D-Fuse D-Tonate 00 Dvd Info

Total Page:16

File Type:pdf, Size:1020Kb

D-Fuse D-Tonate 00 Dvd Info VERSION 01.1 LAST UPDATED 06.09.03 PAGE A_01 [T]+44 [0]20 7253 3462 [F]+44 [0]20 7566 0181 13-14 GREAT SUTTON ST. LONDON. EC1V 0BX. UK. [W] WWW.DFUSE.COM [E] [email protected] TITLE DESCRIPTION D-TONATE_00 DVD D-FUSE D-Tonate challenges the conventional music video format. Rough edits D-TONATE_00 of D-Tonate were sent to musicians worldwide who produced soundtracks for the films. Nine films were created and re-interpreted DVD in up to five versions which can be randomly accessed. 10 tracks [5 INFO exclusive] Features international electronica musicians including Kid 606, Scanner, Ken Ishii + Funkstorung. With over 90 minutes of Multi- Angle films and Multi-Audio tracks utilising dynamic 3D space over 5:1 audio. D-Tonate pushes the boundaries of DVD technology creating ¬ OVER 90 MINUTES OF a totally unique video experience. VIDEO WITH 10 AUDIO + 21 VIDEO TRACKS INFO D-FUSE PROFILE ¬ FULLY PROGRAMMABLE - MULTI RANDOM/MULTI - D-Fuse is a group of designers from varied disciplines, who work across ANGLE /MULTI-AUDIO a range of creative media from the Web, Print, TV, Film, Art + Architecture, /SUB PICTURES to live and mobile media. D-Fuse ‘paint + animate sound’ in terms of a cross disciplinary use of creative elements to form a unique visual ¬ USE YOUR DVD REMOTE CONTROL TO MODIFY + language. MIX THE MOVIES D-Fuse's unique visual art has been exhibited at many International Film ¬ DYNAMIC 3D INTERFACE Festivals, including Sonar, onedotzero and Seoul + won the Netmage/Diesel IN 5.1 DOLBY SURROUND Award for world VJing championships in Bologna, Italy. D-Fuse is working SOUND in collaboration with electronic musicians such as Scanner and Leftfield to contemporary classical musicians Alter Ego [who collaborate with Sciarrino + Philip Glass]. DURATION 90 MINS D-Fuse have released 2 other x DVDs -D-Fuse Vs Nonplace and NOWONDVD NODA-00008 WWW.NOWONDVD.NET D-Fuse/Gasbook retrospective [JAPAN] PERFORMANCES/SCREENING 11.09.03 VIDEOMINUTOPOPTV. PRATO. ITALY. 06.09.03 ARS ELECTRONICA_03. LINZ. AUSTRIA. 28.08.03 POINTLESS CINEMA. GLASGOW. UK 02.07.03 TIME TO FILL. M+R. LONDON. UK. 19.06.03 CYBERSONICA ICA. LONDON. UK. 18.05.03 ONEDOTZERO ICA. LONDON. UK. 15.05.03 VIDEO FESTIVAL ORG BOCHEUM. GERMANY. 10.04.03 CINEMATICS BRUSSELS. BELGIUM. 21.03.03 LES RECOUNTRES AUDIOVISUELLES LILLE. FRANCE. 20.02.03 MICROKINO BELGRADE. SERBIA 22.01.03 NETMAGE 03 BOLOGNA. ITALY. NOMINATIONS/AWARDS 00.03.03 MUSIC WEEK CADS AWARDS. BEST DVD NOMINATION VERSION 01.1 LAST UPDATED 06.09.03 PAGE A_02 [T]+44 [0]20 7253 3462 [F]+44 [0]20 7566 0181 13-14 GREAT SUTTON ST. LONDON. EC1V 0BX. UK. [W] WWW.DFUSE.COM [E] [email protected] DVD3_002 ENDEKA #3 DVD3_005 SYN_REAL #1 DVD3_001 SHIBUYA [IN 3 PARTS] #2 DVD3_003 EXPERIMENTA #3 DVD3_001 LIGHT TURNED DOWN #3 DVD3_001 LIGHT TURNED DOWN #1 TITLE MOVIE TRACKS DVD3_001 DVD3_004 DVD03_008 LIGHT TURNED DOWN #1 SHIBUYA [IN 3 PARTS] #1 FORMA Y FUNCION #1 LIGHT TURNED DOWN #2 SHIBUYA [IN 3 PARTS] #2 