Constructing Drawings of Impossible Figures with Axonometric Blocks and Pseudo-3D Manipulations
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Fibonacci Number
Fibonacci number From Wikipedia, the free encyclopedia • Have questions? Find out how to ask questions and get answers. • • Learn more about citing Wikipedia • Jump to: navigation, search A tiling with squares whose sides are successive Fibonacci numbers in length A Fibonacci spiral, created by drawing arcs connecting the opposite corners of squares in the Fibonacci tiling shown above – see golden spiral In mathematics, the Fibonacci numbers form a sequence defined by the following recurrence relation: That is, after two starting values, each number is the sum of the two preceding numbers. The first Fibonacci numbers (sequence A000045 in OEIS), also denoted as Fn, for n = 0, 1, … , are: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765, 10946, 17711, 28657, 46368, 75025, 121393, ... (Sometimes this sequence is considered to start at F1 = 1, but in this article it is regarded as beginning with F0=0.) The Fibonacci numbers are named after Leonardo of Pisa, known as Fibonacci, although they had been described earlier in India. [1] [2] • [edit] Origins The Fibonacci numbers first appeared, under the name mātrāmeru (mountain of cadence), in the work of the Sanskrit grammarian Pingala (Chandah-shāstra, the Art of Prosody, 450 or 200 BC). Prosody was important in ancient Indian ritual because of an emphasis on the purity of utterance. The Indian mathematician Virahanka (6th century AD) showed how the Fibonacci sequence arose in the analysis of metres with long and short syllables. Subsequently, the Jain philosopher Hemachandra (c.1150) composed a well-known text on these. -
Functional MRI, DTI and Neurophysiology in Horizontal Gaze Palsy with Progressive Scoliosis
Neuroradiology (2008) 50:453–459 DOI 10.1007/s00234-007-0359-1 FUNCTIONAL NEURORADIOLOGY Functional MRI, DTI and neurophysiology in horizontal gaze palsy with progressive scoliosis Sven Haller & Stephan G. Wetzel & Jürg Lütschg Received: 19 August 2007 /Accepted: 14 December 2007 /Published online: 24 January 2008 # Springer-Verlag 2008 Abstract suspected HGPPS, any technique appears appropriate for Introduction Horizontal gaze palsy with progressive scoliosis further investigation. Auditory fMRI suggests that a (HGPPS) is an autosomal recessive disease due to a mutation monaural auditory system with bilateral auditory activations in the ROBO3 gene. This rare disease is of particular interest might be a physiological advantage as compared to a because the absence, or at least reduction, of crossing of the binaural yet only unilateral auditory system, in analogy to ascending lemniscal and descending corticospinal tracts in the anisometropic amblyopia. Moving-head fMRI studies in the medulla predicts abnormal ipsilateral sensory and motor future might show whether the compensatory head move- systems. ments instead of normal eye movements activate the eye- Methods We evaluated the use of functional magnetic movement network. resonance imaging (fMRI) for the first time in this disease and compared it to diffusion tensor imaging (DTI) Keywords Functional MRI . HGPPS . ROBO3 tractography and neurophysiological findings in the same patient with genetically confirmed ROBO3 mutation. Abbreviations Results As expected, motor fMRI, somatosensory evoked BAEP brainstem auditory evoked potentials potentials (SSEP) and motor evoked potentials (MEP) were BOLD blood oxygenation level dependent dominantly ipsilateral to the stimulation side. DTI tractography DTI diffusion tensor imaging revealed ipsilateral ascending and descending connectivity in fMRI functional magnetic resonance imaging the brainstem yet normal interhemispheric connections in the FEF frontal eye field corpus callosum. -
In This Research Report We Will Explore the Gestalt Principles and Their Implications and How Human’S Perception Can Be Tricked
The Gestalt Principles and there role in the effectiveness of Optical Illusions. By Brendan Mc Kinney Abstract Illusion are created in human perception in relation to how the mind process information, in this regard on to speculate that the Gestalt Principles are a key process in the success of optical illusions. To understand this principle the research paper will examine several optical illusions in the hopes that they exhibit similar traits used in the Gestalt Principles. In this research report we will explore the Gestalt Principles and their implications and how human’s perception can be tricked. The Gestalt Principles are the guiding principles of perception developed from testing on perception and how human beings perceive their surroundings. Human perception can however be tricked by understanding the Gestalt principles and using them to fool the human perception. The goal of this paper is to ask how illusions can be created to fool human’s perception using the gestalt principles as a basis for human’s perception. To examine the supposed, effect the Gestalt Principles in illusions we will look at three, the first being Rubin’s Vase, followed by the Penrose Stairs and the Kanizsa Triangle to understand the Gestalt Principles in play. In this context we will be looking at Optical Illusion rather than illusions using sound to understand the Gestalt Principles influence on human’s perception of reality. Illusions are described as a perception of something that is inconsistent with the actual reality (dictionary.com, 2015). How the human mind examines the world around them can be different from the actuality before them, this is due to the Gestalt principles influencing people’s perception. -
