DOCSLIB.ORG

778 9568 209 Studio 20, East Oslo House 15 Prince Edward Road E95EU London

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
778 9568 209 Studio 20, East Oslo House 15 Prince Edward Road E95EU London Quayola www.quayola.com [email protected] +44(0) 778 9568 209 Studio 20, East Oslo House 15 Prince Edward Road E95EU London - Quayola is a visual artist based in London. His work simultaneously focuses on multiple forms exploring the space between video, audio, photography, installation, live performance and print. Quayola creates worlds where real substance, such as natural or architectural matter, constantly mutates into ephemeral objects, enabling the real and the artificial to coexist harmoniously. Integrating computer-generated material with recorded sources, he explores the ambiguity of realism in the digital realm. Working in both the artistic and the commercial field, Quayola intelligently experiment with mediums tradi- tionally perceived as separate. Currently active as Visual Artist, Graphic Designer and Director, he constantly collaborates with a diverse range of musicians, animators, computer programmers and architects. Quayola creates hybrid works blurring the boundaries between art, design and filmmaking. Centre of Contemporary Art, London \ Yokohama Art Centre, Japan \ Centro Cultural Recoleta, Buenos Aires Le Cube, Paris \ Centre d’ Art Contemporain, Geneva \ Beijing Film Academy, Beijing \ Kings Place, London \ British Film Institute, London \ Museum of Vojvodina, Serbia \ Millennium Galleries, Sheffield \ Conde Duque, Madrid \ Onedotzero, Worldwide \ Auditorium, Rome \ Istituto Europeo di Design, Barcelona \ Cimatics, Brus- sels \ Todays Art, The Hague \ Optronica, London \ MTV \ Asics \ Nike \ United Visual Artists \ Mira Calix \ DFuse \ Faster Than Sound \ Arcadi \ Dissonanze \ Stash \ Motionographer Quayola Selected Art Works \ Commissions - Commissioned by Arcadi \ 2009 Strata #2 {Paris} \ Video, Installation \ 7’30’’ Commissioned by Onedotzero + MTV \ 2008-7 Strata #1 {Rome} \ Video, Installation \ 2x 2’00’’ Commissioned by Faster Than Sound \ 2008 Natures \ Installation, Performance \ 5x 4’00’’, 20’00’’ Omgoing International Collaborations \ 2006-9 Path to Abstraction \ Performance \ 40’00’’ Commissioned by Lovebytes \ 2006 Bitscapes \ Installation \ 25’00’’ Commissioned by D-Fuse for Undercurrent \ 2006 Architectural Density \ Video \ 4’30’’ Self Initiated \ 2004-5 Cityscan \ Video Series \ 20x 2’00’’ Selected Commercial Works - 2009 Italy \ Collaboration with Dissonanze Nike+ CD \ Graphic artwork 2008 USA, Austraia \ Collaboration with Spinifex Group Scion Interactive Installation \ Generative Art 2008 Worldwide \ Collaboration with United Visual Artists Kylie Minogue Tour \ Sound-Reactive Visuals 2007 Japan \ Dentsu + Onedotzero Industries Asics TIL \ Animation + Graphic Artwork 2007 Germany \ K7 Records Michael Fakesch \ Music Video 2007 Italy \ R&C Produzioni R&C Produzioni \ Logo Animation for Cinema Quayola Selected Exhibitions \ Installations - New York, USA \ 17-19 Apr 2009 Onedotzero \ EMPAC \ “Strata #1” Paris, France \ 1-7 Apr 2009 Strata #2 \ Church of Saint Eustache \ “Strata #2” \ Commissioned by Arcadi Paris, France \ 29 Jan - 12 Jun 2009 So Natural \ Le Cube \ “Natures” Rome, Italy \ 22 Jan 2009 Focus \ MLAC \ “Strata” \ Curated by Stefano Elena Novi Sad, Serbia \ 12-14 Dic 2008 Videomedeja \ Studio M \ “Natures” \ Installation Award, First Prize Buenos Aires, Argentina \ 26-28 