For the Leader. a Psalm of David. a Song. To
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Cathedral Church of the Holy Trinity
Sunday worship live SUNDAY 04TH OCTOBER, 2020 OUTLINE PSALM SUNDAY: CELEBRATING THE PSALTER VENUE: THE CATHEDRAL CHURCH OF THE HOLY TRINITY GREETING AND WELCOME PRAYER PRAISE AND WORSHIP (brief session 20 mins) INTRODUCTION OF MUSICIANS AND VOCALISTS REFLECTION ON THE PSALTER o HYMN: CPWI 361- ALL PEOPLE THAT ON EARTH DO DWELL COMMENTARY- PSALM 122 o THE CHANTING OF PSALM 122 (CHANT 305) COMMENTARY –PSALM 15 o THE CHANTING OF PSALM 15 (CHANT # ) COMMENTARY – PSALM 19 o THE CHANTING OF PSALM 19 (CHANT 39) COMMENTARY –PSALM 8 o THE CHANTING OF PSALM 8 (CHANT 15) COMMENTARY –PSALM 24 o THE CHANTING OF PSALM 24 (CHANT 51) COMMENTARY –PSALM 67 o THE CHANTING OF PSALM 67 (CHANT 149) COMMENTARY –PSALM 34 o THE CHANTING OF PSALM 34 (CHANT 71) COMMMENTARY –PSALM 22 o THE CHANTING OF PSALM 22 (CHANT 45) COMMENTARY –PSALM 130 o THE CHANTING OF PSALM 130 (CHANT 320) ORGAN VOLUNTARY COMMENTARY –PSALM 46 o THE CHANTING OF PSALM 46 (CHANT98) COMMENTARY –PSALM 114 o THE CHANTING OF PSALM 114 (CHANT 268) COMMENTARY –PSALM 91 o THE CHANTING OF PSALM 91 (CHANT 208) COMMENTARY –PSALM 143 o THE CHANTING OF PSALM 143 (CHANT 346) COMMENTARY –PSALM 139 o THE CHANTING OF PSALM 139 (CHANT 339) o HYMN: CPWI 371- LET ALL THE WORLD IN EVERY CORNER SING NOTICES/ANNOUNCEMENTS CLOSING PRAYER COMMENTARY –PSALM 150 o THE CHANTING OF PSALM 150 OR METRICAL VERSION CPWI 375 (with Amen) OPENING HYMN CPWI 361 All people that on earth do dwell, Sing to the Lord with cheerful voice. Him serve with fear, His praise forth tell; Come ye before Him and rejoice. -
The Psalms in Our Times: an Online Study of the Psalms During the COVID-19 Pandemic
The Psalms in Our Times: An Online Study of the Psalms During the COVID-19 Pandemic Agenda for Weeks 1-3: - Series overview (week 1 only) - Check-in and review - Introduction of the Week’s Psalm(s) - Discussion and Question & Answer Agenda for Week 4: - Check-in and review - Sharing of Psalms (optional) - Wrap-up Sources for Psalm texts: - Book of Common Prayer (Psalter, pages 582-808) - Oremus Bible Browser (bible.oremus.org) Participants are invited to this document and take notes (or not) and work on creating their own Psalm for Session 4 (or not). All videos will be posted to the “St. John’s Episcopal Church Lancaster” YouTube page so participants can review or catch up as needed. Session 1 Psalm 29 Psalm 146 1Ascribe to the Lord, O heavenly beings, 1Praise the Lord! Praise the Lord, O my ascribe to the Lord glory and strength. soul! 2Ascribe to the Lord the glory of his name; 2I will praise the Lord as long as I live; I will worship the Lord in holy splendor. sing praises to my God all my life long. 3The voice of the Lord is over the waters; 3Do not put your trust in princes, in the God of glory thunders, the Lord, over mortals, in whom there is no help. mighty waters. 4When their breath departs, they return to 4The voice of the Lord is powerful; the voice the earth; on that very day their plans of the Lord is full of majesty. perish. 5The voice of the Lord breaks the cedars; 5Happy are those whose help is the God of the Lord breaks the cedars of Lebanon. -
Notes on Psalms 2015 Edition Dr