FORMA Y FUNCION #2 D-FUSE LIGHT TURNED DOWN #3 MUSIC BY FIBLA [QUARTERMASS/SUB ROSA] MUSIC BY BRAILLE MUSIC BY SCANNERFUNK [BOUDISQUE]. RELEASED FEBRUARY 2001. RELEASED JANUARY 2003. RELEASED JANUARY 2001. RUNNING TIME 05:31 MINS. RUNNING TIME 04:11 MINS. RUNNING TIME 04:52 MINS. This film piece explores and documents the Form and function is a dual-angle movie D-TONATE_00 Scanner’s hypnotic score is beautifully visualised architecture and urban structures of Tokyo. that is a structural representation of a vertical in an abstract world reduced to an abstract Broken down into three elemental sections: the environment. One Angle is purely Architectural, starbust patterning. Paths and borders overlap, flow of light, people and architecture, it is an whilst the second incorporates architectural MOVIE as a tunnel of light is created using waves of abstract snapshot of this intense, urban, active keyline structures that stimulate the movement traffic motion distorted and re-processed into suburb of Tokyo. Starting as an exercise in of sound. a seamless fusion of graphics and live footage. development for our forthcoming DVD ‘D-Tonate’, SCREENINGS INFO TIME TO FILL. UK - JUL 2003 SCREENINGS Shibuya attracted the attention of onedotzero's CYBERSONICA UK - JUN 2003 MIKROKINO SERBIA - FEB 2003 forthcoming visual programme. ONEDOTZERO 7 UK - MAY 2003 D-TONATE DVD - JAN 2003 VIDEOFESTIVAL.ORG GERMANY - MAY 2003 IDN CD. HONG KONG - NOV 2002 SCREENINGS CINEMATICS BELGUIM - APR 2003 ART FUTURA BARCELONA. SPAIN - NOV 2002 D-TONATE_00 DVD - JAN 2003 LES RECOUNTRES AUDIOVISUELLE FRANCE - MAR 2003 AUCKLAND 35TH FILM FEST NEW ZEALAND - JULY 2002 ONEDOTZERO_SAMPLER DVD - MAY 2002 MICROKINO SERBIA - FEB 2003 GASBOOK 11 DVD. JAPAN - OCT 2001 72 DPI DVD - NOV 2001 NETMAGE 03 ITALY - JAN 2003 CREATIVE REVIEW 03 DVD - MARCH 2001 CREATIVE REVIEW DVD - OCT 2001 SCANNER TOUR - DEC 2001 TELEKTRONKALDIA SAN SABASTIAN.SPAIN - OCT 2001 EMAF 2001 OSNABRUCK.GERMANY - APRIL 2001 SONAR BARCELONA.SPAIN - JUNE 2001 STREAMING VIDEO 2.0 USA - JUNE 2001 DVD03_009 ONEDOTZERO 5 - MAY 2001 EMAF 2001 OSNABRUCK.GERMANY - APRIL 2001 WE ACCEPT DVD3_002 MUSIC BY KID 606 VS COM.A RELEASED DECEMBER 2003. ENDEKA #1 DVD3_005 RUNNING TIME 03:53 MINS. ENDEKA #2 SYN_REAL #1 The video is a collection of thousands of still ENDEKA #3 images, showing the most frequently used credit MUSIC BY FLUID [NO BONES] SYN_REAL #2 RELEASED JUNE 2000. SYN_REAL #3 cards in the world. It is a reflection on the fast RUNNING TIME 03:11 MINS. SYN_REAL #4 changing consumer society and corporate Endeka creates a world in which abstract forms SYN_REAL #5 branding, with images not being long enough on collide and re-define themselves as patterns of MUSIC BY FUNGSTORUNG [K7!] the screen to be fully recognised. intricate complexity - their shape and texture RELEASED APRIL 2002. SCREENINGS RUNNING TIME 04:32 MINS. IME TO FILL. UK - JUL 2003 reflecting the jazzy mood of the music. A collection CYBERSONICA UK - JUN 2003 of rich and multi-textured graphic imagery that Is a graphic