Sep 2008 Onedotzero 12 \ Centro Cultural Recoleta \ “Strata #1” The Hague, Netherlands \ 26-27 Sep 2008 Processing Light \ Todays Art Festival \ “Strata” \ Curated by Maxalot Yokohama, Japan \ 06-21Sep 2008 Dislocate \ ZAIM \ “Cityscan” \ With HFR-Lab Suffolk, UK \ 27-28 Jun 2008 Faster Than Sound \ Bentwater Airbase \ “Natures” \ Collaboration with Mira Calix Rome, Italy \ 12 Jun - 10 Jul 2008 Strata \ Punctum Gallery \ “Strata” \ Curated by Eleonora Sgaravatti Paris, France \ 31 Jan-26 Jul 2008 Optronica \ Le Cube \ “Path to Abstraction” \ Curated by Cinefeel Yokohama, Japan \ 23 Jul 2007 The Vernacular Terrain \ Zaim Art Space \ “Bitscapes” \ part of International Digital Art Project Novi Sad, Serbia \ 14-16 Dec 2007 Videomedeja \ Museum of Vojvodina \ “Path to Abstraction” Tokyo, Japan \ 24 Jul - 05 Aug 2007 Dislocate \ Koiwa Project Space \ “Architectural Density” \ as part of “Undercurrent” Buenos Aires, Argentina \ 28-30 Sep 2007 Onedotzero 11 \ Centro Cultural Recoleta \ “Path to Abstraction” Brisbane, Australia \ 28 Aug - 15 Sep 2007 The Vernacular Terrain \ QUT \ “Bitscapes” \ part of International Digital Art Project Geneva, Switzerland \ 26 Apr - 02 May 2007 Mapping Festival \ BAC: Centre d’ Art Contemporain \ “Path to Abstraction” London, UK \ 14 - 18 Mar 2007 Optronica \ British Film Institute \ “Path to Abstraction” \ Curated by Digicult (IDIB) Brighton, UK \ 18 - 26 Nov 2006 Undercurrent \ The Lighthouse \ “Architectural Density” \ Collaboration with D-Fuse Paris, France \ 26 Apr - 27 May 2006 Mobile: Art Contemporain \ Espace Landowsky \ “Cityscan” \ Curated by Scanner London, UK \ 24 Mar 2006 NodeLondon \ E:Vent Gallery \ “Cityscan” Sheffield, UK \ 24 Mar - 20 Jun 2006 Bit-Scapes \ Millenium Galleries \ “Bitscapes” \ Curated by Lovebytes Sheffield, UK \ 07-26 Oct 2005 Electrotecture \ Millenium Galleries \ “Cityscan” \ Curated by Universal Everything Quayola Selected Screenings - Novi Sad, Serbia \ 12-16 Dec 2008 Videomedeja \ Studio M \ “Strata #1” Suffolk, UK \ 27-28 Jun 2008 Faster Than Sound \ Aldeburgh Cinema \ “Strata #1” Montreal, Canada \ 08 May 2008 Elektra \ Usice C \ “Strata #1” \ Cirated by Optofonica Paris, France \ 10-20 Apr 2008 NEMO Festival \ Elysees Biarritz \ “Strata #1” World Tour \ 2008 Onedotzero11 Touring Festival \ World Tour \ “Rome” Novi Sad, Serbia \ 14-16 Dec 2007 Videomedeja \ Museum of Vojvodina \ “Architectural Density” Beijing, China \ 15 Nov 2007 The Vernacular Terrain \ Beijing Film Academy \ “Bitscapes” \ part of International Digital Art Project Barcelona, Spain \ 14-16 Jun 2007 Sonar \ Sonar Cinema \ “Cityscan” \ Curated by MTV QOOB European Tour \ 2005-2007 Warp meets London Sinfonietta \ European Tour \ “Cityscan” Paris, France \ 09-13 May 2007 NEMO Festival \ Le Cube \ “Bitscapes” London, UK \ 15 Mar 2007 Optronica \ British Film Institute \ “Architectural Density” World Tour \ 2009 Onedotzero10 Touring Festival \ World Tour \ “Bitscapes” Poland \ 10 Dec 2006 New Media Art \ Telewiza Polska - TV Broadcast \ “Bitscapes” \ Curated by Pawel Kaminsky London, UK \ 09 Nov 2006 Seated Club \ Koko \ “Architectural Density” \ Curated by Lumin Italy \ 2005-2007 MTV QOOB \ TV Broadcast \ “Cityscan” Brussels, Belgium \ 1-6 Nov 2005 Cimatics Festival \ Beursschouwburg \ “Cityscan” Sheffield, UK \ 14-16 Apr 2005 Lovebytes \ Workstation \ “Cityscan” London, UK \ 20 Oct 2004 VJ by Designers \ Institute of Contemporary Art \ “Cityscan” Quayola Selected Performances - New York, USA \ 19 Apr 