DOCSLIB.ORG

Scribbler 2015 6-10-15-4 Copy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scribbler 2015 6-10-15-4 Copy The Scribbler MRMS literary magazine Thank you to all those who submitted work for the publication of the 2014-2015 literary magazine. A special thanks to the following students who planned, typed, proofread, illustrated, and made it all happen: Megan Amero Louise Bassom Charlotte Bernhardt Emily Caccivio Lily Connors Tess Contois Ben Cooke Kate Flynn Adelaide Gordon Scott Janes Julia Jefferson Aniela Jordan Audrey Kiarsis Maria Lee Erica Luo Lilu Shaughnessy Julia Willett Yue Yan Zhang Ms. Lydia Austin & Ms. Marcie Sidlowski, Advisors The Scribbler 2015 How do you read? Stories Enjoyed one story? The Tales of Rinn- a Read this Find a similar one continuing story perfect here! Browse through for mystery and adventure Published books for our categories and lovers! you! -- Family and Friendship pick one! This is just City in the Sky- A post- a sampling of what’s apocalyptic dystopia inside . starring a hero determined Little Women by Louisa to reveal the truth about May Alcott— his world. recommended by Ms. Sidlowsky The Snobby Noodle Man Poems Fish in a Tree by Lynda Two Chinese Ancient Mullaly Hunt— Poems- a poem Memoirs recommended by double-double feature, Megan Amero in English and Two Hundredths of a Mandarin! Second- A memoir about swim competition Faubus & Lockton— rivalries. Adventure, A poem written from Tower of Terror- A Mystery and two points of view using story about facing your Dystopia characters from the fears and trying new novel Chains. things. Runner by Carl Deuker— recommended by Ms. The Clumsy Dancer Dumplings and Austin —A poem about finding Biscuits- A memoir Down the Rabbit Hole by your own grace. about discovering Peter Abrahams— uniqueness and what it recommended by Addy Artworks really means. Gordon See if you can find . The Look that The Scandalous Grown-ups Give You- Sisterhood of • Two mermaids • A man contemplating A memoir about finding Prickwillow Place by cheese your voice, and the Julie Berry— • A moonwalk bravery to use it. TABLE OF CONTENTS That Look That Grown Ups Give You by Megan Amero page 7 Artwork by Sean Li page 10 Snobby Noodle Man by Kate Flynn page 12 Artwork by Matt Parr page 12 The Clumsy Dancer by Margaret Brown page 13 Reality by Anonymous page 14 Anne Frank by Katie Everett page 15 Artwork by Hope Jensen page 15 Panic by Susana Martinez page 16 Faubus & Lockton by Will Glovsky & Eli Leonard page 16 Snow Day by Addy Gordon page 19 Artwork by Yue Yan Zhang page 19 No Need to Worry by Bianca Pizzano page 20 Think for You Translation and Artwork by Yue Yan Zhang page 21 Nostalgia Night Thought Translation and Artwork by Yue Yan Zhang page 23 Hesitation by Nathan Reed page 24 Thirty-Thousand Feet by Ayse Joy Shelton page 25 Artwork by Lilu Shaughnessy page 25 Sloth by Jenna Conley page 26 Artwork by Mackenzie Wallis page 26 Tower of Terror by Kaitlyn Fucillo page 27 Artwork by Yue Yan Zhang page 30 Unwavering by Miranda Boyd & Vika Kessler page 31 A Boring Adventure by Connor Ryan & Louis Preston page 32 Artwork by Ben Harris page 32 Mirror Story by Erica Luo page 33 Artwork by Ryanne Kim page 37 I Become the Noises in My Head by Charlotte Penn page 38 Endurance by Helen Peppler & Lily Connors page 39 Waking Up by Kate Riccio page 40 Artwork by Lilu Shaughnessy page 44 Dumplings and Biscuits by Addy Gordon page 45 Artwork by Amanda Full page 48 Artwork by Alistair Ong page 49 Two Hundredths of a Second by Erica Luo page 50 City in the Sky by Xander Favazza page 55 Surly by Bennett Nostrand and Charlotte Penn page 59 Look at Him by Will Glovsky page 60 The Notebook by Ella Stock page 61 Journal Entry by an Eyewitness by Emily Caccivio & Tess Contois page 62 Artwork by Evie Hogan page 64 Artwork by Ryan Laverty page 65 Artwork by Stephen DiMarco page 66 Artwork by Abby MacDonald page 67 Procrastination by Mark Roselli page 68 Artwork by Emily Spang page 68 Artwork by Jonathan Purdy page 69 Artwork by Aniela Jordan page 70 Artwork by Tobin Clark-Goldfield page 71 Artwork by Ayse Joy Shelton page 72 Flying Alone by Justin Tremblay page 73 Artwork by Alistair Ong page 75 Sandy Risk by Lainie Sanford page 76 Artwork by Electra Hamilton page 79 Unfortunate Animal Luck by Alessandra Brizuela page 80 Artwork by Padan Coles page 84 The Base Camp by Tim Donnellan-Doser page 85 Artwork by Stephen DiMarco page 85 Rugged