representation of dynamic data flow ONEDOTZERO 7 UK - MAY 2003 in architectural environments. D-Fuse's latest VIDEOFESTIVAL.ORG GERMANY - MAY 2003 was animated in After Effects. film is a preview track from our forthcoming D- CINEMATICS BELGUIM - APR 2003 SCREENINGS LES RECOUNTRES AUDIOVISUELLE FRANCE - MAR 2003 ONEDOTZERO 06_TOKYO - SEPT 2002 Tonate DVD, in collaboration with German MICROKINO SERBIA - FEB 2003 D-TONATE DVD - JAN 2003 electronic sound artists Funtorung. This film is NETMAGE 03 ITALY - JAN 2003 ONEDOTZERO_SELECT DVD - OCT 2002 DREAMCATCHER KYVEV. UKRAINE - SEPT 2002 the first of four layers of Syn_real that will act MIKROKINO BELGRADE. SERBIA - JUNE 2002 as angles on the dvd. 72 DPI DVD - NOV 2001 SCREENINGS SENET 2 SEOUL. SOUTH KOREA - NOV 2001 MIKROKINO SERBIA - FEB 2003 BACK UP FESTIVAL WEIMAR. GERMANY - NOV 2001 D-TONATE DVD - JAN 2003 GASBOOK 11 DVD - OCT 2001 WILDCAT GALLERY UK - OCT 2002 TELEKTRONKALDIA SAN SABASTIAN.SPAIN - OCT 2001 BACKUP_FESTIVIAL GERMANY - SEPT 2002 IMPACKT FESTIVAL UTRECHT. HOLLAND - OCT 2001 ONEDOTZERO 06 - MAY 2002 STREAMING VIDEO 2.0 USA - JUNE 2001 BEYOND THE MEDIA ITALY - MAY 2002 SONAR BARCELONA. SPAIN - JUNE 2001 VIDEOX ZURICH. SWITERLAND - MAY 2001 SHOW + PLAY BROADBAND - NOV 2001 DVD03_006 ONEDOTZERO 5 - MAY 2001 EMAF 2001 OSNABRUCK. GERMANY - APRIL 2001 FRICTION WITHIN #1 AVANTO HELSINKI. FINLAND - OCTOBER 2000 FRICTION WITHIN #2 FUTURESONIC 00 MANCHESTER. UK - MAY 2000 MUSIC BY FLAME /KEN ISHII MTV - JUNE 2000 RELEASED DECEMBR 2002. VIVA - JUNE 2000 RUNNING TIME 04:15 MINS. An exploration of graphical shapes in cross-play to mechanical machinery audio DVD3_003 sound. The twisted and fragmented patterns EXPERIMENTA #1 create the impression of a 3-Dimensional city- EXPERIMENTA #2 spaces. EXPERIMENTA #3 SCREENINGS MUSIC BY BURNT FRIEDMAN [NONPLACE] TIME TO FILL. UK - JUL 2003 RELEASED DECEMBER 2000 CYBERSONICA UK - JUN 2003 RUNNING TIME 03:39 MINS. ONEDOTZERO 7 UK - MAY 2003 VIDEOFESTIVAL.ORG GERMANY - MAY 2003 Exploring the interaction between sound and CINEMATICS BELGUIM - APR 2003 light. Comprised of sound triggered graphics LES RECOUNTRES AUDIOVISUELLE FRANCE - MAR 2003 MICROKINO SERBIA - FEB 2003 working closely with Burnt Friedman, all motion NETMAGE 03 ITALY - JAN 2003 within the video was sound activated. This is a MIKROKINO SERBIA - FEB 2003 working idea for a live set for Nonfield Place. SCREENINGS D-TONATE DVD - JAN 2003 DVD3_007 CREATIVE REVIEW DVD - OCT 2001 TELEKTRONKALDIA SAN SABASTIAN.SPAIN - OCT 2001 KOI #1 SONAR BARCELONA. SPAIN - JUNE 2001 KOI #2 MUSIC BY CHI 2 + D.GLENN + P.EARLE + D. FAULKNER REMIX BY MASH’TA RELEASED APRIL 2002. RUNNING TIME 04:52 MINS. This film, inspired by a recent visit to Japan, begins as a series of fluid, but half seen abstract shapes. As the film unfolds, we see them as Koi Carp in an array of rhythmic motion, overlapping and layered. 3D line constructions begin to slice into the layers, until they become consumed, giving way to a harder edged abstraction. SCREENINGS D-TONATE_00 DVD - JAN 2003.
