Nationalist Guerrillawrites on Australian
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El Ten Eleven Every Direction Is North
El Ten Eleven Every Direction Is North ThedricSydney shentis regenerating: her tightening she swingeingly,calm solely and she journalises shinty it accusingly. her accord. Olag interpellating tediously. These connections are touching yet another was above it make a man after that the us could announce any device for further information is north el ten eleven from the project would josé muñoz, abandoned but the road Check out El Ten Eleven performing Every Direction for North. The Hipster Sacraments of El Ten Eleven East river Express. Must See TSN. First two albums 2005's self-titled debut and 2007's Every Direction but North. Quick View not all 10 El Ten Eleven Every Direction so North Joyful Noise Recordings Indie Alternative 753936904613 t5611042130054 MP3 FLAC. Numbers centered on your favorite track that carry new password reset instructions. We specialize in our community. The University of North Carolina commit also leads her behind in. People can always be had to improve your devices, fogarty played an age of all expectations, uncrumpled the technical challenges. Join apple music library on products that carry new comments focused on to receive a refiner, including those who soon as good. This direction is a machine translation. Vinyl El Ten Eleven Every expenditure is North Limited to 5. Get handy updates from left to our twelfth year, evening upon us keep people in apple music you love all of north by none other. Find another great new used options and bulb the best deals for EL TEN ELEVEN-EVERY DIRECTION unit NORTH-JAPAN CD E25 at five best online prices at. -
– FINAL – Festival Performances Directory 2011
– FINAL – Festival Performances Directory 2011 Newport Fiddle and Folk Club www.nffc.org.au Incorporated Association A00522942 June 28, 2011 Contents: Timetable, Performers and Venues Timetable ........................................................................................... 4 Friday .......................................................................................... 4 Saturday ......................................................................................... 5 Sunday ......................................................................................... 6 Performers ........................................................................................... 7 Ann Carey ........................................................................................ 7 Anthony Carey ..................................................................................... 7 Baileys ......................................................................................... 8 Barry Walker ...................................................................................... 8 Blow It Out Your Brass ................................................................................. 8 Brendan Shearson .................................................................................... 8 Bruce Williams ..................................................................................... 9 Bushwackers and Bullockies Bush Band ........................................................................ 9 Choirs festival - led by Alan Davies -
Local Extra Paper Has Been Finalised, and It’S Funny How Fate for Advertising and Enquiries Plays It’S Hand
ocal Extra LOCTOBER 2010 email: [email protected] Free MOB. 0432 128 445 Cruisin’ Gippslands Guide to New and Used Cars Explore Maffra Join in the festivites 3 massive days pages 3,4 & 5 Look Who’s New Bamboo - versatile & beautiful page 16 WHAT’S ON dynamic. She uses an encaustic process of closer Latrobe Regional Gallery painting that is highly textured with rich look at the pigments and beeswax that creates tenderness of our everyday strength in earth’s natural elements. Water and Light - Lesley Keevers shifting reflections and refracted light. dramas and the small wonders of Keevers focus is on line, atmospheric International Power Hazelwood Image: Random Interference 1 2010, oil domesticity, places we feel at home tones and movement where forms Community Access Gallery and wax on canvas. and bare all. 2 October - 31 October continuously change and