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Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Heather Marlene Bennett University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the European History Commons Recommended Citation Bennett, Heather Marlene, "Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880" (2013). Publicly Accessible Penn Dissertations. 734. https://repository.upenn.edu/edissertations/734 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/734 For more information, please contact [email protected]. Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Abstract The traumatic legacies of the Paris Commune and its harsh suppression in 1871 had a significant impact on the identities and voter outreach efforts of each of the chief political blocs of the 1870s. The political and cultural developments of this phenomenal decade, which is frequently mislabeled as calm and stable, established the Republic's longevity and set its character. Yet the Commune's legacies have never been comprehensively examined in a way that synthesizes their political and cultural effects. This dissertation offers a compelling perspective of the 1870s through qualitative and quantitative analyses of the influence of these legacies, using sources as diverse as parliamentary debates, visual media, and scribbled sedition on city walls, to explicate the decade's most important political and cultural moments, their origins, and their impact. -
Victoria Woodhull: a Radical for Free Love Bernice Redfern
San Jose State University SJSU ScholarWorks San José Studies, 1980s San José Studies Fall 10-1-1984 San José Studies, Fall 1984 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_80s Recommended Citation San José State University Foundation, "San José Studies, Fall 1984" (1984). San José Studies, 1980s. 15. https://scholarworks.sjsu.edu/sanjosestudies_80s/15 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1980s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. sa1an~s asof Nvs SAN JOSE Volume X, Number 3 ARTICLES The Declaration and the Constitution Harry V. Jaffa . 6 A Moral and a Religious People Robert N. Bellah .............................................. 12 The Constitution and Civic Education William J. Bennett ............................................ 18 Conversation: The Higher Law Edward J. Erler and T. M. Norton .............................. 22 Everyone Loves Money in The Merchant of Venice Norman Nathan .............................................. 31 Victoria Woodhull: A Radical for Free Love Bernice Redfern .............................................. 40 Goneril and Regan: 11So Horrid as in Woman" Claudette Hoover ............................................ 49 STUDIES Fall1984 FICTION The Homed Beast Robert Burdette Sweet ........................................ 66 Wars Dim and -
French Catholicism's First World War
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Calvary Or Catastrophe? French Catholicism's First World War Arabella Leonie Hobbs University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the European History Commons, Other Languages, Societies, and Cultures Commons, and the Religion Commons Recommended Citation Hobbs, Arabella Leonie, "Calvary Or Catastrophe? French Catholicism's First World War" (2016). Publicly Accessible Penn Dissertations. 2341. https://repository.upenn.edu/edissertations/2341 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2341 For more information, please contact [email protected]. Calvary Or Catastrophe? French Catholicism's First World War Abstract CALVARY OR CATASTROPHE? FRENCH CATHOLICISM’S FIRST WORLD WAR Arabella L. Hobbs Professor Gerald Prince The battlefield crucifixes that lined the Western Front powerfully connected industrialized warfare with the Christian past. This elision of the bloody corporeality of the crucifixion with the bodily suffering wrought by industrial warfare forged a connection between religious belief and modern reality that lies at the heart of my dissertation. Through the poignancy of Christ’s suffering, French Catholics found an explanatory tool for the devastation of the Great War, affirming that the blood of ther F ench dead would soon blossom in rich harvest. This dissertation argues that the story of French Catholicism and the Great War uncovers a complex and often dissonant understanding of the conflict that has become obscured in the uniform narrative of disillusionment and vain sacrifice ot emerge in the last century. Considering the thought to emerge from the French renouveau catholique from 1910 up to 1920, I argue that far from symbolizing the modernist era of nihilism, the war in fact created meaning in a world that had lost touch with its God. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
