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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
E08bff68148321589893341.Pdf
Brevard Live January 2017- 1 2 - Brevard Live January 2017 Brevard Live January 2017- 3 4 - Brevard Live January 2017 Brevard Live January 2017- 5 6 - Brevard Live January 2017 Contents January 2017 FEATURES SEAFOOD & MUSIC FESTIVAL PETER YARROW Now held at Shepard Park in Cocoa Columns Beach, the festival features the freshest Peter Yarrow found fame with the 1960s Charles Van Riper folk music trio Peter, Paul and Mary. seafood along with some amazing live entertainment: mega-star, singer- and 22 Political Satire Yarrow co-wrote (with Leonard Lipton) “The Column” one of the group’s greatest hits, “Puff, songwriter, legend John McLean and the Magic Dragon”. reggae legends, The Original Wailers. Page 17 Calendars Page 11 25 Live Entertainment, Concerts, Festivals TRAVIS DAIGLE IRELAND The next generation of “guitar heroes Take yourself to another time and place Local Download in the making” has arrived. Meet Travis and drink in the history of the enchant- by Andy Harrington Daigle who has recently recorded an EP 33 ing Emerald Isle. You haven’t been to Local Music Scene with the help of rock legends David Pas- Ireland until you’ve experienced all the torius and Kenny “Rhino” Earl. They are drunk, the loud, and the wild there is to In The Spotlight featured on our cover this month. offer. John Leach was among them. 35 by Matt Bretz Page 13 Page 17 Flori-duh! TITUSVILLE MARDI GRAS ANDY STANFIELD 36 by Charles Knight Historic downtown Titusville will trans- We first met Andy in 2012 when he ap- form into a New Orleans style French peared with his band Pipes of Pan during The Dope Doctor Quarter during the Titusville Mardi Gras the Original Music Series. -
SCORPIONS Lovedrive (Hard Rock)
SCORPIONS Lovedrive (Hard Rock) Année de sortie : 1979 Nombre de pistes : 8 Durée : 37' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! Bon voyage ! Avec Lovedrive, SCORPIONS entame la plus extraordinaire trilogie discographique jamais enregistrée par un groupe de Rock allemand. Sans doute est-ce dû au succès rencontré par la tournée mondiale d’où fut tiré le splendide live Tokyo Tapes et qui a enfin apporté une crédibilité internationale aux arthropodes.Sans doute également l’intégration du jeune guitariste Matthias JABS (remplaçant l’excentrique Uli John ROTH, parti fonder ELECTRIC SUN, bien que l’on ressente encore parfois son apport musical) a-t-elle eu une influence sur le résultat final. Sans doute, encore, est-ce le fait de changer de label, passant de RCA à EMI. Sans doute, enfin, que la nationalité même du groupe fut un rempart contre le Punk qui a dévasté les plus grands noms de l’époque. Les conseils du producteur Dieter DIERKS expliquent également certainement le succès fulgurant remporté par ce cinquième album studio des SCORPIONS. Tout autant que la pochette (signée par l’avant-gardiste Hipgnosis) qui, une nouvelle fois (après celle fort décriée et aujourd’hui introuvable de Virgin Killer) fait jaser. -
Scorpions "The Crazy World Tour" Till Scandinavium!
Scorpions - The Crazy World Tour! 2017-06-08 10:43 CEST Scorpions "The Crazy World Tour" till Scandinavium! Fredagen den 24 november intar legendariska Scorpions Scandinavium i Göteborg med sin ”The Crazy World Tour”! Detta blir deras första turné i Norden på väldigt många år och ryktet säger att scenshowen är större och bättre än någonsin. Mer än 50 år har gått sedan den tid då de unga Klaus Meine, Rudolf Schenker och Matthias Jabs gick på gatorna i Hannover, som just hade vaknat ur efterkrigstidens förlamning, med en skottkärra fylld med sina instrument och förstärkare. Sedan dess har Scorpions kommit att bli Tysklands, eller snarare en av Europas mest framgångsrika rockband genom tiderna. Otaliga band inklusive Smashing Pumpkins, Green Day, Korn och System of a Down har gjort coverversioner av Scorpions låtar genom åren. "Rock You Like A Hurricane" har tolkats över 150 gånger av olika artister. De grundades i Hannover, Västtyskland 1965. Scorpions blev en del del av den första metal-vågen på 70-talet med sitt debutalbum "Lonesome Crow" från 1972. Bandet nådde sedan arenanivå med de legendariska albumen "Love Drive", "Virgin Killer" och "Animal Magnetism". På 1980-talet släppte Scorpions en rad Billboard-ettor med "Love at First Sting" och "Blackout", inklusive flera Topp-10-singlar med "Rock You Like a Hurricane" och "No One Like You" samt ett antal framgångsrika singlar såsom ”Send Me an Angel”, " Still Loving You" och sist men inte minst "Wind of Change". Det ikoniska rockbandet har sålt över 100 miljoner album världen över och fått en uppsjö priser och utmärkelser. -
Die Rockband Scorpions
