Image Parsing Mechanisms of the Visual Cortex
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Neon Colour Spreading in Three-Dimensional Illusory Objects in Humans
Neuroscience Letters 281 (2000) 119±122 www.elsevier.com/locate/neulet Neon colour spreading in three-dimensional illusory objects in humans Marja Liinasuoa,*, Ilpo Kojob, Jukka HaÈ kkinenc, Jyrki Rovamod aInstitute of Biomedicine, Department of Physiology, P.O. Box 9, 00014 University of Helsinki, Helsinki, Finland bThe Finnish Institute of Occupational Health, Brain Work Laboratory, Topeliuksenkatu 41 a A, 00250 Helsinki, Finland cDepartment of Psychology, General Psychology Division, P.O. Box 13, 00014 University of Helsinki, Helsinki, Finland dDepartment of Optometry and Vision Sciences, University of Wales, College of Cardiff, P.O. Box 905, Cardiff CF1 3XF, UK Received 11 October 1999; received in revised form 7 January 2000; accepted 10 January 2000 Abstract We studied whether neon spreading can be induced within three-dimensional illusory triangles. Kanizsa triangles were induced by black pacman disks consisting of red sectors with curved sides. Viewing our stimuli monocularly produced two-dimensional illusory contours and surfaces as well as neon spreading in each ®gure. Triangles appeared concave or convex under stereoscopical viewing. Neon colour spreading was induced within illusory ®gures bending in three-dimensional space, suggesting that neural contour completion and surface ®lling-in interact across depth. Surpris- ingly, neon spreading was induced above the intervening surface even when the inducers were below the surface. Neon colour and illusory con®guration were preserved behind the intervening surface only when it appeared transparent. q 2000 Elsevier Science Ireland Ltd. All rights reserved. Keywords: Vision; Perception; Illusion; Three-dimensionality; Colour; Neon spreading Illusory ®gures with one to three dimensions are created zontal and vertical crossing lines so that some line elements by the neural processes of visual area V2 [15] between some are replaced by different colour or luminance, the surround- physically existing objects, known as inducers. -
Bioplausible Multiscale Filtering in Retino-Cortical Processing As A
Brain Informatics (2017) 4:271–293 DOI 10.1007/s40708-017-0072-8 Bioplausible multiscale filtering in retino-cortical processing as a mechanism in perceptual grouping Nasim Nematzadeh . David M. W. Powers . Trent W. Lewis Received: 25 January 2017 / Accepted: 23 August 2017 / Published online: 8 September 2017 Ó The Author(s) 2017. This article is an open access publication Abstract Why does our visual system fail to reconstruct Differences of Gaussians and the perceptual interaction of reality, when we look at certain patterns? Where do Geo- foreground and background elements. The model is a metrical illusions start to emerge in the visual pathway? variation of classical receptive field implementation for How far should we take computational models of vision simple cells in early stages of vision with the scales tuned with the same visual ability to detect illusions as we do? to the object/texture sizes in the pattern. Our results suggest This study addresses these questions, by focusing on a that this model has a high potential in revealing the specific underlying neural mechanism involved in our underlying mechanism connecting low-level filtering visual experiences that affects our final perception. Among approaches to mid- and high-level explanations such as many types of visual illusion, ‘Geometrical’ and, in par- ‘Anchoring theory’ and ‘Perceptual grouping’. ticular, ‘Tilt Illusions’ are rather important, being charac- terized by misperception of geometric patterns involving Keywords Visual perception Á Cognitive systems Á Pattern lines -
Introducing the Scintillating Starburst: Illusory Ray Patterns from Spatial Coincidence Detection