The Psychological Intersection of Motion Picture, the Still Frame, and Three-Dimensional Form
MOMENTUM, MOMENT, EPIPHANY: THE PSYCHOLOGICAL INTERSECTION OF MOTION PICTURE, THE STILL FRAME, AND THREE-DIMENSIONAL FORM by MARK GERSTEIN B.A. The University of Chicago, 1986 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2018 ABSTRACT My journey from Hollywood Film production to a Fine Arts practice has been shaped by theory from Philosophy of Mind, Cognitive Psychology, Film, and Art, leading me to a new visual vocabulary at the intersection of motion picture, the still image, and three-dimensional form. I create large mixed media collages by projecting video onto photographs and sculptural forms, breaking the boundaries of the conventional film frame and exceeding the dynamic range of typical visual experience. My work explores emotional connections and fissures within family, and hidden meanings of haunting memories and familiar places. I am searching for an elusive type of perceptual experience characterized by an instantaneous shift in perspective—an “aha” moment of epiphany when suddenly I have the overpowering feeling that I am both seeing and aware that I am seeing. ii To Lori, Joshua and Maya, for your infinite patience and unconditional love. iii ACKNOWLEDGMENTS I want to take this opportunity to acknowledge all my Studio Art colleagues who have so graciously tolerated my presence in their sandbox over these last few years. In particular, I want to thank my Thesis Committee: Carla Poindexter, my chair, for her nuanced critique, encouragement and unwavering belief in the potential of my work, and ability to embrace the seemingly contradictory roles of mentor and colleague; Jo Anne Adams, for her attention to detail and narrative sensibility that comes from our shared background in the film industry; and Ryan Buyssens, for showing me the possibilities of technology and interactivity, and reminding me to never lose sight of the meaning in my art. -
Principles of Three-Dimensional Computer Design for Understanding Impossible Figures
International Journal of Engineering and Management Sciences (IJEMS) Vol. 5. (2020). No. 2 DOI: 10.21791/IJEMS.2020.2.21. Principles of Three-Dimensional Computer Design for Understanding Impossible Figures T. DOVRAMADJIEV ITechnical University of Varna, Bulgaria, MTF, Dept. Industrial Design, [email protected] Abstract: For a better understanding of the impossible figures, it is advisable to use modern technological means by which the design of the geometry of the models gives a complete understanding of how they are made. Computer- aided 3D design completely solves this problem. That is, on the one hand, the ultimate visual variant of impossible figures is created, on the other hand, there is the possibility for real manipulation, movement, rotation and other models of space. In this study, 3D models of impossible figures are fully constructed, which are applied in the educational process in order to develop logical thinking. The steps of creating 3D geometry using open source software Blender 3D are described in details. Keywords: 3D, Blender, logic, impossible, figures Introduction Impossible figures are combinations of geometric elements positioned in specific compilations that create the illusion of completed objects, but at the same time have an extremely impossible vision. This is especially the case when certain details are interwoven in a particular order or position. Creating them requires a rich imagination and understanding of three-dimensional space. Impossible figures are a good tool for developing logical thinking, creating creativity in adolescents, and are often used in the educational process. Impossible figures are present in the visual arts, architecture and spatial form shaping. -
Sounds, Spectra, Audio Illusions, and Data Representations
Sounds, spectra, audio illusions, and data representations Edoardo Milotti, Dipartimento di Fisica, Università di Trieste Introduction to Signal Processing Techniques A. Y. 2016-17 Piano notes Pure 440 Hz sound BacK to the initial recording, left channel amplitude (volt, ampere, normalized amplitude units … ) time (sample number) amplitude (volt, ampere, normalized amplitude units … ) 0.004 0.002 0.000 -0.002 -0.004 0 1000 2000 3000 4000 5000 time (sample number) amplitude (volt, ampere, normalized amplitude units … ) 0.004 0.002 0.000 -0.002 -0.004 0 1000 2000 3000 4000 5000 time (sample number) squared amplitude frequency (frequency index) Short Time Fourier Transform (STFT) Fourier Transform A single blocK of data Segmented data Fourier Transform squared amplitude frequency (frequency index) squared amplitude frequency (frequency index) amplitude of most important Fourier component