Ibn Al-‐Haytham the Man Who Discovered How We
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Optical Illusions “What You See Is Not What You Get”
Optical Illusions “What you see is not what you get” The purpose of this lesson is to introduce students to basic principles of visual processing. Much of the lesson revolves around the use of visual illusions and interactive demonstrations with the students. The overarching theme of this lesson is that perception and sensation are not necessarily the same, and that optical illusions are a way for us to study the way that our visual system works. Furthermore, there are cells in the visual system that specifically respond to particular aspects of visual stimuli, and these cells can become fatigued. Grade Level: 3-12 Presentation time: 15-30 minutes, depending on which activities are chosen Lesson plan organization: Each lesson plan is divided into three sections: Introducing the lesson, Conducting the lesson, and Concluding the lesson. Each lesson has specific principles with associated figures, class discussion (D), and learning activities (A). This lesson plan is provided by the Neurobiology and Behavior Community Outreach Team at the University of Washington: http://students.washington.edu/watari/neuroscience/k12/LessonPlans.html 1 Materials: Computer to display some optical illusions (optional) Checkerboard illusion: Provided on page 8 or available online with explanation at http://web.mit.edu/persci/people/adelson/checkershadow_illusion.html Lilac chaser movie: http://www.scientificpsychic.com/graphics/ as an animated gif or http://www.michaelbach.de/ot/col_lilacChaser/index.html as Adobe Flash and including scientific explanation -
S232 Trompe L'oeil だまし絵サーカス
Kids Plaza Science and Technology Building 2F S232 Trompe l'oeil だまし絵サーカス ■Purpose of Exhibition You can enjoy “trompe l’oeil” (tricks of the eye), an art technique that uses realistic imagery to create optical illusions of depth: for example, an optical illusion of two images embedded in the same picture, and three- dimensional images that do not exist in the real world. ■Additional Knowledge Vase is another type of ambiguous image that can be interpreted in two different ways. The image depicts a white vase in the center with a black background, allowing viewers to interpret it as either “a vase” or “the silhouettes of two faces in profile looking at each other.” However, Rubin’s Vase – in which these reversible interpretations are possible by alternatively interpreting the black areas as figure or ground – is a different type than the pictures displayed here. [Five Animals Escaping from the Circus] In the picture of a circus team, five animals are in hiding. Can you see the image of animals depicted using the contours of people and balloons? This version is relatively easy to find the animals. Some images of this type, which are often painted by artists, are more difficult. If you encounter such a challenging image, try [Clown or Old Man?] it and have fun. Rotate the disk, and you will see either a clown or an old [Lion and Tiger Climbing Stairs] man. By turning the picture upside down, a new image A lion and a tiger are climbing up different sets of stairs emerges. This type of visual illusion, called an “upside- connecting two floors. -
Mono and Multifocals.Wps
Monovision and Multifocal Lenses THE GOAL: To provide you good functional vision without glasses at both distance and near most of the time. There are some demanding visual tasks in which monovision or multifocal (bifocal) lenses may not provide acceptable vision and additional glasses may be needed. MONOVISION Monovision interrupts the natural binocular (both eyes together) vision process by using one eye for distance viewing (usually the dominant eye) and the other eye for intermediate and near viewing. This is not how our visual systems were made, but monovision is an accepted modality and has been used for decades. Adapting to having one eye for distance and one for near takes time to adjust to , and is something that is very easy for some and very difficult for others. As the adaptation process proceeds vision becomes clear at all distances, as the brain suppresses the eye that is not being