Pearls and Pearling Life

Total Page:16

File Type:pdf, Size:1020Kb

Pearls and Pearling Life »iMt IT I miM ^tiss^s^-^i- V M v*" .St. tfl^ 4: !"^**- >^^ ^fi ^:%:^ .^*. s.^ >:- M- .' ^?f I :f %U''^1 :r1^-^ /H J. - 5+^^-e f er P^ Jeanne S. Schwengel Fro^ I-.A^.i et-ry /o-#x-'«#o 1 i VrM.lNcls<»n KnbinMon Icrry PEARLS AND PEARLING LIFE. HOWLETT AND SON, PRINTERS, FRITH STREET, LONDON, W. /WILLIAM H. DALL ^W '^SECTIONAL LIBRARY y^, DIVISION OF MOLLUSKS Uo\U PEARLS AND PEARLING LIFE BY EDWIN W. STREETER, F.R.G.S, M.A.l Cold Medallist of the Royal Order of Frederic, Holder of a Gold Medal from H.M, the King of the Belgians, Author of ''PRECIOUS STONES AND GEMS,'' 4th Edition, ''GREAT DIAMONDS OF THE WORLD," "GOLD: Its Legal Regulations and Standards," &'C., &'C., '^J^^y^iS^i SlUistiatrt. LONDON: GEORGE BELL & SONS, YORK STREET, COVENT GARDEN, 1886. (ALL RIGHTS RESERVED.) ^NTLRED AT 3TAT:Q>\EK^- HALL. ' For me the balm shall bleed and Amber flow, The Coral redden, and the Ruby glow, The Pearly shell its lucid globe infold^ And Phoebus warm the ripening ore to Gold." Pope's " Windsor Forest. —— — CONTENTS. PAGES. PREFACE IX—xvi. CHAPTER I. Introductory 17 — 22 CHAPTER II.— Historical 23—47 India. — China. — Persia. — Palestine. — Eg}'pt. — Greece, — Italy. — Europe in the Middle Ages and later. CHAPTER III.—Ancient Ideas on the Origin and Virtues of Pearls 48— 70 Their Medicinal Qualities. —Breeding Pearls. CHAPTER IV. — Pearl-Bearers — Marine AND Fresh-Water 71 — 81 CHAPTER v.—Mothkr-of-Pearl Shell... 82—106 CHAPTER VI.—The Origin and Formation OF Pearls 107 — 126 CHAPTER VII.—The Sooloo Archipelago 127—143 CHAPTER VIII.— The North-West Australian Fishery 144— 163 CHAPTER IX—The Torres Straits Fishery 164—167 CHAPTER X. — Pearling -Life at the Present Day 168-185 CHAPTER XI. Ceylon Pearl Fisheries... 186 — 209 The Experience of Mr. Streeter's Agent at the Ceylon Pearl Fisheries. The Pearl Fishery of Southern India 209 212 — — CHAPTER XII. — The Persian Gulf pages. Fisheries 213— 219 The Red Sea Fisheries 219— 221 CHAPTER XIII.—The American Pearl ' Fisheries ... 222 — 232 CHAPTER XIV.—River-Pearls:— British and Foreign ... ... 233— 259 English Pearls. —Scotch Pearls. — Irish Pearls. — European Pearls. — American Pearls. — Chinese Pearls. CHAPTER XV.—Coloured Pearls ... 260—278 Black Pearls.—Pink Pearls. --Pearls of various other colours. CHAPTER XVI.— Famous Pearls 279—299 The Servilia Pearl. — The Cleopatra Pearl. The Lollia Paulina Pearls. —The Pliny Pearl. —The Sassanian Pearl.—The Gresham Pearl. —La Peregrina. —The Rudolf Pearl. The Youssoupoff Pearl. —The Shah Pearls. The Aurungzeb Pearl. —The Conway Pearl. The Arabian Pearl. —La Pellegrina. —The Russian Pe^rl. —The Paris Pearls. —Other Famous Pearls. CHAPTER XVII.—The Southern Cross 300—308 CHAPTER XVIII.—On the Value of Pearls 309—316 APPENDIX The Bibliography of Pearls 317 —322 INDEX 323—329 . 7 LIST OF ILLUSTRATIONS. Opening Oyster-Shells collected by the Pearling Fleet, and Searching for THE Pearls on Board Mr. Streeter's Schooner the '* Sree Pas-Sair." ... Frontispiece Auction of Pearl Oysters in Ceylon Facing page 1 Black Pearl on the Hammer-Oyster {Malleus) „ 77 Mr. Streeter's Houses in Lamenusa Harbour, Island of Siassi, Sooloo Archipelago, destroyed by the Spaniards in 1884 ... ... ... ... ,, 142 Valve of Pearl-Oyster {Meleagrina, or Avicula, Margaritiferd) with a Pearl adherent ,, 168 River-Mussel {Unto, or Alasmodon, viar- garitifer) with Pearl ... ... ... „ 233 Black Pearl on Pinna ... ... ... „ 260 Pink Pearl on Conch-shell {Slrombus) . ,, 272 Pink Pearl on Turbinella „ 276 Chart of the Principal Pearling Regions „ 316 ——— —— LIST OF FIGURES IN TEXT. Fig. I. Lithodomiis^ a boring bivalved mollusc, which attacks the shell of the Pearl-oyster. page 85 Figs. 2, 3 & 4. Sections of shell of Pearl- oyster, shewing how a Pearl, or other object, may become buried in the substance of the shell, and ultimately disappear ... ... „ 96 Figs. 5, 6 and 7. Sections of shell of Pearl- oyster, shewing the thickening of the internal surface, by deposition of nacre, opposite to the point of attack of a boring mollusc, such as the Ltt/iodomus^ which is piercing the shell from without „ 97 Fig. 8. — Split-shell of Pearl-oyster, disclosing Pearls embedded in the substance of the shell ... ... ... ... ... „ 118 Fig. 9. Dredge, or Bajak, used in Pearling in the Sooloo Archipelago » 140 Fig. 10. Parti-Coloured Pearl, half black and half white, from Koepang ,,266 Fig. II.