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Deodorizer Composition
Europaisches Patentamt 0 376 448 © European Patent Office 0 Publication number: A1 Office europeen des brevets EUROPEAN PATENT APPLICATION © Application number: 89311296.1 *j) lnt.CI.5: A61L 9/01 © Date of filing: 01.11.89 © Priority: 29.1 2.88 JP 334932/88 © Applicant: LION CORPORATION 29.06.89 JP 169351/88 3-7, Honjo 1-chome Sumida-ku Tokyo(JP) @ Date of publication of application: 04.07.90 Bulletin 90/27 @ Inventor: Miyano, Masakazu 2- 32-408, Ayamedai © Designated Contracting States: Chiba-shi Chiba(JP) AT BE CH DE ES FR GB IT LI NL SE Inventor: Ueno, Akira 5-21-403, Takatsu-danchi Yachiyo-shi Chiba(JP) Inventor: Nakajyu, Isamu 3- 31-17, Hiyoshidai Tomisato-cho Inba-gun Chiba(JP) Inventor: Sato, Teiji 3-25, Shintomi-cho 3-chome Shibata-shi Niigata(JP) © Representative: Fisher, Bernard et al Raworth, Moss & Cook 36 Sydenham Road Croydon Surrey CR0 2EF(GB) © Deodorizer composition. © A deodorizer composition comprising: (a) an activated charcoal, a silica gel, a clay mineral, or an aluminosilicate having the following composition, in terms of oxides, represented by the composition ratio of the three components: Si02: 5 to 80 mole%; Mo.,/2: 5 to 65 mole%; Al203: 1 to 60 mole% wherein M represents at least one metal selected from the group consisting of zinc, copper, silver, cobalt, ! nickel, iron, titanium, barium, tin and zirconium, and n represents a valence of metal; and ' ' (b) at least one component selected from the group consisting of oxidizing agents, plant extracts, and 001 germicides. CD IN CO CL III Xerox Copy Centre EP 0 376 448 A1 DEODORIZER COMPOSITION 3ACKGROUND OF THE INVENTION 1 . -
Resemblances and Disparities of Two Biotas Ziwei Zhang
Resemblances and Disparities of two Biotas A Comparison Study of Vascular Plant Biodiversity of two Locations in Uppsala and Beijing Ziwei Zhang Degree project in biology, Bachelor of science, 2013 Examensarbete i biologi 15 hp till kandidatexamen, 2013 Institutionen för biologisk grundutbildning och Avd för växtekologi och evolution, Uppsala universitet Handledare: Håkan Rydin Abstract This paper focuses on the flora distribution and difference in biodiversities of two chosen locations in Uppsala and Beijing, through inventorial and analytic methods. The factors that may cause the difference were also discussed from theoretical perspectives. Inventories of vascular plant species were carried out in two locations of the two cities. The collected species data were then grouped into families as well as life forms; and were compared with each other as well as with the statistics from the entire species pool in the chosen city. Both resemblances and disparities were found. The statistical analyses with Minitab supported the hypotheses that the floral compositions of these two locations differ to a great extent. Various factors such as climate, grazing, human impacts, historical reasons, precipitation, humidity and evolution, can account for the disparities. 2 Contents ABSTRACT ............................................................................................................................................................ 2 1. INTRODUCTION ............................................................................................................................................. -
Hawthorn) Suppresses High
ΝώϏϙϏϙϚώϋΙϘϋΙϛψϒϏϙώϋϊΟϋϘϙϏϕϔͨ Consumption of dried fruit of Crataegus pinnatifida (hawthorn) suppresses high cholesterol diet-induced hypercholesterolemia in rats Ching-Yee Kwok1, Candy Ngai-Yan Wong1, Mabel Yin-Chun Yau1, Peter Hoi-Fu Yu 1,2, Alice Lai Shan Au3, Christina Chui-Wa Poon3, Sai-Wang Seto3, Tsz-Yan Lam3, Yiu-Wa Kwan3, Shun-Wan Chan1,2,* 1Department of Applied Biology and Chemical Technology, The Hong Kong Polytechnic University, Hong Kong SAR, PR China 2State Key Laboratory of Chinese Medicine and Molecular Pharmacology, Shenzhen, PR China 3Institute of Vascular Medicine, School of Biomedical Sciences, Faculty of Medicine, The Chinese University of Hong Kong, Hong Kong SAR, PR China *Author for correspondence: Dr. Shun-Wan Chan, Department