Recommended publications
  • A Filmmakers' Guide to Distribution and Exhibition
    A Filmmakers’ Guide to Distribution and Exhibition A Filmmakers’ Guide to Distribution and Exhibition Written by Jane Giles ABOUT THIS GUIDE 2 Jane Giles is a film programmer and writer INTRODUCTION 3 Edited by Pippa Eldridge and Julia Voss SALES AGENTS 10 Exhibition Development Unit, bfi FESTIVALS 13 THEATRIC RELEASING: SHORTS 18 We would like to thank the following people for their THEATRIC RELEASING: FEATURES 27 contribution to this guide: PLANNING A CINEMA RELEASE 32 NON-THEATRIC RELEASING 40 Newton Aduaka, Karen Alexander/bfi, Clare Binns/Zoo VIDEO Cinemas, Marc Boothe/Nubian Tales, Paul Brett/bfi, 42 Stephen Brown/Steam, Pamela Casey/Atom Films, Chris TELEVISION 44 Chandler/Film Council, Ben Cook/Lux Distribution, INTERNET 47 Emma Davie, Douglas Davis/Atom Films, CASE STUDIES 52 Jim Dempster/bfi, Catharine Des Forges/bfi, Alnoor GLOSSARY 60 Dewshi, Simon Duffy/bfi, Gavin Emerson, Alexandra FESTIVAL & EVENTS CALENDAR 62 Finlay/Channel 4, John Flahive/bfi, Nicki Foster/ CONTACTS 64 McDonald & Rutter, Satwant Gill/British Council, INDEX 76 Gwydion Griffiths/S4C, Liz Harkman/Film Council, Tony Jones/City Screen, Tinge Krishnan/Disruptive Element Films, Luned Moredis/Sgrîn, Méabh O’Donovan/Short CONTENTS Circuit, Kate Ogborn, Nicola Pierson/Edinburgh BOXED INFORMATION: HOW TO APPROACH THE INDUSTRY 4 International Film Festival, Lisa Marie Russo, Erich BEST ADVICE FROM INDUSTRY PROFESSIONALS 5 Sargeant/bfi, Cary Sawney/bfi, Rita Smith, Heather MATERIAL REQUIREMENTS 5 Stewart/bfi, John Stewart/Oil Factory, Gary DEALS & CONTRACTS 8 Thomas/Arts Council of England, Peter Todd/bfi, Zoë SHORT FILM BUREAU 11 Walton, Laurel Warbrick-Keay/bfi, Sheila Whitaker/ LONDON & EDINBURGH 16 article27, Christine Whitehouse/bfi BLACK & ASIAN FILMS 17 SHORT CIRCUIT 19 Z00 CINEMAS 20 The editors have made every endeavour to ensure the BRITISH BOARD OF FILM CLASSIFICATION 21 information in this guide is correct at the time of GOOD FILMS GOOD PROGRAMMING 22 going to press.
    [Show full text]
  • After Effects, Or Velvet Revolution Lev Manovich, University of California, San Diego
    2007 | Volume I, Issue 2 | Pages 67–75 After Effects, or Velvet Revolution Lev Manovich, University of California, San Diego This article is a first part of the series devoted to INTRODUCTION the analysis of the new hybrid visual language of During the heyday of postmodern debates, at least moving images that emerged during the period one critic in America noted the connection between postmodern pastiche and computerization. In his 1993–1998. Today this language dominates our book After the Great Divide, Andreas Huyssen writes: visual culture. It can be seen in commercials, “All modern and avantgardist techniques, forms music videos, motion graphics, TV graphics, and and images are now stored for instant recall in the other types of short non-narrative films and moving computerized memory banks of our culture. But the image sequences being produced around the world same memory also stores all of premodernist art by the media professionals including companies, as well as the genres, codes, and image worlds of popular cultures and modern mass culture” (1986, p. individual designers and artists, and students. This 196). article analyzes a particular software application which played the key role in the emergence of His analysis is accurate – except that these “computerized memory banks” did not really became this language: After Effects. Introduced in 1993, commonplace for another 15 years. Only when After Effects was the first software designed to the Web absorbed enough of the media archives do animation, compositing, and special effects on did it become this universal cultural memory bank the personal computer. Its broad effect on moving accessible to all cultural producers.