Bear Troubles by Ginger Hubbard page 86 Artwork by Andrew Winch page 88 The Tales of Rinn by Ben Cooke page 89 Artwork by George Kessler page 92 Artwork by Yue Yan Zhang inside back cover That Look That Grown Ups Give You Megan Amero ✯ ✯ ✯ I walked into the lunchroom. It was I can speak for myself, I had thought. The counter lady’s eyes had just slid right over packed full of kids wearing snow pants and me. heavy ski boots. The kids sat at ugly, painted “Megan Amero,” my mom replied. blue and green wooden tables, and ski “She and her sister can’t eat gluten. That memorabilia covered the walls. There were means nothing with wheat, barley or rye in trail maps, old skis and poles, and banners for it,” she added. the lesson groups covered the wall space that “Got it,” the counter lady said. was left. In a corner was an old TV that only She scribbled “Gluten Allergy,” on my played VHS tapes of Disney movies like button in blue marker, then handed it to me “Homeward Bound.” I was at ski school. I to wear. scoured the room for a glimpse of my sister or ———- my friends. I had brought a lunch, so I went The lunch lady pointed to my button and asked one of the lunch ladies, a short old again as I tried to wander off and sit with my woman wearing a white knit sweater and friends. I felt a hand on my shoulder. What baggy jeans, where it was. Her whitish-gray was wrong? I hadn’t done anything. hair was styled in curls cut close to her head, “You can’t sit over there, sweetie,” the and she wore the white Skechers sneakers lunch lady said to me, with that smile that that every person older than seventy five adults use when they think that they know seems to own. In fact, all of the other lunch everything. ladies were dressed like this—an army bearing “What?” I said. “All I want to do is serving spoons as their weapons. When she sit with my friends!” came back, she handed me the lunch box, and “You have an allergy, so you have to paused for a second, looking at my button. sit at the allergy table,” she said, in a tone that That was weird, I thought. My button was suggested that I didn’t understand anything. just like everyone else’s except for one thing, “All allergies sit at the allergy table,” she hastily scribbled letters that said, “Gluten pointed to my little sister, who had wandered Allergy.” over to me to grab her lunch. “And her too. Earlier, when my mom was registering Your tags say ‘Gluten Allergy,’” and with that, us, they gave us each a little button pin to she pushed us toward the table next to the wear with our name on it. “What’s her name?” trash can, where no one would ever sit under the lady at the counter asked my mom. normal circumstances. $7 “But our allergy is different . ” I This was the year that I had to get tried to say. my tetanus shot. All of the older kids in my “Just sit here,” she said for the final grade had told me that it hurt a lot more than time, rushing away from my sister and I a regular shot, and I already had a fear of before I could explain the situation. My face needles. I tugged on my mom’s sleeve. was burning with confusion and anger as I sat “Mom!” I whispered anxiously. “Is down at the ugly green table. She didn’t it going to hurt?” She sighed, and looked away understand our allergy at all! I could have from her phone. explained, if only she would let me! “No, Megan,” she replied, “I “Why does she think she can push already told you ten times today.” At this us around?” I mumbled under my breath. point I knew I was really bugging her, so I The thing about my allergy is, decided to stop my questioning. A nurse because I’m allergic to what makes up flour, walked into the room. my allergy is everywhere, in every food, so it “Megan and Sydney?” she called. makes no difference where I sit, because I’m My sister and I shared the appointment, since surrounded anyway. Sure enough, kids at the we had close birthdays. We walked into the allergy table were eating macaroni and cheese room, and the nurse sat down with a made from wheat flour. It made me so mad clipboard, looking at our records. The nurse when I was treated like I didn’t understand! was maybe in her early thirties, and wore pink I remembered another time when scrubs with smiling teddy bears on them. Was something like this happened to me a few that supposed to make us feel better? I thought. years ago. It was my nine-year old physical in She had a medical ID clipped to her spotless early October.
Load more

Recommended publications
  • Reference Guide
    Reference Guide The Nursery Rhodos in bloom 04/10/10 Mom and Dad WinterberryWinter 2010 circa 2006 ‘m oonbeam’ Summer 2010 Twist-N-Shoutfall 2010 Dedication The Spring of 2011 will bring change to the front office of Four Seasons Nursery and Landscape Company. After 22 year of service, Charlyn Mair, a.k.a. Charlie, will be retiring for greener pastures. She and her husband Greg will be moving to Alabama to be closer to her daughter and granddaughter. Charlie was hired back in 1988 and saved from a life of slingin hash, which we kid her about to this day. Although she was green as a fresh cut tree, Charlie somehow, someway adapted to the conditions of working in a male dominated company. She became tough as nails while still maintaining her character and charm. Charlie has become so intertwined with the inner workings of Four Seasons Nursery that it’s hard to imagine her not being here. How do you replace an employee that you can not only entrust your business, but entrust your own kids to? The executives won’t admit it, but replacing Charlie is a task they never wanted to be faced with. A dedication of neither a book nor all the accolades in the world can express the appreciation Four Seasons Nursery has for Charlie. She will be dearly missed, but thankfully only a phone call away. From the bottom of our hearts, we thank you for your dedication, honesty, sense of humor, and most importantly for being you. We love you like a sister, an aunt and a mother and wish you the best of luck in your new endeavors.
    [Show full text]
  • By Brandi Jo Petronio Nyberg, B.S. a Thesis Submitted in Partial Fulfillment of the Requirements Degree of Master of Fine Arts I
    Floating: ruminations from the open-air abyss Item Type Thesis Authors Nyberg, Brandi Jo Petronio Download date 25/09/2021 13:20:45 Link to Item http://hdl.handle.net/11122/10523 FLOATING: RUMINATIONS FROM THE OPEN-AIR ABYSS By Brandi Jo Petronio Nyberg, B.S. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing: Nonfiction University of Alaska Fairbanks May 2019 APPROVED: Daryl Farmer, Ph.D., Committee Chair Frank Soos, M.F.A., Committee Member Jennifer Schell, Ph.D., Committee Member Rich Carr, Ph.D., Chair Department of English Todd Sherman, M.F.A., Dean College of Liberal Arts Michael Castellini, Ph.D., Dean of the Graduate School Abstract This thesis is a collection of environmentally centered personal essays, some of which are also research driven. Many of the essays within are place-based and several reflect on what the word ‘home' means. The research-driven essays involved conducting literature reviews within academic journals and, in some cases, weaving that information with personal narrative. Throughout the thesis, there is a loose narrative arc that follows the author's nomadic wanderings and search for home. Although a home is never quite found, the author does find a deeper meaning on what it means to call a place ‘home.' While the order of essays jumps from one place to the next geographically, they are ordered in a chronological sense - although not completely. Throughout the collection, the author is in direct conversation with many writers who have inspired her own writing, including Edward Abbey, Henry Thoreau, Barry Lopez, and Terry Tempest Williams.
