Francis Thompson - Poems
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Reference Guide
Reference Guide The Nursery Rhodos in bloom 04/10/10 Mom and Dad WinterberryWinter 2010 circa 2006 ‘m oonbeam’ Summer 2010 Twist-N-Shoutfall 2010 Dedication The Spring of 2011 will bring change to the front office of Four Seasons Nursery and Landscape Company. After 22 year of service, Charlyn Mair, a.k.a. Charlie, will be retiring for greener pastures. She and her husband Greg will be moving to Alabama to be closer to her daughter and granddaughter. Charlie was hired back in 1988 and saved from a life of slingin hash, which we kid her about to this day. Although she was green as a fresh cut tree, Charlie somehow, someway adapted to the conditions of working in a male dominated company. She became tough as nails while still maintaining her character and charm. Charlie has become so intertwined with the inner workings of Four Seasons Nursery that it’s hard to imagine her not being here. How do you replace an employee that you can not only entrust your business, but entrust your own kids to? The executives won’t admit it, but replacing Charlie is a task they never wanted to be faced with. A dedication of neither a book nor all the accolades in the world can express the appreciation Four Seasons Nursery has for Charlie. She will be dearly missed, but thankfully only a phone call away. From the bottom of our hearts, we thank you for your dedication, honesty, sense of humor, and most importantly for being you. We love you like a sister, an aunt and a mother and wish you the best of luck in your new endeavors. -
By Brandi Jo Petronio Nyberg, B.S. a Thesis Submitted in Partial Fulfillment of the Requirements Degree of Master of Fine Arts I
Floating: ruminations from the open-air abyss Item Type Thesis Authors Nyberg, Brandi Jo Petronio Download date 25/09/2021 13:20:45 Link to Item http://hdl.handle.net/11122/10523 FLOATING: RUMINATIONS FROM THE OPEN-AIR ABYSS By Brandi Jo Petronio Nyberg, B.S. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing: Nonfiction University of Alaska Fairbanks May 2019 APPROVED: Daryl Farmer, Ph.D., Committee Chair Frank Soos, M.F.A., Committee Member Jennifer Schell, Ph.D., Committee Member Rich Carr, Ph.D., Chair Department of English Todd Sherman, M.F.A., Dean College of Liberal Arts Michael Castellini, Ph.D., Dean of the Graduate School Abstract This thesis is a collection of environmentally centered personal essays, some of which are also research driven. Many of the essays within are place-based and several reflect on what the word ‘home' means. The research-driven essays involved conducting literature reviews within academic journals and, in some cases, weaving that information with personal narrative. Throughout the thesis, there is a loose narrative arc that follows the author's nomadic wanderings and search for home. Although a home is never quite found, the author does find a deeper meaning on what it means to call a place ‘home.' While the order of essays jumps from one place to the next geographically, they are ordered in a chronological sense - although not completely. Throughout the collection, the author is in direct conversation with many writers who have inspired her own writing, including Edward Abbey, Henry Thoreau, Barry Lopez, and Terry Tempest Williams. -
Suffering: Key to Francis Thompson
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 Suffering: Key to Francis Thompson Vincent J. Forde Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Forde, Vincent J., "Suffering: Key to Francis Thompson" (1949). Master's Theses. 759. https://ecommons.luc.edu/luc_theses/759 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Vincent J. Forde SUFFERING: KEY TO FRANCIS THOMPSON BY VINCENT J. FORDE, S.J. A THESIS SUBMITTED IN PARTIAL F'ULl<'ILMENT OF THE REQUIREMENTS FOR THE DEGREE OF I, MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY 1949 VI TA AUC TORI S Vincent J. Forde, S.J. was born at Dorchester, Mass., May 6, 1925. He graduated from Holy Name Grade School, Birm ingham, Michigan, in 1938 and entered the University of Detroit High School, Detroit, Michigan, in the same year. Upon grad uation in 1942 he entered the Novitiate of the Society of Jesus at Milford, Ohio. Here he was enrolled in the College of Arts of Xavier University, Cincinnati, Ohio. In September of 1946 he transferred to West Baden College of Loyola University, from which he received the Bachelor of Arts degree in the following June. -
Francis Thompson and His Relationship to the 1890'S