time Spectrogram time frequency • Original audio file • Reconstruction with the largest amplitude frequency component only • Reconstruction with 7 frequency components • Reconstruction with 7 frequency components + phase information amplitude (volt, ampere, normalized amplitude units … ) time (sample number) amplitude (volt, ampere, normalized amplitude units … ) time (sample number) squared amplitude frequency (frequency index) squared amplitude frequency (frequency index) squared amplitude Include only Fourier components with amplitudes ABOVE a given threshold 18 Fourier components frequency (frequency index) squared amplitude Include only Fourier components with amplitudes ABOVE a given threshold 39 Fourier components frequency (frequency index) squared amplitude frequency (frequency index) Glissando In music, a glissando [ɡlisˈsando] (plural: glissandi, abbreviated gliss.) is a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, to glide. -
Distributed Hierarchical Processing in the Primate Cerebral Cortex
Distributed Hierarchical Processing Daniel J. Felleman1 and David C. Van Essen2 in the Primate Cerebral Cortex 1 Department of Neurobiology and Anatomy, University of Texas Medical School, Houston, Texas 77030, and 2 Division of Biology, California Institute of Technology, Pasadena, California 91125 In recent years, many new cortical areas have been During the past decade, there has been an explosion identified in the macaque monkey. The number of iden- of information about the organization and connectiv- tified connections between areas has increased even ity of sensory and motor areas in the mammalian ce- more dramatically. We report here on (1) a summary of rebral cortex. Many laboratories have concentrated the layout of cortical areas associated with vision and their efforts on the visual cortex of macaque monkeys, with other modalities, (2) a computerized database for whose superb visual capacities in many ways rival storing and representing large amounts of information those of humans. In this article, we survey recent on connectivity patterns, and (3) the application of these progress in charting the layout of different cortical data to the analysis of hierarchical organization of the areas in the macaque and in analyzing the hierarchical cerebral cortex. Our analysis concentrates on the visual relationships among these areas, particularly in the Downloaded from system, which includes 25 neocortical areas that are visual system. predominantly or exclusively visual in function, plus an The original notion of hierarchical processing in additional 7 areas that we regard as visual-association the visual cortex was put forward by Hubel and Wiesel areas on the basis of their extensive visual inputs. -
Graduate Neuroanatomy GSBS GS141181
Page 1 Graduate Neuroanatomy GSBS GS141181 Laboratory Guide Offered and Coordinated by the Department of Neurobiology and Anatomy The University of Texas Health Science Center at Houston. This course guide was adatped from the Medical Neuroscience Laboratory Guide. Nachum Dafny, Ph.D., Course Director; Michael Beierlein, Ph.D., Laboratory Coordinator. Online teaching materials are available at https://oac22.hsc.uth.tmc.edu/courses/neuroanatomy/ Other course information available at http://openwetware.org/wiki/Beauchamp:GraduateNeuroanatomy Contents © 2000-Present University of Texas Health Science Center at Houston. All Rights Reserved. Unauthorized use of contents subject to civil and/or criminal prosecution. Graduate Neuroanatomy : Laboratory Guide Page 2 Table of Contents Overview of the Nervous System ................................................................................................................ 3 Laboratory Exercise #1: External Anatomy of the Brain ......................................................................... 19 Laboratory Exercise #2: Internal Organization of the Brain ..................................................................... 35 Graduate Neuroanatomy : Laboratory Guide Page 3 Overview of the Nervous System Nachum Dafny, Ph.D. The human nervous system is divided into the central nervous system (CNS) and the peripheral nervous system (PNS). The CNS, in turn, is divided into the brain and the spinal cord, which lie in the cranial cavity of the skull and the vertebral canal, respectively. The CNS and the PNS, acting in concert, integrate sensory information and control motor and cognitive functions. The Central Nervous System (CNS) The adult human brain weighs between 1200 to 1500g and contains about one trillion cells. It occupies a volume of about 1400cc - approximately 2% of the total body weight, and receives 20% of the blood, oxygen, and calories supplied to the body. The adult spinal cord is approximately 40 to 50cm long and occupies about 150cc. -
The Freudian Slip Staff