—The Great Southern Cross Pearl, from Western Australia, as exhibited in the Colonial and Indian Exhibition, 1886 ... „ 301 PREFACE T is strange that although Pearls have been highly valued in all ages as objects of personal adornment, there should not exist in the English language a single book entirely devoted to their history. There are, it is true, many notices of Pearls—more or less complete— in various works on Precious Stones, and in others on the Mollusca, or on the products of the sea in general. In like manner there are numerous articles on the subject, scattered throughout our periodical literature, or enshrined in the proceedings of our learned societies. But the fact remains that, so far as my knowledge extends, there exists no work in which the subject of Pearls is treated with fulness, much less with any approach to exhaustion, and to which the reader may confidently turn for information on any point connected with these lovely productions of the sea. In the earlier editions of my work on ** Precious Stones and Gems," I introduced a chapter on Pearls. But within the last few years so much information has accumulated, that I felt it impossible to do justice to the Pearl in any other way than in a separate volume. Moreover, the fact that a Pearl, although composed mainly of carbonate of lime, is after all an organic product, renders it desirable to remove it from association with true minerals. Accordingly in the fourth edition of '' Precious Stones and Gems," I was induced to omit the description of Pearls, and to promise that the subject should be separately dealt with in a special work. That promise I have now the satisfaction of fulfilling. When 1 first took the matter in hand, I had no idea of the amount of labour which would be involved in the production of such a work. The study has, however, been a source of much pleasure to myself, and I trust that the perusal of the results set forth in this volume, will be equally a source of gratification to the reader. Although I cannot for a moment hope that the work is anything like complete in all its details, yet I may venture to remark that I have spared no pains in collecting and arranging my materials, and that my information has in many cases been derived from original sources. At the same time, the work is not put forth as a scientific treatise, but rather as a practical guide, XI. either for those engaged in the trade, or for such of the public as may desire to acquire a knowledge of the history, formation and uses of Pearl and Pearl-shell. It may be useful here to give a brief explanation of the general arrangement of the book. After a short introductory chapter, the subject of Pearls is discussed historically, and reference made to the use of Pearls by the principal nations of antiquity. The historical chapter is followed by one in which I have sought to give a fair notion of the views of ancient writers on the origin and virtues of Pearls. The fanciful theories which were current in pre-scientific ages—some of which are not quite exploded at the present day— I hope will be found to furnish many subjects of interest. Not only the occult virtues of the Pearl, but its reputed medical properties claim consideration ; while the curious notion, still current in certain quarters, as to the self-generation of Pearls, is too strange a subject to be passed over, and hence a section is devoted to the so-called " Breeding Pearls." Having thus described most of the fallacies and fancies connected with Pearls, I proceed to treat the subject from a natural-history point of view. The various Pearl-bearing Molluscs, both marine and — Xll. fluviatile, are described ; and attention is then directed to the composition and physical properties, first of Mother-of-Pearl, and afterwards of the Pearl itself. The opinions of modern authorities are freely quoted, and it is hoped that my views may contribute in some measure to the elucidation of the vexed question of the