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 Francis Thompson and His Relationship to the 1890's Mary J. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kearney, Mary J., "Francis Thompson and His Relationship to the 1890's" (1947). Master's Theses. 637. https://ecommons.luc.edu/luc_theses/637 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Mary J. Kearney ii'RJu\fCIS THOi.IPSOH A1fD HIS HELATI01,JSIUP TO Tim 1890'S By Mary J. Kearney A THESIS SUB::iiTTED IN P AHTI.AL FULFILLEENT OF 'riiE HEQUITKii~NTS FOB THE DEGREE OF liil.STEH 01!" ARTS AT LOYOLA UUIV:CflSITY CHICAGO, ILLINOIS June 1947 ------ TABLE OF CO:!TEdT8 CHAPTER PAGE I. Introduction. 1 The heritage of the 1890's--Victorian Liberalis~ Scientific ~laturalism--Intellectual Homanticism Spiritual Inertia--Contrast of the precedi~g to the influence of The Oxford :iJioveo.ent II. Francis Thompson's Iielationsh.in to the "; d <::: • ' 1 ... t ~ _.l:nF ___g_ uleC e \'!rl ers. • •• • • ••••••••• • 17 Characteristics of the period--The decadence of the times--Its perversity, artificiality, egoism and curiosity--Ernest Dawson, the mor bid spirit--Oscar Wilde, the individualist- the Beardsley vision of evil--Thompson's negative revolt--His convictions--The death of the Decadent movement. -
Mark W. Phillips — Compositions
Mark W. Phillips — Compositions ================================================ * Published by Coolville Music • 7031 N. Coolville Ridge Road • Athens, OH 45701 ** Published by MMB Music, Inc. • 10370 Page Industrial Blvd. • St. Louis, MO 63132 ================================================ 2015 Waiting for Lucille for alto saxophone and interactive electronics * Slow Glass Rush for trumpet/flugel horn, violin, viola and Kyma * 2014 What If for 101 saxophones * Action/Reaction for two percussionists * 2013 Deep Blue for baritone sax (or other bass wind instrument) and Kyma * Lest We Forget a miniature for flute, clarinet, violin, cello, bass, piano * The Rite Stuff for fixed media * Your Dreams, Without You for fixed media * Violin Power for violin and MaxMSP * Viola Power for viola and MaxMSP * 2012 Viola Power for viola and Kyma * Summer Nocturne for trumpet, violin, viola and live electronics * (selected by SoundProof and Vox Novus for their 15 Minutes of Fame project) 2011 To Joy Returning — concerto for violin and orchestra * Appalasia for erhu and Kyma * 2010 Whaddup? for saxophone and electro-acoustic music (published by Gerard Billaudot). Take it to the Streets for orchestra * (chosen for Vox Novus 60x60 Orchestra Project) 2009 Juke Joint Jamin’ for EWI and computer 2008 Sez Who? for saxophone and electro-acoustic music (published by Gerard Billaudot). Color-Code This! for wind ensemble * 2007 Porch Music for violin/viola, cello, and percussion * ménage à trois for two saxophones (alto & tenor), and piano * 2006 Bushwhacked! for -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Genius and Tuberculosis. by Arthur C
GENIUS AND TUBERCULOSIS I6 3 adequate education being enforced, in justice to our profession, which has to compete with so many now open to women offering greater educational and financial advantages; also in justice to the public, which has every right to the best nursing skill available. GENIUS AND TUBERCULOSIS. BY ARTHUR C. JACOBSON, M.D. IN a paper written some six years since I discussed the influence of the toxins of tuberculosis upon temperament and genius, citing examples. 1 Dr. John Bessner Huber, in his well-known work, has dealt with the same subject3 He has shown the influence which tuber- culosis has exerted upon literature and the arts, as indicated specially by Robert Louis Stevenson, Chopin, Keats, and Marie Bashkirtseff. The spurring influence of the @es ~hthisica and related psychological phenomena upon the creative mind has, of course, often been noted. Regarding Schiller, Nevinson wrote that "it is possible that the disease served in some way to increase his eager activity, and fan his intellect into keener flame." Certain phrases of Keats would seem to show that he apprehended the same influence, and Lanier gave himself up quite understandingly to the intoxication. Stevenson is probably the most familiar example of the genius whose powers are quickened by reason of the general psychic excitation resulting from the action of tuberculous by-products. The natural optimism of such a mind is intensified by the characteristic effect of the toxins, until (strange paradox) evil is seen to incite good--pathology to warm and colour delightful qualities of temperament. We see a very similar instance in Emerson, likewise an intense optimist. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
