All‐Knowing Buddha: A Secret Guide (with Pakhoutova, Luczanits, and van Alphen, 2014); Situ Panchen: Creation and Cultural Engagement in Eighteenth‐Century Tibet (ed., 2013); The Black Hat Eccentric: Artistic Visions of the Tenth Karmapa (2012); and Wutaishan: Pilgrimage to Five Peak Mountain (2011). His current projects include an exhibition which explores the intersection of politics, religion, and art in Tibetan Buddhism across ethnicities and empires from the seventh to nineteenth century. Art, Politics, and Tibet’s Eastern Neighbors Tibetan Buddhism’s dynamic political role was a major catalyst in moving the religion beyond Tibet’s borders east to its Tangut, Mongol, Chinese, and Manchu neighbors. Tibetan Buddhism was especially attractive to conquest dynasties as it offered both a legitimizing model of universal sacral kingship that transcended ethnic and clan divisions—which could unite disparate people—and also promised esoteric means to physical power (ritual magic) that could be harnessed to expand empires. By the twelfth century Tibetan masters became renowned across northern Asia as bestowers of this anointed rule and occult power.
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • Evaluating Near-Death Testimony: a Challenge for Theology' Carol G
    Evaluating Near-Death Testimony: A Challenge for Theology' Carol G. Zaleski Committee on the Study of Religion Harvard University ABSTRACT In nearly every culture, people have told stories of visionary journey to other worlds, in which an individual dies, enters the afterlife, and-by divine decree or medical prodigy-comes back to life. The return-from-death story has a long history in Western culture, developing within the apocalyptic traditions of late antiquity, flourishing in the medieval Christian vision narratives that inspired Dante's Divine Comedy, and re-emerging today in reports of near-death ex periences (NDEs). Evaluating the literature of NDEs is a task for historians of religion and theologians as well as psychologists. On the basis of a comparative study of medieval and contemporary accounts, this article proposes a nonreduc tionist interpretation, showing that it is possible to give credit to individual testimony while still taking into account the physiological, psychological, and cultural conditions that influence visionary experience in the face of death. In nearly all cultures, people have told stories of travel to another world, in which a hero, shaman, prophet, king, or ordinary mortal passes through the gates of death and returns with a message for the living. In its most familiar form, this journey is a descent into the underworld. Countless figures of myth, sacred history, and literature are said to have ventured underground to the kingdom of death, to rescue its shadowy captives or to learn its secrets. The voyage to the underworld-portrayed in religious epics and enacted in rituals, dramas and games-is often associated with in itiatory death and rebirth.
    [Show full text]
  • Download a Pdf File of This Issue for Free
    Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501.
    [Show full text]
  • Diary of a Short-Sighted Adolescent Free
    FREE DIARY OF A SHORT-SIGHTED ADOLESCENT PDF Mircea Eliade | 176 pages | 01 Jul 2016 | Istros Books | 9781908236210 | English | Bristol, United Kingdom Review: Diary of a Short-sighted Adolescent by Mircea Eliade | Eliade records his thoughts in his diaries with the hopes that he will eventually turn his writings into a novel. He is trying to figure out what the plot of his novel will be and decides he wants to have a hero as the center character of his novel. He introduces us to his friends, especially Robert and Dinu, whom he contemplates basing the novel of his hero on. Eliade also wants to include some sort of a romantic relationship in his novel but his lack of experience with girls frustrates him. He asks Diary of a Short-Sighted Adolescent female cousin for advise and uses his imagination to dream about possibilities of a romantic plot line in his book. Eliade believes that he is ugly and awkward and he often dwells on his lack of self-esteem throughout his diary. He would rather be doing a million other things than attending classes and he is easily distracted by his friends and his favorite books. Despite failing grades and disappointed teachers, Eliade is never motivated to be more studious with his school work. He decides that he will cram for his math exams and makes a strict schedule to reread his math book in the few days leading up to his exam. He always finds something to distract him from his studies; he reads a book, talks a walk, has a nap and basically does anything but study for his exam.
