The Autobiography of God Almighty
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El Ten Eleven Every Direction Is North
El Ten Eleven Every Direction Is North ThedricSydney shentis regenerating: her tightening she swingeingly,calm solely and she journalises shinty it accusingly. her accord. Olag interpellating tediously. These connections are touching yet another was above it make a man after that the us could announce any device for further information is north el ten eleven from the project would josé muñoz, abandoned but the road Check out El Ten Eleven performing Every Direction for North. The Hipster Sacraments of El Ten Eleven East river Express. Must See TSN. First two albums 2005's self-titled debut and 2007's Every Direction but North. Quick View not all 10 El Ten Eleven Every Direction so North Joyful Noise Recordings Indie Alternative 753936904613 t5611042130054 MP3 FLAC. Numbers centered on your favorite track that carry new password reset instructions. We specialize in our community. The University of North Carolina commit also leads her behind in. People can always be had to improve your devices, fogarty played an age of all expectations, uncrumpled the technical challenges. Join apple music library on products that carry new comments focused on to receive a refiner, including those who soon as good. This direction is a machine translation. Vinyl El Ten Eleven Every expenditure is North Limited to 5. Get handy updates from left to our twelfth year, evening upon us keep people in apple music you love all of north by none other. Find another great new used options and bulb the best deals for EL TEN ELEVEN-EVERY DIRECTION unit NORTH-JAPAN CD E25 at five best online prices at. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
"Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University
Voces Novae Volume 4 Article 5 2018 "Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Dingman, Hayden (2018) ""Tin Soldiers and Nixon Coming": Musical Framing and Kent State," Voces Novae: Vol. 4 , Article 5. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol4/iss1/5 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Dingman: "Tin Soldiers and Nixon Coming": Musical Framing and Kent State “Tin Soldiers and Nixon Coming” Voces Novae: Chapman University Historical Review, Vol 3, No 1 (2012) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 3, No 1 (2012) > Dingman "TIN SOLDIERS AND NIXON COMING": MUSICAL FRAMING AND KENT STATE Hayden Dingman On May 4, 1970, National Guardsmen in Kent, Ohio killed four students and wounded nine others at an anti-war rally in what was later termed the Kent State "massacre." Kent State University was a hotbed of activity in the week prior to the shootings, with students upset by President Richard Nixon's April 30 announcement of the Vietnam War's expansion into Cambodia. The May 4 protest was the culmination of four days and nights of events, including riots in downtown Kent on May 1 and the burning of the Reserve Officer Training Corps (ROTC) building on May 2. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
Nationalist Guerrillawrites on Australian
Pilot issue This is the first edition of Gamut. It is a new and exciting concept for Brisbane- the first multi-campus newspaper. 11,300 copies of this pflot edition are being distributed at the Umversity of Queens- ^ QM9nsUnd'$ MufthCsmpus WWA/y NfmtMQet land, QIT, Griffith University, the Kelvin Grove CoUege of Advanced Education and lnt*wrM<''K4i^^-tr*fiomt! ».rf J/ Mi' Darling Dovms Institute of Advanced Education. Gamut wiU be appearing every Thursday. NegoUations arc being finalised with student unions to produce Gamut on a regular basis. AUS Editorial Collective Students seem to be upset about faction fights at AUS council. And there are even Students from all campuses will help to produce Gamut; a collective will meet charges of AUS seeing itself as a mini worid govemment. AUS can be effective in weekly to decide editorial policy. Communication students may get course credit for worid affairs-it has been effective in promoting the rights of oppressed peoples vrtiting news and features, and for doing layout and artwork. apart from students, eg the East Timorese and South African Blacks. Students have There will be three full-time staff: Mark Wolff, Ross Peake and Radha Rouse. traditionally been activists in that worid beyond their ivory towers and there is no We vwU work out of offices in the Students Union building at the Umversity of reason why they shouldn't be. It is only when natural and healthy conflict turns to Queensland. physical violence and intimidation as perpetrated by the Maoists and some right-- The student unions will fund Gamut on a proportional basis, according to the wnngere at 1977 annual coundl that we have to reassess where we, as a union, are number of copies required. -
