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MEDIUM FORMAT 100Mm Lens

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MEDIUM FORMAT 100Mm Lens Section1 MediumFormat Introduction . 10 Bronica 6x4.5 . 11-16 Bronica 6x6 . 17-22 Bronica 6x7 . 23-27 Fuji 6x4.5 . 28 Fuji 6x7 . 29 Fuji 6x8 . 30-32 Fuji 6x9 . 33 Hasselblad 6x6 . 34-54 LRX (Beattie) . 55-56 Mamiya 6x4.5 . 57-64 Mamiya 6x6 . 65-66, 75 Mamiya 6x7 . 67-82 Pentax 6x4.5 . 83-89 Pentax 6x7 . 90-95 Rollei 6x6 . 96-109 Hasselblad INTRODUCTION 6x6cm medium ➧ format camera ➧ Bronica MEDIUM FORMAT 100mm lens As the format of choice among wedding, fashion, and Today, most medium portrait photographers, Medium Format includes all format cameras are cameras which accept 120 or 220 film sizes. The out- “system cameras,” standing attraction of medium format is the superlative with popular image available due to the substantially larger film for- options that mat and increased image size on the negative or trans- include motor parency. Because medium format negatives require less winders, inter- enlargement than smaller 35mm negatives to produce changeable viewfinders the same image size on the print, identical negatives on with or without exposure meters, grips and an array or the same type of 35mm and 120/220 film will produce lenses rivaling 35mm in choice. These include perspective remarkably different prints. The 120/220 format delivers control lenses, tele-extenders and zooms. From the 24mm MEDIUM FORMAT more resolution, finer grain, an expanded grey scale, and full-frame fisheye lens to the 500mm telephoto lens with a visually more pleasing image. Medium format cameras low dispersion glass and floating elements, almost every are available in the following different variations: option is available. Lenses with fast f/2.8 maximum apertures are standard. Several manufacturers also offer soft-focus lenses in popular portrait focal lengths. 10 FORMAT EXPOSURES EXPOSURES WITH 120 FILM WITH 220 FILM Furthermore, many medium format lenses are 6x4.5 15 30 equipped with leaf-type in-lens shutters. While the top speed of these lenses is usually limited to 1/500 second, 6x6cm 12 24 the option of flash exposure at any speed is a tremen- 6x7cm 10 20 dous benefit for the outdoor photographer who seeks 6x8cm 9 18 complete exposure control. 6x9cm 8 16 Altogether, the options of switching film backs in mid- The 6x4.5 and 6x7 formats enlarge to the exact ratio of roll, interchangeable viewfinders and screens, and the an 8x10 print which allows the photographer to shoot large negative, coupled with technical innovations like the most traditional print size without cropping. The TTL/OTF flash control and electronically timed shutter popular 6x6 square format gives photographers the speeds for unparalleled accuracy makes medium option to crop either horizontally or vertically after the format the choice for quality conscious professionals film is processed. The 6x9 format produces a negative in and serious amateurs alike. the same 1:1.5 ration as the traditional 35mm format. The different medium format sizes compared to 35mm format Perhaps the most attractive feature of medium format systems is that the vast majority of them come with interchangeable film backs. This gives the photographer an opportunity to reload quickly in the middle of a tight shooting situation such as a wedding or runway assign- ments. It also permits changing from slide to negative, black-and-white to color, or slow to fast films in mid roll 35mm image area without losing a frame. Most systems with interchange- able backs also allow the use of 35mm film in standard and panorama formats, and Polaroid backs, which let the user check lighting, exposure, or layout options 6x8cm 6x9cm 6x7cm 6x6cm before exposing their other film. 6x4.5cm 24 Hour Fax: 800-947-7008 ■ 212-239-7770 BRONICA Bronica ETRSi shown with a ETRSi 6x4.5 SYSTEM 75mm f/2.8 lens, 120 Film Back and Waist-Level Finder The 6x4.5 system camera with a frame size about MEDIUM FORMAT 2.7 times larger than the 35mm format, obtains high quality images. The superior design of the ETRSi increases the creativity of the photographer in pursuit of new image expressions. With the option- al AE-III viewfinder, aperture priority auto-expo- sure with TTL-metering is possible. When used with a dedicated flash, the ETRSi provides OTF/TTL flash metering. The ETRSi truly deliv- ers advanced photography with handling ease. FEATURES 11 ■ Greater handling ■ Finder interchange- speed in a compact, ability to match any shooting mode lightweight “system” ■ Handles as easily ETRSi Camera Body (BE2015) camera design ■ Multiformat system as a 35mm camera With strap, battery and ■ Between-the-lens permits changing with