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Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Magazine1-4 Final.Qxd (Page 3)
SUNDAY, SEPTEMBER 1, 2019 (PAGE 4) MOVIE-REVIEW BOLLYWOOD-BUZZ Saaho suffers from a weak script “I opened up as an actor in Raabta” SAAHO is the story of a mysterious man on a mission. The foreign city of Vishwank and Ashok, Devraj threatening his father Prithviraj and of After Luka Chuppi, Kriti Sanon of Waaji is ruled by gangsters and criminals and the biggest of them is Roy course, the interval point. In the second half, he does very well in a brief once again plays the role of a (Jackie Shroff). He cleverly manages to get the approval of an Indian min- part of the climax where three scenes are running parallel - one of Ashok, ister, Ramaswamy (Tanikella Bharani) for a hydro project in India. He then one of Amrutha and one of Kalki. If he had wisely directed the rest of the reporter in her upcoming film reaches Mumbai and this is where he's killed in a road accident. His son film, SAAHO would have been on another level. Arjun Patiala, which stars Vishwank (Arun Vijay) then takes over, which angers Devraj (Chunky Pan- SAAHO has an average beginning. Too much information is laid out and Diljit Dosanjh in the lead role. day) as he wants to sit on Roy's throne. Meanwhile the Mumbai crime it takes a while to process it all. The film gets a bit better with Ashok's entry. branch is investigating the death of Roy and other related crimes. The case The investigation carried out by Ashok and his team is quite engaging. -
8 19 MARCH 2019 Newstodaynet.Com Newstodaydaily Ntchennai CHENNAI ‘QUALITY MATTERS
TUESDAY 8 19 MARCH 2019 newstodaynet.com newstodaydaily ntchennai CHENNAI ‘QUALITY MATTERS Arun Vijay completes shooting for Saaho Actor Arun Vijay has completed the shooting for the mega venture Saaho starring Prabhas in the lead. He tweeted, Its a wrap for me!! THE MOST’ #Saaho. Happy to have been a part of this incredibly hard work- ing team. Thanks to #Prabhas @ u sujeethsign @UV_Creations & the Rai Laxmi speaks rest of da cast n crew for makin this about Neeya 2 & more journey a memorable one! Wait for an exhilarating experience in thea- tres from Aug 15! C u all..’ | M BHARAT KUMAR | Saaho, directed by Sujeeth stars GOLLAPUDI AWARD Prabhas and Shraddha Kapoor in ‘I want to be part of good stories. I don’t mind waiting till I get lead roles. It also has Arun Vijay, the right project’, says actress Rai Laxmi. Jackie Shroff, Neil Nitin Mukesh, She awaits the release of her next Neeya 2 in which she is “ paired opposite Jai. Directed by Suresh, the movie also features Evelyn Sharma and others play- FOR 96 FILMMAKER Varalaxmi Sarathkumar and Catherine Tresa in key roles. A ing pivotal roles. The movie is I aappearppear iinn sequel to yesteryear hit Neeya, it is about a snake that wants | NT Bureau | simultaneously made in four lan- guages - Tamil, Telugu, Hindi and to take revenge. he Gollapudi Srinivas national Malayalam.ttwowo ddifferentifferent Speaking to News Today, she says, ‘I appear in two different Taward for the best debut fi lm Saaho has music by Shankar- get-ups in the movie. -
K Movies Telugu 2019