formation of Pearls. The principal localities producing Pearls are next given, the description commencing with the Sooloo Archipelago, and proceeding thence to the fisheries off" the coast of North-Western Australia and in Torres Straits. For several years I have had a fleet engaged in Pearl-fishing in these regions, and I have consequently been able to introduce a considerable amount of information which has never before been published. Few have any idea of the many dangers and difficulties experienced by pearlers, and by those engaged in the trade of collecting Pearls and Pearl- shell. I was horrified to notice in The Times of the 2nd November, the following paragraph : MURDER OF PEARL DIVERS. MELBOURNE, Nov. i Captain Craig, of the ketch Emily, and a party of pearl divers, of whom two were Englishmen and six Malays, have been murdered at Johannes Island, near New Guinea. The troubles of the Pearl-seeker are not confined, Xlll. however, to encounters with semi-savages. For in- stance, the houses which my men had erected in the Sooloo Archipelago—of which a sketch will be found opposite to page 142,—were wantonly pillaged and wrecked in March, 1884, by the Spaniards, when at war with the late Sultan of Sooloo.
Recommended publications
  • Black Pearls
    Number 22 The Journal of the AMERICAN BOTANI CAL COUNCU.. and the HERB RESEARCH FOUNDATION Hawthorn -A Literature Review Special Report: Black Pearls - Prescription Drugs Masquerade as Chinese Herbal Arthritis Formula FROM THE EDITOR In This Issue his issue of HerbalGram offers some good news and some herbal combination for use in rheumatoid arthritis and related bad news. First the good news. Our Legal and Regulatory inflammatory conditions, this product has been tested repeatedly Tsection is devoted to a recent clarification by the Canadian and shown positive for the presence of unlabeled prescription drugs. Health Protection Branch (Canada's counterpart to our FDA)of its Herb Research Foundation President Rob McCaleb and I have willingness to grant "Traditional Medicine" status to many medici­ spent several months researching the latest resurgence in sales of nal herb products sold in Canada under the already existing approval this and related products. We have made every attempt to follow up process for over-the-counter remedies. This announcement has on many avenues to determine whether these products contain un­ been hailed as a positive step by almost everyone with whom we labeled drugs, and whether or not they are being marketed fraudu­ have talked, both in academia and in the herb industry. lently. Herb marketers and consumers alike should be concerned More good news is found in the literature review on Hawthorn. whenever prescription drugs are presented for sale as "natural" and Steven Foster has joined Christopher Hobbs in preparing a compre­ "herbal." You will find our report on page 4. hensive view of a plant with a long history of use as both food and In addition, we present the usual array of interesting blurbs, medicine.
    [Show full text]
  • John Coltrane Black Pearls Mp3, Flac, Wma
    John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Style: Hard Bop, Post Bop MP3 version RAR size: 1737 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1227 mb Rating: 4.2 Votes: 154 Other Formats: APE VQF ADX AAC ASF MP1 MP3 Tracklist Hide Credits Black Pearls A1 13:05 Written-By – Billy Graham* Lover Come Back To Me A2 7:25 Written-By – Hammerstein*, Romberg* Sweet Sapphire Blues B 18:20 Written-By – R. Weinstock* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Paul Chambers Drums – Art Taylor Liner Notes [Apr. 1964] – Michael Gold Piano – Red Garland Recorded By – Rudy Van Gelder Supervised By [Supervision] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd Notes Blue center labels with trident on right. Jacket manufactured without "Stereo" printed on front cover; instead has a "Stereo" sticker. Recorded in Hackensack, NJ, May 23, 1958. Barcode and Other Identifiers Matrix / Runout (Side A runout): STEREO PRST·7316·A· VAN GELDER Matrix / Runout (Side B runout): STEREO PRST·7316·B· VAN GELDER Other versions Title Category Artist Label Category Country Year (Format) PR 7316, PRST John Black Pearls Prestige, PR 7316, PRST US 1964 7316 Coltrane (LP, Album) Prestige 7316 Black Pearls Prestige, PR 7316, P-7316, John PR 7316, P-7316, (LP, Album, Prestige, Germany Unknown OJC-352 Coltrane OJC-352 RE) Prestige Black Pearls John DOL729 (LP, Album, DOL DOL729 Europe 2013 Coltrane RE, 140) Prestige, Black Pearls Original