2009 Onedotzero \ EMPAC \ “Path to Abstraction” Paris, France \ 1 Apr 2009 Nemo Festival \ Forum des Images \ “Natures” \ Music by Mira Calix (Warp) and O.Coates Antwerp, Belgium \ 08 Nov 2008 De Nachten \ Singel \ “Path to Abstraction” London, UK \ 07 Nov 2008 Faster Than Sound \ Kings Place \ “Natures” \ Music by Mira Calix (Warp) and O.Coates London, UK \ 26 Sep 2008 BFI 75th Anniversary \ British Film Institute \ “Path to Abstraction” Paris, France \ 10 Apr 2007 NEMO Festival \ Elysees Biarritz \ “Path to Abstraction” Brussels, Belgium \ 23 Nov 2007 Cimatics Festival \ Beursschouwburg \ “Path to Abstraction” \ Curated by Digicult Florence, Italy \ 29 May 2007 MUV Festival \ Limonaia Strozzi \ “Path to Abstraction” \ Curated by Digicult Geneva, Switzerland \ 27 Apr 2007 Mapping \ Centre d’ Art Contemporain \ “Path to Abstraction” Rome, Italy \ 18 Dec 2006 M.I.T. \ Auditorium Parco della Musica \ “Path to Abstraction” \ Music by Chris De Luca Madrid, Spain \ 25 Feb 2006 REC \ Matadero\ “Cityscan” Selected Presentations / Talks - Milan, Italy \ 2008 European Institute of Design \ Curated by Digicult London, UK \ 2007 British Film Institute \ Onedozero program ‘Terrain’ London, UK \ 2007 Pecha Kucha, Articulated Show \ Curated by Onedotzero + Nokia London, UK \ 2006 LCC - University of the Arts \ MA Interactive Media London, UK \ 2005 Institute of Contemporary Art \ Curated by Oli Sorrentino.
Load more

Recommended publications
  • A Filmmakers' Guide to Distribution and Exhibition
    A Filmmakers’ Guide to Distribution and Exhibition A Filmmakers’ Guide to Distribution and Exhibition Written by Jane Giles ABOUT THIS GUIDE 2 Jane Giles is a film programmer and writer INTRODUCTION 3 Edited by Pippa Eldridge and Julia Voss SALES AGENTS 10 Exhibition Development Unit, bfi FESTIVALS 13 THEATRIC RELEASING: SHORTS 18 We would like to thank the following people for their THEATRIC RELEASING: FEATURES 27 contribution to this guide: PLANNING A CINEMA RELEASE 32 NON-THEATRIC RELEASING 40 Newton Aduaka, Karen Alexander/bfi, Clare Binns/Zoo VIDEO Cinemas, Marc Boothe/Nubian Tales, Paul Brett/bfi, 42 Stephen Brown/Steam, Pamela Casey/Atom Films, Chris TELEVISION 44 Chandler/Film Council, Ben Cook/Lux Distribution, INTERNET 47 Emma Davie, Douglas Davis/Atom Films, CASE STUDIES 52 Jim Dempster/bfi, Catharine Des Forges/bfi, Alnoor GLOSSARY 60 Dewshi, Simon Duffy/bfi, Gavin Emerson, Alexandra FESTIVAL & EVENTS CALENDAR 62 Finlay/Channel 4, John Flahive/bfi, Nicki Foster/ CONTACTS 64 McDonald & Rutter, Satwant Gill/British Council, INDEX 76 Gwydion Griffiths/S4C, Liz Harkman/Film Council, Tony Jones/City Screen, Tinge Krishnan/Disruptive Element Films, Luned Moredis/Sgrîn, Méabh O’Donovan/Short CONTENTS Circuit, Kate Ogborn, Nicola Pierson/Edinburgh BOXED INFORMATION: HOW TO APPROACH THE INDUSTRY 4 International Film Festival, Lisa Marie Russo, Erich BEST ADVICE FROM INDUSTRY PROFESSIONALS 5 Sargeant/bfi, Cary Sawney/bfi, Rita Smith, Heather MATERIAL REQUIREMENTS 5 Stewart/bfi, John Stewart/Oil Factory, Gary DEALS & CONTRACTS 8 Thomas/Arts Council of England, Peter Todd/bfi, Zoë SHORT FILM BUREAU 11 Walton, Laurel Warbrick-Keay/bfi, Sheila Whitaker/ LONDON & EDINBURGH 16 article27, Christine Whitehouse/bfi BLACK & ASIAN FILMS 17 SHORT CIRCUIT 19 Z00 CINEMAS 20 The editors have made every endeavour to ensure the BRITISH BOARD OF FILM CLASSIFICATION 21 information in this guide is correct at the time of GOOD FILMS GOOD PROGRAMMING 22 going to press.