used. Initially you may feel that your distance vision is blurred by your near eye, as your near eye is focused for near and intermediate distances. This perception of distance blur should be reduced over time as the brain learns to suppress the near eye. Noticing a reduction in stereo vision, or depth perception is normal , as the eyes are not working, or teamed together. Noticing a mild reduction in night vision is normal with monovision. Everybody adapts differently , but is good to continue to try monovision for several consecutive days, or longer, to let the adaptation process begin. Monovision is a learned technique, and everybody’s timetable for adaptation is different. -
Picture Perception Cha8 Format
Using the language of Lines 135 Ambiguity and Reversibility Words and sentences can have many meanings. "Bow" can mean a ribbon, a part of a ship, or a posture. In "They are cooking Chapter Eight apples," the word "cooking" can be a verb or an adjective. Similarly, an individual line can depict any of the basic features of the visible environment. Usually the pattern around the line determines what is referent is, just as the phrase around "bow" limits it to "the colorful bow in someone's hair," or "the proud bow of a courtier." Using the One can ask what meaning the word "bow" could have on its own. And, similarly, one can take a simple line pattern and ask what it could depict. A circle can depict a hoop, ball, or coin, a fact that Language of Lines suggests depiction is a matter of will and choice. But closer examination leads to a different conclusion. When a hoop is de- picted, the line forming the circle depicts a wire. When a ball is depicted, the line depicts an occluding bound. To depict a coin, the line depicts the occluding edge of a disc. Notice that the referents are part of the language of outline. A highly detailed drawing may be unambiguous in its refer- ent, just as a full sentence around the word "bow" restricts the To claim that light and pictures can referent of the word. Ambiguity in perception results when only a be informative is not to deny that light and pictures can puzzle, too. few elements are considered, be they words or lines. -
Suzi Fleiszig Researches the Cornea's Resistance To
UNIVERSITY OF CALIFORNIA VOL. 2, NO. 1 | FALL 2009 Berkeley Optometry magazine SUZI FLEISZIG RESEARCHES THE CORNEA’S RESISTANCE TO INFECTION ADVANCING EDUCATION AND RESEARCH AT BERKELEY OPTOMETRY EXECUTIVE EDITOR Lawrence Thal dean’s message MANAGING EDITOR Jennifer C. Martin EDITOR Barbara Gordon EXECUTIVE ART DIRECTOR Molly Sharp E ARE BLESSED TO LIVE IN “INTERESTING TIMES”! PHOTOGRAPHY WAt this writing, the U.S. economy is in the tank, the state of California Ken Huie is in the red, and I’m sure I don’t need to tell you that the budget situation at the University of California continues to be challenging. PRODUCTION MANAGER Molly Sharp In this environment, our priorities are to preserve and maintain our funda- mental missions—teaching, research, and public service. And I’m pleased to say WRITERS/CONTRIBUTORS that Berkeley Optometry continues to excel in all of these through the efforts of Suzi Fleiszig, Lu Chen, Cynthia Dizikes, our dedicated faculty and staff. In this spirit, it seems timely to celebrate some Lawrence Thal, Mika Moy, Pam of the highlights of the last year. Satjawatcharaphong, Joy Sarver Among other things, in this issue of Berkeley Optometry Magazine you will see DESIGN that we have a new faculty and student exchange agreement with Peking Medi- ContentWorks, Inc. cal University (PKU) Third Hospital; one of our students, Brian Snydsman, won the 2008 Essilor Optometry Superbowl at the annual meeting of the American Optometric Association and American Optometric Student Asso- Published by University of California, Berkeley, ciation; Professor Clifton Schor received the Charles F. Prentice Medal from School of Optometry Office of External the American Academy of Optometry at its annual meeting last October; and Relations and Professional Affairs Professor Suzanne Fleiszig (see cover) and David Evans won a grant from the Phone: 510-642-2622, Fax: 510-643-6583 Bill and Melinda Gates Foundation as part of the global Grand Challenges Send comments and letters to: Explorations initiative. -
