Film Socialisme, Debuted at Cannes
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2020-21 Slno CET No APP No CANDIDATE NAME
KARNATAKA EXAMINATIONS AUTHORITY LIST OF CANDIDATES ELIGIBLE FOR AGRICULTURIST QUOTA - 2020-21 SlNo CET_No APP_No CANDIDATE_NAME Eligibile 1 AA056 109031 JATHIN A L D Yes 2 AA064 293661 ANNAPURNA KAVISHETTI Yes 3 AA107 143046 CHETHANA S K Yes 4 AA230 141353 NIKHIL R K Yes 5 AA256 230961 LEENA RANGANATH Yes 6 AA294 280302 VINAY S K Yes 7 AA337 149623 YOGISHWAR V N Yes 8 AB001 249927 SUMANTH S N Yes 9 AB070 167770 PRAJWAL A C Yes 10 AB123 124767 LIKHITH H G Yes 11 AB128 241563 ASHWATH K H Yes 12 AB158 168406 K AKASH KUMAR Yes 13 AB175 156884 MADHU K CHARI Yes 14 AB182 139118 DINESH K Yes 15 AB280 241727 BHOOMIKA N K Yes 16 AB294 102959 MADAN S N Yes 17 AB299 131693 ROHITH N Yes 18 AB353 187131 VIKAS M G Yes 19 AB426 193340 KEERTHI KUMAR S Yes 20 AC004 160361 SAHANA V Yes 21 AC015 196084 ARAVIND A Yes 22 AC027 151104 NAGENDRA T B Yes 23 AC087 117172 VAISHNAVI H GOWDA Yes 24 AC109 286647 AISHWARYA RANI K A Yes 25 AC123 157776 NISARGA L Yes 26 AC171 136799 ROHITH ARADHYA B N Yes 27 AC216 184225 PAVAN B R Yes 28 AC236 260775 BHOOMIKA R Yes 29 AC265 301277 DEEPIKA S Yes 30 AC270 199515 SUMITHRA SHIVANANDA SHIRALASHETTI Yes 31 AC279 104150 NIHAL KUMAR GOWDA S Yes 32 AC316 184046 AJAY SWAMY V C Yes 33 AD018 121230 SAVITA AMRUTARAYA BIRADAR Yes 34 AD026 225644 RAKESH A Yes 35 AD126 173442 SAHANA M Yes 36 AD202 198697 SUMITHRA T H Yes 37 AD224 200242 MALLANNA MALLEDA Yes 38 AD225 273249 YASHWANTH M Yes 39 AD231 292856 SRINIDHI M N Yes 40 AD235 221843 IMPANA A M Yes 41 AD444 271435 POOJA B S Yes 42 AD476 149244 VIJAY U Yes 43 AD496 199811 SUPRITA -
Annual Fund Impact Report 2018–19 Thank You
UNIVERSITY OF CHICAGO BOOTH SCHOOL OF BUSINESS Annual Fund Impact Report 2018–19 Thank you. Your gift is making it possible for the University of Chicago Booth School of Business to empower bold thinkers and inquisitive minds to dig deeper, discover more, and shape the future. Annual Fund Impact The Chicago Booth Annual Fund had a strong fiscal year 2019 (July 1, 2018–June 30, 2019), with $10,737,935 in unrestricted funding. The Annual Fund also continues to shatter goals for the University of Chicago Campaign: Inquiry and Impact, which will come to a close December 2019. The Annual Fund has raised more than $119.6 million since that campaign began. Your gifts to the Annual Fund made the following possible: • CURRICULAR INNOVATION: Chicago Booth offers a • GLOBAL INITIATIVES: Chicago Booth will relocate its flexible, multidisciplinary approach to the study of current campus in London in late spring 2020. Booth’s business. Booth added 12 new courses for the 2018–19 campus will move to One Bartholomew Close in Barts academic year, including “Diversity in Organizations,” Square, a short walk from St. Paul’s Cathedral and the “Strategic Investment Decisions,” and “Corporate Social Museum of London. This recommitment to the Executive Responsibility Practicum.” Booth’s curriculum exemplifies MBA Program in London will strengthen our impact across the school’s unique and challenging environment and the globe, reflecting an international approach to thinking prepares students for any business challenge at any point about business and finance. in their careers. • SCHOLARSHIPS: One of our key priorities is to attract the • FACULTY RESEARCH: The influential ideas of Booth’s best talent and enroll every student with great promise. -
Print Provisional Merit List