K movies telugu 2019 Continue Wikimedia Article Telugu Cinema (Tollywood) 1930s 1940s 1940 1941 1942 19441945 1946 1947 1948 1949 1950s 1950s 1950 1951 1952 1953 11954195 5 1956 1957 1958 1959 1960s 1960 1961 1962 1963 19641965 1966 1967 1968 1969 1970s 1970s 197 0 1971 1972 1973 1973 1973 197397741975 1976 1977 1978 1979 1980 1980 1981 1982 1983 1983 1988 1983 198841985 1986 1987 1988 1989 1990-1990 1990 1991 1992 1992 1992 1992993 199995 1996 1997 1998 1999 2000s 2000 20001 2002 2003 20042005 2006 2007 2008 2009 2010s 2010s 2010 2010 2011 0 20110 2012 2013 20142015 2016 2017 2018 2020s 2020 vte This is a list of films released or scheduled for release in 2019. The box office collection of Tollywood's highest-grossing films, released in 2019, is at the box office worldwide following. The world's highest gross 2019 Rank Title Manufacturing Company Worldwide Gross Ref 1 Saaho UV CreationsT-Series ₹432.4 crore (US$61 million) Narasimha Reddy Conidel Producing Company ₹250 Crore (35 million). 3 Maharshi Sri Venkateswara CreationVyjayanthi MoviesPVP Cinema ₹200 crore (28 million US$4 F2 - Fun and Disappointment Sri Venkateswara Creations ₹137.6 Crore (US$19 million) 5 Vinaya Vidheya Rama DVV Entertainment ₹97.9 crore (US$14 million) Jagannadh Touring Talkies ₹83 Crore ($12 million) 7 Venky Mama Suresh ProductionsPeople's Media Factory ₹72 Crore ($10 million) 8 Majili Glitter Screens ₹70 Crore (9.8 million U.S. dollars) ₹65 crore (9.1 million U.S. dollars) 10 Gaddalakonda Ganesh 14 reels plus ₹42.5 crore (6.0 million U.S. -
AIRPORTS AUTHORITY of INDIA DEPARTMENT of HR List Of
AIRPORTS AUTHORITY OF INDIA DEPARTMENT OF HR List of eligible candidates for Online examination for the post of Junior Executive (Airport Operations) under 25% Departmental Examination Quota Reference CHRM Circular No. A. 12026j01j2016-Rect. Cell(Pt.IV) dated 29.06.2017, wherein applications were invited for the post of Junior Executive (Airport Operations) under 25% Departmental Examination Quota. The list of eligible candidates for the post is placed below: S.No Emp No. Name Present Place of Region (Mr/Mrs/Ms) Posting 1 10007216 MUKESH ARORA CHQ CHQ 2 10019743 LOKESH SHARMA CHQ CHQ 3 10006379 REENA GUPTA CHQ CHQ 4 10014183 SHYAMLATA CHAURASIYA CHQ CHQ 5 10002634 UPENDRA KUMAR AnRI CHQ CHQ 6 10009401 GAURAV SAINI PRATAPGARH NORTHERN 7 10001213 RAMASHANKAR YADAV VARANASI NORTHERN 8 10015055 ABHISHEK DWIVEDI CATC, ALLAHABAD NORTHERN 9 10011692 SUMMYYADAV ACS, PALAM NORTHERN 10 10010217 VIVEK KUMAR SRIVASTAVA AMRITSAR NORTHERN 11 10002818 MANTOSH KUMAR sun VARANASI NORTHERN 12 10006501 SIKANDAR NAGAR UDAIPUR NORTHERN 13 10011728 SATENDER YADAV UDAIPUR NORTHERN 14 10011701 VIKAS KUMAR UDAIPUR NORTHERN 15 10014344 SANJAY SINGH YADAV RHQ,NR NORTHERN 16 10001212 AKHILESH KUMAR SAHU LUCKNOW NORTHERN 17 10022144 JASBIR SINGH SAFDARJUNG AIRPORT NORTHERN 18 10008895 PAWAN KUMAR RCDU NORTHERN 19 10012850 MIRA KULSHRESHTHA AGRA NORTHERN 20 10008858 NAVEEN KUMAR JAIPUR NORTHERN 21 10009325 PREM SINGH JATAV JAIPUR NORTHERN 22 10001657 AMANDEEP SINGH AMRITSAR NORTHERN 23 10011615 PRADEEP KUMAR SRINAGAR NORTHERN 24 10009231 LADLI PRASAD MEENA JAIPUR -
A Study on Health Seeking Behaviour Among Married Reproductive Age Group Women in a Rural Area
