Photographica Auction Results
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LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
LEICA SUMMARON-M 1:5,6/28Mm Anleitung Instructions Notice D
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
LEICA SUMMARON-M 28 Mm F/5.6
LEICA SUMMARON-M 28 mm f/5.6 Technical Data. Illustration 1:1 Lens Leica Summaron-M 28 mm f/5.6 Order number 11 6 95 Angle of view For 35 mm (24 x 36 mm): 75°/65°/46° (diagonal, horizontal, vertical) Optical design Number of elements/groups: 6/4 Position of entrance pupil in front of the bayonet: 2.4 mm Focusing range: 1 m to infinity Distance setting Scala: combined meter-increments Smallest object field: for 35 mm: 801 x 1201 mm Largest reproduction ratio: 1:33.4 Aperture Setting/type: prefix with click stops, full steps Smallest aperture: f/22 Number of aperture blades: 8 Bayonet Leica M quick-change bayonet Filter thread E34 Lens hood Clip-on (supplied) Dimensions and weight Length: approx. 18/39 mm (without/with lens hood) Largest diameter without lens hood: approx. 51 mm (without lens hood) Weight: approx. 165 g (without lens hood) Page 1 of 6 I As at July 2016 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Telephone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA SUMMARON-M 28 mm f/5.6 ENGINEERING DRAWING LENS SHAPE Illustrations 1:1 This Leica Summaron 28 mm f/5.6 is a replica of the model originally introduced in 1955. With its 6 lens elements arranged strictly symmetrically around the aperture in 4 groups, it has the same optical design. Its extremely com- pact mechanical construction also corresponds to the original. -
List & Label Report
10 Kamera-Auktion 1 1 Fernglas „Leitz Trinoid“ 8x32 40,00 € Sparte Hausrat 2 1 Leitz Summicron-R, 1:2/ 35mm 300,00 € Sparte Hausrat 3 1 Leitz Elmarit-R, 1:2, 8/180mm 100,00 € Sparte Hausrat 4 1 Leica R4 40,00 € Sparte Hausrat 5 1 Leitz Telyt 1:6, 8/400 Köcher 80,00 € Sparte Hausrat - Seite 1 / 28 - 6 1 Leitz- Leicaflex SL2 80,00 € Sparte Hausrat 7 1 Leitz- Leicaflex SL2, 50 Jahre-Jubiläum 250,00 € Sparte Hausrat 8 1 Leica III f, Summitar 1:2/50 200,00 € Sparte Hausrat 9 1 Leica III a, Modell G, Motor „Mooly“, Elmar 1:3,5/50 400,00 € Sparte Hausrat 10 1 PA- Curtagon, 1:4/ 35, Schneider-Kreuznach 80,00 € Sparte Hausrat 11 Leica Vorsatz 16507 30,00 € Sparte Hausrat - Seite 2 / 28 - 12 Leica Prismensucher 16460 10,00 € Sparte Hausrat 13 3x Nooky-Hesum, Naheinstellgerät 10,00 € Sparte Hausrat 14 Leitz Vario-Elmar-R 1:3,5/ 35-70 100,00 € Sparte Hausrat 15 Leitz Summicron 1:2/ 50 100,00 € Sparte Hausrat 16 Leitz Elmar 1:2,8 /50 100,00 € Sparte Hausrat 17 Leitz Summarit 1:1,5 / 50 200,00 € Sparte Hausrat - Seite 3 / 28 - 18 Leitz Visoflex II 10,00 € Sparte Hausrat 19 1 Leicaflex SL 40,00 € Sparte Hausrat 20 1 Leica minilux 150,00 € Sparte Hausrat 21 1 Leica M5, black 300,00 € Sparte Hausrat 22 1 Leica M5, black 250,00 € Sparte Hausrat 23 1 Leica R8 200,00 € Sparte Hausrat - Seite 4 / 28 - 24 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 25 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 26 1 Leica I, Modell c, Elmar 1:3,5/50 500,00 € Sparte Hausrat 27 1 Leica I f, 1:6,3 /28 100,00 € Sparte Hausrat 28 Leitz Elmar 1:3,5/ 50 150,00 -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
Leica M Empowering Your Creative Freedom to Capture Decisive Moments
Leica M Empowering your creative freedom to capture decisive moments. CONTENTS EDITORIAL 05 LEICA HISTORY 06 LEICA REPORTAGE 08 LEICA M - SYSTEM 14 NEW: LEICA M9 26 LEICA M7 AND MP 40 LEICA A LA CARTE 48 LEICA M - LENSES 50 LEICA M - ACCESSORIES 66 LEICA M TECHNICAL DATA 72 LEICA CAMERAS AND SPORT OPTICS 80 Dear friends of Leica, Leica Camera shares your passion and love of challenging creative photography. Our factory is dedicated to designing and constructing cameras and lenses of the highest quality and uncompromising performance for people just like you. Leica cameras and lenses are exquisite tools that let you experience a unique view of life – tools that ensure the photographer’s