Weightage given as per GO.Rt.No.301, HM-FW(B1) Dept., Dt:20.06.20 read with GO.Ms.No.163, HM-FW(B1) Dept., Dt:12.09.18. For each completed 6months service @ 2.5 marks in Tribal/2 marks in Rural /1 mark in Urban Areas Page 1 of 136 PROVISIONAL GENERAL MERIT LIST OF CANDIDATES FOR THE POST OF STAFF NURSES (ON CONTRACT) TO WORK IN GGH, ANANTHAPURAMU Weightage considered those who are working till to date in DME/DPH/ APVVP Institutions under AP State / GOI Schemes Merit Regn Name of the Social only Name of the Candidate Date of Birth Age Year of PassingPlace of working Remarks No. No. Father /Husband status not l Languages 01,Max 10 To Weightage Percentage Max.Marks Educational Educational Exclusive of marks on as (12,13 &19) Out soursing soursing Out Qualification Sportsquota No.of From Registered or Male/ Female Male/ contract for & marks Total & 75 % of Marks 75 of % Weitagemarks Marks obtainedMarks Local/Non-Local Local/Non-Local Ex-Service PH/ / marks-Peryear- half yearshalf Whether Council completed Uraban/R ural/Triba 1 2 3 4 5 6 7 8 9 10 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 1 2581 K.RAJESWARI K.JAYAPPA F 15-05-1985 35 OC GNM Apr-10 1900 1521 60.04 10 Rural 22.01.2014 till to date 12 15 PHC,Talupula 85.04 yes Local 2 978 P.Revathi P.Narasimhulu F 15-07-1989 31 OC GNM Apr-11 1900 1543 60.91 9 Urban 22.11.2012 Till date 15 15 NRC,GGH, ATP 84.91 Yes Local 3 474 M.ALIVELU NARASIMHULU F 01-06-1988 32 SC GNM Apr-11 1900 1542 60.87 9 Rural 29.01.2014 Till date 12 15 PHC,Roddam 84.87 Yes Local PHC, 4 2517 P.Rojamma P.Vannur swamy F -
Tamil Flac Songs Free Download Tamil Flac Songs Free Download
tamil flac songs free download Tamil flac songs free download. Get notified on all the latest Music, Movies and TV Shows. With a unique loyalty program, the Hungama rewards you for predefined action on our platform. Accumulated coins can be redeemed to, Hungama subscriptions. You can also login to Hungama Apps(Music & Movies) with your Hungama web credentials & redeem coins to download MP3/MP4 tracks. You need to be a registered user to enjoy the benefits of Rewards Program. You are not authorised arena user. Please subscribe to Arena to play this content. [Hi-Res Audio] 30+ Free HD Music Download Sites (2021) ► Read the definitive guide to hi-res audio (HD music, HRA): Where can you download free high-resolution files (24-bit FLAC, 384 kHz/ 32 bit, DSD, DXD, MQA, Multichannel)? Where to buy it? Where are hi-res audio streamings? See our top 10 and long hi-res download site list. ► What is high definition audio capability or it’s a gimmick? What is after hi-res? What's the highest sound quality? Discover greater details of high- definition musical formats, that, maybe, never heard before. The explanation is written by Yuri Korzunov, audio software developer with 20+ years of experience in signal processing. Keep reading. Table of content (click to show). Our Top 10 Hi-Res Audio Music Websites for Free Downloads Where can I download Hi Res music for free and paid music sites? High- resolution music free and paid download sites Big detailed list of free and paid download sites Download music free online resources (additional) Download music free online resources (additional) Download music and audio resources High resolution and audiophile streaming Why does Hi Res audio need? Digital recording issues Digital Signal Processing What is after hi-res sound? How many GB is 1000 songs? Myth #1. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Intellectuals and the Maoists