    [Show full text]
  • Jerwood Annual Reports 2009
    ERWOOD J FOUNDATION charitable foundation jerwood space ANNUAL REPORTS 2009 JERWOOD FOUNDATION 22 Fitzroy Square . London . W1T 6EN Telephone: 020 7388 6287 Fax: 020 7388 6289 www.jerwood.org - JERWOOD CHARITABLE FOUNDATION 171 Union Street . London . se1 0LN Telephone: 020 7261 0279 www.jerwoodcharitablefoundation.org - JERWOOD SPACE 171 Union Street . London . se1 0LN Telephone: 020 7654 0171 Fax: 020 7654 0172 www.jerwoodspace.co.uk JE RWO OD ANNUAL REPORTS 2009 CONTENTS The Jerwood Family 2 Jerwood Foundation, 3 Chairman’s Statement Jerwood Space, 12 Chairman’s & Director’s Statement Jerwood Charitable Foundation, 16 Chairman’s & Director’s Statement Visual Arts 20 Dance 26 Theatre 27 Literature 30 Music 31 Cross-Disciplinary 34 Small Grants 37 Jerwood Charitable Foundation, 39 Financial Statement 1 THE JERWOOD FAMILY The Jerwood Foundation, Jerwood Charitable Foundation and Jerwood Space are a family of organisations committed to imaginative and responsible funding and sponsorship of the visual and performing arts. Founded in 1977, the Jerwood Foundation was established by its Chairman, Alan Grieve, for John Jerwood, an international businessman and philanthropist. Since John Jerwood’s death in 1991, Alan Grieve has created and shaped the Jerwood vision of supporting excellence. This vision has established the Jerwood name as a major contributor to the vibrancy and creativity of the arts in the UK. The Jerwood Foundation makes strategic capital grants, reflecting its passion for the arts and education, and has established the Jerwood Art and Jerwood Sculpture Collections, both significant collections of 20th and 21st century works of art. The Sculpture Collection is open to the public at Ragley Hall in Warwickshire.
    [Show full text]
  • Stash41 Booklet Screen.Pdf
    41 Imagine the impossible Imagine it. Then achieve it. New Vegas Pro 8 software provides you with the tools to accomplish what was once considered impossible – complete video and audio production in one application. It’s the ultimate all-in-one environment for demanding creative professionals. Vegas Pro 8’s unique way of working with media has established it as the fastest-growing non-linear editing platform among producers who demand more. Its unique, progressive approach to video production, unrivaled audio control and powerful DVD authoring tools set it apart from other non-linear editors. Having established the benchmark for speed and ease of use, this new version moves the bar higher with additional features that offer increased power, functionality, and creative possibilities. Now with ProType Titling Technology, multicamera editing, a comprehensive channel-based audio mixing console, Blu-ray disc burning, and superior 32-bit fl oat engine processing – in addition to its robust support for HDV, XDCAM, 5.1 surround encoding, and 3D compositing – Vegas Pro 8 offers a never before imagined array of opportunities to reach your production goals. Try Vegas Pro 8. And achieve the impossible. Learn more at www.sonycreativesoftware.com/vegasi CALL FOR ENTRIES! New contest for Public Service Announcements. Winner receives national television distribution and a media production suite valued up to $25,000 including PC’s and cameras. More information at www.sonycreativesoftware.com/cyber Copyright © 2007. Sony Creative Software Inc. All rights reserved. VP8a_Stash.indd 1 8/8/07 4:45:45 PM Animation inspires games. Effects merge with film. Science conspires with art.
    [Show full text]
  • What Does Multi Discipline Actually Mean?
    What does multi Marco Ammannati discipline actually mean? INTRODUCING MYSELF: THE SHORT VERSION OKAY, YOU WANT THE LONGER VERSION... Hello, my name is Marco, I am italian, but also british, It means I cover two roles that are sometimes and live in London UK, but that won’t matter to you, interlinked and simbiotic, while some other times because we are all online, and I can be a night they are actually completely different jobs. howl or an early bird, depending on your longitude. I work as a multi-disciplinary Creative Director. Creative Direction Strategic Idea Generation Pitch Leadership Presentations I am a creative and work with strategists and copywriters. I am also a solid designer, an My Online Portfolio My LinkedIn Page expert motion director, who knows equal parts interactive, print, social, video. I can, in a short time, position a brand, differentiate it with a suitable tone of voice and forge a pitch that is written, designed, animated, prototyped and strategically led with a smashing manifesto. Design & Direction Graphic Design & Motion Direction Art Direction and Director’s Treatment Production & Post From a brand that simply needs a lovely new logo and identity, to another that needs a website or digital product, to one that requires motion graphics to help bring a video to life. I direct live action to integrate it with CGI and have expertise to direct the whole production pipeline. Conversely I write treatments for video content or campaigns and can [email protected] assemble a team to produce them. Can I do all of 2 Roding Road E5 0DW London UK these things combined? Yes.