complete creative freedom. At the same time, they maximize the potential for realizing your most cherished visual concepts in the form of perfect pictures – images that capture and possess the power to express the otherwise hidden or unnoticed facets of life. The Leica M stands for precisely this special genre of photography as no other camera can. Since our introduction of the combined viewfinder/rangefinder principle in 1954, countless photojournalists and photographic artists have reshaped and redefined our views of the world with their responsive, silent, and discreet Leica M cameras. This is because rangefinder cameras are ideal for capturing vital and authentic images taken from real life, a fact that holds true to the present day. With their intense concentration solely on essential functions and timelessly purist design, the Leica M7 and MP cameras carry forth the noble heritage of their predecessors. What is more, they represent the crowning glory of classical Leica M photography. -
Rolleifle,X 2.8F IMPROVING on When the Rolleiflex 2.8F Was Created, Astar Was Born
HOW Amateur Photographer's... Ie P 0 06 MUCH o HEY PHOTOGRAPHER I PHOTOGRAPH I COST? AType 1Rolleiflex 2,8F with 80mm Planar and exposure AType 1version of the meter, showing late 1950s, with 75mm 'moderate/heavy use' 1/3.5 Planar and built with 'obvious wear in uncoupled exposure to the body covering' meter. Ihis one is in sold for [432,02 on as-bought condition eBay on 16 July, A and has not yet been dealer in Frankfurt cleaned for display sold anear-mint 2.8F with Planar and meter for [1.261 on 11 July. The 3.5F realises similar prices, with similar differences for condition. Amint example of the last 'wl\'ite face' 3.5F with meter and ERe [ever ready easel sold on eBay for [1,874 on, 16 July. AweU-used but sound 3.5F with ptanar and accessories sold for [436.20 on 14 July A3.5F with f/3.5 Xenotar and needing a the optical quality of the 80mm f/2.8 Carl shutter service [which Zeiss Planar and the ultimate mechanical could be pricey] sold leaf shutter of the time, the Synchro for [171 on 11 July. The classic Type 1of the 1960s, Compur As acreative tool, particularly for These examples show pictures of people, it was unsurpassed, that prices of 2.8F with 80mm f/28 Planar and built-in The companion to the 28F, the Rolleiflex and 3.5F Rolleiflexes 35F, had been launched in 1958 with either vary dramatically with selenium-cell exposure meter an f/35 Zeiss Planar or an f/35 Schneider condition. -
Leica Digilux 2
LEICA DIGILUX 2 La fotocamera “analogica” digitale e: David Alan Harvey / Codice brochure: tedesco 91171, inglese 91172, francese 91173, italiano 91180 /12/03/FZ/B italiano 91180 francese 91173, inglese 91172, Alan Harvey 91171, e: David / Codice brochure: tedesco ® i diritti di modifica a costruzione, design e gamma riservati / Tutti Marchi registrati / © 2003 Leica Camera AG = Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms www.leica-camera.com / [email protected] Concetto e design: Heine/Lenz/Zizka, Frankfurt am Main / Indicazione immagini: Fotografie prodotti: Tom Vack / Autore fotografi / Autore Vack Tom Frankfurt prodotti: am Main / Indicazione immagini: Fotografie e design: Heine/Lenz/Zizka, Concetto Telefono +49(0)6442-208-0 / Telefax +49(0)6442-208-333 Leica Camera Group / “Leica” e nomi dei prodotti Marchio registrato Fotografia digitale sotto una nuova luce Leica Camera AG avanza a tutta forza e in forma indipendente nell’era del digitale, fornendo il meglio dei due sistemi: la nuova LEICA DIGILUX 2 offre le più moderne tecnologie digitali unitamente ai concetti base della fotografia analogica in una splendida fusione. Questa è la prima foto- camera digitale che consente manovrabilità pari ad una classica foto- camera professionale. Grazie alla ghiera dei tempi posizionata sulla calotta e le ghiere di messa a fuoco, apertura e lunghezza focale, il funzionamento è familiare, veloce e preciso. Questo rende la LEICA DIGILUX 2 lo strumento ideale per realizzare immagini espressive con uno stile personale. Inoltre, visto lo scopo di ottenere ottimi risul- tati anche in condizioni di luce difficile, i’elemento principale è un obiettivo ad alto rendimento qualitativo composto di 13 elementi suddivisi in 10 gruppi, costruito con i più qualificati tipi di vetro attual- “La LEICA DIGILUX 2 è l’espressione della nostra lealtà verso l’arte mente disponibili uniti alla leggendaria competenza ottica Leica. -