the optional Ei matte screen. shutter system for films and formats Speed Grip Item # BRETRSI............975.00 flash sync at all at any time ■ Optional light- ETRSi Camera Outfit speeds ■ SCA system weight motor ETRSi body, 120 Ei back, Ei ■ Lenses designed for compatibility for winder system for matte screen, waist-level finder, superior color balance TTL auto flash fast shooting and 75mm lens. and sharpness operation actions Item # BRETRSI120WL ..2,221.40 ETRSi SPECIFICATIONS TYPE: FOCUSING SCREEN: FILM BACK: BATTERY CHECK: 1 5 6 x 4.5cm format (2 ⁄4 x 1 ⁄8˝) Interchangeable type; Daylight loading; Red LED visible within lens shutter single lens standard screen is all matte interchangeable type; screen area when battery reflex camera system, with with center spot exclusive film backs for check button is depressed, interchangeable lens, film 120, 220 roll film, if there is sufficient power; MIRROR LOCK-UP: back, finder and focusing 35mm film and also doubles as shutter Possible with lever on body screen. Polaroid pack film function signal MULTIPLE EXPOSURE: LENS MOUNT: FILM: BATTERY: Possible with lever on body Four-claw ETR mount 120 (15 exp.) and Uses PX28 silver oxide, LENS DIAPHRAGM: 220 (30 exp.) roll film, PX28L lithium, 4LR44 FILM ADVANCE: Fully automatic instant 35mm film and alkaline or equivalent 6V Film winding crank; reopening diaphragm Polaroid pack film battery; also powers AE-II Optional speed grip for action; equal-distance aper- with exclusive film backs and AE-III finders, when faster manual handling, or ture scale graduations; for each type attached optional power winder for depth of field preview automatic handling FLASH SYNCHRONIZATION: DIMENSIONS: SHUTTER: X-setting Body: 3.6 x 3.4 x 2.7˝ VIEWFINDER: Electronic control Seiko #0 (all speeds to 1/500 sec.) (92 x 87 x 69mm) W.H.L. Interchangeable finder sys- between-the-lens leaf shut- tem; 94% of actual field of FLASH: WEIGHT: ter; shutter speeds 8 sec. to view TTL OTF auto flash opera- Body: 16.6 oz. (470g) 1/500 sec. +B and T; tion with SCA 386 flash mechanical control setting adapter of 1/500 sec. Subject to change without notice THE PROFESSIONAL’S SOURCE (212) 444-6630 • FAX: (212) 239-7770 PHOTO - VIDEO - PRO AUDIO 1•800•947•6650 BRONICA 100mm f/4.0 Macro Lens ETRSi (BE2219) ZENZANON PE LENSES 1 Zenzanon PE lenses feature electronic flash synchronization to ⁄500 sec. This facilitates daylight fill-in Zoom flash at all shutter speeds, overcoming high contrast in against-the-light shots, and studio work with 1 high-speed flash illumination. They offer ⁄2 stop settings which allow precise exposure control. 45-90mm f/4-5.6 (BE2234) Seiko #0 shutters in each lens are controlled by an electronic timer in the camera body. This functional Aspherical wide to mid-range design guarantees shutter speed reliability no matter which lens is mounted on the camera. telephoto lens. Item # BR45904PE .....1,439.00 Wide Angle Telephoto 100-220mm f/4.8 (BE2233) 30mm f/3.5 Fish-Eye (BE2210) 100mm f/4.0 Macro (BE2219) 200mm f/4.5 (BE2216) Internal focusing. Provides Item # BR3035PE.........2925.00 Item # BR1004MPE ....1,165.00 Item # BR20045PE......1,215.00 close-focusing up to 3.3’ (1m) minimum object distance 40mm f/4.0 (BE2211) 105mm f/4.5 Macro (BE2224) throughout the zoom range. MEDIUM FORMAT Item # BR404PE..........1,315.00 250mm f/5.6 (BE2217) Item # BR10022048PE ..1,894.00 With case and built-in hood. Item # BR25056PE......1,325.00 50mm f/2.8 (BE2212) Item # BR10545MPE ..1,294.00 Item # BR5028PE........1,199.00 500mm f/8.0 (BE2218) Tele-Converters 135mm f/4.0 (BE2214) With aluminum case and 60mm f/2.8 (BE2222) Item # BR1354PE........1,135.00 1.4x Tele-Converter (BE2231) built-in hood. 12 Item # BR6028PE........1,199.00 For 75-500mm lenses. Item # BR5008PE......10,999.95 150mm f/3.5 (BE2215) Item # BR1.4XPE ...........815.00 Standard Item # BR15035PE......1,199.00 500mm E II f/8.0 (BE2208) 2x Tele-Converter (BE2232) 75mm f/2.8 (BE2213) 180mm f/4.5 (BE2223) With built-in hood. For 75-500mm lenses. Item # BR7528PE ..........759.00 Item # BR18045PE......1,535.00 Item # BR5008E2 ........3,188.95 Item # BR2XPE ..............835.00 SPECIFICATIONS OF ZENZANON PE LENSES Lens 30mm 40mm 50mm 60mm 75mm 100mm 105mm 135mm 150mm Aperture Range f. 3.5-22 4-22 2.8-22 2.8-22 2.8-22 4-32 4.5-32 4-32 3.5-22 Angle of View 108° 82.1° 69.7° 60.7° 49.7° 38.4° 36.9° 29.1° 26.1° Lens Construction 8G, 11E 8G, 9E 7G, 9E 7G, 7E 5G, 6E 4G, 6E 8G, 9E 4G, 4E 5G, 6E Minimum Focusing 10.6˝ (.27m) 13.8˝ (.35m) 18.1˝ (.46m) 16.5˝ (.42m) 23.6˝ (.6m) 24˝ (.61m) 13.8˝ (.35m) 39.3˝ (1.0m) 59˝ (1.5m) Weight 31.7 oz. (900g) 18 oz. (510g) 17.3 oz. (490g) 18.3 oz. (520g) 15.5 oz. (440g) 23 oz.
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