The Right of Way
The Right of Way Gilbert Parker The Right of Way Table of Contents The Right of Way......................................................................................................................................................1 Gilbert Parker.................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 NOTE.............................................................................................................................................................5 CHAPTER I. THE WAY TO THE VERDICT.............................................................................................5 CHAPTER II. WHAT CAME OF THE TRIAL............................................................................................9 CHAPTER III. AFTER FIVE YEARS........................................................................................................15 CHAPTER IV. CHARLEY MAKES A DISCOVERY...............................................................................17 CHAPTER V. THE WOMAN IN HELIOTROPE......................................................................................18 CHAPTER VI. THE WIND AND THE SHORN LAMB...........................................................................21 CHAPTER VII. PEACE, PEACE, AND THERE IS NO PEACE"'.........................................................25 -
Mise En Page 1
COUV_23_04_2013_Mise en page 1 05/04/13 12:07 Page1 ANACREON LEON-PAUL FARGUE HENRI MICHAUX MONIQUE APPLE GUSTAVE FLAUBERT OCTAVE MIRBEAU APOLLINAIRE JEAN FOLLAIN MOLIERE LOUIS ARAGON ALBERT GABRIEL ADRIENNE MONNIER ANTONIN ARTAUD EDOUARD GARNIER MONTESQUIEU LEON AZEMA CHARLES DE GAULLE ANATOLE DE MONZIE ALY BEY BAHGAT THEOPHILE GAUTIER PAUL MORAND P. F. BAILLY GEORGES GIACOMETTI ALBERTO MORAVIA JACQUES BAINVILLE ANDRE GIDE BRUCE MORISSETTE THEODORE DE BANVILLE BJIEBANL GIIOONOTHÈQUELEON MOUSSINAC SAMUEL BECKETT JEAN GIRAUDOUX ALFRED DE MUSSET P. A. BENOIT REMY DE GOURMONT ANTONII NERI BERR DE TURIQUDE E MOANNDRSEI GERAUNETR PAUL LCHÉAROLESN NODIER RENE BERTELE GŒTHE PAUL NOUGE PIERRE BETTENCOURT JEULTIEN GÀRE EDN IVERS OVIDE ANDRE BILLY JACQUES GRUBER JEAN D’ORMESSSON LEON BLOY LOUIS HAUTECŒUR PIERRE PATOUT BOCCACE PAUL HELBRONNER BENJAMIN PERET NICOLAS BOILEAU RENE HERBST ROGER PEYREFITTE JULES BOISSIERE LOUISE HERVIEU PABLO PICASSO BONAPARTE MICHEL HOOG ANTOINE DE PLUVINEL GEORGES BONTEMPS J.-K. HUYSMANS DOIGNY DU PONCEAU GEORGES BRAQUE MAX JACOB JACQUES PREVERT ARNO BREKER LEMAU DE LA JAISSE GREGORIO PRIETO ANDRE BRETON PAUL JAMOT SERGE PROKOFIEFF BUFFON ALFRED JARRY MARCEL PROUST BUSSY-RABUTIN OWEN JONES QUINTE-CURCE. ALBERT CAMUS PIERRE JEAN JOUVE JEAN RACINE EUGENE CANSELIET JOSEPH KESSEL YVANHOE RAMBOSSON LEWIS CARROLL ALEXANDRE KOYRE RESTIF DE LA BRETONNE LOUIS-FRANCOIS CASSAS LA BRUYERE CHARLES REVEL COMTE DE CAYLUS JACQUES LACAN ARTHUR RIMBAUD CERVANTES CHODERLOS DE LACLOS SERGE ROCHE CHAMFORT LOUIS LAPRADE GEORGES RODENBACH PIERRE CHAREAU VALERY LARBAUD JULES ROMAINS CHATEAUBRIAND PATRICE DE LA TOUR DU PIN MAURICE ROSTAND ABBE DE CHOISY MARIE LAURENCIN ALEXANDRE ROSS JEAN BAPTISTE CHRISTYN LEON LE CLERC JEAN-JACQUES ROUSSEAU PAUL CLAUDEL PIERRE LEFEVRE SAINTE BEUVE JEAN COCTEAU FREDERIC LEFEVRE SAINT EVREMOND COLETTE FERNAND LEGER FAUJAS DE SAINT FOND PIERRE CORNEILLE PAUL-ANDRE LEMOISNE SAINT-JUST FRANÇOIS. -
2012 Sculpture
NINETEENTH & EARLY TWENTIETH CENTURY EUROPEAN SCULPTURE MAY 3rd – JULY 6th, 2012 SHEPHERD & DEROM GALLERIES © Copyright: Robert J. F. Kashey and David Wojciechowski for Shepherd Gallery, Associates, 2012 TECHNICAL NOTE: All measurements are approximate and in inches and centimeters. Prices on request. All works subject to prior sale. CATALOG ENTRIES by Jennifer S. Brown, Elisabeth Kashey, and Leanne M. Zalewski. NINETEENTH & EARLY TWENTIETH CENTURY EUROPEAN SCULPTURE May 3rd through July 6th, 2012 Exhibition organized by Robert Kashey and David Wojciechowski Catalog compiled and edited by Jennifer Spears Brown SHEPHERD & DEROM GALLERIES 58 East 79th Street New York, N.Y. 10075 Tel: 212 861 4050 Fax: 212 772 1314 [email protected] www.shepherdgallery.com