Intellectuals and the Maoists Uddipan Mukherjee∗ A revolution, insurgency or for that matter, even a rebellion rests on a pedestal of ideology. The ‘ideology’ could be a contested one – either from the so-called leftist or the rightist perspective. As ideology is of paramount importance, so are ‘intellectuals’. This paper delves into the concept of ‘intellectuals’. Thereafter, the role of the intellectuals in India’s Maoist insurgency is brought out. The issue turns out to be extremely topical considering the current discourse of ‘urban Naxals/ Maoists’. A few questions that need to be addressed in the discourse on who the Maoist intellectuals are: * Dr. Uddipan Mukherjee is a Civil Service officer and presently Joint Director at Ordnance Factory Board, Ministry of Defence, Government of India. He earned his PhD from the Tata Institute of Fundamental Research, Department of Atomic Energy. He was part of a national Task Force on Left Wing Extremism set up by the think tank VIF. A television commentator on Maoist insurgency, he has published widely in national and international journals/think-tanks/books on counterinsurgency, physics, history and foreign policy. He is the author of the book ‘Modern World History' for Civil Services. Views expressed in this paper are his own. Uddipan Mukherjee Are the intellectuals always anti-state? Can they bring about a revolution or social change? What did Gramsci, Lenin or Mao opine about intellectuals? Is the ongoing Left- wing Extremism aka Maoist insurgency in India guided by intellectuals? Do academics, -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
S.No Name Designation Department 1 MRS.JESSIE RAJASEKAR Sr
S.No Name Designation Department 1 MRS.JESSIE RAJASEKAR Sr. Secretary SECRETARIAL POOL 2 MRS.RUTH RAJKUMARI Secretary III CLERICAL POOL 3 MRS.VIMALA BACKIAROYAN Sr. Gr. I Telephone Operator TELEPHONE EXCHANGE 4 MRS.APPOLONI DOSS Sr. Gr. III Telephone Operator TELEPHONE EXCHANGE 5 MRS.ESTHER AARON Sr. Librarian II COLLEGE OF NURSING 6 MS.CYNTHIA D Sr.Sel Gr.ECG Technician I CARDIOLOGY TECHNICIAN 7 MS.SIGAMANISELVAKUMARI Medical Lab Technician Instructor I TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 8 MS.VIJAYALAKSHMI B Sr.Sel.Gr.Clinical Biochemist CLINICAL BIOCHEMISTRY 9 MRS.SHANTHI R Instructor I Graduate Medical Lab Technician TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 10 MRS.RACHEL EVELYN Medical Lab Technician Instructor I GENERAL PATHOLOGY 11 MR.SURENDAR SINGH G Instructor I Graduate Medical Lab Technician TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 12 MR.KARTHIGEYAN V Sr. Gr. I Electrician ENGINEERING ELECTRICAL 13 MRS.MARGARET ANBUNATHAN Sr. Gr. I Telephone Operator TELEPHONE EXCHANGE 14 MR.GOVINDARAJI S. Staff Gr Asst. Engineer I ENGINEERING ELECTRICAL 15 MS.NIRMALA R Sel Gr.Librarian I RUHSA 16 MRS.KONDAMMA N. House Keeping Attendant Gr. I PM OFFICE RELIEF POOL 17 MR.YESUDOSS T SR. HOUSE KEEPING ATTENDANT NURSING SERVICE 18 MS.THIRUMAGAL E Sr. Sel. Gr.Pharmacist I COMMUNITY HEALTH DEPARTMENT 19 MR.NAGARAJ N. Staff Gr Asst. Engineer I ENGINEERING PLANNING 20 MR.MUNIRATHINAM S Staff Gr I Technician RUHSA 21 MR.RAVI K S Staff Gr II Technician OPHTHALMOLOGY 22 MR.JOHN BASKARAN B. Sel. Gr. Staff Clerk I MICROBIOLOGY 23 MR.JAYAKUMAR K. Sr.Gr.Artisan(Non ITI) II RUHSA 24 MRS.SHIRLEY ANANDANATHAN External Designation CENTRE FOR STEM CELL RESEARCH 25 MR.NARASIMHAN V Staff Gr. -
On the Occasion of India's 72Nd Republic Day I Extend Warm Greetings and Best