    [Show full text]
  • Mark W. Phillips — Compositions
    Mark W. Phillips — Compositions ================================================ * Published by Coolville Music • 7031 N. Coolville Ridge Road • Athens, OH 45701 ** Published by MMB Music, Inc. • 10370 Page Industrial Blvd. • St. Louis, MO 63132 ================================================ 2015 Waiting for Lucille for alto saxophone and interactive electronics * Slow Glass Rush for trumpet/flugel horn, violin, viola and Kyma * 2014 What If for 101 saxophones * Action/Reaction for two percussionists * 2013 Deep Blue for baritone sax (or other bass wind instrument) and Kyma * Lest We Forget a miniature for flute, clarinet, violin, cello, bass, piano * The Rite Stuff for fixed media * Your Dreams, Without You for fixed media * Violin Power for violin and MaxMSP * Viola Power for viola and MaxMSP * 2012 Viola Power for viola and Kyma * Summer Nocturne for trumpet, violin, viola and live electronics * (selected by SoundProof and Vox Novus for their 15 Minutes of Fame project) 2011 To Joy Returning — concerto for violin and orchestra * Appalasia for erhu and Kyma * 2010 Whaddup? for saxophone and electro-acoustic music (published by Gerard Billaudot). Take it to the Streets for orchestra * (chosen for Vox Novus 60x60 Orchestra Project) 2009 Juke Joint Jamin’ for EWI and computer 2008 Sez Who? for saxophone and electro-acoustic music (published by Gerard Billaudot). Color-Code This! for wind ensemble * 2007 Porch Music for violin/viola, cello, and percussion * ménage à trois for two saxophones (alto & tenor), and piano * 2006 Bushwhacked! for
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • TDN AMERICA TODAY the Two Outsiders Arturo Toscanini (Ire) (Galileo {Ire}) and CHURCHILL FINISHES STRONG Matchless (Ire) (Galileo {Ire}) Thrown in for Good Measure
    SATURDAY, JUNE 26, 2021 MAXFIELD THE ONE TO BEAT IN FOSTER THIS SIDE UP: FOSTERING The talented Maxfield (Street Sense) headlines a field of nine slated for Saturday's GII Stephen Foster S. at Churchill Downs, a A SENSE OF LEGACY 'Win and You're In' for the GI Breeders' Cup Classic. After suffering his first career defeat finishing third in the GI Santa Anita H. Mar. 6, the Godolphin homebred got back on track with a strong performance in Churchill's GII Alysheba S. on the GI Kentucky Oaks undercard. It was 3 1/4 lengths back to Twinspires Kentucky Cup Classic S. winner Visitant (Ghostzapper) in second that day and another 4 1/4 lengths back to Chess Chief (Into Mischief) in third. AWe shipped him up from Keeneland last week and worked an easy half-mile [in :48 4/5 at Churchill Downs June 19],@ trainer Brendan Walsh said of the 4-5 morning-line favorite. AHe did most of his work at Keeneland prior to the Foster. He=s a fit and happy horse. We=re ready to go and excited to get this race underway.@ Maxfield's six-career victories include a win in the 2019 GI Claiborne Breeders' Futurity at Keeneland. Saturday's GII Stephen Foster favorite Maxfield | Horsephotos Warrior's Charge (Munnings), winner of the 2020 GIII Razorback H. and GIII Philip Iselin S. via disqualification, by Chris McGrath looks to right the ship following a disappointing beginning to his Ours is the most nostalgic of sports, sustained by trusted 5-year-old campaign.