Notes on Psalms 2015 Edition Dr. Thomas L. Constable Introduction TITLE The title of this book in the Hebrew Bible is Tehillim, which means "praise songs." The title adopted by the Septuagint translators for their Greek version was Psalmoi meaning "songs to the accompaniment of a stringed instrument." This Greek word translates the Hebrew word mizmor that occurs in the titles of 57 of the psalms. In time the Greek word psalmoi came to mean "songs of praise" without reference to stringed accompaniment. The English translators transliterated the Greek title resulting in the title "Psalms" in English Bibles. WRITERS The texts of the individual psalms do not usually indicate who wrote them. Psalm 72:20 seems to be an exception, but this verse was probably an early editorial addition, referring to the preceding collection of Davidic psalms, of which Psalm 72 was the last.1 However, some of the titles of the individual psalms do contain information about the writers. The titles occur in English versions after the heading (e.g., "Psalm 1") and before the first verse. They were usually the first verse in the Hebrew Bible. Consequently the numbering of the verses in the Hebrew and English Bibles is often different, the first verse in the Septuagint and English texts usually being the second verse in the Hebrew text, when the psalm has a title. ". there is considerable circumstantial evidence that the psalm titles were later additions."2 However, one should not understand this statement to mean that they are not inspired. As with some of the added and updated material in the historical books, the Holy Spirit evidently led editors to add material that the original writer did not include. -
Context: Psalm 96 Is a Psalm of Praise, Attributed to David. Nearly All 13
Context: Psalm 96 is a Psalm of praise, attributed to David. Nearly all 13 verses of Psalm 96 are also found in 1 Chronicles 16:8-36, another Psalm of praise written by David. In 1 Chronicles 15 we see David victoriously bringing the Ark of the Covenant into Jerusalem. Then in 1 Chronicles 16 we see David bring it into the tent that he set up for it, and there was a large worship service. Amidst much singing, dancing and praise, David instructs the people to sing a Psalm in verses 8- 36 of chapter 16. Our psalm today, 96, as well as psalms 105 and 106, all contain portions of this psalm in Chronicles. Not only does this confirm Davidic authorship for these psalms, it also shows us the occasion for the use of this particular song: celebration and praise. In Chronicles the people were celebrating the return of the Ark to Jerusalem. David had just defeated the Philistines and was bringing the Ark into Jerusalem for the first time. This was signifying God’s presence returning, and there was a huge party in celebration for all of these events. Understanding its origins, we can see better how this psalm praises God with an emphasis on God’s rule and reign, as well as his presence for Israel. With a look backwards to the Ark arriving in Jerusalem, this Psalm also is looking forward to when the Messiah brings God’s reign over all the earth. God is the true king over all the earth, and he is coming to be here among us. -
Psalms of Praise: “Pesukei Dezimra ”
Dr. Yael Ziegler Pardes The Psalms 1 Psalms of Praise: “Pesukei DeZimra” 1) Shabbat 118b אמר רבי יוסי: יהא חלקי מגומרי הלל בכל יום. איני? והאמר מר: הקורא הלל בכל יום - הרי זה מחרף ומגדף! - כי קאמרינן - בפסוקי דזמרא R. Yosi said: May my portion be with those who complete the Hallel every day. Is that so? Did not the master teach: “Whoever recites the Hallel every day, he is blaspheming and scoffing?” [R. Yosi explained:] When I said it, it was regarding Pesukei DeZimra. Rashi Shabbat 118b הרי זה מחרף ומגדף - שנביאים הראשונים תיקנו לומר בפרקים לשבח והודיה, כדאמרינן