    [Show full text]
  • Artscience Museum Reimagines Videogames with New Exhibition Virtual Realms: Videogames Transformed
    FOR IMMEDIATE RELEASE ArtScience Museum reimagines videogames with new exhibition Virtual Realms: Videogames Transformed Overcoming the challenges of the pandemic, the exhibition makes its global premiere in Singapore SINGAPORE (9 June 2021) – Visitors will be transported to a new dimension at ArtScience Museum’s latest exhibition, Virtual Realms: Videogames Transformed. Making its international debut in Singapore on 12 June, the exhibition showcases videogame creativity in six new installations that reshape how games can be experienced in virtual and physical realms. Co-curated by celebrated game designer Tetsuya Mizuguchi, in collaboration with the Barbican in London, Virtual Realms is a co-production with ArtScience Museum and Melbourne Museum. The new artworks presented in Virtual Realms are conceived by some of the world’s leading videogame developers, KOJIMA PRODUCTIONS (makers of DEATH STRANDING), Enhance (Tetsuya Mizuguchi and team behind Rez Infinite), thatgamecompany (authors of the game, Sky: Children of the Light), Tequila Works (the studio that made RiME), Media Molecule (creators of Dreams) and David OReilly (creator of the game, Everything). They have each developed a newly commissioned installation inspired by these games, working in collaboration with the media artists and design studios, Rhizomatiks, FIELD.IO, The Mill, Marshmallow Laser Feast, onedotzero and The Workers. The immersive exhibition introduces visitors to new ways of approaching and enjoying videogames through six key themes – SYNESTHESIA, UNITY, CONNECTION, PLAY, NARRATIVE and EVERYTHING. Appendix I has full details of each of the interactive experiences. “Virtual Realms is a multi-sensorial, interactive presentation of artworks inspired by videogames. To present the global premiere of this extraordinary exhibition at ArtScience Museum, we had to work together with our colleagues at the Barbican, and all the game designers and artists in the exhibition, on overcoming a myriad of challenges presented by the Covid-19 pandemic.
    [Show full text]
  • DVD MAGAZINE Outstanding Animation, VFX and Motion Graphics for Design and Advertising 14 ��������������������
    DVD MAGAZINE Outstanding animation, VFX and motion graphics for design and advertising 14 �������������������� ������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������� ������� �������� ������������ ������� ��������������� ������� ��� �������� ������������������������������������������������������������������������������ ������������������������������������������������ �������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������� ������������������������������������������������������������������������������� ������������������������������������������������������������������������������������ ���������������������������������������������������������������������������������� �������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������������������������������������������������������������������������������������� ������������������������ ��������������������������������������������������������������������� �������������������������� ���������������������������������� �������������������� ����������������������������������������� ���������������������������������������� �������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������
    [Show full text]
  • DVD Extra 10. Thomas Adès and Tal Rosner in Conve
    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. IN SEVEN DAYS NANCARROW STUDIES for piano and orchestra with moving image (2008) Nos. 6 & 7 Thomas Adès music Conlon Nancarrow, arr. Thomas Adès Tal Rosner visuals Tal Rosner and Sophie Clements visuals 1. Chaos – Light – Dark [8.25] 8. Study No. 6 [3.39] 2. Separation of the waters into sea 9. Study No. 7 [10.00] and sky [4.14] THOMAS ADÈS & ROLF HIND pianos 3. Land – Grass – Trees [5.35] Recorded in Kings Place Hall 2 on 12 June 2011 Arrangement commissioned by Fondazione Katia 4. Stars – Sun – Moon [3.16] & Marielle Labèque www.fondazionekml.org Published by Schott Music GmbH & Co. KG, Mainz Fugue 5. Creatures of the Sea TOTAL TIMINGS: [42.36] and Sky – [3.05] 6. Creatures of the Land [2.29] DVD Extra 7. Contemplation [1.53] 10. Thomas Adès and Tal Rosner in conversation NICOLAS HODGES piano Recorded at the Southbank Centre, London on 3 August 2011 THOMAS ADÈS conductor Filmed and Produced by Kieran Morris of De Novo Arts LONDON SINFONIETTA Facilitated by Marshall Marcus Recorded live in concert at Birmingham Symphony Hall on 11 March 2011 Commissioned by the Southbank Centre, London and the Los Angeles Philharmonic Association Published by Faber Music Ltd Generously supported by Simon Yates and Kevin Roon In Seven Days performed as part of a London Sinfonietta UK tour supported by Sound and Music Engineered and Produced by Ian Dearden of Sound Intermedia Project Management by Claire Stevens Design - Darren Rumney P2011 Signum C2011 Signum www.signumrecords.com 20 1 291.0mm x 169.5mm CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No.