Introducing the scintillating starburst: Illusory ray patterns from spatial coincidence detection 1 2 Michael W Karlovich & Pascal Wallisch 1 Recursia Labs. 2 Department of Psychology, New York University Abstract Here, we introduce a novel class of visual illusion, the “Scintillating Starburst”, which features illusory scintillating rays or beams. We show empirically what combination of factors modulate how an observer experiences this kind of stimulus. We explain how the illusion arises from the interplay of known visual processes, specifically magnocellular and parvocellular dynamics and relate the effects of these ray patterns to other known visual illusions such as illusory contours. Introduction Illusions have played a key role in understanding the principles of perceptual processing (Purkinje, 1825; van Buren & Scholl, 2018), although this notion is not entirely without detractors (Braddick, 2018; Rogers, 2019). One important reason why illusions can be helpful is that they allow us to distinguish the mere sensation of physical object properties from the perceptual experience. This is perhaps clearest in the case of illusory contours. If contours are defined by a sharp change in luminance, it is hard to tell whether the observer “directly” perceives objects in the environment “as they are” or if the percept is constructed in the mind of the observer, because the output of a photometer and perceptual judgments agree (Gibson, 1978; Fodor & Pylyshyn, 1981). Conversely, illusory contours are not defined by changes in luminance, and would be invisible to a photometer, whereas human observers readily perceive them. One example of this is Kanisza’s triangle, which most observers perceive as a bright triangle occluding three black circles - as opposed to the three black pac-man-like shapes are actually defined by luminance (Kanisza, 1955). -
Ibn Al-‐Haytham the Man Who Discovered How We
IBN AL-HAYTHAM THE MAN WHO DISCOVERED HOW WE SEE IBN AL-HAYTHAM EDUCATIONAL WORKSHOPS 1 Ibn al-Haytham was a pioneering scientific thinker who made important contributions to the understanding of vision, optics and light. His methodology of investigation, in particular using experiment to verify theory, shows certain similarities to what later became known as the modern scientific method. 2 Themes and Learning Objectives The educational initiative "1001 Inventions and the World of Ibn Al-Haytham" celebrates the legacy of Ibn al-Haytham. The global initiative was launched by 1001 Inventions in partnership with UNESCO in 2015 in celebration of the United Nations International Year of Light. The initiative engaged audiences around the world with events at the UNESCO headquarters in Paris, United Nations in New York, the China Science Festival in Beijing, the Royal Society in London and in more than ten other cities around the world. Inspired by Ibn al-Haytham, exhibits, hands-on workshops, science demonstrations, films and learning materials take children on a fascinating journey into the past, sparking their interest in science while promoting integration and intercultural appreciation. This document includes a range of hands-on workshops and science demonstrations, with links to fantastic resources, for understanding the fundamental principles of light, optics and vision. The activities help engage young people to make, design and tinker while better understanding the significant contributions of Ibn al-Haytham to our understanding of both vision and light. Learning Objectives ü Inspire young people to study science, technology, engineering and maths (STEM) and pursue careers in science. ü Improve awareness of light, optics and vision through Ibn al-Haytham’s discoveries. -
Modeling and Rendering of Impossible Figures
Modeling and Rendering of Impossible Figures TAI-PANG WU The Chinese University of Hong Kong CHI-WING FU Nanyang Technological University SAI-KIT YEUNG The Hong Kong University of Science and Technology JIAYA JIA The Chinese University of Hong Kong and CHI-KEUNG TANG The Hong Kong University of Science and Technology 13 This article introduces an optimization approach for modeling and rendering impossible figures. Our solution is inspired by how modeling artists construct physical 3D models to produce a valid 2D view of an impossible figure. Given a set of 3D locally possible parts of the figure, our algorithm automatically optimizes a view-dependent 3D model, subject to the necessary 3D constraints for rendering the impossible figure at the desired novel viewpoint. A linear and constrained least-squares solution to the optimization problem is derived, thereby allowing an efficient computation and rendering new views of impossible figures at interactive rates. Once the optimized model is available, a variety of compelling rendering effects can be applied to the impossible figure. Categories and Subject Descriptors: I.3.3 [Computer Graphics]: Picture/Image Generation; I.4.8 [Image Processing and Computer Vision]: Scene Analysis; J.5 [Computer Applications]: Arts and Humanities General Terms: Algorithms, Human Factors Additional Key Words and Phrases: Modeling and rendering, human perception, impossible figure, nonphotorealistic rendering ACM Reference Format: Wu, T.-P., Fu, C.-W., Yeung, S.-K., Jia, J., and Tang, C.-K. 2010. Modeling and rendering of impossible figures. ACM Trans. Graph. 29, 2, Article 13 (March 2010), 15 pages. DOI = 10.1145/1731047.1731051 http://doi.acm.org/10.1145/1731047.1731051 1. -