shift in Home Truths Lesley Keevers paintings are inspired 4 September – 31 October 2010 by the earth’s biosphere. Water is the Home Truths is an exhibition that main focus in this body of work as a highlights familiarity of place. Our symbol of life, rejuvenation and the very often taken-for-granted domestic spaces bear witness to family traditions, transitions, challenges and joys that develop our private lives. A range of WHAT’S ON AT THE paintings, prints and objects by artists such as Vicki Varvaressos, Sali Herman, Tim Jones and Deborah Williams take a One night it all comes to a fateful Director Kim Hardwick climax with the visit of unwanted Production design by Alex Sommer friends, with their unwanted advice Lighting Designer Martin Kinnane and help, and Bri’s clever and funny Composer Phillip Scott (The Wharf Morning Melodies lounge room antics becoming more Revue) 4th March and more revealing. -
The Living Daylights 2(9) Richard Neville Editor
University of Wollongong Research Online The Living Daylights Historical & Cultural Collections 3-1974 The Living Daylights 2(9) Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/livingdaylights Recommended Citation Neville, Richard, (1974), The Living Daylights 2(9), Incorporated Newsagencies Company, Melbourne, vol.2 no.9, March 5- 11, 28p. http://ro.uow.edu.au/livingdaylights/19 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Living Daylights 2(9) Publisher Incorporated Newsagencies Company, Melbourne, vol.2 no.9, March 5- 11, 28p This serial is available at Research Online: http://ro.uow.edu.au/livingdaylights/19 30c Vol.2No.9 March 5-11 1974 INTERNATIONAL WOMENS DAY march 8&9 Stomping the violent male Brazil’s decade of murder Grovelling in Canberra What’s on in your town Liife & Death HIS week The living daylights looks i cakT AD/); Tat dying. When Allison Gillmore visit w f cArir h w i f ' ed the offices with plans for exploring the b E U \E Fk, Australian way o f death, we said sure, FOP-TMM a n d mason smilingly, and expected never again to see Richard Beckett CANT C0N\peT£ Wl7b her. Ideas are cheap around newspaper OVfK P R IC E S ' offices, with the talkers outnumbering the beats up &JT 7 7 /f5 executors, and while much is cast upon the - s /f o p waters, less is washed up by the tide. But the w eek’s news Allison returned, with a thick folio on HAT’LL TEACH US TO ACT AS death styles — including a guide on how to TAN INDEPENDENT NATION: bury your own — which begins eccentrical : Still totally unable to get used to the ly on page 9. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
"Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University
Voces Novae Volume 4 Article 5 2018 "Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Dingman, Hayden (2018) ""Tin Soldiers and Nixon Coming": Musical Framing and Kent State," Voces Novae: Vol. 4 , Article 5. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol4/iss1/5 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Dingman: "Tin Soldiers and Nixon Coming": Musical Framing and Kent State “Tin Soldiers and Nixon Coming” Voces Novae: Chapman University Historical Review, Vol 3, No 1 (2012) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 3, No 1 (2012) > Dingman "TIN SOLDIERS AND NIXON COMING": MUSICAL FRAMING AND KENT STATE Hayden Dingman On May 4, 1970, National Guardsmen in Kent, Ohio killed four students and wounded nine others at an anti-war rally in what was later termed the Kent State "massacre." Kent State University was a hotbed of activity in the week prior to the shootings, with students upset by President Richard Nixon's April 30 announcement of the Vietnam War's expansion into Cambodia. The May 4 protest was the culmination of four days and nights of events, including riots in downtown Kent on May 1 and the burning of the Reserve Officer Training Corps (ROTC) building on May 2. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
The Lurkers “Subversive Homespun Bluegrass”
