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FLAC Decoder Using ARM920T Using S3C2440
International Journal of Engineering Research and Development e-ISSN: 2278-067X, p-ISSN: 2278-800X, www.ijerd.com Volume 4, Issue 7 (November 2012), PP. 21-24 FLAC Decoder using ARM920T using S3C2440 J. L. DivyaShivani1, M. Madan Gopal 2 1M.Tech (Embedded Systems) Student, 2Assoc.Professor Aurora’s Technological & Research Institute Uppal, Hyderabad, INDIA Abstract: In this paper, an embedded FLAC decoder system was designed, and the embedded development platform of ARM920T was built for the design. Furthermore, the IIS bus of S3C2440 in Linux which were used in designing the decoder system. Results show that the FLAC format sound can play well in the decoder system. The decoding solution can be applied to many high-end audio devices. With the development of multimedia technology, as well as the people's requirements to higher sound quality, the Lossy compression coding audio format such as MP3 cannot satisfy many music lovers. Therefore, many R & D staffs have research on how to develop Lossless Audio Decoding systems based on embedded devices with lower price and better sound quality. FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio, and you can play back compressed FLAC files in your favorite player (or your car or home stereo) just like you would an MP3 file. FLAC stands out as the fastest and most widely supported lossless audio codec, and the only one that at once is non-proprietary, is unencumbered by patents, has an open- source reference implementation, has a well-documented format and API, and has several other independent implementations. -
Beneficiary Payment File Authorization Email:- [email protected]
Note:- For any querry regardind CSS 2013-14 Contact us on (020-26126939)/ 8308318919 Beneficiary Payment File Authorization email:- [email protected] S.No Beneficiary Name Bank Name Account Number Aadhaar Number AARTI Mahadeorao Shendurkar STATE BANK OF INDIA 31957537638 659252453204 1 Adamile Bharat Bhagwat BANK OF INDIA 243096723824 2 Adhane Rameshwar Sakharam STATE BANK OF INDIA 33451742999 572551174530 3 Agrawal Antara Sunilkumar STATE BANK OF INDIA 33290256080 311232832732 4 Ajay Ganesh Maturkar STATE BANK OF INDIA 31852633182 5 Akshay Rameshrao Mangle STATE BANK OF INDIA 31904299582 6 Ambarkar Abhishek Vinod STATE BANK OF INDIA 740900562181 7 AMBEWADKAR GOURAV NARAYAN STATE BANK OF INDIA 11365269433 964641761762 8 Ami Manoj Shah STATE BANK OF INDIA 33052414428 226307092832 9 AMILKANTHWAR SHWETA SUDHIR STATE BANK OF INDIA 33415593824 561010421602 10 Aniapure Arun Ajit STATE BANK OF INDIA 33448582440 928583923410 11 Annadate Akshata Mahavir STATE BANK OF INDIA 33135360910 971373889676 12 apar pooja fakira BANK OF MAHARASHTRA 979081533129 13 Archana Shrikrushna Jayle STATE BANK OF INDIA 32047374678 14 Arvikar Pritam Uddhavrao BANK OF MAHARASHTRA 883964656660 15 Ashvini Harish Chavan STATE BANK OF INDIA 31957537729 995866871075 16 Ashwini Vinod Hingankar STATE BANK OF INDIA 32047374850 450533195402 17 Aurange Archana Anil CANARA BANK 2581108006866 999613149981 18 AUTADE MADHURI GANAPATI STATE BANK OF INDIA 33446440532 19 AUTADE SAGAR VILASRAO STATE BANK OF INDIA 33098812108 20 Aute Rohit Sharad STATE BANK OF INDIA 33150350072 -
Lossless Audio Codec Comparison
Contents Introduction 3 1 CD-audio test 4 1.1 CD's used . .4 1.2 Results all CD's together . .4 1.3 Interesting quirks . .7 1.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) . .7 1.3.2 Compressibility . .9 1.4 Convergence of the results . 10 2 High-resolution audio 13 2.1 Nine Inch Nails' The Slip . 13 2.2 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 16 2.3 Wasted bits . 18 3 Multichannel audio 20 3.1 Howard Shore's soundtrack for The Lord of the Rings: The Return of the King . 20 A Motivation for choosing these CDs 23 B Test setup 27 B.1 Scripting and graphing . 27 B.2 Codecs and parameters used . 27 B.3 MD5 checksumming . 28 C Revision history 30 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec performance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased. -
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more. -
A High-Level Programming Language for Multimedia Streaming