of Applied Biology and Chemical Technology, The Hong Kong Polytechnic University, Hong Kong SAR, PR China. Tel.: +852-34008718; Fax: +852-23649932; E-mail address: [email protected] Short title: Hypocholesterolemic effects of hawthorn 1 ABSTRACT: The hypocholesterolemic and atheroscleroprotective potentials of dietary consumption of hawthorn (dried fruit of Crataegus pinnatifida, Shan Zha) were investigated by monitoring plasma lipid profiles and aortic relaxation in Sprague-Dawley rats fed with either normal diet, high-cholesterol diet (HCD) or HCD supplemented with hawthorn powder (2%, w/w) (4 weeks). In HCD-fed rats, an increased plasma total cholesterol and LDL-cholesterol with a decreased HDL-cholesterol was observed, and consumption of hawthorn markedly suppressed the elevated total cholesterol and LDL-lipoprotein levels plus an increased HDL-cholesterol level. The blunted acetylcholine-induced, endothelium-dependent relaxation of isolated aortas of HCD-fed rats was improved by hawthorn. -
John Coltrane Black Pearls Mp3, Flac, Wma
John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Style: Hard Bop, Post Bop MP3 version RAR size: 1737 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1227 mb Rating: 4.2 Votes: 154 Other Formats: APE VQF ADX AAC ASF MP1 MP3 Tracklist Hide Credits Black Pearls A1 13:05 Written-By – Billy Graham* Lover Come Back To Me A2 7:25 Written-By – Hammerstein*, Romberg* Sweet Sapphire Blues B 18:20 Written-By – R. Weinstock* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Paul Chambers Drums – Art Taylor Liner Notes [Apr. 1964] – Michael Gold Piano – Red Garland Recorded By – Rudy Van Gelder Supervised By [Supervision] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd Notes Blue center labels with trident on right. Jacket manufactured without "Stereo" printed on front cover; instead has a "Stereo" sticker. Recorded in Hackensack, NJ, May 23, 1958. Barcode and Other Identifiers Matrix / Runout (Side A runout): STEREO PRST·7316·A· VAN GELDER Matrix / Runout (Side B runout): STEREO PRST·7316·B· VAN GELDER Other versions Title Category Artist Label Category Country Year (Format) PR 7316, PRST John Black Pearls Prestige, PR 7316, PRST US 1964 7316 Coltrane (LP, Album) Prestige 7316 Black Pearls Prestige, PR 7316, P-7316, John PR 7316, P-7316, (LP, Album, Prestige, Germany Unknown OJC-352 Coltrane OJC-352 RE) Prestige Black Pearls John DOL729 (LP, Album, DOL DOL729 Europe 2013 Coltrane RE, 140) Prestige, Black Pearls Original -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Untitled Paint¬ Teaches Creative Writing in San Ing
FIELD FIELD CONTEMPORARY POETRY AND POETICS NUMBER 58 SPRING 1998 OBERLIN COLLEGE PRESS EDITORS Pamela Alexander Martha Collins Alberta Turner David Walker David Young BUSINESS Heather Smith MANAGER EDITORIAE Elizabeth Antalek ASSISTANT FIELD gratefully acknowledges support from the Ohio Arts Council. Published twice yearly by Oberlin College. Subscriptions and manuscripts should be sent to FIELD, Rice Hall, Oberlin College, Oberlin, Ohio 44074. Manuscripts will not be returned unless accompanied by a stamped self-addressed en¬ velope. Subscriptions $14.00 a year/$24.00 for two years/single issues $7.00 postpaid. Back issues 1, 4, 7, 16, 18-25, 27-33, 35-56: $12.00 each. Issues 2-3, 5-6, 8-15, 17, 26, 34 are out of print. Copyright © 1998 by Oberlin College. ISSN: 0015-0657 This issue of Field is dedicated to Stuart Friebert who served the magazine richly and faithfully in many capacities from its founding in 1969 until his retirement in 1997. CONTENTS Mary Baine Campbell 7 The Michael Jackson Interview Marcia Southwick 9 Black Pearls 10 The Tunnel of Love Margaret Shipley 11 Definition 12 Retired Thorpe Moeckel 13 Free Samples 14 Late Morning in the Under- Atmosphere Terese Svoboda 16 Shakes 17 The Rule of K Michele Glazer 19 Home is a Stone House Jane Cooper 20 Olympic Rain Forest 21 Mourning Picture 22 Nothing I Meant to Keep Donna Stonecipher 23 Album 24 All That Glitters Lee Upton 25 War Spouses 26 Soup at Dawn 28 The Ruin 29 Mossed Headland Elizabeth Trotter 31 Weather Changes Nancy Willard 33 The Boardwalk Mary Elizabeth Bailey -