Corneal Haze and Visual Outcome After Collagen Crosslinking for Keratoconus: a Comparison Between Total Epithelium Off and Partial Epithelial Removal Methods
Original Article Corneal haze and visual outcome after collagen crosslinking for keratoconus: A comparison between total epithelium off and partial epithelial removal methods Hasan Razmjoo, Behrooz Rahimi, Mona Kharraji1, Nima Koosha, Alireza Peyman Department of Ophthalmology, 1Medical Student Research Committee, Isfahan University of Medical Sciences, Isfahan, Iran Abstract Background: Keratoconus is an asymmetric, bilateral, progressive noninflammatory ectasia of the cornea that affects approximately 1 in 2000 of the general population. This may cause a significant negative impact on quality of life. Corneal collagen crosslinking (CXL) is one of the recently introduced methods that have been used to decrease the progression of keratoconus, in particular, as well as other corneal‑thinning processes. Materials and Methods: A total of 44 keratoconic eyes of 22 patients were enrolled in this randomized prospective study, after obtaining informed consent. In the first group, the corneal epithelium were totally removed and in the second group, the central 3 mm of epithelium was kept intact and partial removal was performed. After collagen crosslinking in both groups, comprehensive ophthalmologic examination was performed on all patients before and 6 months after the surgery. This article is registered at www.clinicaltrial.gov with registration number NCT01809977. Results: The difference between the two groups was not statistically significant regarding postoperative corneal haziness, refraction, and visual acuity (P > 0.05). However, comparison of pre‑ and postoperative parameters within each group revealed that total removal of the cornea has resulted in significant improvement of K‑max (P value: 0.01) and Q‑value (P value: 0.009); while eyes in partial removal group had better improvement of corrected vision (P value: 0.006). -
Light Propagation Through the Eye: Numerical Considerations and Applications to Presbylasik Surgery Analysis
Light propagation through the eye: numerical considerations and applications to presbylasik surgery analysis Julián Espinosa Tomás Optics Department, University of Alicante Group of Optics and Vision Science Carlos Illueca, PhD. David Mas, PhD. Jorge Pérez, PhD. Julián Espinosa, MSc. Vissum Corporation, Alicante Jorge Alió, PhD. Dolores Ortiz, PhD. Esperanza Sala, OD. Light patterns calculation inside the eye Transmittance evaluation of cornea Transmittance evaluation of crystalline lens Wave propagation (angular spectrum) up to the plane of interest. Applications to presbylasik surgery analysis Corneal transmittance evaluation: - Geometrical configuration 2 surfaces 1st surface: Corneal topography 2nd surface: Dubbelman 2003 =6.6 − 0.005 × 2 2 2 R2 age xy+ +(1 + Qz2 ) − 2 Rz 2 = 0 Q2 = −0.1 − 0.007 × age Corneal transmittance evaluation: - Optical path length Crystalline lens transmittance evaluation Dubbelman 2001 (Scheimpflug photography ) x2+ y 2 +(1 + Qz ) 2 − 2 Rz = 0 = − × =−6.4 + 0.03 × Rant 12.9 0.057 age ; Qant age =− + × =−6.0 + 0.07 × Rpost 6.2 0.012 age ; Qpost age Crystalline lens transmittance evaluation opznzzii≈+1( 21 ii −)cosδ 102 i +∆−( z i) cos ( δ 12 ii + δ ) Wave propagation Convergent patterns calculation λz exp −iπ m ɶ 2 × ()∆x 2 0 ()u∝ DFT −1 z µ 2 m∆ x m2 ()∆ x ×DFT u0 − i π 0 1 0 exp 2 N λ N z c ∆x2 z≤0 ≤ z Nyquist condition λN c zc = 20mm λ = 633nm Total eye ∆x= 6.7mm N = 3600 0 Φ =3 ∆x p()4 0 Wave propagation 2 ∆x0 Nyquist condition: Nλ ≥ zc N κ >1 N′ = λ′ = κλ Let us define , κ and 1 1 ∆ξ ∆ξ = ∆ξ ′ = = ′ δ x0 δx0 κ ′ ′ ∆x0 ∆ξ = N ∆x0 = ∆ x z ∆ξ′ ∆x= N ′ z Wave propagation Rectangle function κ=1 vs. -
Applications of Optical Illusions in Furniture Design