Liquidsoap: a High-Level Programming Language for Multimedia Streaming David Baelde1, Romain Beauxis2, and Samuel Mimram3 1 University of Minnesota, USA 2 Department of Mathematics, Tulane University, USA 3 CEA LIST – LMeASI, France Abstract. Generating multimedia streams, such as in a netradio, is a task which is complex and difficult to adapt to every users’ needs. We introduce a novel approach in order to achieve it, based on a dedi- cated high-level functional programming language, called Liquidsoap, for generating, manipulating and broadcasting multimedia streams. Unlike traditional approaches, which are based on configuration files or static graphical interfaces, it also allows the user to build complex and highly customized systems. This language is based on a model for streams and contains operators and constructions, which make it adapted to the gen- eration of streams. The interpreter of the language also ensures many properties concerning the good execution of the stream generation. The widespread adoption of broadband internet in the last decades has changed a lot our way of producing and consuming information. Classical devices from the analog era, such as television or radio broadcasting devices have been rapidly adapted to the digital world in order to benefit from the new technologies available. While analog devices were mostly based on hardware implementations, their digital counterparts often consist in software implementations, which po- tentially offers much more flexibility and modularity in their design. However, there is still much progress to be done to unleash this potential in many ar- eas where software implementations remain pretty much as hard-wired as their digital counterparts. -
Detail Streaming Support Protocols
Encore+ User Guide Detail Streaming Support Protocols Supported Audio Codecs Supported Container Formats • MP3 • WAV • AAC • M4A • FLAC • OGG • LPCM/WAV/AIFF • AIFF • ALAC Supported Protocols • WMA, WMA9 • SHOUTcast • Ogg Vorbis • HTTPS Supported Playlist • WMA streaming • ASX • RTSP/SDP • M3U • PLS • WPL 43 Detail Audio Codec Support Encore+ User Guide Supported MP3 encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Bit rate [kbps]: 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320, VBR • Channels: stereo, joined stereo, mono • MP3PRO playback • MP3 File extensions: *.mp3 • Decoding of ID3v1, ID3v2, MP3 ID tags including optional album art in .jpeg format up to 2 megapixels • Gapless MP3: Playback is gapless if the container provides LAME encoder delay and padding tags. Supported Vorbis encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Nominal bit rate [kbps] (quality level): 80 (Q1), 96 (Q2), 112 (Q3), 128 (Q4), 160 (Q5), 192 (Q6), • Channels: stereo • The audio player supports reading of Vorbis content stored in Ogg containers. Supported file name extensions: *.ogg and *.oga. • The audio player supports decoding of Vorbis comments. NOTE: There is no specification for tag names. The system relies on the OSS implementation. • Tag names decoded: TITLE, ALBUM, ARTIST, GENRE. • Binary data (e.g. for album art) is not supported. • The audio player supports gapless Vorbis playback. Supported FLAC encoding parameters • Sampling rates [kHz]: 44.1, 48, 88.2, 96, 176.4, 192 • Resolution [bits]: 16, 24 • Channels: stereo, mono • The audio player supports reading of FLAC content stored in native FLAC containers. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats. -
Opus, a Free, High-Quality Speech and Audio Codec
Opus, a free, high-quality speech and audio codec Jean-Marc Valin, Koen Vos, Timothy B. Terriberry, Gregory Maxwell 29 January 2014 Xiph.Org & Mozilla What is Opus? ● New highly-flexible speech and audio codec – Works for most audio applications ● Completely free – Royalty-free licensing – Open-source implementation ● IETF RFC 6716 (Sep. 2012) Xiph.Org & Mozilla Why a New Audio Codec? http://xkcd.com/927/ http://imgs.xkcd.com/comics/standards.png Xiph.Org & Mozilla Why Should You Care? ● Best-in-class performance within a wide range of bitrates and applications ● Adaptability to varying network conditions ● Will be deployed as part of WebRTC ● No licensing costs ● No incompatible flavours Xiph.Org & Mozilla History ● Jan. 2007: SILK project started at Skype ● Nov. 2007: CELT project