NINETEENTH & EARLY TWENTIETH CENTURY EUROPEAN SCULPTURE May 3rd through July 6th, 2012 Shepherd Gallery presents an exhibition of Nineteenth and Early Twentieth Century European Sculpture, which has been organized in conjunction with our new publication, Nineteenth and Early Twentieth Century European Sculpture: A Handbook. The exhibition corresponds to the handbook’s exploration of the materials, casting techniques, founders and editors involved in the making of sculpture in Europe from 1800 to 1920. On display are reductions and enlargements of individual models; plaster casts produced for special purposes; sculptures in a variety of media; and works that exemplify the aesthetic differences in chasing and modeling techniques from 1800 to 1920. Together, the handbook and the exhibition help the viewers to identify the complexities involved in the appreciation of sculpture from this period. CATALOG ALEXY, Károly 1823-1880 Hungarian School PRINCE EUGENE OF SAVOY, 1844 Bronze on square base. -
John Webb Singer and His Wife Sarah, Taken in the 1890S
The Story of J.W. Singer & Sons, Frome John Webb Singer and his wife Sarah, taken in the 1890s Made in Frome rom the humble beginnings of a simple request for a to Frome Museum. There are over 3,000 surviving glass pair of brass candlesticks in 1848, the J.W. Singer & Sons plate negatives and photographs, the earliest of which are F foundry at Waterloo went on to produce some of the collodion negatives dating from the 1860s when Singer most iconic statues around the British Isles and across the moved into his purpose-built foundry at Waterloo. globe, employing at its height a workforce of seven hundred. Through skill and ingenuity, John Webb Singer amassed The archive is evidence that Singer’s were also leaders in knowledge and made use of every opportunity to train their use of photography and, whilst not documented, we himself and his workforce. He was the perfect example of have to assume that this was due to John Webb Singer’s paternalistic Victorian industry and enterprise, and although knowledge and desire to harness this relatively new heavily influenced by his many trips to Europe, he was made technology. Whether it was ecclesiastical, domestic or and shaped in Frome. In turn, Singer shaped, embellished statuary, an example of every piece of work would be and enriched Frome. photographed before it departed the foundry, usually against a movable white backdrop. It is not always the The story we are able to tell here was so nearly lost to object being photographed that is of most interest to us history but for the quick thinking of Singer’s employee now, but the asides at the edge of the frame showing details Steve Francis. -
Claudel Pour Racine, Les Raisons D'un Revirement
Article paru dans le Bulletin de la Société Paul Claudel n°2019 -1, n°227 Reproduit avec l'aimable autorisation des éditions Classiques Garnier et de l'auteur. CLAUDEL POUR RACINE, LES RAISONS D’UN REVIREMENT Claudel vivant, Racine mort, le premier ne craint pas de batailler avec le second dans le cours d’un va-et-vient entre art de dire et art d’aimer que traduit à merveille sa Conversation sur Jean Racine. En février 1935, le dramaturge alors âgé de 67 ans assiste à une repré- sentation de Bérénice à la Comédie-Française. Voici ce qu’il note dans son Journal : Assisté à Bérénice […] avec un ennui écrasant. Ce marivaudage sentimental, cette casuistique inépuisable sur l’amour, est ce que je déteste le plus dans la littérature française. Le tout dans un ronron élégant et gris, aussi éloigné de notre français vulgaire et gaillard que du turc et de l’abyssin. C’est distingué et assommant. On parle toujours de la fameuse mesure classique et racinienne, mais tirer 5 actes de cette anecdote, c’est tout de même trop. Le rouet iné- puisable des phrases, des alexandrins et des dissertations. Tout se passe en faux départs et en assaut de sentiments nobles et artificiels développés dans l’abstrait. Penser qu’on donne Racine comme base de l’instruction littéraire de nos pauvres enfants ! C’est extravagant1. La mauvaise humeur du spectateur exacerbe son point de vue négatif, signalé de façon intermittente par son Journal, et auquel son essai de 1925 sur le vers français a offert l’espace nécessaire à une plus ample explica- tion. -
Prints from the Age of Rodin Wall Labels
Fairfield University DigitalCommons@Fairfield Prints from the Age of Rodin - Ephemera Prints from the Age of Rodin Fall 2019 Prints from the Age of Rodin Wall Labels Fairfield University Art Museum Follow this and additional works at: https://digitalcommons.fairfield.edu/rodin-prints-ephemera This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Angelo Jank (French, active 19th century) Woman with a Parrot from the portfolio L’Estampe Moderne, 1898 Color lithograph Gift of James Reed (2017.35.823) This lithograph was one of four that appeared in the volume of L’Estampe Moderne in the case below. Pierre Bonnard (French, 1867-1947) The Loge, 1898 Color lithograph Gift from the Dr. I. J. and Sarah Markens Art Collection (2018.34.26) Bonnard’s lithograph, which takes up the same subject of spectators at the opera as Lunois’ print above, appeared as the frontispiece to Mellerio’s book. Edward J. Steichen (American, 1879-1964) Portrait of Rodin with The Thinker and The Monument to Victor Hugo, 1902 Gelatin silver print Jundt Art Museum, Gonzaga University; Gift of Iris and B. -
Affiches Animation Correction3
Archives MunicipaleMunicipaless d’Aixd’Aix----lesleslesles----BainsBains 0Archives MunicipalesEdition du 9 juin 2008 d’Aixd’Aix- ---lesleslesles----BainsBains Edition du 9 juin 2008 Inventaire d’animation Série 3 Fi, 4 Fi et 5 Fi Par Dominique Fouger et Joël Lagrange Archives municipales d'Aix-les-Bains - 2, rue Lamartine, 73100 Aix-les-Bains - Tél 04.79.61.40.84 Mél : [email protected] Archives Municipales d’Aixd’Aix----lesleslesles----BainsBains Edition du 9 juin 2008 Introduction Ce catalogue rassemble les inventaires de trois sous séries d’affiches se rapportant à l’animation ou aux manifestations culturelles ayant eut lieu à Aix-les-Bains. La sous série 5 Fi provient d’un versement ancien de l’Office du tourisme est close. En revanche, les deux autres sous séries, 3 et 4 Fi, sont alimentées régulièrement soit par l’Office du Tourisme, soit par d’autres canaux. Elles sont scindées uniquement en fonction de leur taille, la série 3 Fi comprenant les affiches de grande taille (sup. à 120 x 180 cm) qui sont conservées roulées, les autres étant à plat dans des meubles à plans. Bien qu’en consultation ces affiches sont parfois difficilement manipulables à cause de leur taille. Outre ce catalogue, répertoire numérique des trois sous séries agrémenté d’un index en tête, une base de données informatique est accessible aux Archives qui facilite les recherches thématiques. Cette base de données à l’avantage d’être mise à jour en permanence. 1 Archives Municipales d’Aixd’Aix----lesleslesles----BainsBains Edition du 9 juin 2008 Table des -
Numbered Pages
UNIVERSITY OF CALIFORNIA Los Angeles Maddening Truths: Literary Authority and Fictive Authenticity in Francophone and Post-Soviet Women’s Writing A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Melanie Veronica Jones 2021 © Copyright by Melanie Veronica Jones 2021 ABSTRACT OF THE DISSERTATION Maddening Truths: Literary Authority and Fictive Authenticity in Francophone and Post-Soviet Women’s Writing by Melanie Veronica Jones Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2021 Professor David MacFadyen, Co-Chair Professor Laure Murat, Co-Chair At the start of the “post-truth” era, women writers in post-colonial France and post-Soviet Russia were searching for a strategy to respond to the crises of authority and authenticity unfolding around them. Linda Lê, Gisèle Pineau, Ludmilla Petrushevskaya, and Anna Starobinets exploit the ambiguity of literary madness to destabilize traditional sites of knowledge and work towards new conceptions of truth. All four women’s works have traditionally been approached as narratives of trauma, detailing the ravages of mental illness or cultural upheaval. This dissertation argues that they instead work to expose the irreconcilability of medical, sociological, and spiritual authorities, forcing readers to constantly question who (if anyone) can be considered trustworthy and which ii (if any) perspective can be declared reliable. The texts provide fictional reference points, like intertextual allusions and meta-literary framing, as the surest way for readers to anchor their assumptions. Linda Lê’s autofictional text Calomnies and Gisèle Pineau’s autobiographical novel Chair Piment depict a Francophone world wracked with social fractures in the wake of decolonization and economic crisis: amidst the splintering chaos, literature acts as a tenuous web holding contradictory discourses in suspension.