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227 Svend Asmussen 100 År # 227 Medlemsblad for Radio Jazz Venner Februar-Marts `16 SVEND ASMUSSEN 100 ÅR RETURN TO FOREVER SONNY CLARK JAZZ I REPRISEN II CURT JØRGENSENS 78´ERE TRIBUTE TO BIX RADIO JAZZ PÅ 102,9 MHZ | PÅ NETTET: RADIOJAZZ.DK | ELLER EVT. VIA KABEL EFTERMIDDAGSJAZZ MANDAG – FREDAG KL. 16-17 KUN PÅ 102,9 MHZ FM OG 104,5 MHZ PÅ KABEL Radio Jazz Bladet #227 Radio Jazz Ansvarshavende redaktør: Erik Raben. Programredaktionen Kommentarer og artikler til bladet: Søren Damving. [email protected]. Tlf. 24 83 66 07 Tlf.26 27 27 49. sø[email protected] Deadline: 15/3-2016 Brian Petro. Tlf. 29 80 45 57. [email protected] RADIO JAZZ VENNER SørenSvagin. Bestyrelsen for Radio Jazz Venner: Tlf. 41 42 62 11. [email protected] Mogens Thorborg (formand) SørenThrane. Søren Thrane (kasserer) Tlf. 26 37 92 11. [email protected] Tom Buhmann Ole Matthiessen Bestyrelse Brian Petro Michael Thrane (Formand) Kontakt: [email protected] Tom Buhmann (næstformand) Helen Jensen, Mogens Thorborg, Ole Matthiessen, Radio Jazz Bladet udgives af Foreningen Radio Jazz Erik Raben, Brian Petro. Venner og udsendes til Foreningens medlemmer Regnskabsfører: Per Hermansen 5x/år. Medlemskab kr. 200,-/halvår (feb. og aug.) Webmaster: Niels Wamberg Danske Bank, konto 1551 9738495 Kontakt: [email protected] Tilmelding: [email protected] eller tlf.: 26 37 92 11. Postadresse Hjemmeside: www.radiojazz.dk Hammershusgade15, 2.sal. 2100 København Ø Radio Jazz Venner, Hammershusgade 15, 2.sal Studie- og Besøgsadresse 2100 København Ø Aldersrogade 6D, 2100 København Ø. (indg. i gården) Forside: Svend Asmussen (2006) Foto: Jan Persson. Tlf. 33 32 90 01 (i sendetiden) [email protected] I anledning af hans 100 års fødselsdag – lyt til Radio Jazz den 13/2 kl. 13 Layout: Auroragrafik.dk / Tryk: StenbyTryk A/S Violinbygger Medl. Mesterlauget Reparation Nybygning Køb Salg Erik Hoffmann Hyltebjerg Allé 87 2720 Vanløse Tlf. 38 71 83 96 [email protected] www.violinbygger.dk 2 radio jazz nr. 227 - februar 16 RJV-STRIBEN Go To the Mardi Gras ... af mogens thorborg Netop nu, hvor du sidder og læser disse linier, er karnevalssæsonen i New Orleans ved at kulimi- nere med selve Mardi Gras dagen tirsdag d. 9. februar. Mon ikke Professor Longhair’s gamle hit ”Go To the Mardi Gras” også i år vil blive genoplivet af såvel unge som mere be- dagede musikere i jazzens fødeby – til glæde for såvel de fastboende som de mange turister, der nu igen i stort tal strømmer til dette musikmekka. Jazz og blues er rigtig stort på de kanter – helt så stort er det desværre ikke i struktur – derfor udskydelsen af gene- Danmark, men på Radio Jazz er vi sta- ralforsamlingen. Vi håber at rigtig mange dig en flok dedikerede medarbejdere, medlemmer vil møde op og stemme der forsøger at øge både mængden og den nye struktur igennem, og vi opfor- kvaliteten af disse musikformer i det drer også endnu en gang alle, der ikke danske mediebillede. Med forlængel- allerede er medlemmer, til at se at få sig sen af vores sendetilladelse og med det meldt ind. Radioens fysiske rammer økonomiske tilskud fra kulturstyrelsen har ændret sig en smule, idet kontoret har vi nu fået ro på bagsmækken, og er flyttet til et nyindrettet lokale på den vi kan koncentrere os om at forbedre anden side af studiet. Det er et meget vores produkt, så det også holder i et fint og lyst lokale, men dog desværre fremtidigt mediebillede. nok ikke med de samme muligheder for at afholde livekoncerter som før. Men I støtteforeningen Radio Jazz Venner hvad – man kan jo ikke få det hele, og (RJV) har vi i de senere år holdt gene- vi finder nok en anden løsning angå- ralforsamlingen i marts, men den er i år ende livekoncerter. Indgangen til vores udskudt til maj/juni. Årsagen er den, at lokaler bliver også flyttet tilbage på den vi i år skal have gennemført sammen- anden side af gården, hvis det ikke al- lægningen af støtteforeningen RJV og lerede er sket. den selvejende institution Radio Jazz (RJ). I en tid med usikkerhed omkring Lyt til Radio Jazz og spred det glade radioens fortsatte eksistens har vi ikke budskab til venner og bekendte. Mund haft tid og overskud til at gennemar- til mund metoden fungerer stadig, og bejde et forslag til vedtægter for den nye ellers er der jo de sociale medier. radio jazz nr. 227 - februar 16 3 FIRE STADIER I TRANSFORMATIONEN Return to Forever – fra Latin til Jazz-rock af brian petro udsendte to album i 1972: ”Return to Forever” (ECM) og ”Light as a På linje med Weather Report og Feather” (Polydor). Mahavishnu Orchestra er Chick Coreas legendariske gruppe HEREFTER SKETE EN FORANDRING Return to Forever en af de mest som ved et trylleslag med en virtuos og banebrydende fusionsgrupper hårdtpumpet jazz-rock, der nu var rent fra1970´erne. Den blev