started ● Mar. 2009: Skype asks IETF to create a WG ● Feb. 2010: WG created ● Jul. 2010: First prototype of SILK+CELT codec ● Dec 2011: Opus surpasses Vorbis and AAC ● Sep. 2012: Opus becomes RFC 6716 ● Dec. 2013: Version 1.1 of libopus released Xiph.Org & Mozilla Applications and Standards (2010) Application Codec VoIP with PSTN AMR-NB Wideband VoIP/videoconference AMR-WB High-quality videoconference G.719 Low-bitrate music streaming HE-AAC High-quality music streaming AAC-LC Low-delay broadcast AAC-ELD Network music performance Xiph.Org & Mozilla Applications and Standards (2013) Application Codec VoIP with PSTN Opus Wideband VoIP/videoconference Opus High-quality videoconference Opus Low-bitrate music streaming Opus High-quality music streaming Opus Low-delay -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Magazine1-4 Final.Qxd (Page 3)
SUNDAY, SEPTEMBER 1, 2019 (PAGE 4) MOVIE-REVIEW BOLLYWOOD-BUZZ Saaho suffers from a weak script “I opened up as an actor in Raabta” SAAHO is the story of a mysterious man on a mission. The foreign city of Vishwank and Ashok, Devraj threatening his father Prithviraj and of After Luka Chuppi, Kriti Sanon of Waaji is ruled by gangsters and criminals and the biggest of them is Roy course, the interval point. In the second half, he does very well in a brief once again plays the role of a (Jackie Shroff). He cleverly manages to get the approval of an Indian min- part of the climax where three scenes are running parallel - one of Ashok, ister, Ramaswamy (Tanikella Bharani) for a hydro project in India. He then one of Amrutha and one of Kalki. If he had wisely directed the rest of the reporter in her upcoming film reaches Mumbai and this is where he's killed in a road accident. His son film, SAAHO would have been on another level. Arjun Patiala, which stars Vishwank (Arun Vijay) then takes over, which angers Devraj (Chunky Pan- SAAHO has an average beginning. Too much information is laid out and Diljit Dosanjh in the lead role. day) as he wants to sit on Roy's throne. Meanwhile the Mumbai crime it takes a while to process it all. The film gets a bit better with Ashok's entry. branch is investigating the death of Roy and other related crimes. The case The investigation carried out by Ashok and his team is quite engaging. -
1 RAJESH BANU, Ph.D. Associate
RAJESH BANU, Ph.D. Associate Professor Department of Life Sciences, Central university of Tamilnadu Tiruvarur, India -627007 E’ mail : [email protected] Website :http://rajeshbanu.weebly.com/ Phone : +91- 9444215544 Date of Birth : 18.07.1974 Gender : Male Marital Status : Married Nationality : Indian Passport number : P 6526168 Residential Address : 96-H Ark Residency St. Joseph Street Perumalpuram, 627007 Tirunelveli, Tamil Nadu, India EDUCATIONAL QUALIFICATIONS % of Degree Subjects Class Year of Passing Marks University / Institution Environmental Manonmaniam Sundaranar M.Sc. I 75.4 April 1998 Biotechnology University, India Environmental M.Phil. I 72 March 2000 Science Centre for Environmental Environmental A study on treatment of high strength Studies Anna University, Ph.D. Science & Engg. industrial wastewaters using novel high Chennai, India Nov. 2006. rate anaerobic reactors RESEARCH AREA Bioenergy (Methane and Hydrogen) generation from Waste Biomass (Sludge, Algae, Plant) Wastewater Treatment: Nutrient Removal, Aerobic (Membrane Bioreactor) and Anaerobic (Hybrid upflow anaerobic sludge blanket). Bioelectricity generation via Microbial Fuel cell. RESEARCH EXPERIENCES Post-Doctoral Researcher -Department Civil & Environmental Engineering, Sungkyunkwan University, Korea. Aug 2006- Aug 2008. Full time Research Scholar – Center for Environmental Studies, College of Engineering Guindy, Anna University Chennai, 600025. Jan 2000 – Jun 2004. RESEARCH HIGHLIGHTS 1 Total no of paper published :198 [SCI (95) +SCIE (65) + Peer Reviewed (26) + Conf.Proc. (15)] No of article in Scopus : 180(Scopus Author ID:16834439700) No of Citation :3830(H index: 35) Research Gate score :42.3 Book : 3 Book Chapter : 39 E-Learning material : 5 modules for MHRD, e–PG Pathshala (Environmental science) Research Guidance : Ph.D. -Awarded– 13; M.E/M.Tech - 70 TEACHING EXPERIENCE Period Name of the Institution Nature of duties Position Associate Dept.