TDN AMERICA TODAY the Two Outsiders Arturo Toscanini (Ire) (Galileo {Ire}) and CHURCHILL FINISHES STRONG Matchless (Ire) (Galileo {Ire}) Thrown in for Good Measure
SATURDAY, JUNE 26, 2021 MAXFIELD THE ONE TO BEAT IN FOSTER THIS SIDE UP: FOSTERING The talented Maxfield (Street Sense) headlines a field of nine slated for Saturday's GII Stephen Foster S. at Churchill Downs, a A SENSE OF LEGACY 'Win and You're In' for the GI Breeders' Cup Classic. After suffering his first career defeat finishing third in the GI Santa Anita H. Mar. 6, the Godolphin homebred got back on track with a strong performance in Churchill's GII Alysheba S. on the GI Kentucky Oaks undercard. It was 3 1/4 lengths back to Twinspires Kentucky Cup Classic S. winner Visitant (Ghostzapper) in second that day and another 4 1/4 lengths back to Chess Chief (Into Mischief) in third. AWe shipped him up from Keeneland last week and worked an easy half-mile [in :48 4/5 at Churchill Downs June 19],@ trainer Brendan Walsh said of the 4-5 morning-line favorite. AHe did most of his work at Keeneland prior to the Foster. He=s a fit and happy horse. We=re ready to go and excited to get this race underway.@ Maxfield's six-career victories include a win in the 2019 GI Claiborne Breeders' Futurity at Keeneland. Saturday's GII Stephen Foster favorite Maxfield | Horsephotos Warrior's Charge (Munnings), winner of the 2020 GIII Razorback H. and GIII Philip Iselin S. via disqualification, by Chris McGrath looks to right the ship following a disappointing beginning to his Ours is the most nostalgic of sports, sustained by trusted 5-year-old campaign. -
May 18 Online Auction
09/25/21 07:28:35 May 18 Online Auction Auction Opens: Thu, May 13 7:00pm ET Auction Closes: Tue, May 18 7:00pm ET Lot Title Lot Title 1 Vintage Henderson Manual Operated Tire 1009 Cobalt Blue Sz 10 Vintage Look Ring Changer, Comes With Two Tools, Not Sure If 101 "Lily Chocolates" Wall Clock, Hardboard With Anything Is Missing, I Bought Just For Display, Graphics, Hands are Bent Otherwise Good Clean It Up and Paint It For Your Man Cave or Condition For Age, Untested, 12 1/2"Diam Your Backyard Gas Station, 20"W x 36 1/2"H, Both 37 1/2"L, Good Condition For Age 1010 2017 Silver Eagle One Dollar, Mint State Condition 10 New Novelty Tin Sign, Wanted Good Woman With Fishing Boat, 12"W x 17"H 1011 New Sterling Silver Plate Ring, Two Tone Extremely Attractive CZ In Rose Setting, 100 Artist Signed Wall Art, Lily Pads In Bloom, N. Flower is Rose Gold Plated Size 8 Parker 78/100, Metal Frame With Glass, Very Good Condition, 14"W x 11"L 1012 1902 S Morgan Silver Dollar, Key Date, Hard to Find in Any Condition 1000 Silvertone Boris Kramer Sculpture "Achiever" 2001 Very Good Condition, Sells Online For 1013 New Sterling Silver Plate Ring Size 6, Blue Fire $130. 5"Diam x 10"H Opal, Gorgeous Flower 1001 Gorgeous 14K Yellow Gold Necklace With 1014 ***UPDATE: SELLS TO THE HIGHEST Heart Shape CZ Pendant, Perfect Graduation BIDDER!***1885 O Morgan Dollar, NGC MS Gift, 23"L 65 Graded, Flawless Fields Unbelievable Quality <B>***SELLS WITH OWNERS 1002 ***UPDATE: SELLS TO THE HIGHEST CONFIRMATION*** BIDDER!***1883 CC Morgan Dollar, Graded PCGS MS 65 Flawless -
Francis Thompson: the Am N and the Poet in Sister Songs Paul Lynch O'connor Loyola University Chicago
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1938 Francis Thompson: The aM n and the Poet in Sister Songs Paul Lynch O'Connor Loyola University Chicago Recommended Citation O'Connor, Paul Lynch, "Francis Thompson: The aM n and the Poet in Sister Songs" (1938). Master's Theses. Paper 677. http://ecommons.luc.edu/luc_theses/677 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1938 Paul Lynch O'Connor FRANCIS THOMPSON THE MAN AND THE POET IN SISTER SONGS PAUL LYNCH 0 'CONNOR, S. J. August 1938 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Loyola University. VITA AUCTORIS Paul Lynch O'Connor, S.J. was born in Joliet, Illinois, August 10, 1909. He moved to Chicago where he attended St. Jerome's Grammar School, graduating in 1923. The following year he attended De Paul Academy. From 1924 until 1927 he attended Loyola Academy, and from 1927 until 1929 he attend ed Loyola University. In 1929 he entered Milford Novitiate of the Society of Jesus, and received the degree of Bachelor of Literature from Xavier University, Cincinnati, in 1932. He attended the Graduate School of Xavier University from 1932-1933; taught at St. John's High School, Toledo, from 1933 to 1934.