    [Show full text]
  • Humanities the Issue of the Religious Dimension Of
    PERIODYK NAUKOWY AKADEMII POLONIJNEJ 37 (2019) nr 6 HUMANITIES THE ISSUE OF THE RELIGIOUS DIMENSION OF HUMAN NATURE Jan Mazur Prof. PhD, Pontifical University of John Paul II in Kraków, e-mail: [email protected], http://orcid.org/0000-0002- 0548-0205, Poland Abraham Kome PhD, John Paul II International University of Bafang, e-mail: [email protected], orcid.org/0000-0001-7326-227X, Cameroon Abstract. This text is an attempt to answer the question of whether human nature needs religion. The author begins by presenting two concepts that are key in this discourse. These are the terms: religion and human nature. Then he undertakes an analysis of the problem, referring to the thoughts of religious experts: Rudolf Otto and Mircea Eliade and the philosopher Max Scheler. The subject of reflection is the definition of man as 'homo religiosus'. Questioning God's existence has a negative effect on human nature. This situation is illustrated by the views of two known philosophers, existentialists - Friedrich Nietzsche and Jean-Paul Sartre. Their vision of the world was marked by unbelief in God. Life experience teaches that human nature strives for transcendent reality, longs for God. Any departure from this tendency does not, however, invalidate the religious nature of man, but certainly falsifies it. It results in the conversion of an authentic sacrum into its substitutes. In conclusion, the author draws attention to the mystery of man and God, which should be recognized. It is only in this perspective that the problem indicated in the title can be considered. The inspiration for such thinking is the famous phrase of Saint Augustine of Hippo: 'The human soul is restless until it rests in God'.
    [Show full text]
  • Epic and Autobiography in Dante's Inferno
    Sacred Heart University Review Volume 24 Issue 1 Sacred Heart University Review, Volume XXIV, Article 5 Numbers 1 & 2, Fall 2006/ Spring 2007 March 2010 The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Simone Marchesi Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Marchesi, Simone (2010) "The oeP t in the Mirror: Epic and Autobiography in Dante’s Inferno," Sacred Heart University Review: Vol. 24 : Iss. 1 , Article 5. Available at: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected]. The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Cover Page Footnote Simone Marchesi is Assistant Professor of French and Italian at Princeton University. This talk was delivered at Sacred Heart University on April 7, 2006, as part of the College of Arts & Sciences Lecture Series on “The Real and Fabled Worlds of Dante Alighieri.” All English translations in the text from Dante’s Divine Comedy are by Robert Hollander and Jean Hollander, in their edition published by Doubleday/Anchor in 2000. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 Marchesi: The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno S IMONE M ARCHESI ____________________ The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno Perché cotanto in noi ti specchi? [Why do you reflect yourself so long in us?] Inferno 32.54 Let me begin with an easy question: What is the Divine Comedy? Dante’s poem has been and is many things.
    [Show full text]
  • Ion Luca Caragiale
    ION LUCA CARAGIALE ▪ 1852-1912 ▪ Romanian playwright, short story writer, poet, theater manager, political commentator and journalist ▪ leaving behind an important cultural legacy, he is considered one of the greatest playwrights in Romanian language and literature, as well as one of its most important writers and a leading representative of local humor ▪ works: • Conul Leonida (1879; “Mr. Leonida”) • O noapte furtunoasă (1880; “A Stormy Night”) • O scrisoare pierdută (1884; “A Lost Letter”) • Năpasta (1890; “The False Accusation”) • O făclie de Paște (1889; “An Easter Torch”) • Păcat (1892; “The Sin”) • Kir Ianulea (1909) • Momente and Schițe MIRCEA ELIADE ▪ 1907-1986 ▪ Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago ▪ leading interpreter of religious experience, who established paradigms in religious studies that persist to this day ▪ his theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential ▪ works: • Maitreyi ("La Nuit Bengali" or "Bengal Nights"), • Noaptea de Sânziene ("The Forbidden Forest"), • Isabel și apele diavolului ("Isabel and the Devil's Waters") • Romanul Adolescentului Miop ("Novel of the Nearsighted Adolescent"), • Domnișoara Christina ("Miss Christina") • Tinerețe fără tinerețe ("Youth Without Youth) • Secretul doctorului Honigberger ("The Secret of Dr. Honigberger") • La Țigănci ("With the Gypsy Girls"). MIRCEA ELIADE ▪ 1850-1889 ▪ Romantic poet, novelist, and
    [Show full text]