    [Show full text]
  • After Effects, Or Velvet Revolution Lev Manovich, University of California, San Diego
    2007 | Volume I, Issue 2 | Pages 67–75 After Effects, or Velvet Revolution Lev Manovich, University of California, San Diego This article is a first part of the series devoted to INTRODUCTION the analysis of the new hybrid visual language of During the heyday of postmodern debates, at least moving images that emerged during the period one critic in America noted the connection between postmodern pastiche and computerization. In his 1993–1998. Today this language dominates our book After the Great Divide, Andreas Huyssen writes: visual culture. It can be seen in commercials, “All modern and avantgardist techniques, forms music videos, motion graphics, TV graphics, and and images are now stored for instant recall in the other types of short non-narrative films and moving computerized memory banks of our culture. But the image sequences being produced around the world same memory also stores all of premodernist art by the media professionals including companies, as well as the genres, codes, and image worlds of popular cultures and modern mass culture” (1986, p. individual designers and artists, and students. This 196). article analyzes a particular software application which played the key role in the emergence of His analysis is accurate – except that these “computerized memory banks” did not really became this language: After Effects. Introduced in 1993, commonplace for another 15 years. Only when After Effects was the first software designed to the Web absorbed enough of the media archives do animation, compositing, and special effects on did it become this universal cultural memory bank the personal computer. Its broad effect on moving accessible to all cultural producers.
    [Show full text]
  • Jerwood Annual Reports 2009
    ERWOOD J FOUNDATION charitable foundation jerwood space ANNUAL REPORTS 2009 JERWOOD FOUNDATION 22 Fitzroy Square . London . W1T 6EN Telephone: 020 7388 6287 Fax: 020 7388 6289 www.jerwood.org - JERWOOD CHARITABLE FOUNDATION 171 Union Street . London . se1 0LN Telephone: 020 7261 0279 www.jerwoodcharitablefoundation.org - JERWOOD SPACE 171 Union Street . London . se1 0LN Telephone: 020 7654 0171 Fax: 020 7654 0172 www.jerwoodspace.co.uk JE RWO OD ANNUAL REPORTS 2009 CONTENTS The Jerwood Family 2 Jerwood Foundation, 3 Chairman’s Statement Jerwood Space, 12 Chairman’s & Director’s Statement Jerwood Charitable Foundation, 16 Chairman’s & Director’s Statement Visual Arts 20 Dance 26 Theatre 27 Literature 30 Music 31 Cross-Disciplinary 34 Small Grants 37 Jerwood Charitable Foundation, 39 Financial Statement 1 THE JERWOOD FAMILY The Jerwood Foundation, Jerwood Charitable Foundation and Jerwood Space are a family of organisations committed to imaginative and responsible funding and sponsorship of the visual and performing arts. Founded in 1977, the Jerwood Foundation was established by its Chairman, Alan Grieve, for John Jerwood, an international businessman and philanthropist. Since John Jerwood’s death in 1991, Alan Grieve has created and shaped the Jerwood vision of supporting excellence. This vision has established the Jerwood name as a major contributor to the vibrancy and creativity of the arts in the UK. The Jerwood Foundation makes strategic capital grants, reflecting its passion for the arts and education, and has established the Jerwood Art and Jerwood Sculpture Collections, both significant collections of 20th and 21st century works of art. The Sculpture Collection is open to the public at Ragley Hall in Warwickshire.