Applications of Optical Illusions in Furniture Design Henri Judin Master's Thesis Product and Spatial Design Aalto University School of Arts, Design and Architecture 2019 P.O. BOX 31000, 00076 AALTO www.aalto.fi Master of Arts thesis abstract Author: Henri Judin Title of thesis: Applications of Optical Illusions in Furniture Design Department: Department of Design Degree Program: Master's Programme in Product and Spatial Design Year: 2019 Pages: 99 Language: English Optical illusions prove that things are not always as they appear. This has inspired scientists, artists and architects throughout history. Applications of optical illusions have been used in fashion, in traffic planning and for camouflage on fabrics and vehicles. In this thesis, the author wants to examine if optical illusions could also be used as a structural element in furniture design. The theoretical basis for this thesis is compiled by collecting data about perception, optical art, other applications, meaning and building blocks of optical illusion. This creates the base for the knowledge of the theme and the phenomenon. The examination work is done by using the method of explorative prototyping: there are no answers when starting the project, but the process consists of planning and trying different ideas until one of them is deemed to be the right one to develop. The prototypes vary from simple sketches and 3D modeling exercises to 1:1 scale models. The author found six potential illusions and one concept was selected for further development based on criteria that were set before the work. The selected concept was used to create and develop WARP - a set of bar stools and shelves. -
A Novel Vertebrate Eye Using Both Refractive and Reflective
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Elsevier - Publisher Connector Current Biology 19, 108–114, January 27, 2009 ª2009 Elsevier Ltd All rights reserved DOI 10.1016/j.cub.2008.11.061 Report A Novel Vertebrate Eye Using Both Refractive and Reflective Optics Hans-Joachim Wagner,1 Ron H. Douglas,2,* mirror, and computer modeling indicates that this provides Tamara M. Frank,3 Nicholas W. Roberts,4,6 a well-focused image. This is the first report of an ocular and Julian C. Partridge5 image being formed in a vertebrate eye by a mirror. 1Anatomisches Institut Universita¨ tTu¨ bingen Results and Discussion O¨ sterbergstrasse 3 72074 Tu¨bingen The eyes of Dolichopteryx longipes have been described once Germany before [6]. However, relying on a single formalin-fixed spec- 2Henry Welcome Laboratory for Vision Sciences imen, this study was understandably incomplete and, in Department of Optometry and Visual Science places, erroneous. On a recent expedition, we caught a live City University specimen of this species, allowing a more thorough descrip- Northampton Square tion of its eyes. London EC1V 0HB UK General Ocular Morphology and Eyeshine 3Center for Ocean Exploration and Deep-Sea Research In dorsal view, D. longipes has two upward-pointing eyes, Harbor Branch Oceanographic Institute each with a dark swelling on its lateral face (Figures 1A and Florida Atlantic University 1B). Histological sectioning shows that each eye consists of 5600 U.S. 1 N two parts, largely separated by a dividing septum: the main, Fort Pierce, FL 34946 cylindrical, ‘‘tubular’’ eye (approximately 6 mm high and USA 4 mm wide) and a smaller, ovoid outgrowth from the lateral 4The Photon Science Institute wall of the cylinder (the diverticulum, approximately 2.6 mm School of Physics and Astronomy maximum height and 2.2 mm maximum width) (Figure 2). -
Sounds, Spectra, Audio Illusions, and Data Representations
Sounds, spectra, audio illusions, and data representations Edoardo Milotti, Dipartimento di Fisica, Università di Trieste Introduction to Signal Processing Techniques A. Y. 2016-17 Piano notes Pure 440 Hz sound BacK to the initial recording, left channel amplitude (volt, ampere, normalized amplitude units … ) time (sample number) amplitude (volt, ampere, normalized amplitude units … ) 0.004 0.002 0.000 -0.002 -0.004 0 1000 2000 3000 4000 5000 time (sample number) amplitude (volt, ampere, normalized amplitude units … ) 0.004 0.002 0.000 -0.002 -0.004 0 1000 2000 3000 4000 5000 time (sample number) squared amplitude frequency (frequency index) Short Time Fourier Transform (STFT) Fourier Transform A single blocK of data Segmented data Fourier Transform squared amplitude frequency (frequency index) squared amplitude frequency (frequency index) amplitude of most important Fourier component time Spectrogram time frequency • Original audio file • Reconstruction