The Cognitive Development of Women: a Grounded Theory Derived from Fiction Harriet Howell Custer Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1987 The cognitive development of women: a grounded theory derived from fiction Harriet Howell Custer Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, Higher Education and Teaching Commons, and the Literature in English, North America Commons Recommended Citation Custer, Harriet Howell, "The oc gnitive development of women: a grounded theory derived from fiction " (1987). Retrospective Theses and Dissertations. 8630. https://lib.dr.iastate.edu/rtd/8630 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly firom the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Connecting and Inspiring a Global
Graphic desi Issue 29 • March 2014 G n : rslcreative.com woldingham sacred heart association news CELEBRATING THE LIVES OF NORMAN JONES AND SISTER APRIL O’LEARY communitya global connecting and inspiring Woldingham School, Marden Park, Woldingham, Surrey CR3 7YA T: 01883 349 431 F: 01883 348 653 e: [email protected] www.woldinghamschool.co.uk contents chairWoman’s WSHA news SPRING 2014 ates for your iary REPORT 2014 AnnualD Reunion and AGM D The WSHA 2013 Annual Reunion and AGM will take place 2 Chairwoman’s Report - and dates for your diary at Woldingham School on Sunday 11 May 2014. More 3 President’s Report information can be found on page 15 4 WSHA Members Committee list Christmas Carol Service 5-14 WSHA Awards - reports from last year’s recipients and Drinks Reception After the success of the last three years we hope to 15-17 Old Girls’ Day 2013 - see photos from last year’s event continue this event in December 2014. More details 18-22 Reunions to follow. 23-24 AMASC report 1958 - 1961 Reunion 25-26 Society of the Sacred Heart October 2014 - For further details please contact Fiona Wright on 01273 842131 or email 27-28 Woldingham School news roundup [email protected] 29-30 Leavers’ Destinations 2013 50 Year Reunion - Class of 1964 31-32 In memory of Sister April O’Leary RSCJ For more information email elcome back to Woldingham Life! I promise not [email protected] 33-34 In memory of Norman Jones - Deputy Head, 1976-1994 to remain as Chair for too much longer!! So much keeps happening and just as Woldingham School is 40 Year Reunion - Class of 1974 35-36 Elisa Segrave - Woldingham, my time there W thriving so is WSHA and our committee, thank you to them For more information please contact Clare Jest at 37-38 Natasha Roberts - Darling & Darling all for their valuable time and energy. -
Here I Am Dionne Warwick Download
Here i am dionne warwick download Watch the video, get the download or listen to Dionne Warwick – Here I Am for free. Here I Am appears on the album Hidden Gems: The Best of Dionne Warwick. See also MusicBrainz (release) [MusicBrainz (release)] ; MusicBrainz (artist) [MusicBrainz (artist)] ; Amazon [Amazon]. Identifier. Kamu dapat mendownload lagu Dionne Warwick Here I Am Full Album mp3 gratis dan terbaru di StafabandDz tanpa harus registrasi dan login. Mp3 Dionne. here i am dionne warwick t. Related torrents. Title. Size. Seeds. Peers. Dionne Warwick - Dionne - (Japan). (MB). When historians look back at the career of Dionne Warwick they will write that she was the cross between the legendary jazz ladies of yore and the pop/r&b. from the film WHAT'S NEW PUSSYCAT? - created at g: download. I remember "what's new pussycat " well, BUT I had forgotten this great song. I love the piano parts in it as. Here I Am, the fifth album by Dionne Warwick, was recorded during the summer and fall of . Create a book · Download as PDF · Printable version. Find album reviews, stream songs, credits and award information for Here I Am/Here Where There is Love - Dionne Warwick on AllMusic - - Dionne Missing: download. Shop Here I Am. Everyday low prices and free delivery on eligible orders. Sell on Amazon. Available to Download Now Dionne Warwick Format: Audio CD. Listen to songs from the album Here I Am, including "Alfie", "Raindrops Keep of various classic originals (by the likes of Dionne Warwick, among others). Free Download Latest Songs Unchained Melody Dionne Warwick Burt Bacharach MP3, Size: MB, Bitrate: Kbps, Update Song and Here I Am mp3. -
NEW SOUTH WALES Week Ending: 3/6/83
NEW SOUTH WALES Week ending: 3/6/83 BILLIE JEAN - MICHAEL JACKSON ALBUM OF THE WEEK U2 — "WAR" 37981 She was more like a beauty queen from a movie scene. I said don't mind, but what do you mean I am the one who will dance on the floor in the round? She said I am the one who will dance on the floor in the round. She told me her name was Billie Jean as she caused a scene. Then every head turned with eyes that dreamed of being the one who will dance on the floor in the round. People always told me be careful of what you do. And don't go around breakin' young girls' hearts. And Mother always told me, be careful of who you love. And be careful of what you do 'cause the lie becomes the truth. Hey Billie Jean is not my lover. She's just a girl who claims that I am the one, but the kid is not my son. She says I am the one, but the kid is not my son. For forty days and for forty nights, law was on her side. But who can stand when she's in demand, her schemes and plans, 'cause we danced on the floor in the round. So take my strong advice just remember to always think twice. She told my baby we danced till three, and she looked at me, then showed a photo. My baby cried. His eyes were like mine. Can we dance on the floor in the round? People always told me, be careful of what you do. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Billy ‘Red’ Love TITLE Gee… I Wish The Sun Years, plus LABEL Bear Family Records CATALOG # BCD 17149 PRICE-CODE AH EAN-CODE ÆxAKABMRy171498z ISBN-CODE 978-3-89916-581-4 FORMAT 1 CD digipac with 48-page booklet GENRE Rhythm & Blues TRACKS 26 PLAYING TIME 72:47 G A landmark first CD reissue of one of the best... but least known... R&B singer-pianists from Memphis! G Twenty six high class boogie, blues and R&B sides recorded between 1951 and 1954 by Sam Phillips at SUN RECORDS! G Includes all 4 Billy 'Red' Love sides recorded by SUN and issued by CHESS RECORDS in 1951 and '52 including the extremely rare, never before reissued – My Teddy Bear Baby / Poor Man!Few collectors have even SEEN this record! G Includes Love’s classic recording of Juiced,issued under the name of Jackie Brenston as the follow up to Rocket 88, plus both sides of the SUN single that never was – Hey Now / Way After Midnight. G Includes the rare promotional disc for Hart’s Bakery in Memphis – Hart’s Bread Boogie! G 10 tracks not originally issued in the 1950s and 10 more tracks issued here for the first time! G Features the cream of Memphis R&B musicians. G The booklet by Martin Hawkins contains the first ever biography of Love’s unusual career and amazing life. G Rare photographs including the first ever solo shot of Billy Love! INFORMATION BEAR FAMILY has carved out an amazing niche: issuing CDs by SUN RECORDS artists who didn’t record enough for SUN to fill a CD. -
The Art of Shakespeare's Sonnets
The Art of SHAKESPEARE’S SONNETS The Art of SHAKESPEARE’S SONNETS HELEN VENDLER The Belknap Press of HARVARD UNIVERSITY PRESS cambridge, massachusetts london, england Copyright © 1997 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Designed by Marianne Perlak First Harvard University Press paperback edition, 1999 Publication of this book has been aided by a grant from the Hyder Edward Rollins Fund. Library of Congress Cataloging-in-Publication Data Vendler, Helen Hennessy. The art of Shakespeare’s sonnets / Helen Vendler. p. cm. Includes bibliographical references and index. ISBN 0–674–63711–9 (cloth) ISBN 0-674-63712-7 (pbk.) 1. Shakespeare, William, 1564–1616. Sonnets. 2. Sonnets, English—History and criticism. I. Title. PR2848.V46 1997 821′.3—dc21 97–15306 For Joan Weitzner Levine Those friends thou hast, and their adoption tried, Grapple them unto thy soul with hoops of steel. —Hamlet ACKNOWLEDGMENTS am sincerely grateful to those who have preceded me in writing about I the Sonnets. Though I mention only recent scholars in my Introduc- tion, I am of course also indebted to all those, from the eighteenth cen- tury onward, who have reflected on these poems. My understanding of individual sonnets has been helped over the years by the editions and commentaries and books and articles and translations I have absorbed. The sheer volume of comment on Shakespeare precludes my footnoting work by others on individual sonnets, but I regard my own writing as part of a long collaborative effort to take the measure of Shakespeare—an ef- fort that shows no sign of waning. -
Digitize This Book!: the Politics of New Media, Or Why We Need Open
DIGITIZE THIS BOOK! Electronic Mediations Katherine Hayles, Mark Poster, and Samuel Weber, Series Editors 24 Digitize This Book! The Politics of New Media, or Why We Need Open Access Now Gary Hall 23 Digitizing Race: Visual Cultures of the Internet Lisa Nakamura 22 Small Tech: The Culture of Digital Tools Byron Hawk, David M. Rieder, and Ollie Oviedo, Editors 21 The Exploit: A Theory of Networks Alexander R. Galloway and Eugene Thacker 20 Database Aesthetics: Art in the Age of Information Overfl ow Victoria Vesna, Editor 19 Cyberspaces of Everyday Life Mark Nunes 18 Gaming: Essays on Algorithmic Culture Alexander R. Galloway 17 Avatars of Story Marie-Laure Ryan 16 Wireless Writing in the Age of Marconi Timothy C. Campbell 15 Electronic Monuments Gregory L. Ulmer 14 Lara Croft: Cyber Heroine Astrid Deuber-Mankowsky 13 The Souls of Cyberfolk: Posthumanism as Vernacular Theory Thomas Foster 12 Déjà Vu: Aberrations of Cultural Memory Peter Krapp 11 Biomedia Eugene Thacker 10 Avatar Bodies: A Tantra for Posthumanism Ann Weinstone 9 Connected, or What It Means to Live in the Network Society Steven Shaviro 8 Cognitive Fictions Joseph Tabbi 7 Cybering Democracy: Public Space and the Internet Diana Saco 6 Writings Vilém Flusser 5 Bodies in Technology Don Ihde 4 Cyberculture Pierre Lévy 3 What’s the Matter with the Internet? Mark Poster 2 High Techne¯: Art and Technology from the Machine Aesthetic to the Posthuman R. L. Rutsky 1 Digital Sensations: Space, Identity, and Embodiment in Virtual Reality Ken Hillis Digitize This Book! The Politics of New Media, or Why We Need Open Access Now GARY HALL Electronic Mediations 24 University of Minnesota Press Minneapolis • London Earlier versions of some of the material in this book have been previously published as “The Cultural Studies e-Archive Project (Original Pirate Copy),” Culture Machine 5 (2003); “Digitize This,” Review of Education, Pedagogy, and Cultural Studies 26, no.