בערבי פסחים, )קיז, א(, וזה הקוראה תמיד בלא עתה - אינו אלא כמזמר שיר ומתלוצץ. He is blaspheming and scoffing – Because the first prophets establish to say those chapters as praise and thanks… and he who recites it daily not in its proper time is like one who sings a melody playfully. פסוקי דזמרא - שני מזמורים של הילולים הללו את ה' מן השמים הללו אל בקדשו . Pesukei DeZimra – Two Psalms of Praise: “Praise God from the heavens” [Psalm 148]; “Praise God in His holiness” [Psalm 150.] Massechet Soferim 18:1 Dr. Yael Ziegler Pardes The Psalms 2 אבל צריכין לומר אחר יהי כבוד... וששת המזמורים של כל יום; ואמר ר' יוסי יהא חלקי עם המתפללים בכל יום ששת המזמורים הללו 3) Maharsha Shabbat 118b ה"ז מחרף כו'. משום דהלל נתקן בימים מיוחדים על הנס לפרסם כי הקדוש ברוך הוא הוא בעל היכולת לשנות טבע הבריאה ששינה בימים אלו ...ומשני בפסוקי דזמרה כפירש"י ב' מזמורים של הלולים כו' דאינן באים לפרסם נסיו אלא שהם דברי הלול ושבח דבעי בכל יום כדאמרי' לעולם יסדר אדם שבחו של מקום ואח"כ יתפלל וק"ל: He is blaspheming. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57 -
The Book of Psalms “Bless the Lord, O My Soul, and Forget Not All His Benefits” (103:2)
THE BOOK OF PSALMS “BLESS THE LORD, O MY SOUL, AND FORGET NOT ALL HIS BENEFITS” (103:2) BOOK I BOOK II BOOK III BOOK IV BOOK V 41 psalms 31 psalms 17 psalms 17 psalms 44 psalms 1 41 42 72 73 89 90 106 107 150 DOXOLOGY AT THESE VERSES CONCLUDES EACH BOOK 41:13 72:18-19 89:52 106:48 150:6 JEWISH TRADITION ASCRIBES TOPICAL LIKENESS TO PENTATEUCH GENESIS EXODUS LEVITICUS NUMBERS DEUTERONOMY ────AUTHORS ──── mainly mainly (or all) DAVID mainly mainly mainly DAVID and KORAH ASAPH ANONYMOUS DAVID BOOKS II AND III ADDED MISCELLANEOUS ORIGINAL GROUP BY DURING THE REIGNS OF COLLECTIONS DAVID HEZEKIAH AND JOSIAH COMPILED IN TIMES OF EZRA AND NEHEMIAH POSSIBLE CHRONOLOGICAL STAGES IN THE GROWTH AND COLLECTION OF THE PSALTER 1 The Book of Psalms I. Book Title The word psalms comes from the Greek word psalmoi. It suggests the idea of a “praise song,” as does the Hebrew word tehillim. It is related to a Hebrew concept which means “the plucking of strings.” It means a song to be sung to the accompaniment of stringed instruments. The Psalms is a collection of worship songs sung to God by the people of Israel with musical accompaniment. The collection of these 150 psalms into one book served as the first hymnbook for God’s people, written and compiled to assist them in their worship of God. At first, because of the wide variety of these songs, this praise book was unnamed, but eventually the ancient Hebrews called it “The Book of Praises,” or simply “Praises.” This title reflects its main purpose──to assist believers in the proper worship of God. -
Psalms, Hymns, and Spiritual Songs: the Master Musician’S Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2006 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Psalm 67 — A Missionary Psalm 1.0 Introducing Psalm 67 y See “Introducing Psalm 66” for the previous psalm. y “A Song” in the headings of Psalms 62–68 links them together in a group. y Psalms 65–68 involve harvest as a sub-theme (65:9-13; 66:12; 67:6; 68:8). y Synagogues sometimes display Psalm 67 on the front of the reader’s stand. They arrange the psalm’s words in the form of a seven-branched menorah. 2.0 Reading Psalm 67 (NAU) 67:1 A Psalm. A Song. A God be gracious to us and bless us, And cause His face to shine upon us— Selah. 67:2 That Your way may be known on the earth, Your salvation among all nations. B 67:3 Let the peoples praise You, O God; Let all the peoples praise You. C 67:4 Let the nations be glad and sing for joy; For You will judge the peoples with uprightness And guide the nations on the earth. Selah. B' 67:5 Let the peoples praise You, O God; Let all the peoples praise You. A' 67:6 The earth has yielded its produce; a God, our God, blesses us. b 67:7 God blesses us, b' That all the ends of the earth may fear Him. a' For the choir director. Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2006 3.0 Understanding Psalm 67 3.1 Outline I. -