dannet i 1972 instrumental med el-guitaren i cen- som en latin-fusionsgruppe stærkt trum. Først var det med Bill Connors påvirket af spansk og latinamerikansk og senere den dengang kun 19-årige musik, men i løbet af dens levetid gen- guitarist Al Di Meola. RTF indspillede nemgik den dog store transformationer deres første LP med den nye besæt- i besætning og musikalsk udtryk. ning i 1973 med titlen ”Hymn of the Seventh Galaxy”. Et album, der gik I BEGYNDELSEN var stilen let og luftigt som en chokbølge igennem publikum. transparent med det brasilianske mak- I årene der kom udforskede Chick kerpar, sangerinden Flora Purim og Corea de teknologiske muligheder i perkussionisten Airto Moreira placeret form af de mange nye keyboards og centralt i lydbilledet. De blev flanke- synthesizere, der dukkede op på mar- ret af saxofonisten og fløjtenisten Joe kedet, samtidig med at Stanley Clarke Farrell og de to kapelmestre, Chick nu helligede sig el-bassen. Corea brillerende på Fender Rhodes el-klaver og Stanley Clarke på kon- EKSPERIMENTERNE kulminerede i trabas. Denne tidlige udgave af RTF 1976 med gruppens bedst sælgende album, ”Romantic Warrior”, der veks- ler overlegent mellem et elektrisk og akustisk udtryk i avancerede komposi- tioner. DEN TREDJE OG SIDSTE udviklings- fase indtraf i 1977, hvor gruppens lyd igen skiftede farve som en kamæleon. Di Meola og Lenny White blev er- stattet med en 4-mands hornsektion, Joe Farrell blev hentet tilbage i grup- pen, Coreas kone Gayle på vokal og Gerry Brown bag trommerne. Det blev til albummet ”Musicmagic”, hvorefter RTF lukkede og slukkede 4 radio jazz nr. 227 - februar 16 Return to Forever – fra Latin til Jazz-rock i 1978 efter en turné, der samme år bedrifter fra RTF er foreviget på live- udkom på plade. udgivelsen ”The Mothership Returns” fra 2012. I 2008 GENDANNEDES imidlertid den originale jazz-rock udgave af I EN RÆKKE på 4 udsendelser fører jeg RTF med Corea, Clarke, Di Meola lytterne igennem Return to Forever’s og White nu udelukkende som en 4 stadier i transformationen fra latin- live-gruppe. Det skete på en som- band over pulserende jazz-rock super- merrturné i USA, hvor uddrag heraf gruppe til semi-bigband og frem til blev udgivet i 2009 på CD og DVD gendannelsen. Første del sendes lørdag med titlen ”Returns”. De seneste d. 5.3 kl 13-14. radio jazz nr. 227 - februar 16 5 Jazzen i 1966 – hørt 50 år efter af erik raben I 1966 INDSPILLEDE Miles Davis kvintetten sin anden studie LP, der hed I begyndelsen af 1966 havde sa- ”Miles Smiles” og hvor et af stykkerne xofonisten John Coltrane afsluttet var Wayne Shorter kompositionen mere end 5 års samarbejde med ”Footprints”, som i øvrigt – flere årtier pianisten McCoy Tyner og trom- senere – gav navn til Shorter’s kvartet. meslageren Elvin Jones – kun bas- sisten Jimmy Garrison var tilbage 1966 VAR OGSÅ året, hvor altsaxofo- fra den oprindelige kvartet. Nye i nisten Ornette Coleman indspillede Coltrane’s gruppe var pianisten Alice den første plade med sønnen Denardo McLeod (senere Coltrane) og trom- bag trommerne – han var på det tids- meslageren Rashied Ali samt saxofoni- punkt kun 10 år gammel. Pladen hed sten Pharoah Sanders. Den ændring i ”The Empty Foxhole” og Denardo Coltrane’s musik, der allerede året før Coleman’s trommespil vakte ikke udelt var tydelig, blev nu endnu mere frem- begejstring blandt kritikerne, men trædende. faktum er, at fra midten af 1970erne 6 radio jazz nr. 227 - februar 16 Foto: Niels Wamberg. var Denardo med på det meste af det Ornette Coleman spillede og indspil- lede – og han var da også med ved koncerten i Det Kgl. Teater under 2008 jazzfestivalen. EN ANDEN af frontfigurerne inden for den nye jazz var pianisten Cecil Taylor, som i 1966 indspillede en af sine væ- sentligste LPer, ”Unit Structures”. Også Duke Ellington orkestret indspillede det år – delvist – nyt materiale nemlig ”The Far East Suite”. Rundt i byen OG SÅ VAR DER JO også de amerikanske musikere, der for en længere periode / All Over The City slog sig ned i Danmark, og som derfor blev en vitaminindsprøjtning for den Denne gang skal lytterne sammen med os besøge danske jazz. Jeg vil spille musik med et sted, hvor man kan tænke tanker. Senere kom- bl.a. Dexter Gordon, Brew Moore, Stuff mer vi til et torv, hvor man i gamle dage malkede Smith og Ben Webster – alle høres sam- køerne, efter de var blevet drevet ind fra fælleden. men med danske musikere. Der vil også Og turen afsluttes et sted, hvor gade bliver til vej. være ”rent” dansk jazzmusik – og her er Ind mellem skal vi høre musik med bl.a. Ella der også rigeligt at vælge mellem. Fitzgerald, Dinah Washington, Nat King Cole, Henrik Gunde, Svend Asmussen, Django DER KOMMER TO udsendelser om Reinhardt, Peggy Lee og Stan Kenton.
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