    [Show full text]
  • Stash41 Booklet Screen.Pdf
    41 Imagine the impossible Imagine it. Then achieve it. New Vegas Pro 8 software provides you with the tools to accomplish what was once considered impossible – complete video and audio production in one application. It’s the ultimate all-in-one environment for demanding creative professionals. Vegas Pro 8’s unique way of working with media has established it as the fastest-growing non-linear editing platform among producers who demand more. Its unique, progressive approach to video production, unrivaled audio control and powerful DVD authoring tools set it apart from other non-linear editors. Having established the benchmark for speed and ease of use, this new version moves the bar higher with additional features that offer increased power, functionality, and creative possibilities. Now with ProType Titling Technology, multicamera editing, a comprehensive channel-based audio mixing console, Blu-ray disc burning, and superior 32-bit fl oat engine processing – in addition to its robust support for HDV, XDCAM, 5.1 surround encoding, and 3D compositing – Vegas Pro 8 offers a never before imagined array of opportunities to reach your production goals. Try Vegas Pro 8. And achieve the impossible. Learn more at www.sonycreativesoftware.com/vegasi CALL FOR ENTRIES! New contest for Public Service Announcements. Winner receives national television distribution and a media production suite valued up to $25,000 including PC’s and cameras. More information at www.sonycreativesoftware.com/cyber Copyright © 2007. Sony Creative Software Inc. All rights reserved. VP8a_Stash.indd 1 8/8/07 4:45:45 PM Animation inspires games. Effects merge with film. Science conspires with art.
    [Show full text]
  • What Does Multi Discipline Actually Mean?
    What does multi Marco Ammannati discipline actually mean? INTRODUCING MYSELF: THE SHORT VERSION OKAY, YOU WANT THE LONGER VERSION... Hello, my name is Marco, I am italian, but also british, It means I cover two roles that are sometimes and live in London UK, but that won’t matter to you, interlinked and simbiotic, while some other times because we are all online, and I can be a night they are actually completely different jobs. howl or an early bird, depending on your longitude. I work as a multi-disciplinary Creative Director. Creative Direction Strategic Idea Generation Pitch Leadership Presentations I am a creative and work with strategists and copywriters. I am also a solid designer, an My Online Portfolio My LinkedIn Page expert motion director, who knows equal parts interactive, print, social, video. I can, in a short time, position a brand, differentiate it with a suitable tone of voice and forge a pitch that is written, designed, animated, prototyped and strategically led with a smashing manifesto. Design & Direction Graphic Design & Motion Direction Art Direction and Director’s Treatment Production & Post From a brand that simply needs a lovely new logo and identity, to another that needs a website or digital product, to one that requires motion graphics to help bring a video to life. I direct live action to integrate it with CGI and have expertise to direct the whole production pipeline. Conversely I write treatments for video content or campaigns and can [email protected] assemble a team to produce them. Can I do all of 2 Roding Road E5 0DW London UK these things combined? Yes.
    [Show full text]
  • Artscience Museum Reimagines Videogames with New Exhibition Virtual Realms: Videogames Transformed
    FOR IMMEDIATE RELEASE ArtScience Museum reimagines videogames with new exhibition Virtual Realms: Videogames Transformed Overcoming the challenges of the pandemic, the exhibition makes its global premiere in Singapore SINGAPORE (9 June 2021) – Visitors will be transported to a new dimension at ArtScience Museum’s latest exhibition, Virtual Realms: Videogames Transformed. Making its international debut in Singapore on 12 June, the exhibition showcases videogame creativity in six new installations that reshape how games can be experienced in virtual and physical realms. Co-curated by celebrated game designer Tetsuya Mizuguchi, in collaboration with the Barbican in London, Virtual Realms is a co-production with ArtScience Museum and Melbourne Museum. The new artworks presented in Virtual Realms are conceived by some of the world’s leading videogame developers, KOJIMA PRODUCTIONS (makers of DEATH STRANDING), Enhance (Tetsuya Mizuguchi and team behind Rez Infinite), thatgamecompany (authors of the game, Sky: Children of the Light), Tequila Works (the studio that made RiME), Media Molecule (creators of Dreams) and David OReilly (creator of the game, Everything). They have each developed a newly commissioned installation inspired by these games, working in collaboration with the media artists and design studios, Rhizomatiks, FIELD.IO, The Mill, Marshmallow Laser Feast, onedotzero and The Workers. The immersive exhibition introduces visitors to new ways of approaching and enjoying videogames through six key themes – SYNESTHESIA, UNITY, CONNECTION, PLAY, NARRATIVE and EVERYTHING. Appendix I has full details of each of the interactive experiences. “Virtual Realms is a multi-sensorial, interactive presentation of artworks inspired by videogames. To present the global premiere of this extraordinary exhibition at ArtScience Museum, we had to work together with our colleagues at the Barbican, and all the game designers and artists in the exhibition, on overcoming a myriad of challenges presented by the Covid-19 pandemic.