1494:1 Russellville, Arkansas
10-11 z A HISTORICAL SURVEY OF PSALM SETTINGS FROM THE TIME OF THE REFORMATION THROUGH STRAVINSKY'S "SYMPHONIE DES PSAUMES" THESIS Presented to the Graduate Council of the North Texas State Teachers College in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Virginia Sue Williamson, B. M. 1494:1 Russellville, Arkansas August, 1947 14948i TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS.. .... .......... v Chapter I. INTRODUCTION ...... ....... ... 1 II. LATIN PSALM SETTINGS..... ....... 6 III. THE REFORMATION AND CHURCH MUSIC . 13 IV. EARLYPSALTERS . 25 The Genevan Psalter English Psalters C e Psalter Sternhold and-Hopkins Psalter D Psalter Este Psalter Allison's Psalter Ainsworth Psalter Ravencroft's Psalter John Keble Psalter Cleveland Psalter The Bay Psalm Book V. SCHUTZ TO STRAVINSKY. ........... 51 Heinrich Schutz (1585-1682) Henry Purcell (1658 or 1659-1695) George Frederic Handel (1685-1759) Johann Sebastian Bach (1685-1750) Wolfgang Amadeus Mozart (1756-1791) Franz Peter Schubert (1797-1828) Felix Mendelssohn Bartholdy (1809-1847) Franz Liszt (1811-1886) Johannes Brahms (1833-1897) Cesar Franck (1822-1890) Charles Camille Saint-Saens (1835-1921) Mikail M. Ippolotov-Ivanov (1859----- Charles Martin Loeffler (1861-----) iii Chapter Page Albert Roussel (1869- ---- ) Igor Stravinsky (1882 .---- ) VI. SUMMARY AND CONCLUSION . 86 BIBLIOGRAPHY . 89 iv LIST OF ILLUSTRATIONS Figure Page 1. "L'Amour de moy" (Ps. 130), from the Psalter d'Anvers of 1541 . 32 2. Secular melody used by Bourgeois for Psalm 25 . 32 3. "Susato," used for Psalms 65 and 72 in Genevan Psalter .*.*.*. .*.9** .* . ,933 4. "Paris et Gevaet," used for Psalm 134 in the Genevan Psalter of 1551 . -
Responsorial Psalms
2019 Responsorial Psalms SAINT ISIDORE CATHOLIC CHURCH LAURA QUIROZ Psalm 23 The Lord is my Shepherd, I shall not want The Lord is my shepherd; there is nothing I lack. In green pastures he makes me lie down; to still waters he leads me; he restores my soul. The Lord is my Shepherd, I shall not want. He guides me along right paths for the sake of his name. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me your rod and your staff comfort me The Lord is my Shepherd, I shall not want. You set a table before me in front of my enemies;* You anoint my head with oil; my cup overflows. The Lord is my Shepherd, I shall not want. Indeed, goodness and mercy will pursue me all the days of my life; I will dwell in the house of the Lord for endless days. The Lord is my Shepherd, I shall not want. Psalm 27 The Lord is my light and my salvation. The Lord is my light and my salvation; Whom should I fear? The Lord is my life’s refuge; Of whom should I be afraid? The Lord is my light and my salvation. 1 One thing I ask of the Lord; This I seek: To dwell in the Lord’s house All the days of my life, To gaze in the Lord’s beauty To visit his temple The Lord is my light and my salvation. Hear my voice Lord, when I call; have mercy on me and answer me. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing.