The National 2008 Genticorum Superb Musicians!
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“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
– FINAL – Festival Performances Directory 2011
– FINAL – Festival Performances Directory 2011 Newport Fiddle and Folk Club www.nffc.org.au Incorporated Association A00522942 June 28, 2011 Contents: Timetable, Performers and Venues Timetable ........................................................................................... 4 Friday .......................................................................................... 4 Saturday ......................................................................................... 5 Sunday ......................................................................................... 6 Performers ........................................................................................... 7 Ann Carey ........................................................................................ 7 Anthony Carey ..................................................................................... 7 Baileys ......................................................................................... 8 Barry Walker ...................................................................................... 8 Blow It Out Your Brass ................................................................................. 8 Brendan Shearson .................................................................................... 8 Bruce Williams ..................................................................................... 9 Bushwackers and Bullockies Bush Band ........................................................................ 9 Choirs festival - led by Alan Davies -
Local Extra Paper Has Been Finalised, and It’S Funny How Fate for Advertising and Enquiries Plays It’S Hand
ocal Extra LOCTOBER 2010 email: [email protected] Free MOB. 0432 128 445 Cruisin’ Gippslands Guide to New and Used Cars Explore Maffra Join in the festivites 3 massive days pages 3,4 & 5 Look Who’s New Bamboo - versatile & beautiful page 16 WHAT’S ON dynamic. She uses an encaustic process of closer Latrobe Regional Gallery painting that is highly textured with rich look at the pigments and beeswax that creates tenderness of our everyday strength in earth’s natural elements. Water and Light - Lesley Keevers shifting reflections and refracted light. dramas and the small wonders of Keevers focus is on line, atmospheric International Power Hazelwood Image: Random Interference 1 2010, oil domesticity, places we feel at home tones and movement where forms Community Access Gallery and wax on canvas. and bare all. 2 October - 31 October continuously change and shift in Home Truths Lesley Keevers paintings are inspired 4 September – 31 October 2010 by the earth’s biosphere. Water is the Home Truths is an exhibition that main focus in this body of work as a highlights familiarity of place. Our symbol of life, rejuvenation and the very often taken-for-granted domestic spaces bear witness to family traditions, transitions, challenges and joys that develop our private lives. A range of WHAT’S ON AT THE paintings, prints and objects by artists such as Vicki Varvaressos, Sali Herman, Tim Jones and Deborah Williams take a One night it all comes to a fateful Director Kim Hardwick climax with the visit of unwanted Production design by Alex Sommer friends, with their unwanted advice Lighting Designer Martin Kinnane and help, and Bri’s clever and funny Composer Phillip Scott (The Wharf Morning Melodies lounge room antics becoming more Revue) 4th March and more revealing. -
Joan Baez Live in Europe 83
Joan baez live in europe 83 click here to download Live Europe '83 is a recording by Joan Baez, taken from performances during her previous year's tour. It found Baez beginning to update her image by. Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (Cass, Club) Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (LP, Album, Club) Live Europe 83 - Children Of The Eighties (CD, Album, RE). Find a Joan Baez - Live Europe 83 - Children Of The Eighties first pressing or reissue. Complete your Joan Baez collection. Shop Vinyl and CDs. An unusual performance from the folk legend as she toured Europe in , as she sings songs of the lands she visits as well as standards of her era like. Official website for Joan Baez-Discography Pages. LIVE EUROPE '83 (CHILDREN OF THE EIGHTIES). Original release date: Produced by: Gerard. Le 15 juillet 83, Joan Baez avait donné un concert sur la place de la Concorde à Paris. Le thème était la non. Concert live de Joan Baez à Paris en - Duration: Jean-Marc Potier , views · · Joan. Find album reviews, stream songs, credits and award information for Live in Concert: European Tour - Joan Baez on AllMusic - - Not the greatest Joan. Listen free to Joan Baez – Live Europe 83 - Children of the Eighties (Farewell, Angelina, Warriors of the Sun and more). 14 tracks (). Discover more music. Find great deals for Live in Europe ' Children of the Eighties by Joan Baez (CD, Aug, Bmg/Ariola). Shop with confidence on eBay! Joan Baez: Live Europe 83,album, review, tracklist, mp3, lyrics. -
Brand New Cd & Dvd Releases 2006 6,400 Titles
BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00 -
Joan Baez Può Cantare Qualunque Cosa, Ma Non È “Qualunque Cosa” Un Soldato Ferito a Morte in Vietnam
per pura mitosi. Non solo: ascoltando l’interpretazione di Dylan, che Il suo album in spagnolo, Gracias a la vida del 1974, è la chiave della Ma non era colpa della voce. Dopo varie canzoni che non trovarono risucchiava la canzone nella mente inaccessibile del suo creatore, sua seconda identità. Ma anche quando canta in francese e tedesco, posto in quel live né in altri, attaccò Ring Them Bells e il mondo tornò era possibile dimenticare, o non accorgersi nemmeno, che i versi portoghese, napoletano e italiano (si ascolti su youtube la Canzone a ruotare sul suo asse. Non solo perché Ring Them Bells è di Dylan. della canzone potevano anche rappresentare il congedo alla vita di di Marinella) non si ha mai l’impressione che stia facendo del turismo Joan Baez può cantare qualunque cosa, ma non è “qualunque cosa” un soldato ferito a morte in Vietnam. Ma ascoltando l’interpretazione fonetico. Non siamo su una nave da crociera, insomma, con la che vogliamo da lei. Ha bisogno di canzoni che hanno una storia o della Baez era impossibile non pensarci. cantante che annuncia qualcosa in finlandese per gli amici crocieristi alle quali solo lei può dare una storia, come aveva fatto con Farewell Ci sono le voci della politica, ma esiste anche una politica della voce. venuti dalla Lapponia. E non ho scelto l’esempio a caso, perché una Angelina e con There but for Fortune, grazie a lei uno dei maggiori Nel disagio che i duri e puri di ogni tendenza provavano nei confronti delle più toccanti interpretazioni della Joan Baez recente è proprio successi di Phil Ochs. -
The Living Daylights 2(9) Richard Neville Editor
University of Wollongong Research Online The Living Daylights Historical & Cultural Collections 3-1974 The Living Daylights 2(9) Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/livingdaylights Recommended Citation Neville, Richard, (1974), The Living Daylights 2(9), Incorporated Newsagencies Company, Melbourne, vol.2 no.9, March 5- 11, 28p. http://ro.uow.edu.au/livingdaylights/19 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Living Daylights 2(9) Publisher Incorporated Newsagencies Company, Melbourne, vol.2 no.9, March 5- 11, 28p This serial is available at Research Online: http://ro.uow.edu.au/livingdaylights/19 30c Vol.2No.9 March 5-11 1974 INTERNATIONAL WOMENS DAY march 8&9 Stomping the violent male Brazil’s decade of murder Grovelling in Canberra What’s on in your town Liife & Death HIS week The living daylights looks i cakT AD/); Tat dying. When Allison Gillmore visit w f cArir h w i f ' ed the offices with plans for exploring the b E U \E Fk, Australian way o f death, we said sure, FOP-TMM a n d mason smilingly, and expected never again to see Richard Beckett CANT C0N\peT£ Wl7b her. Ideas are cheap around newspaper OVfK P R IC E S ' offices, with the talkers outnumbering the beats up &JT 7 7 /f5 executors, and while much is cast upon the - s /f o p waters, less is washed up by the tide. But the w eek’s news Allison returned, with a thick folio on HAT’LL TEACH US TO ACT AS death styles — including a guide on how to TAN INDEPENDENT NATION: bury your own — which begins eccentrical : Still totally unable to get used to the ly on page 9. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
The Lurkers “Subversive Homespun Bluegrass”