Shri Ram Nath Kovind Shri Narendra Modi President Prime Minister Message from the Ambassador of India n the occasion of India’s 72nd Republic Day I extend warm greetings and best The multi-faceted partnership between India and Qatar continues to strengthen in various wishes to all fellow Indians and friends of India in the State of Qatar. areas, including energy, trade, investment, security, defence, education, sports, culture, OI also avail of this opportunity to express our deep gratitude to His Highness the Amir people to people contact. of Qatar, Sheikh Tamim bin Hamad Al Thani, His Highness the Father Amir, Sheikh Hamad Bin Bilateral trade and investment partnership between Khalifa Al Thani, the other members of the Royal Family and the Government of the State of India and Qatar continues to grow. India is the 3rd Qatar for their continued patronage and support for the Indian community in Qatar. largest export destination for Qatar. Qatar is the Republic Day is precious. Seventy-one years ago, on this historic day, the Constitution of largest supplier of LNG to India, accounting for 55% India, which enshrines the ideals and aspirations that guided India’s peaceful freedom of India’s global LNG imports and 15% of Qatar’s total movement, came into effect. This is an occasion to reaffirm our commitment to justice, export of LNG. Last month, the Energy Ministers of liberty, fraternity and equality across our society and among all fellow Indians. India and Qatar have decided to set up a Task Force to explore opportunities for investment by Qatar in the Supplement Team On this auspicious occasion, we also remember the Father of the Nation - Mahatma Gandhi entire energy value chain in India. -
DT Page 01 April 17.Indd
MONDAY 17 APRIL 2017 COMMUNITYCO | 6 HEALTH | 10 BOLLYWOOD | 11 LiveL Music Show Leaning forward Big B to appearr eenthralsnt visitors at phone use causes as himself in Asian Town ‘text neck’ ‘Padman’ Email: [email protected] Modaris.me, an innovative and intuitive education platform started by two Yemenis, links students to tutors and trainers to have assistance in studies. INNOVATIVE EDUCATION P | 2-3 02 COVER STORY MONDAY 17 APRIL 2017 This online platform assists students in studies Amna Pervaiz Rao 500 students so far to pass and The Peninsula excel in their subjects for different academic levels. ts been just over a year after Modaris.me offers one-on-one the innovative and intuitive help for students with their differ- education platform started its ent subjects, as well as offering Ioperation in Qatar in Septem- training for skills like programming, ber 2015; However, in a shorter fine arts, and even makeup. period this fastest and trouble free This innovative platform is the online platform, Modaris.me, has brainchild of Yasmin Kassem, Co- become an intimate study partner Founder, Manager Marketing and of students across Qatar by provid- Operations at Modaris.me, and ing them with the best teachers and Haitham Al Haidari, Co-Founder, trainers for teaching assistance in Manager Business Development at respective subjects. Modaris.me. These young Yemenis This leading platform that links got engaged and were thinking of Chemistry, Biology and English. Malik, Journalism Senior at North- students to tutors and trainers has something new and innovative that University courses include Calcu- western University is willing to over 1,000 students a month from benefits the society. -
The Changing Role of Women in Hindi Cinema
RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then.