    [Show full text]
  • Stash 57 Book Web.Pdf
    57 s09_STASH.pdf 4/1/09 3:43:31 PM One suite ts all Professional video editing, audio production,and Blu-ray Disc™ creation NEW Register now for the most exceptionally astounding conference in the history of ™ ™ New Vegas Pro 9, including Vegas Pro 9, computer graphics and interactive techniques. DVD Architect™ Pro 5, and Dolby® Digital AC-3 C Check online for complete information on encoding software, is on the air! Award-winning Courses, Papers, Art & Design Galleries, Vegas Pro now offers a wide range of M the Computer Animation Festival (and more). broadcast functionalities, making it one of Y the most powerful, ef cient, and cost-effective nonlinear editors available. CM NOW AVAILABLE! Online registration and hotel reservations Designed for broadcast professionals, new MY Vegas Pro 9 includes native XDCAM™ MXF and CY EX MP4 support; smart render for HDV and XDCAM™ MXF; capture ™ CMY compress to MXF; native le support for the RED ONE camera; and a Right image: ATLAS in silico © 2007 Ruth West scalable 4K work ow—all valuable new functionalities for in-the- eld production K and broadcasting. Vegas Pro 9 will change the way you produce and deliver content. For even more power, add the Vegas™ Pro Production Assistant* to your arsenal. This plug-in extends the functionality of Vegas Pro 9 and automates many common tasks, saving hours of tedious editing time. Together, these powerful tools will change the way you produce and deliver content. For more information or a trial version, visit www.sonycreativesoftware.com *Vegas Pro Production Assistant sold separately.
    [Show full text]
  • Aporias of the Digital Avant-Garde
    Aporias of the Digital Avant-Garde Steve F. Anderson Abstract Euro-American Structural film movement of the 1960s This article maps two divergent trajectories within a nar- and 70s, and to explore resonances with a range of cul- rowly defined sphere of short-form, time-based digital tural concerns of relevance to the digital age. I do not, media created between 1995 and 2005. Works dis- however, wish to spend much time justifying my use of cussed include music videos, design-oriented short the term “avant-garde,” which admittedly carries specific films, and motion graphics by directors Michel Gondry, historical connotations which are not all applicable to the Virgil Widrich, Mike Nourse, Barbara Lattanzi, Rico present discussion.[3] I will argue that these questions Gatson, and design firms Logan, Ramon & Pedro, and guide us toward two primary terminal points. The first is H5. These works are considered in relation to the histor- the movement toward a kind of "open source" video ical avant-garde – particularly the Structural film move- authoring modeled after the combined practices of open ment of the 1960s and 70s – and analyzed as respons- source programming communities and peer-to-peer file es to a range of cultural concerns specific to the digital sharing networks – two practices that have significance age. The analysis identifies movement toward two termi- for the future of digital media across a wide range of nal points: first, a mode of remix-based montage production and distribution practices. The second is the inspired by open source programming communities and emergence of what I call the "digital analogue," a mode peer-to-peer networks; and second, the emergence of a that foregrounds material aspects of production seem- mode of imaging termed the "digital analogue," which ingly in defiance of the conventional wisdom that digital foregrounds the material basis of digital production.