Illusory Contours: a Window Onto the Neurophysiology of Constructing Perception
Review Illusory contours: a window onto the neurophysiology of constructing perception 1,2,3 4,5 Micah M. Murray and Christoph S. Herrmann 1 The Functional Electrical Neuroimaging Laboratory, Neuropsychology and Neurorehabilitation Service, Department of Clinical Neurosciences, Centre Hospitalier Universitaire Vaudois and University of Lausanne, 1011 Lausanne, Switzerland 2 Electroencephalography Brain Mapping Core, Center for Biomedical Imaging (CIBM), 1011 Lausanne, Switzerland 3 Radiology Department, Centre Hospitalier Universitaire Vaudois and University of Lausanne, 1011 Lausanne, Switzerland 4 Experimental Psychology Laboratory, ‘Hearing4all’ Center of Excellence, European Medical School, Carl von Ossietzky University, 26111 Oldenburg, Germany 5 Neurosensory Science Research Center, Carl von Ossietzky University, 26111 Oldenburg, Germany Seeing seems effortless, despite the need to segregate Researchers are generally divided into three camps and integrate visual information that varies in quality, regarding the brain mechanisms responsible for IC per- quantity, and location. The extent to which seeing pas- ception based on the presumed role of feed-forward versus sively recapitulates the external world is challenged by feedback activity, as well as the locus of neural sensitivity phenomena such as illusory contours, an example of visual completion whereby borders are perceived de- Glossary spite their physical absence in the image. Instead, visual Binding:: (neurophysiologic) processes whereby different information is none- completion and seeing are increasingly conceived as theless coded to refer to the same object or event. Here, different information active processes, dependent on information exchange refers to spatially separated stimulus elements, such as inducers of ICs. across neural populations. How this is instantiated in the Bottom-up versus top-down processes:: bottom-up processes rely exclusively on feed-forward architectures, whereas top-down processes incorporate brain remains controversial. -
Chapter 3. Visual Attention and Visual Awareness
Section I. Anatomy and physiology of the human visual system. CHAPTER 3. VISUAL ATTENTION AND VISUAL AWARENESS. Rufin VanRullen1 and Christof Koch2. 1. CNRS Centre de Recherche Cerveau et Cognition 133 Route de Narbonne 31062 Toulouse Cedex (France) 2. California Institute of Technology Division of Biology and Division of Engineering and Applied Sciences MC 139-74 Pasadena CA 91125 (USA) 1 Intuitively, vision appears an overall easy process, effortless, almost automatic, and so efficient that a simple glance at a complex scene is sufficient to produce immediate awareness of its entire structure and elements. Unfortunately, much of this is a grand illusion (O’Regan & Noe, 2001). Proper manipulations will reveal that many often essential aspects of the visual scene can go purely unnoticed. For example, human subjects will often fail to notice an unexpected but quite large stimulus flashed right at the center of gaze during a psychophysical experiment (a phenomenon known as “inattentional blindness”, Mack and Rock, 1998). In more natural environments, observers can fail to notice the appearance or disappearance of a large object (Fig 3.1; Rensink et al, 1997; O’Regan et al, 1999), the change in identity of the person they are conversing with (Simons and Levin, 1998), or the passage of a gorilla in the middle of a ball game (Simons and Chabris, 1999). As a group, these visual failures are referred to as “change blindness” (Rensink, 2002). Such limitations are rarely directly experienced in real life –except as one of the main instrument of magician tricks; yet they shape much of our visual perceptions. -