    [Show full text]
  • DVD MAGAZINE Outstanding Animation, VFX and Motion Graphics for Design and Advertising 14 ��������������������
    DVD MAGAZINE Outstanding animation, VFX and motion graphics for design and advertising 14 �������������������� ������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������� ������� �������� ������������ ������� ��������������� ������� ��� �������� ������������������������������������������������������������������������������ ������������������������������������������������ �������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������� ������������������������������������������������������������������������������� ������������������������������������������������������������������������������������ ���������������������������������������������������������������������������������� �������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������������������������������������������������������������������������������������� ������������������������ ��������������������������������������������������������������������� �������������������������� ���������������������������������� �������������������� ����������������������������������������� ���������������������������������������� �������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������
    [Show full text]
  • DVD Extra 10. Thomas Adès and Tal Rosner in Conve
    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. IN SEVEN DAYS NANCARROW STUDIES for piano and orchestra with moving image (2008) Nos. 6 & 7 Thomas Adès music Conlon Nancarrow, arr. Thomas Adès Tal Rosner visuals Tal Rosner and Sophie Clements visuals 1. Chaos – Light – Dark [8.25] 8. Study No. 6 [3.39] 2. Separation of the waters into sea 9. Study No. 7 [10.00] and sky [4.14] THOMAS ADÈS & ROLF HIND pianos 3. Land – Grass – Trees [5.35] Recorded in Kings Place Hall 2 on 12 June 2011 Arrangement commissioned by Fondazione Katia 4. Stars – Sun – Moon [3.16] & Marielle Labèque www.fondazionekml.org Published by Schott Music GmbH & Co. KG, Mainz Fugue 5. Creatures of the Sea TOTAL TIMINGS: [42.36] and Sky – [3.05] 6. Creatures of the Land [2.29] DVD Extra 7. Contemplation [1.53] 10. Thomas Adès and Tal Rosner in conversation NICOLAS HODGES piano Recorded at the Southbank Centre, London on 3 August 2011 THOMAS ADÈS conductor Filmed and Produced by Kieran Morris of De Novo Arts LONDON SINFONIETTA Facilitated by Marshall Marcus Recorded live in concert at Birmingham Symphony Hall on 11 March 2011 Commissioned by the Southbank Centre, London and the Los Angeles Philharmonic Association Published by Faber Music Ltd Generously supported by Simon Yates and Kevin Roon In Seven Days performed as part of a London Sinfonietta UK tour supported by Sound and Music Engineered and Produced by Ian Dearden of Sound Intermedia Project Management by Claire Stevens Design - Darren Rumney P2011 Signum C2011 Signum www.signumrecords.com 20 1 291.0mm x 169.5mm CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No.