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • Untitled Paint¬ Teaches Creative Writing in San Ing
    FIELD FIELD CONTEMPORARY POETRY AND POETICS NUMBER 58 SPRING 1998 OBERLIN COLLEGE PRESS EDITORS Pamela Alexander Martha Collins Alberta Turner David Walker David Young BUSINESS Heather Smith MANAGER EDITORIAE Elizabeth Antalek ASSISTANT FIELD gratefully acknowledges support from the Ohio Arts Council. Published twice yearly by Oberlin College. Subscriptions and manuscripts should be sent to FIELD, Rice Hall, Oberlin College, Oberlin, Ohio 44074. Manuscripts will not be returned unless accompanied by a stamped self-addressed en¬ velope. Subscriptions $14.00 a year/$24.00 for two years/single issues $7.00 postpaid. Back issues 1, 4, 7, 16, 18-25, 27-33, 35-56: $12.00 each. Issues 2-3, 5-6, 8-15, 17, 26, 34 are out of print. Copyright © 1998 by Oberlin College. ISSN: 0015-0657 This issue of Field is dedicated to Stuart Friebert who served the magazine richly and faithfully in many capacities from its founding in 1969 until his retirement in 1997. CONTENTS Mary Baine Campbell 7 The Michael Jackson Interview Marcia Southwick 9 Black Pearls 10 The Tunnel of Love Margaret Shipley 11 Definition 12 Retired Thorpe Moeckel 13 Free Samples 14 Late Morning in the Under- Atmosphere Terese Svoboda 16 Shakes 17 The Rule of K Michele Glazer 19 Home is a Stone House Jane Cooper 20 Olympic Rain Forest 21 Mourning Picture 22 Nothing I Meant to Keep Donna Stonecipher 23 Album 24 All That Glitters Lee Upton 25 War Spouses 26 Soup at Dawn 28 The Ruin 29 Mossed Headland Elizabeth Trotter 31 Weather Changes Nancy Willard 33 The Boardwalk Mary Elizabeth Bailey
    [Show full text]
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
    [Show full text]
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G
    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
    [Show full text]
  • All Blues: a Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 All Blues: A Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Bolden, Anthony Jerome, "All Blues: A Study of African-American Resistance Poetry." (1998). LSU Historical Dissertations and Theses. 6720. https://digitalcommons.lsu.edu/gradschool_disstheses/6720 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • John Coltrane Black Pearls Mp3, Flac, Wma
    John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Released: 1964 Style: Hard Bop, Post Bop MP3 version RAR size: 1323 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1305 mb Rating: 4.7 Votes: 928 Other Formats: AU AIFF MIDI DMF VQF VOC ADX Tracklist Hide Credits Black Pearls A1 13:11 Composed By – Billy Graham* Lover Come Back To Me A2 7:25 Composed By – O. Hammerstein*, S. Romberg* Sweet Sapphire Blues B 18:14 Composed By – Robert Weinstock* The Believer C 13:45 Composed By – McCoy Tyner Nakatini Serenade D1 11:02 Composed By – Calvin Massey* Do I Love You Because You're Beautiful D2 5:10 Composed By – R. Rodgers-O. Hammerstein* Companies, etc. Distributed By – Fantasy Records Recorded At – Van Gelder Studio, Hackensack, New Jersey Remastered At – Fantasy Studios Phonographic Copyright (p) – Prestige Credits Art Direction – Tony Lane Bass – Paul Chambers Drums – Arthur Taylor* (tracks: A1 to B, D2), Louis Hayes (tracks: C, D1) Engineer [Original Recording] – Rudy Van Gelder Liner Notes – Al Young Piano – Red Garland Remastered By [1974] – Brian Gardner Supervised By [Original Recording] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd (tracks: A1 to D1), Freddie Hubbard (tracks: D2) Notes Recorded at Van Gelder Studios, Hackensack, N.J., May 23, 1958 (A1, A2, B) and January 10, 1958 (C, D1). D2 recorded December 26, 1958. Sides 1 and 2 originally issued as Black Pearls (Prestige 7316) Sides 3 and 4 as The Believer (P-7292) Promotional copy not for sale is printed on all 4 labels and engraved on back sleeve's upper left corner.