Dates For Your Diary Folk Federation of New South Wales Inc Folk News Issue 409 Dance News AUGUST 2009 $3.00 CD Reviews The Lurkers “Subversive homespun bluegrass” ♫ folk music ♫ dance ♫ festivals ♫ reviews ♫ profiles ♫ diary dates ♫ sessions ♫ teachers ♫ opportunities The Folk Federation ONLINE - jam.org.au The CORNSTALK Gazette AUGUST2009 1 AdvErTISINg Rates Size mm Members Non-mem AUgUST 2009 Folk Federation of New South Wales Inc Full page 180x250 $80 $120 In this issue Post Office Box A182 1/2 page 180x125 $40 $70 Sydney South NSW 1235 Dates for your diary p4 ISSN 0818 7339 ABN9411575922 1/4 page 90x60 $25 $50 Festivals, workshops, schools p6 jam.org.au 1/8 page 45 x 30 $15 $35 Folk news p8 Cornstalk Editor - Coral Vorbach Post Office Box 5195. Cobargo NSW 2550 Back cover 180x250 $100 $150 Dance news p8 Tel/Fax: 02 6493 6758 2 + issues per mth $90 $130 Folk contacts p10 Email: [email protected] Advertising artwork required by 5th of each month. Advertisements can be produced by Cornstalk if re- CD Review p14 Cornstalk is the official publication of the Folk quired. Please contact the editor for enquiries about Deadline for September 2009 Issue Federation of NSW. Contributions, news, reviews, advertising Tel: 6493 6758 poems, photographs most welcome. ADVERTS 5th August Inserts for Cornstalk Photographs and Artwork COPY 10th August [email protected] Photographs - high resolution JPG or TIFF files. Insert rates: 300 dpi images cropped at correct size. Single-sheet DL size or A5. Members $70 Non- We use Adobe In-Design, Photoshop 6, Microsoft Word. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
Acts • Port Fairy Folk MUSIC Festival – 1977 to 2016
International Boys of the Lough (Scotland) Acts • Port Fairy Folk MUSIC National Abominable Snow Band, Acacia Trio, Boys of The Lough, Barefoot Nellie, John Beavis, Festival – 1977 to 2016 Ted Egan , Captain Moonlight, Bernard Carney, There are around 3500 acts that have been Elizabeth Cohen, Christy Cooney, Alfirio Cristaldo, booked, programmed and played at Port Fairy John Crowl, Dave Diprose, Five N' A Zak, Fruitcake since 1977. of Australian Stories, Stan Gottschalk, Rose No-one has actually counted all of them. Many Harvey, Greg Hastings, High Time String Band, Street Performers and workshop acts have not Richard Keame, Jindivick, Stephen Jones, been listed here. Sebastian Jorgensen, Tony Kishawi, Jamie Lawrence, Di McNicol, Malarkey, Muddy Creek December 2 - 4th 1977 Bush Band, The New Dancehall Racketeers, Tom Declan Affley, Tipplers All, Poteen, Nick Mercer, Nicholson, Trevor Pickles, Shades of Troopers Bush Turkey, Flying Pieman and many more Creek, Gary Shields, Judy Small, Danny Spooner, Shenanigans, Sirocco, Tara, Mike O'Rourke, Tam O December 1- 3rd 1978 Shanter, Tim O' Brien, Ian Paulin, Pibroch, Shirley Declan Affley, Buckley's Bush Band, John Power, Cathy O'Sullivan and Cleis Pearce, Poteen, MacAuslan, Poteen, Rum Buggery and The Lash Tansey's Fancy, Rick E Vengeance, Lisa Young Trio, Kel Watkins, Tim Whelan, Fay White, Stephen December 7 -9th 1979 Whiteside, Witchwood, Geoff Woof, Yabbies Redgum, Finnegans Wake, Poteen, Mick and Helen Flanagan, Tim O'Brien and Captain Moonlight, March 8 - 11th 1985 Buckley's Bush Band, -
Posters • • Posters • •
LABOR HERITAGE FOUNDATION CATALOG 815 16th Street, N.W. Washington, DC 20006 www.laborheritage.org 202-639-6204 LABOR MUSIC ART BOOKS FILMS • • film • • film • • film • • Made In L.A. NEW $49 The Corporation $26 A story of struggle, triumph and change. 7 CEOs, 3VPs, 2 Whistleblowers, 1 Broker, This film deftly interweaves the story of the 1 Spy and 1 Really big mess. Corporate groundbreaking boycott and lawsuit; the insiders and critics explore the nature and focus is always on the women themselves, spectacular rise of the most pervasive how they became agents of change, gaining institution of our time. self-confidence and self esteem as they become more deeply involved in the struggle, Norma Rae $10 Sally Field won an Oscar for her performance Strange Fruit NEW $49 as a textile worker in the South who organizes Explores the origins and legacy of Billie a union in her mill. Holiday’s haunting classic, one of the most influential protest songs ever written…the interplay of race, labor, the left, and popular culture that gives rise to the Civil Rights The Big Sellout NEW $49 Movement. This film demonstrates how people are fighting the commodification of basic public 10,000 Black Men Named George $15 goods..it reminds us that there are faces Docudrama about A. Philip Randolph and behind the statistics. The Brotherhood of Sleeping Car Porters , the first Black Union in America. A true story February 1 NEW $49 about “the most dangerous man in America.” This film documents what would become the blueprint for non-violent civil rights protests… a movement of ordinary people motivated A Killer Bargain NEW $49 to extraordinary deeds…to assert their basic human dignity.