Illusory Contour Perception and Amodal Boundary Completion: Evidence of a Dissociation Following Callosotomy
Illusory Contour Perception and Amodal Boundary Completion: Evidence of a Dissociation Following Callosotomy Paul M. Corballis and Robert Fendrich Dartmouth College Robert M. Shapley New York University Michael S. Gazzaniga Dartmouth College Abstract A fundamental problem in form perception is how the tion of illusory contours and amodal completion. Although visual system can link together spatially separated contour both cerebral hemispheres appear to be equally capable of fragments to form the percept of a unitary shape. Illusory perceiving illusory contours, amodal completion is more read- contours and amodal completion are two phenomena that ily utilized by the right hemisphere. These results suggest that demonstrate this linking process. In the present study we illusory contours may be attributable to low-level visual proc- investigate these phenomena in the divided hemispheres of esses common to both hemispheres, whereas amodal comple- two callosotomy (“split-brain”) patients. The data suggest that tion reects a higher-level, lateralized process. dissociable neural mechanisms are responsible for the genera- INTRODUCTION Figure 1a, no illusory contours are seen. In such cases, the grouping process responsible for the perception of To perceive objects in the environment as unied the rectangle has been termed “amodal completion” wholes, the visual system must often extrapolate from (Michotte, Thines, & Crabbe, 1964).1 incomplete contour or boundary information. Under cer- The relationship between amodal completion and the tain conditions -
BYU Museum of Art M. C. Escher: Other Worlds Education Resources
BYU Museum of Art M. C. Escher: Other Worlds Education Resources Escher Terminology Crystallography: A branch of science that examines the structures and properties of crystals; greatly influenced the development of Escher’s tessellations de Mesquita, S. J.: A master printmaker at the School for Architecture and Decorative Arts, where Escher was studying, who encouraged Escher to pursue art rather than architecture H. S. M. Coxeter: A mathematician whose geometric “Coxeter Groups” became known as tessellations. Like Escher, Coxeter also loved music and its mathematical properties. The initial ideas for Circle Limit came from Coxeter. Infinity/Droste Effect: An image appearing within itself in smaller and smaller versions on to infinity; for example, when one mirror placed in front and one behind, creating an in infinite tunnel of the image Lithograph: A printing process in which the image to be printed is drawn on a flat stone surface and treated to hold ink while the negative space is treated to repel ink. Mezzotint: A method of engraving a copper or steel plate by scraping and burnishing areas to produce effects of light and shadow. Möbius strips: A surface that has only one side and one edge, making it impossible to orient; often used to symbolize eternity; used to how red ants is Escher’s Möbius Strip II Necker cube: An optical illusion proposed by Swiss crystallographer Louis Albert Necker, where the drawing of a cube has no visual cues as to its orientation; in Escher’s Belvedere, the Necker cube becomes an “impossible” cube. 1 -
1 Drawing Conclusions
Drawing Conclusions: An Exploration of the Cognitive and Neuroscientific Foundations of Representational Drawing Rebecca Susan Chamberlain Research Department of Clinical, Educational and Health Psychology Thesis submitted to UCL for the degree of Doctor of Philosophy July 2013 1 Declaration ‘I, Rebecca Susan Chamberlain confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis.’ 2 Publications The work in this thesis gave rise to the following publications: Chamberlain, R., McManus, I. C., Riley. H., Rankin, Q., & Brunswick, N. (2013) Local processing enhancements in superior observational drawing are due to enhanced perceptual functioning, not weak central coherence. Quarterly Journal of Experimental Psychology, 66 (7), 1448-66. Chamberlain, R. (2012) Attitudes and Approaches to Observational Drawing in Contemporary Artistic Practice. Drawing Knowledge. TRACEY Drawing and Visualisation Research. Chamberlain, R., McManus, I. C., Riley. H., Rankin, Q., & Brunswick, N. (In Press) Cain’s House Revisited and Revived: Extending Theory and Methodology for Quantifying Drawing Accuracy. Psychology