    [Show full text]
  • A Feminist Perspective on New Orleans Jazzwomen
    A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1
    [Show full text]
  • Tombeau De John Coltrane
    dirigée par Philippe Fréchet Philippe par dirigée série collection eupalinos jazz et musiques improvisées musiques et jazz John Coltrane Tombeau de ISBN 978-2-86364-654-0 / Coltrane John de Xavier Daverat Tombeau — Éditions Parenthèses Daverat Xavier / www.editionsparentheses.com www.editionsparentheses.com Chapitre 1 Portrait de l’artiste en jeune parkérien TOMBREAU DE JOHN COLTRANE John Coltrane est d ’ abord un saxophoniste de l’a près Charlie Parker, qui s’ exprime pleinement dans un idiome be‑bop. Le bop fait écrin aux débuts de Coltrane : il a joué du saxophone alto dans l’ orchestre puis dans le sextette de Dizzy Gillespie 1. Les enregistrements auxquels le saxophoniste participe sont parsemés de compositions typiques du genre (weeja avec Elmo Hope, super jet avec Tadd Dameron, c.t.a., un ensemble de thèmes joués avec Red Garland…). Cette insistance du be‑bop demeure également vive dans le répertoire retenu plus tard par le saxophoniste, par ISBN 978-2-86364-654-0 exemple, dès les premières sessions pour Atlantic en 1959 : be bop de Dizzy / Gillespie est au programme ; the late late blues renvoie à Gene Ammons ; some other blues est un blues aux tendances bop prononcées qui doit beau‑ coup à now’ s the time ; countdown est une pièce virtuose permettant un Coltrane travail d’ articulation sur tempo rapide comme l’ affectionnaient les boppers John (c’ est un thème classique joué avec Wilbur Harden plus d’ un an auparavant et de sur la grille duquel Coltrane composera fifth house) ; cousin mary est une composition bop de simple facture. À l’ imitation, encore, de ce que faisaient Tombeau les boppers composant sur les enchaînements harmoniques des standards, — Coltrane peut écrire à partir de thèmes préexistants (26‑2, par exemple, démarquant confirmation, composition de Parker).
    [Show full text]
  • X"^ the Journal of "I Y Volume 27 No
    GAGTL EDU GemmolosX"^ The Journal of "I y Volume 27 No. 8 October 2001 tj J Cultured Cat's-eyes and Nephrite Synthetic pearls star stones jade moissanite The Gemmological Association and Gem Testing Laboratory of Great Britain Gemmological Association and Gem Testing Laboratory of Great Britain 27 Greville Street, London EC1N 8TN Tel: 020 7404 3334 Fax: 020 7404 8843 e-mail: [email protected] Website: www.gagtl.ac.uk President: Professor A.T. Collins Vice-Presidents: A.E. Farn, R.A. Howie, D.G. Kent, R.K. Mitchell Honorary Fellows: Chen Zhonghui, R.A. Howie, R.T. Liddicoat Jnr, K. Nassau Honorary Life Members: H. Bank, D.J. Callaghan, E.A. Jobbins, H. Tillander Council of Management: T.J. Davidson, R.R. Harding, I. Mercer, J. Monnickendam, M.J. O'Donoghue, E. Stern, I. Thomson, J-P. van Doren, V.P. Watson Members' Council: A.J. Allnutt, S. Burgoyne, P. Dwyer-Hickey, S.A. Everitt, J. Greatwood, B. Jackson, L. Music, J.B. Nelson, P.G. Read, P.J. Wates, C.H. Winter Branch Chairmen: Midlands - G.M. Green, North West - I. Knight, Scottish - B. Jackson, South West - R.M. Slater Examiners: A.J. Allnutt, M.Sc, Ph.D., FGA, L. Bartlett, B.Sc, M.Phil., FGA, DGA, S. Coelho, B.Sc, FGA, DGA, Prof. A.T. Collins, B.Sc, Ph.D, A.G. Good, FGA, DGA, J. Greatwood, FGA, G.M. Howe, FGA, DGA, S. Hue Williams MA, FGA, DGA, B. Jackson, FGA, DGA, G.H. Jones, B.Sc, Ph.D., FGA, Li Li Ping, FGA, DGA, M.
    [Show full text]
  • Pop / Rock Misto
    CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC.
    [Show full text]