with the largest amplitude frequency component only • Reconstruction with 7 frequency components • Reconstruction with 7 frequency components + phase information amplitude (volt, ampere, normalized amplitude units … ) time (sample number) amplitude (volt, ampere, normalized amplitude units … ) time (sample number) squared amplitude frequency (frequency index) squared amplitude frequency (frequency index) squared amplitude Include only Fourier components with amplitudes ABOVE a given threshold 18 Fourier components frequency (frequency index) squared amplitude Include only Fourier components with amplitudes ABOVE a given threshold 39 Fourier components frequency (frequency index) squared amplitude frequency (frequency index) Glissando In music, a glissando [ɡlisˈsando] (plural: glissandi, abbreviated gliss.) is a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, to glide. -
Signature Redacted
SENSATION VS. PERCEPTION A Study and Analysis of Two Methods Affecting Cognition MSAHUSETT S INSTIfUTE by OF TECHNOLOGY Xiaoyan Shen AUG 2 2 2019 B.A.S. New Media LIBRARIES City University of Hong Kong ARCHIVES Submitted to the Department of Architecture In partial fulfilment of the requirements for the degree of Master of Science in Art, Culture and Technology at the Massachusetts Institute of Technology June 2019 © 2019 Xiaoyan Shen. All rights reserved. The author hereby grants MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature redacted ............................................... SIGNATURE OF AUTHOR Department of Architecture Signature redacted May10,2019 CERTIFIED BY Judith Barry Professor of Art, Culture and Technology Thesis Supervisor Signature-redacted ACCEPTED BY Nasser Rabbat Aga Khan Professor Chair of the Department Committee on Graduate Students COMMITTEE Thesis Supervisor Judith Barry Professor of Art, Culture and Technology Thesis Reader Caroline A. Jones Professor of History, Theory and Criticism 3 SENSATION VS. PERCEPTION A Study and Analysis of Two methods Affecting Cognition by Xiaoyan Shen Submitted to the Department of Architecture on May 10, 2019 In Partial Fulfilment of the Requirements for the Degree of Master of Science in Art, Culture and Technology Abstract In this thesis I discuss methods of projects that create cognitive effects that can be categorized into two situations: through sensation (outside stimulations/objective/bottom-up processing in neuroscience) or through perception (arousing background knowledge of inner mind/subjective/top-down processing in neuroscience). Similar effects can be reached through different ways. -
Bioplausible Multiscale Filtering in Retino-Cortical Processing As A
Brain Informatics (2017) 4:271–293 DOI 10.1007/s40708-017-0072-8 Bioplausible multiscale filtering in retino-cortical processing as a mechanism in perceptual grouping Nasim Nematzadeh . David M. W. Powers . Trent W. Lewis Received: 25 January 2017 / Accepted: 23 August 2017 / Published online: 8 September 2017 Ó The Author(s) 2017. This article is an open access publication Abstract Why does our visual system fail to reconstruct Differences of Gaussians and the perceptual interaction of reality, when we look at certain patterns? Where do Geo- foreground and background elements. The model is a metrical illusions start to emerge in the visual pathway? variation of classical receptive field implementation for How far should we take computational models of vision simple cells in early stages of vision with the scales tuned with the same visual ability to detect illusions as we do? to the object/texture sizes in the pattern. Our results suggest This study addresses these questions, by focusing on a that this model has a high potential in revealing the specific underlying neural mechanism involved in our underlying mechanism connecting low-level filtering visual experiences that affects our final perception. Among approaches to mid- and high-level explanations such as many types of visual illusion, ‘Geometrical’ and, in par- ‘Anchoring theory’ and ‘Perceptual grouping’. ticular, ‘Tilt Illusions’ are rather important, being charac- terized by misperception of geometric patterns involving Keywords Visual perception Á Cognitive systems Á Pattern lines