    [Show full text]
  • Stash 57 Book Web.Pdf
    57 s09_STASH.pdf 4/1/09 3:43:31 PM One suite ts all Professional video editing, audio production,and Blu-ray Disc™ creation NEW Register now for the most exceptionally astounding conference in the history of ™ ™ New Vegas Pro 9, including Vegas Pro 9, computer graphics and interactive techniques. DVD Architect™ Pro 5, and Dolby® Digital AC-3 C Check online for complete information on encoding software, is on the air! Award-winning Courses, Papers, Art & Design Galleries, Vegas Pro now offers a wide range of M the Computer Animation Festival (and more). broadcast functionalities, making it one of Y the most powerful, ef cient, and cost-effective nonlinear editors available. CM NOW AVAILABLE! Online registration and hotel reservations Designed for broadcast professionals, new MY Vegas Pro 9 includes native XDCAM™ MXF and CY EX MP4 support; smart render for HDV and XDCAM™ MXF; capture ™ CMY compress to MXF; native le support for the RED ONE camera; and a Right image: ATLAS in silico © 2007 Ruth West scalable 4K work ow—all valuable new functionalities for in-the- eld production K and broadcasting. Vegas Pro 9 will change the way you produce and deliver content. For even more power, add the Vegas™ Pro Production Assistant* to your arsenal. This plug-in extends the functionality of Vegas Pro 9 and automates many common tasks, saving hours of tedious editing time. Together, these powerful tools will change the way you produce and deliver content. For more information or a trial version, visit www.sonycreativesoftware.com *Vegas Pro Production Assistant sold separately.
    [Show full text]
  • Aporias of the Digital Avant-Garde
    Aporias of the Digital Avant-Garde Steve F. Anderson Abstract Euro-American Structural film movement of the 1960s This article maps two divergent trajectories within a nar- and 70s, and to explore resonances with a range of cul- rowly defined sphere of short-form, time-based digital tural concerns of relevance to the digital age. I do not, media created between 1995 and 2005. Works dis- however, wish to spend much time justifying my use of cussed include music videos, design-oriented short the term “avant-garde,” which admittedly carries specific films, and motion graphics by directors Michel Gondry, historical connotations which are not all applicable to the Virgil Widrich, Mike Nourse, Barbara Lattanzi, Rico present discussion.[3] I will argue that these questions Gatson, and design firms Logan, Ramon & Pedro, and guide us toward two primary terminal points. The first is H5. These works are considered in relation to the histor- the movement toward a kind of "open source" video ical avant-garde – particularly the Structural film move- authoring modeled after the combined practices of open ment of the 1960s and 70s – and analyzed as respons- source programming communities and peer-to-peer file es to a range of cultural concerns specific to the digital sharing networks – two practices that have significance age. The analysis identifies movement toward two termi- for the future of digital media across a wide range of nal points: first, a mode of remix-based montage production and distribution practices. The second is the inspired by open source programming communities and emergence of what I call the "digital analogue," a mode peer-to-peer networks; and second, the emergence of a that foregrounds material aspects of production seem- mode of imaging termed the "digital analogue," which ingly in defiance of the conventional wisdom that digital foregrounds the material basis of digital production.
    [Show full text]
  • Kelly-Trevor-Production-June-21.Pdf