    [Show full text]
  • May 18 Online Auction
    09/25/21 07:28:35 May 18 Online Auction Auction Opens: Thu, May 13 7:00pm ET Auction Closes: Tue, May 18 7:00pm ET Lot Title Lot Title 1 Vintage Henderson Manual Operated Tire 1009 Cobalt Blue Sz 10 Vintage Look Ring Changer, Comes With Two Tools, Not Sure If 101 "Lily Chocolates" Wall Clock, Hardboard With Anything Is Missing, I Bought Just For Display, Graphics, Hands are Bent Otherwise Good Clean It Up and Paint It For Your Man Cave or Condition For Age, Untested, 12 1/2"Diam Your Backyard Gas Station, 20"W x 36 1/2"H, Both 37 1/2"L, Good Condition For Age 1010 2017 Silver Eagle One Dollar, Mint State Condition 10 New Novelty Tin Sign, Wanted Good Woman With Fishing Boat, 12"W x 17"H 1011 New Sterling Silver Plate Ring, Two Tone Extremely Attractive CZ In Rose Setting, 100 Artist Signed Wall Art, Lily Pads In Bloom, N. Flower is Rose Gold Plated Size 8 Parker 78/100, Metal Frame With Glass, Very Good Condition, 14"W x 11"L 1012 1902 S Morgan Silver Dollar, Key Date, Hard to Find in Any Condition 1000 Silvertone Boris Kramer Sculpture "Achiever" 2001 Very Good Condition, Sells Online For 1013 New Sterling Silver Plate Ring Size 6, Blue Fire $130. 5"Diam x 10"H Opal, Gorgeous Flower 1001 Gorgeous 14K Yellow Gold Necklace With 1014 ***UPDATE: SELLS TO THE HIGHEST Heart Shape CZ Pendant, Perfect Graduation BIDDER!***1885 O Morgan Dollar, NGC MS Gift, 23"L 65 Graded, Flawless Fields Unbelievable Quality <B>***SELLS WITH OWNERS 1002 ***UPDATE: SELLS TO THE HIGHEST CONFIRMATION*** BIDDER!***1883 CC Morgan Dollar, Graded PCGS MS 65 Flawless
    [Show full text]
  • Ttu Pmbc01 000026.Pdf (13.40Mb)
    -|^ls' 4^' 4*|^s 4'l^. ^ 4^4 e^&^Q^agsses^ssss^Si^^^!^^^' S^^^SSiK^J^.^g^v'?^???^^^ , /, ,'• / J /'S'' ^^^c^-^>^^ ^a^^^-tf/. POEMS BY FELICIA HEMANS, WITH AN ESSAY ON HER GENIUS, BY H T. TUCKERMAN. EDITED BY RUFUS W. GRISWOLD. NEW rOEK: LEAYITT & ALLEN BROS., No. 8 nOV/ARD STREET. INTRODUCTION. FELICIA DOROTHEA BROWNE was born in Liverpool on the twenty-first of September, 1793. Her child­ hood was passed among the wild mountain scenery of Wales; and before she was nineteen years of age, she had a printed collection of verses before the world.^ From this period to the end of her history she sent forth volume after volume, each surpassing its prede­ cessor in tenderness and beauty. At nineteen she Vv-as married to Captain HEMANS, of the Fourth regiment. He was of an irritable tempera­ ment, and his health had been injured by the vicis­ situdes of a military life. They lived together unhap­ pily for several years, when Captain HEMANS left England for Italy and never returned. Mrs. HEMANS continued to reside with her mother and her sister. Miss MAUY ANNE BUOWNE, now Mrs, GRAY, a poetess of some reputation, near St. Asaph, in North Wales, where she devoted her attention to literature and to the education of her children, five sons, in whom all her affections from this time v/ere centered. Here she wiote The Restoration of the Works of Art to Italy, Modern Greece, Translations from Camoens, Wallace, (iv) Dartmoor, The Sceptic, Welsh Melodies, Historic Scenes, The Siege of Valencia, The Vespers of Palermo, The Forest Sanctuary, The Songs of the Affections, Records of Women, and the lays of Many Lands.