of Aesthetics, Creativity and the Art. 3 Acknowledgements My first thanks extend to my supervisor and mentor, Professor Chris McManus, for his infectious enthusiasm for research and for the countless words of wisdom (academic and non-academic) he has given me over the last six years. I would like to thank my collaborators at The Royal College of Art and Swansea Metropolitan University, Howard Riley and Qona Rankin, who have been so generous with their time, resources and thoughts on the artistic mind. This research also wouldn’t have been possible without the hundreds of art and design students who were willing to take time out of their hectic lives to participate in my studies and discuss their experiences and reflections with me. -
Effects of Luminance Contrast on Color Spreading and Illusory Contour In
Perception & Psychophysics 1989, 45 (4), 427-430 Effects ofluminance contrast on color spreading and illusory contour in the neon color spreading effect TAKEO WATANABE University of Tokyo, Tokyo, Japan and TAKAOSATO ATR Auditory and Visual Perception Research Laboratories, Kyoto, Japan The present study examined whether color spreading and illusory contours in the neon color spreading effect ofEhrenstein figures are governed by different mechanisms. In the experiment, Ehrenstein figures with colored crosses inserted in the central gaps were used. There were three luminance conditions: the luminance ofthe Ehrenstein figures was lower than, the same as, or higher than the luminance ofthe background. In each condition, 16 trials (2 sets of instructions x 8 repetitions) were conducted in a random order. Subjects were required to adjust the luminance ofthe colored crosses according to one ofthe two sets ofinstruction given before each trial. One was to adjust the upper and lower thresholds in the luminance of the colored crosses such that their color was seen to spread out of the crosses. The other was to adjust the thresholds such that circular illusory contours were visible. It was found that illusory contours disappeared and the color spreading remained when the crosses and the Ehrenstein figures were in or nearly in isoluminance or when the Ehrenstein figures and the background were in isoluminance. These results suggest that color spreading and illusory contours are governed by different mechanisms. Redies and Spillmann (1981) showed that van Tuijl's vary the luminance of the inner segment, the outer seg (1975) neon color spreading effect occurred in the Ehren ments, and the background. -
A Model of the Illusory Contour Formation Based on Dendritic Computation
ARTICLE IN PRESS Neurocomputing 70 (2007) 1977–1982 www.elsevier.com/locate/neucom A model of the illusory contour formation based on dendritic computation Drazˇen DomijanÃ, Mia Sˇetic´, Domagoj Sˇvegar Department of Psychology, Faculty of Philosophy, University of Rijeka, I. Klobucˇaric´a 1, 51000 Rijeka, Croatia Available online 9 November 2006 Abstract We proposed a new model of illusory contour formation based on the properties of dendritic computation. The basic elements of the network are a single-excitatory cell with two dendritic branches and an inhibitory cell. Both dendritic branches behave as an independent linear unit with a threshold. They sum all excitatory input from the nearby collinear cells, and the inhibition from one collateral of the corresponding inhibitory cell. Furthermore, the output of dendritic branches multiplicatively interacts before it is sent to the soma. The multiplication allows the excitatory cell to be active only if both of its branches receive enough excitation to reach the threshold. Computer simulations showed that the presented model of the illusory contour formation is able to perform perceptual grouping of nonadjacent collinear elements. It shows a linear response relationship with the input magnitude because dendritic inhibition counteracts recurrent excitation. The model can explain why illusory contours are stronger with irregular placement of inducing elements rather than regular placement and why top-down influences may prevent the illusory contour formation. r 2006 Elsevier B.V. All rights reserved. Keywords: Contour integration; Dendritic computation; Illusory contours; Recurrent excitation; Top-down processing 1. Introduction graded strength or clarity of illusory contours with the relative size of inducing elements [3].