    TREVOR KELLY FREELANCE PRODUCER / PRODUCTION MANAGER MOBILE: 07576 33 88 38, E-MAIL: [email protected] COMPANY PRODUCT DIRECTOR/PRODUCER POSITION KRU FILMS IT RAINED WARM BREAD (FEATURENFILM) DWIGHT BROWN PRODUCER KRU FILMS BLACK IRSH (FEATURE FILM) DWIGHT BROWN PRODUCER BISQIT EVERYLIFE (BRANDED CONTENT) SAM WALKER LINE PRODUCER AD HOC FILMS/EA SPORTS FIFA 17: TALENT SHOOTS - PS4 (BRANDED CONTENT) DAN GLYNN/ MAT HODGSON/ DAN SULLY LINE PRODUCER VINCE MEDIA/THE TEAM NS&I ‘LIFE OF SUPRISES 29X 5-10 SECS FILMS (CORPARATE) JAKE WYNNE / CHRIS GANE LINE PRODUCER VINCE MEDIA/LIGHTMAKER CHILD MAINTAINCE GROUP 8 X 2 MINS DRAMAS (VIRALS) JAKE WYNNE / CHRIS GANE LINE PRODUCER VINCE MEDIA/THE TEAM GAS SAFE ‘THE SILENT KILLER’ (MOVIE TRAILER) JAKE WYNNE / CHRIS GANE LINE PRODUCER (WINNER OF GOLD AT THE IVCA CLARION AWARDS 2013 & GOLD AT THE 2014 DBA AWARDS) JAM @ ENGINE/ SALT TV SAMSUNG GLAXAY STUDIO (BRANDED CONTENT) DANIEL FAGERSON AGENCY PRODUCER FOREIGN OFFICE/UNIVERSAL CHILDERN OF MEN (FEATURE FILM) ALFONSO CUARON / FOREIGN OFFICE / GRANT BRANTON LIVE ACTION PRODUCER FOREIGN OFFICE DISCOVERY CHANNEL: SHED 12 X 30 SECS (IDENTS) FREDRIK NORDBECK / ANTONY BLUFF LIVE ACTION PRODUCER FOREIGN OFFICE YOURS MAGAZINE (COMMERCIAL) SONIA OTIZ ALCON / JADE CAFFOOR LIVE ACTION PRODUCER FOREIGN OFFICE/MTV MTV –SNAX & TRACK (COMMERCIAL) FOREIGN OFFICE / GRANT BRANTON LIVE ACTION PRODUCER FOREIGN OFFICE/MTV MTV- SHOESTRING (COMMERCIAL) FOREIGN OFFICE / JADE CAFFOOR LIVE ACTION PRODUCER FOREIGN OFFICE/MTV K-SWISS ‘REMASTER THE CLASSIC’ (COMMERCIAL) SONIA OTIZ ALCON / JADE CAFFOOR LIVE ACTION PRODUCER (PROMAX BDA EUROPE 2010, GOLD WINNER) FOREIGN OFFICE MASTERCARD GOLDFISH –WONDERLAND (ANIMATION) FOREIGN OFFICE PRODUCER BOSH@MOTHER BLUE DAISY ‘GRAVEDIGGERS (MUSIC PROMO) LUKE CARLISE PRODUCER PULSE FILMS EVE (FEATURE FILM) JACKIE DAVIES PRODUCER ZEUS FILMS/SONNY LONDON THE CAKEMAKER (FEATURE FILM) PAULETTE CALETTI PRODUCER BALLETSOUL DANCE CO.
    [Show full text]
  • National Geographic Entertainment a 3Ality
    NATIONAL GEOGRAPHIC ENTERTAINMENT präsentieren A 3ALITY DIGITAL Production ab 12. NOVEMBER im Kino Ein Film von CATHERINE OWENS und MARK PELLINGTON mit BONO, THE EDGE ADAM CLAYTON, LARRY MULLEN JR. (Filmlänge 85 Min.) im Verleih Praesens-Film AG Münchhaldenstrasse 10 Postfach 919 8034 Zürich Telefon 044 422 38 33 Telefax 044 422 37 93 E-Mail [email protected] Website www.praesens.com 1 Informationen zur Produktion DER INHALT „U2 3D“ ist der erste digitale Live-Performance-Film in 3D. Die Produktion bietet ein einmaliges Kinoerlebnis und versetzt die Zuschauer mitten in das Publikum eines Stadion-Konzerts - gespielt von einer der berühmtesten Bands der Welt. Durch die Verschmelzung von neuester, digitaler 3D-Technik und einem perfekten Surround- Sound mit dem Erlebnis eines Live-Konzerts von U2 entsteht ein unglaubliches Kinoevent – anders als alle 3D- Konzertfilme, die es je gab. Die Aufnahmen entstanden in Südamerika im letzten Teil der „Vertigo“ Tour. „U2 3D“ entführt die Zuschauer in eine neue Dimension des Filmemachens und nimmt sie mit auf eine außergewöhnliche Reise, die sie niemals vergessen werden! DIE PRODUKTION Mehr als ein Viertel-Jahrhundert verschafften sich U2 nicht nur wegen ihrer musikalischen Fantasie Anerken- nung, sondern auch mit ihrer Fähigkeit, Millionen von Fans mit neuen Technologien zu begeistern. Die Live-Shows der Band entführen das Publikum stets in einen außergewöhnlichen und emotionalen Wahrnehmungsraum – sei es durch den bahnbrechenden Einsatz von Videoleinwänden während der „ZooTV“ Tour 1992/93, mit Hilfe von LED-Displays bei der „PopMart“ Tour 1997/98 oder jüngst mittels perlenartigen, beleuchteten Video-Vorhängen über der Bühne bei der „Vertigo“ Tour 2005/06.
    [Show full text]