    [Show full text]
  • Urban Species
    Urban American robin General information American robins use a wide assortment of vegetation types, from mowed grassy areas to forested areas. In urban areas, robins use large open areas and nearby trees and shrubs. Parks, golf courses, and lawns in residential areas are attractive to robins. They are found throughout North America, though they may migrate out of northern latitudes during winters with sustained cold and snow. Robins build a nest of grass and mud on a tree or shrub limb, but will occasionally nest on building ledges. Robins spend considerable time on the ground feeding on earthworms, but also will perch on branches to eat berries, fruit, and insects. Habitat requirements Diet: insects and worms during spring and summer; soft mast from shrubs and trees in winter; seldom use artificial feeders Water: require water daily in warm seasons; obtain water from low-lying areas, ponds, and rain-filled gutters Cover: shrubs, evergreen trees, and deciduous trees used for nesting and escape; evergreen trees often used for early nests Wildlife management practices Control Nonnative Invasive Vegetation: when nonnative invasive vegetation begins to reduce habitat quality for American robins Plant Shrubs: where soft mast is lacking; examples might include dogwoods, hollies, golden currant and winterberry Plant Trees: both deciduous and evergreen; where nesting sites may be limiting Set-back Succession: prescribed fire, disking, and mowing can be used to set-back succession and provide suitable structure for robins Water Developments for Wildlife: birdbaths and pans of water can be provided in urban areas; do not place water in areas where cats can catch the birds; cats should be removed Wildlife or Fish Survey: observation counts and point counts are used to estimate trends in populations Mowing: to maintain suitable structure for robins in Urban areas Urban Wildlife Species - 1 Big brown bat General information Big brown bats are one of 46 bat species in North America.
    [Show full text]
  • Buddy Rich a Different Drummer Buddy Rich Swingin' New Big Band the Buddy Rich Big Band the New One! the Buddy Rich Big Band
    The Collection Of That Awesome Drummer...Frank Reeser!! Buddy Rich A Different ANL1 RCA VG+ Jazz Drummer -1090 Buddy Rich Swingin' New ST- Pacific Jazz VG+ Gatefold Jazz Big Band 20113 (Liberty) The Buddy The New ST- Pacific Jazz VG/ Gatefold Jazz Rich Big Band One! 20126 (Liberty) VG+ The Buddy Mercy, Mercy ST- Pacific Jazz VG+ Gatefold Jazz Rich Big Band (Recorder 20133 (Liberty) live at Caesars Palace) The Buddy Big Swing ST- Pacific Jazz VG+ Gatefold Jazz Rich Big Band Face 20117 (Liberty) Recorded “live” at The Chez Hollywood California The Buddy Buddy & ST- Pacific Jazz VG+ Gatefold Jazz Rich Big Band Soul 20158 (Liberty) Buddy Rich Playtime L08Y- Cadet VG/ Jazz And His 5652 (Chess) VG+ Buddies Buddy Rich Big Band V6- Verve VG+ Jazz Shout 8712 Buddy Rich – Drum Battle 2317 Verve VG+ Mono Jazz Gene Krupa 116 Gene Krupa & The Drum 815 Verve VG+ Mono Jazz Buddy Rich Battle 146 1 Gene Krupa Gene Krupa M518 Metro VG+ Jazz Gene Krupa The Best Of SW- Verve VG/ Jazz Gene Krupa 90578 VG+ 1 The Collection Of That Awesome Drummer...Frank Reeser!! Gene Krupa The Great SW- Verve VG/ A Jazz Quartet New 90565 VG+ 'Verve's Featuring Choice' record Charlie Ventura Billy Cobham Shabazz SD Atlantic VG+ Jazz Recorded 18139 Live In Europe Billy Cobham Crosswinds SD Atlantic VG+ Jazz 7300 Billy Cobham Spectrum SD Atlantic VG gatefold Jazz 7268 The Bill “Live” On SD Atlantic VG+ Jazz Cobham – Tour In 18194 George Duke Europe Band George Duke Feel MC MPS Stereo VG+ Jazz 25355 (BASF) George Duke Save The SPC Pickwick VG+ Jazz Country 3588 Oscar Peterson Oscar GAS MGM VG+ Jazz Peterson 133 Oscar Peterson In Russia 2625- Pablo VG+ Double Jazz 711 Album Gatefold Oscar Peterson Night Child 2312- Pablo VG Jazz 108 Chick Corea The PD- Polydor VG+ Jazz Leprechaun 6062 Chick Corea And Light As A PD- Polydor VG+ Jazz Return To Forever Feather 5525 Return To Forever No Mystery PD- Columbia VG+ Jazz ft.
    [Show full text]
  • Cash Box N.Y
    August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly.
    [Show full text]