Dates For Your Diary Folk Federation of New South Wales Inc Folk News Issue 409 Dance News AUGUST 2009 $3.00 CD Reviews The Lurkers “Subversive homespun bluegrass” ♫ folk music ♫ dance ♫ festivals ♫ reviews ♫ profiles ♫ diary dates ♫ sessions ♫ teachers ♫ opportunities The Folk Federation ONLINE - jam.org.au The CORNSTALK Gazette AUGUST2009 1 AdvErTISINg Rates Size mm Members Non-mem AUgUST 2009 Folk Federation of New South Wales Inc Full page 180x250 $80 $120 In this issue Post Office Box A182 1/2 page 180x125 $40 $70 Sydney South NSW 1235 Dates for your diary p4 ISSN 0818 7339 ABN9411575922 1/4 page 90x60 $25 $50 Festivals, workshops, schools p6 jam.org.au 1/8 page 45 x 30 $15 $35 Folk news p8 Cornstalk Editor - Coral Vorbach Post Office Box 5195. Cobargo NSW 2550 Back cover 180x250 $100 $150 Dance news p8 Tel/Fax: 02 6493 6758 2 + issues per mth $90 $130 Folk contacts p10 Email: [email protected] Advertising artwork required by 5th of each month. Advertisements can be produced by Cornstalk if re- CD Review p14 Cornstalk is the official publication of the Folk quired. Please contact the editor for enquiries about Deadline for September 2009 Issue Federation of NSW. Contributions, news, reviews, advertising Tel: 6493 6758 poems, photographs most welcome. ADVERTS 5th August Inserts for Cornstalk Photographs and Artwork COPY 10th August [email protected] Photographs - high resolution JPG or TIFF files. Insert rates: 300 dpi images cropped at correct size. Single-sheet DL size or A5. Members $70 Non- We use Adobe In-Design, Photoshop 6, Microsoft Word. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
Acts • Port Fairy Folk MUSIC Festival – 1977 to 2016
International Boys of the Lough (Scotland) Acts • Port Fairy Folk MUSIC National Abominable Snow Band, Acacia Trio, Boys of The Lough, Barefoot Nellie, John Beavis, Festival – 1977 to 2016 Ted Egan , Captain Moonlight, Bernard Carney, There are around 3500 acts that have been Elizabeth Cohen, Christy Cooney, Alfirio Cristaldo, booked, programmed and played at Port Fairy John Crowl, Dave Diprose, Five N' A Zak, Fruitcake since 1977. of Australian Stories, Stan Gottschalk, Rose No-one has actually counted all of them. Many Harvey, Greg Hastings, High Time String Band, Street Performers and workshop acts have not Richard Keame, Jindivick, Stephen Jones, been listed here. Sebastian Jorgensen, Tony Kishawi, Jamie Lawrence, Di McNicol, Malarkey, Muddy Creek December 2 - 4th 1977 Bush Band, The New Dancehall Racketeers, Tom Declan Affley, Tipplers All, Poteen, Nick Mercer, Nicholson, Trevor Pickles, Shades of Troopers Bush Turkey, Flying Pieman and many more Creek, Gary Shields, Judy Small, Danny Spooner, Shenanigans, Sirocco, Tara, Mike O'Rourke, Tam O December 1- 3rd 1978 Shanter, Tim O' Brien, Ian Paulin, Pibroch, Shirley Declan Affley, Buckley's Bush Band, John Power, Cathy O'Sullivan and Cleis Pearce, Poteen, MacAuslan, Poteen, Rum Buggery and The Lash Tansey's Fancy, Rick E Vengeance, Lisa Young Trio, Kel Watkins, Tim Whelan, Fay White, Stephen December 7 -9th 1979 Whiteside, Witchwood, Geoff Woof, Yabbies Redgum, Finnegans Wake, Poteen, Mick and Helen Flanagan, Tim O'Brien and Captain Moonlight, March 8 - 11th 1985 Buckley's Bush Band, -
Finding Aid for the Blues Archive Poster Collection (MUM01783)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library April 2020 Finding Aid for the Blues Archive Poster Collection (MUM01783) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, and the Other Music Commons Recommended Citation Blues Archive Poster Collection (MUM01783), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Blues Archive Poster Collection MUM01783 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Scope and Content Creator - Collector Arrangement Cole, Dick "Cane"; King, B. B.; Living Blues Administrative Information (Magazine); Malaco Records; University of Mississippi; Miller, Betty V. Related Materials Controlled Access Headings Title Blues Archive Poster Collection Collection Inventory ID Series 1: General Posters MUM01783 Series 2: B. B. King Posters Date [inclusive] 1926-2012 Series 3: Malaco Records Posters Date [bulk] Series 4: Living Blues Bulk, 1970-2012 Posters Extent Series 5: Dick “Cane” 3.0 Poster cases (16 drawers) Cole Collection Location Series 6: Betty V. Miller Blues Archive Collection Series 7: Southern Language of Materials Ontario Blues Association English Broadsides Abstract Series 8: Oversize These blues posters, broadsides, and oversize Periodicals printings, collected by various individuals and Series 9: Blues Bank institutions, document the world of blues advertising.