The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
2986-2991, 2012 Issn 1995-0756
2986 Advances in Environmental Biology, 6(11): 2986-2991, 2012 ISSN 1995-0756 This is a refereed journal and all articles are professionally screened and reviewed ORIGINAL ARTICLE A study of microsporogenesis and pollen morphology in Crataegus babakhanloui (Rosaceae) Rahmani Hamideh, Majd Ahmad, Arbabian Sedigheh, Sharfnia Fariba, Mehrabian Sedigheh Department of Biology, North Tehran Branch, Islamic Azad University, Tehran, Iran Rahmani Hamideh, Majd Ahmad, Arbabian Sedigheh, Sharfnia Fariba, Mehrabian Sedigheh; A study of microsporogenesis and pollen morphology in Crataegus babakhanloui (Rosaceae) ABSTRACT In this study, microsporogenesis and pollen morphology of Crataegus babakhanloui were studied. The flowers, in different developmental stages, were removed, fixed in Formalin -glacial acetic acid- alcohol (FAA), stored in 70% ethanol, embedded in paraffin and then sliced at 8-10 μm by rotary microtome. Staining was carried out by periodic Acid Schiff (PAS) and contrasted with hematoxylin. Scanning electron microscope (SEM) was used to analyze the mature pollen grains. The results indicated that anthers wall development followed the dicotyledonous type and were tetrasporangiate witch composed of epidermal layer, endothecium layer, two rows of middle layers and then tapetum layer. Tapetum was dimorphic in early and late process. Microspore tetrads are tetrahedral and Pollen grains are shed at bicellular stage. Pollen grains are tricolporate, medium size and prolate. Exine sculpturing is striate with perforations on grain surface. Key words: Crataegus babakhanloui, Microsporogenesis, Pollen grain. Introduction in diameter, almost spherical, purplish-black and dusty with 3-4 stones. Hawthorn (Crataegus spp.) ornamentally and Hawthorns provide food and shelter for many medically has a big name in science history. The species of birds and mammals, and the flowers are genus Crataegus belongs to the subfamily Maloideae important for many nectar-feeding insects [3,17]. -
All Blues: a Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 All Blues: A Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Bolden, Anthony Jerome, "All Blues: A Study of African-American Resistance Poetry." (1998). LSU Historical Dissertations and Theses. 6720. https://digitalcommons.lsu.edu/gradschool_disstheses/6720 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
John Coltrane Black Pearls Mp3, Flac, Wma
John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Released: 1964 Style: Hard Bop, Post Bop MP3 version RAR size: 1323 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1305 mb Rating: 4.7 Votes: 928 Other Formats: AU AIFF MIDI DMF VQF VOC ADX Tracklist Hide Credits Black Pearls A1 13:11 Composed By – Billy Graham* Lover Come Back To Me A2 7:25 Composed By – O. Hammerstein*, S. Romberg* Sweet Sapphire Blues B 18:14 Composed By – Robert Weinstock* The Believer C 13:45 Composed By – McCoy Tyner Nakatini Serenade D1 11:02 Composed By – Calvin Massey* Do I Love You Because You're Beautiful D2 5:10 Composed By – R. Rodgers-O. Hammerstein* Companies, etc. Distributed By – Fantasy Records Recorded At – Van Gelder Studio, Hackensack, New Jersey Remastered At – Fantasy Studios Phonographic Copyright (p) – Prestige Credits Art Direction – Tony Lane Bass – Paul Chambers Drums – Arthur Taylor* (tracks: A1 to B, D2), Louis Hayes (tracks: C, D1) Engineer [Original Recording] – Rudy Van Gelder Liner Notes – Al Young Piano – Red Garland Remastered By [1974] – Brian Gardner Supervised By [Original Recording] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd (tracks: A1 to D1), Freddie Hubbard (tracks: D2) Notes Recorded at Van Gelder Studios, Hackensack, N.J., May 23, 1958 (A1, A2, B) and January 10, 1958 (C, D1). D2 recorded December 26, 1958. Sides 1 and 2 originally issued as Black Pearls (Prestige 7316) Sides 3 and 4 as The Believer (P-7292) Promotional copy not for sale is printed on all 4 labels and engraved on back sleeve's upper left corner. -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1