The Freudian Slip CSB/SJU Psychology Department Newsletter College of Saint Benedict & Saint John’s University Sigmund Freud, photo- graph (1938) May 2013 DSM-5 By Hannah Stevens at who is making these decisions. The decisions about changes are made by 13 different work The Diagnostic and Statistical Manual of groups specializing in different sections. There are Mental Disorders or DSM is a manual giving the a total of 160 psychiatrists, psychologists, and Staff criteria for all recognized mental disorders. The other health professionals. It is a long process that first DSM dates back to before World War II and requires looking at recent research and debating Rachel Heying, provided seven different categories of mental with other professionals. health: mania, melancholia, monomania, paresis, “Imperfections dementia, dipsomania, and epilepsy. Since then The changes in the DSM-5 will have a of Perception” the DSM has been revised to fit mental health as significant impact on the field of psychology. we know it today. It is currently in its fifth revision Many practicing psychologist will have to relearn Hannah Stevens, and is due to come out this May. The current new criteria for mental disorders, as well as new “DMV-5” DSM, the DSM-IV-TR (text revision) reflects what mental disorders all together. This may be the information we have gained in mental health and cause of some of the controversy, however hope- Natalie Vasilj, our newest knowledge and research on it. In past fully with new research the DSM-5 will better rep- “Mental Health revisions major changes have been made because resent mental health. -
Bioplausible Multiscale Filtering in Retino-Cortical Processing As A
Brain Informatics (2017) 4:271–293 DOI 10.1007/s40708-017-0072-8 Bioplausible multiscale filtering in retino-cortical processing as a mechanism in perceptual grouping Nasim Nematzadeh . David M. W. Powers . Trent W. Lewis Received: 25 January 2017 / Accepted: 23 August 2017 / Published online: 8 September 2017 Ó The Author(s) 2017. This article is an open access publication Abstract Why does our visual system fail to reconstruct Differences of Gaussians and the perceptual interaction of reality, when we look at certain patterns? Where do Geo- foreground and background elements. The model is a metrical illusions start to emerge in the visual pathway? variation of classical receptive field implementation for How far should we take computational models of vision simple cells in early stages of vision with the scales tuned with the same visual ability to detect illusions as we do? to the object/texture sizes in the pattern. Our results suggest This study addresses these questions, by focusing on a that this model has a high potential in revealing the specific underlying neural mechanism involved in our underlying mechanism connecting low-level filtering visual experiences that affects our final perception. Among approaches to mid- and high-level explanations such as many types of visual illusion, ‘Geometrical’ and, in par- ‘Anchoring theory’ and ‘Perceptual grouping’. ticular, ‘Tilt Illusions’ are rather important, being charac- terized by misperception of geometric patterns involving Keywords Visual perception Á Cognitive systems Á Pattern lines -
Traveling Cortical Netwaves Compose a Mindstream
bioRxiv preprint doi: https://doi.org/10.1101/705947; this version posted April 29, 2020. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC 4.0 International license. Traveling cortical netwaves compose a mindstream Ernst Rudolf M. Hülsmann 26 Rue de Bonn. CH-3186 Guin. Switzerland. [email protected] ABSTRACT The brain creates a physical response out of signals in a cascade of streaming transformations. These transfor- mations occur over networks, which have been described in anatomical, cyto-, myeloarchitectonic and functional research. The totality of these networks has been modelled and synthesised in phases across a continuous time- space-function axis, through ascending and descending hierarchical levels of association1-3 via changing coalitions of traveling netwaves4-6, where localised disorders might spread locally throughout the neighbouring tissues. This study quantified the model empirically with time-resolving functional magnetic resonance imaging of an imperative, visually-triggered, self-delayed, therefor double-event related response task. The resulting time series unfold in the range of slow cortical potentials the spatio-temporal integrity of a cortical pathway from the source of perception to the mouth of reaction in and out of known functional, anatomical and cytoarchitectonic networks. These pathways are consolidated in phase images described by a small vector matrix, which leads to massive simplification of cortical field theory and even to simple technical applications. INTRODUCTION On a first sight it seems to be self-evident that a local perturbation within the cortical sheet should spread locally. -
Clinical Anatomy of the Cranial Nerves Clinical Anatomy of the Cranial Nerves
Clinical Anatomy of the Cranial Nerves Clinical Anatomy of the Cranial Nerves Paul Rea AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Academic Press is an imprint of Elsevier Academic Press is an imprint of Elsevier 32 Jamestown Road, London NW1 7BY, UK The Boulevard, Langford Lane, Kidlington, Oxford OX5 1GB, UK Radarweg 29, PO Box 211, 1000 AE Amsterdam, The Netherlands 225 Wyman Street, Waltham, MA 02451, USA 525 B Street, Suite 1800, San Diego, CA 92101-4495, USA First published 2014 Copyright r 2014 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.