IOSR Journal of Dental and Medical Sciences (IOSR-JDMS) e-ISSN: 2279-0853, p-ISSN: 2279-0861.Volume 16, Issue 3 Ver. XIII (March. 2017), PP 08-11 www.iosrjournals.org A Study on Health Seeking Behaviour among Married Reproductive Age Group Women in a Rural Area. Dr.Arun Vijay Paul.R1, Dr.Kalidas.P2, Dr.Sujatha.K3, Dr.Senthilkumar.S.K4, Dr.Sreesupria.Pr5 1Associate professor of community medicine, Government Medical college ,Coimbatore, India 2Professor of community medicine, Government Medical college ,Coimbatore, India 3,4,5Assistant Professor of community medicine, Government Medical college ,Coimbatore, India Abstract: Health seeking behaviour among married women of reproductive age group in a rural area was studied by community based cross sectional method. In a sample of 270 women 72.6% reported taken treatment for their perceived symptoms.Socio-demographic factors like literacy of women, joint family system were significantly associated with the treatment seeking behaviour (p<0.005).Most of the treatment seekers preferred private health facility (44.4%) and the most common reason (48.50%) reported by the non treatment group was that the symptoms were not affecting their routine activity. More focus on educating the women, increasing their awareness towards health and highlighting the facilities and schemes in government health sectors will fill the gaps in health seeking behaviour. Keywords: Health seeking ,women,reproductive age ,rural I. Introduction The health of women is a key component for determining the progress in meeting the nation’s health and development goals. The women health is focused in many programmes and policies of the government like national health policy, national population policy, millennium development goals ,reproductive and child health programme etc[1].If the women is healthy her family is also healthy. -
Film Socialisme, Debuted at Cannes
Kerala State Chalachitra Academy Department of Cultural Affairs Government of Kerala Recognised by Fédération Internationale des Associations de Producteurs de Films International Federation of Film Producers Associations International Film Festival of Kerala FEB. 10 > MARCH 05, 2021 THIRUVANANTHAPURAM KOCHI THALASSERY PALAKKAD The Festival Team Chairman & Festival Director, IFFK: Kamal Vice-Chairperson & Artistic Director, IFFK: Bina Paul Secretary & Executive Director, IFFK: C Ajoy Treasurer: Santhosh Jacob K Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Festival): Rijoy K J Programme Manager (Finance): Sajith C C Programme Manager (Programmes): Vimal Kumar V P Festival Assistants: Tony Xavier, Sreevidya J Programme Assistants: Saiyed Farooq Z, Nekha Fathima Sulficar Programme Assistant (Programmes): Nitin R Viswan Print Unit Coordinator: P S Sivakumar Cashier: Manu S T Festival Cell: Mary Ninan, K Harikumar, John Kurian, Madhavi Madhupal, Nishanth S T, Jaya L, G Sasikala, Sarath M, Sandhya B, Abdulla A, Manu M, Shamlal S S, K Venukuttan Nair, Vijayamohan B, Arun R, A Maheshkumar, Lizy M, Omana J, Jayakumari D, Sudharsanan T, Sahadevan R, Rahul Vijayan Festival Programmers: Rosa Carillo, Alessandra Speciale, Eduardo Raccah Signature Film: Mahesh Narayanan Branding design & collaterals: Anoop Ramakrishnan Online Coordination: Shelly J Morris Photo Exhibition: Sajitha Madathil, Hylesh, Nitin R Viswan Filmmakers' Liaison & Guest Relations: Bandhu Prasad Aleyamma, Jayesh LR, Rameez Mohammed, Jithin Mohan AS (Trivi Art Concerns) FESTIVAL BOOK Chief Editor: C Ajoy Executive Editor: Rajesh Chirappadu Associate Editors: Rahul S, Nowfal N Editorial Team: Aneesa Iqbal, N N Baiju, Aswanth Chandrachoodan, Arnold Mathews, Anju S Anand, Swathy Lekshmi Vikram, Akash S S, Jayakumar, Binukumar M R Book Design: Anoop Ramakrishnan Word Processing & Page Setting: Sivaprasad B Academy is grateful to various film journals, festival publications, film festival websites from which we have borrowed content to put together this book. -
Why This 'Kaadhalveri'?