    [Show full text]
  • 778 9568 209 Studio 20, East Oslo House 15 Prince Edward Road E95EU London
    Quayola www.quayola.com [email protected] +44(0) 778 9568 209 Studio 20, East Oslo House 15 Prince Edward Road E95EU London - Quayola is a visual artist based in London. His work simultaneously focuses on multiple forms exploring the space between video, audio, photography, installation, live performance and print. Quayola creates worlds where real substance, such as natural or architectural matter, constantly mutates into ephemeral objects, enabling the real and the artificial to coexist harmoniously. Integrating computer-generated material with recorded sources, he explores the ambiguity of realism in the digital realm. Working in both the artistic and the commercial field, Quayola intelligently experiment with mediums tradi- tionally perceived as separate. Currently active as Visual Artist, Graphic Designer and Director, he constantly collaborates with a diverse range of musicians, animators, computer programmers and architects. Quayola creates hybrid works blurring the boundaries between art, design and filmmaking. Centre of Contemporary Art, London \ Yokohama Art Centre, Japan \ Centro Cultural Recoleta, Buenos Aires Le Cube, Paris \ Centre d’ Art Contemporain, Geneva \ Beijing Film Academy, Beijing \ Kings Place, London \ British Film Institute, London \ Museum of Vojvodina, Serbia \ Millennium Galleries, Sheffield \ Conde Duque, Madrid \ Onedotzero, Worldwide \ Auditorium, Rome \ Istituto Europeo di Design, Barcelona \ Cimatics, Brus- sels \ Todays Art, The Hague \ Optronica, London \ MTV \ Asics \ Nike \ United Visual Artists \ Mira
    [Show full text]
  • Kelly-Trevor-Production-June-21.Pdf
    TREVOR KELLY FREELANCE PRODUCER / PRODUCTION MANAGER MOBILE: 07576 33 88 38, E-MAIL: [email protected] COMPANY PRODUCT DIRECTOR/PRODUCER POSITION KRU FILMS IT RAINED WARM BREAD (FEATURENFILM) DWIGHT BROWN PRODUCER KRU FILMS BLACK IRSH (FEATURE FILM) DWIGHT BROWN PRODUCER BISQIT EVERYLIFE (BRANDED CONTENT) SAM WALKER LINE PRODUCER AD HOC FILMS/EA SPORTS FIFA 17: TALENT SHOOTS - PS4 (BRANDED CONTENT) DAN GLYNN/ MAT HODGSON/ DAN SULLY LINE PRODUCER VINCE MEDIA/THE TEAM NS&I ‘LIFE OF SUPRISES 29X 5-10 SECS FILMS (CORPARATE) JAKE WYNNE / CHRIS GANE LINE PRODUCER VINCE MEDIA/LIGHTMAKER CHILD MAINTAINCE GROUP 8 X 2 MINS DRAMAS (VIRALS) JAKE WYNNE / CHRIS GANE LINE PRODUCER VINCE MEDIA/THE TEAM GAS SAFE ‘THE SILENT KILLER’ (MOVIE TRAILER) JAKE WYNNE / CHRIS GANE LINE PRODUCER (WINNER OF GOLD AT THE IVCA CLARION AWARDS 2013 & GOLD AT THE 2014 DBA AWARDS) JAM @ ENGINE/ SALT TV SAMSUNG GLAXAY STUDIO (BRANDED CONTENT) DANIEL FAGERSON AGENCY PRODUCER FOREIGN OFFICE/UNIVERSAL CHILDERN OF MEN (FEATURE FILM) ALFONSO CUARON / FOREIGN OFFICE / GRANT BRANTON LIVE ACTION PRODUCER FOREIGN OFFICE DISCOVERY CHANNEL: SHED 12 X 30 SECS (IDENTS) FREDRIK NORDBECK / ANTONY BLUFF LIVE ACTION PRODUCER FOREIGN OFFICE YOURS MAGAZINE (COMMERCIAL) SONIA OTIZ ALCON / JADE CAFFOOR LIVE ACTION PRODUCER FOREIGN OFFICE/MTV MTV –SNAX & TRACK (COMMERCIAL) FOREIGN OFFICE / GRANT BRANTON LIVE ACTION PRODUCER FOREIGN OFFICE/MTV MTV- SHOESTRING (COMMERCIAL) FOREIGN OFFICE / JADE CAFFOOR LIVE ACTION PRODUCER FOREIGN OFFICE/MTV K-SWISS ‘REMASTER THE CLASSIC’ (COMMERCIAL) SONIA OTIZ ALCON / JADE CAFFOOR LIVE ACTION PRODUCER (PROMAX BDA EUROPE 2010, GOLD WINNER) FOREIGN OFFICE MASTERCARD GOLDFISH –WONDERLAND (ANIMATION) FOREIGN OFFICE PRODUCER BOSH@MOTHER BLUE DAISY ‘GRAVEDIGGERS (MUSIC PROMO) LUKE CARLISE PRODUCER PULSE FILMS EVE (FEATURE FILM) JACKIE DAVIES PRODUCER ZEUS FILMS/SONNY LONDON THE CAKEMAKER (FEATURE FILM) PAULETTE CALETTI PRODUCER BALLETSOUL DANCE CO.
    [Show full text]