Visual Communications Journal
Visual CommunicationsSpring 2017, Volume 53, Number 1 Journal Medium Format Cameras for Digital Photography CHRIS J. LANTZ, Ph.D. Volume 53 Number 1 SPRING 2017 Acknowledgements President – Mike Stinnett Royal Oak High School (Ret.) Editor 21800 Morley Ave. Apt 517 Dan Wilson, Illinois State University Dearborn, MI 48124 (313) 605-5904 Editorial Review Board [email protected] Cynthia Carlton-Thompson, North Carolina A&T State University President-Elect – Malcolm Keif Bob Chung, Rochester Institute of Technology Cal Poly University Christopher Lantz, Western Illinois University Graphic Communications Devang Mehta, North Carolina A&T State University San Luis Obispo, CA 93407 Tom Schildgen, Arizona State University 805-756-2500 Mark Snyder, Millersville University [email protected] James Tenorio, University of Wisconsin–Stout First Vice-President (Publications) Renmei Xu, Ball State University Gabe Grant Cover Design Eastern Illinois University School of Technology Ben Alberti, Western Technical College 600 Lincoln Avenue Instructor, Barbara Fischer Charleston, IL 61920 (217) 581-3372 Page Design, Layout, and Prepress [email protected] Janet Oglesby and Can Le Second Vice-President (Membership) Can Le Printing, Bindery, and Distribution University of Houston Harold Halliday, University of Houston 312 Technology Bldg. University of Houston Printing and Postal Services Houston, TX 77204-4023 (713) 743-4082 About the Journal [email protected] TheVisual Communications Journal serves as the official journal of the Graphic Secretary – Laura Roberts Communications Education Association, and provides a professional Mattoon High School communicative link for educators and industry personnel associated with 2521 Walnut Avenue design, presentation, management, and reproduction of graphic forms of Mattoon, IL 61938 communication. Manuscripts submitted for publication are subject to peer (217) 238-7785 review. -
MEDIUM FORMAT 100Mm Lens
Section1 MediumFormat Introduction . 10 Bronica 6x4.5 . 11-16 Bronica 6x6 . 17-22 Bronica 6x7 . 23-27 Fuji 6x4.5 . 28 Fuji 6x7 . 29 Fuji 6x8 . 30-32 Fuji 6x9 . 33 Hasselblad 6x6 . 34-54 LRX (Beattie) . 55-56 Mamiya 6x4.5 . 57-64 Mamiya 6x6 . 65-66, 75 Mamiya 6x7 . 67-82 Pentax 6x4.5 . 83-89 Pentax 6x7 . 90-95 Rollei 6x6 . 96-109 Hasselblad INTRODUCTION 6x6cm medium ➧ format camera ➧ Bronica MEDIUM FORMAT 100mm lens As the format of choice among wedding, fashion, and Today, most medium portrait photographers, Medium Format includes all format cameras are cameras which accept 120 or 220 film sizes. The out- “system cameras,” standing attraction of medium format is the superlative with popular image available due to the substantially larger film for- options that mat and increased image size on the negative or trans- include motor parency. Because medium format negatives require less winders, inter- enlargement than smaller 35mm negatives to produce changeable viewfinders the same image size on the print, identical negatives on with or without exposure meters, grips and an array or the same type of 35mm and 120/220 film will produce lenses rivaling 35mm in choice. These include perspective remarkably different prints. The 120/220 format delivers control lenses, tele-extenders and zooms. From the 24mm MEDIUM FORMAT more resolution, finer grain, an expanded grey scale, and full-frame fisheye lens to the 500mm telephoto lens with a visually more pleasing image. Medium format cameras low dispersion glass and floating elements, almost every are available in the following different variations: option is available.