Why This ‘KaadhalVeri’? Making meaning of ‘love failure’ through the Tamil film song Sriram Mohan A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Cultural Studies School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai 2014 ii DECLARATION I, Sriram Mohan, hereby declare that this dissertation titled ‘Why This “KaadhalVeri?”: Making meaning of “love failure” through the Tamil film song’ is the outcome of my own study undertaken under the guidance of K.V. Nagesh Babu, Assistant Professor, Centre for Critical Media Praxis, School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. It has not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or of any other institute or university. I have duly acknowledged all the sources used by me in the preparation of this dissertation. 6 March, 2014 Sriram Mohan iii CERTIFICATE This is to certify that the dissertation titled ‘Why This “KaadhalVeri?”: Making meaning of “love failure” through the Tamil film song’ is the record of the original work done by Sriram Mohan under my guidance and supervision. The results of the research presented in this dissertation/thesis have not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or any other institute or university. 6 March, 2014 K.V. Nagesh Babu Assistant Professor Centre for Critical Media Praxis School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai iv Our taverns and our metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. -
NT All Pages 2019.Indd
THURSDAY 8 28 FEBRUARY 2019 newstodaynet.com newstodaydaily ntchennai CHENNAI is a conman, who along with his friend Suruli (Yogi Babu) indulge in crimes. He comes across Ananthi (Smruthi Venkat) who falls for him but he doesn’t reciprocate. There is Ezhil (Arun Vijay in another role), an engineer who is madly in love with Deepika (Tanya Hope). One of them murders a youngster. A senior cop Gopalakrishnan (Vi- Taut jayan) arrests Ezhil after an evidence surfaces- a photograph showing him walking out of the house where the youngster was killed, But call it a twist. Kavin too falls in police net. The police are left baffl ed. A sub- inspector Malarvizhi (Vidya Pradeep) takes up the case. They struggle to fi nd who the killer is between Ezhil and Kavin. What happens then forms the crux. If Arun Vijay adds strength with his performance, there is Vidya Pra- deep as perplexed police offi cer contributing her might. FEFSI Vijayan is equally good. Magizh Thirumeni has ensured Thadam ends up an engrossing tale that is worth a watch. | M BHARAT KUMAR | hodunit crime thrillers always garner attention of Wthe audience. If made crisp and engaging, they man- age to strike a chord with masses. Thadam by director Maghizh Thirumeni is an intense crime story that throws light on investigation process by the police and how they zero in on a murderer. After Thadayara Thaaka, Magizh Thirumeni and Arun Vijay come together again. This time Arun Vijay gath- ers guts to do a double role. Tanya Hope, FEFSI Vijayan, Smruthi, Yogi Babu and Vidya Pradeep among others play supporting cast. -
Visual Storytelling in the Film Chekka Chivantha Vanam and Factors Influencing Visual Narrative - a Study
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Ciphered Gangsterism: Visual Storytelling in the film Chekka Chivantha Vanam and Factors Influencing Visual Narrative - A Study. D.G.Eugene Assistant professor, Department of Visual Communication, Loyola College, Chennai, India. ABSTRACT Visual language is the most unique form of expression that transcends cohesive narrative of events through space and time. Visual Storytelling is the story told primarily through the use of visual media. The term Visual Storytelling covers a broad spectrum of visual mediums from cave drawings, paintings, comics; photography to films. Visual storytelling can overcome language barriers but has its own limitations to socio-cultural background. Film primarily is a visual medium with complementing audio medium. Thus the visual storytelling in a film widely differs from other storytelling narrative mediums such as novels and theatre. What sets film medium apart from any other visual medium is the sense of constructed reality -- the reality that makes us, sometimes, to “suspend our disbelief” This study aims to analyse the critical concepts in visual narrative that aids in storytelling process. Mani Ratnam as a filmmaker, who has done 25 films in 35 years in film industry, is well known for his film aesthetics and visual narration. His mastery over the craft is much appreciated over three decades across India. As a mainstream director, his films have managed to evoke critical response and commercial success. Chekka Chivantha Vanam (Crimson Red Sky) is a Tamil multi- starrer gangster drama ensembling the clan of Senathipathi and his three sons. On the surface, the film talks about the power struggle in the father’s criminal empire, but on the inside, it carefully ciphers the narcissistic patriarchies in the fractured family of criminals. -
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