DIE ROCKBAND SCORPIONS Seit den 70er Jahren steht die deutsche Rockband Scorpions auf der Bühne. Hits wie "Rock You Like a Hurricane" oder "Wind of Change" machten sie weltberühmt. Eine Aus- stellung des "Rock und Pop Museums" in Gronau blickt jetzt auf die 40-jährige Bandge- schichte zurück. MANUSKRIPT SPRECHERIN: "Rock You Like a Hurricane" – ein Klassiker von den Scorpions. "Rock You Like A Hurri- cane" – das ist auch der Titel der Ausstellung über die Scorpions. Das "Rock und Pop Mu- seum" im nordrhein-westfälischen Gronau dokumentiert das Lebenswerk der Band, die auszog , um Geschichte zu schreiben. KLAUS MEINE (Sänger der Scorpions): Wenn man durch die Ausstellung geht, dann füllen sich diese 40 Jahre mit Leben, an so vielen Zeitabschnitten und mit so vielen Dokumenten. SPRECHERIN: Auf 650 Quadratmetern zeigt das Museum Exponate aus vier Jahrzehnten, darunter Bühnen-Outfits , Plakate legendärer Konzerte, bisher nie gezeigte Fotos, Musikinstru- mente, Gold - und Platinplatten sowie Filme aus der Anfangszeit. KLAUS MEINE: Das waren wirklich Jahre, die die Foundation gelegt haben, den Grund gelegt haben für eine spätere Weltkarriere, wo man wirklich … wo man gespürt hat, da sind die richtigen Leute zusammen, da ist die … die Chemie ist stark, das sind alles Musiker, die wirklich bereit sind, alles dafür zu geben und wirklich diesen Traum zu leben . SPRECHERIN: Der Traum beginnt Mitte der 60er Jahre, als Schüler eine Band in der Nähe von Hannover gründen. Die Musiker um Gitarrist Rudolf Schenker, hier ganz rechts im Bild, sind von der englischen Beat- und Rockmusik infiziert. Wie ihre Vorbilder – die Rolling Stones oder die Small Faces – wollen sie hoch hinaus . -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Close Only Counts
-----------------------------------------Spins --------------------------------------- Wooden Nickel Washed Out CD of the Week Within and Without BACKTRACKS $9.99 With the Sub Pop-issued Within Scorpions and Without, Washed Out’s honcho Animal Magnetism (1980) Ernest Greene becomes the latest in a seemingly endless line of New Released in 1980, this is the seventh Saviors of Sound. The vibe and ap- Scorpions album. It followed 1979’s peal here, however, really isn’t that commercially successful Lovedrive. The complex: Greene sings quite a bit Scorpions had reasonable success in Eu- like Panda Bear, a droning vocal rope and Japan, but this release and the backed by distant echoes. If he sounded any more like the Panda, single “The Zoo” gave them a global fan he’d have to pay the man royalties, his whimsy less and his melody base and put them on radio playlists throughout America. more. In 40 minutes, this record will take you into the twin heavy- The music of Within, however, is slightly more complex than metal guitars of Rudolf Schenker and Mathias Jabs (who replaced $9.99 Greene’s derivative vocal appeal. Keyboard and synth layers stack Jon Roth in ’78), to the gushy rock ballads from vocalist Klaus high, creating an atmospheric backdrop that’s driven by programmed Meine. I’d classify the group as hard rock, though most of the riffs KRIMSHA drums and buried baselines. You don’t really hear guitar riffs, horns, the band lays down have even tempos and rock arrangements and MAKE: BELIEVE piano or even strings on this record. The sound here is straight syn- aren’t “heavy metal.” Opening with “Make It Real,” the quicker “Don’t Make No The long wait for Krimsha’s full-length thetic, a vibe that, vocals aside, resembles Enigma more than it does, debut album is over. -
Women and Rock Music1
Atlantis Vol. 10 No. 1 Fall/ Automne 1984 Women and Rock Music1 Deborah Harding New Zealand and Emily Nett The University of Manitoba ABSTRACT Rock music is the most misogynistic and aggressive form of music currently listened to. Women's place in it since the 1950's is described and analyzed in this article. Rock music was originally a working-class male challenge to the established symbolic order. In terms of the revenue generated by the industry thirty years later, it is the most important cultural expression of popular music. The enterprise is almost exclusively male, the majority of listeners are male, and even though women singers contributed in the early 1960's, there have been only a few female performers. An analysis of feminine representations in rock music lyrics and album covers in 1981 reveals a variety of male-identified images of women. In view of the cultural context in which rock music originated and the industry developed, the recent penetration by a few more women into the industry raises questions about whether numbers will continue to increase and, even if they do, whether rock music constitutes an appropriate voice in which women can authentically express themselves. Women's images—especially those we Music, unlike many other forms of media, is a choose ourselves—can both reflect and deter• direct expression of ideas. For this reason it pro• mine the economic and political parts we vides a wealth of information about women play in society. (Flora, 1979) since they most often are the subject of songs. From classical tunes with mermaids luring sai• Although the statement was made in conj unc• lors to their deaths, to country and western tunes tion with an investigation of women's reflec• with wives and their cheating hearts, women tions in magazine fiction, it applies as well to and the roles they play, or are expected to play, in other types of media. -
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Name: Niraj Singh ACOUSTAMIND Hometown: Mumbai Genre: Electronic Dance Music: Psytrance, Dark Progressive Likes (Facebook): 1270 likes About: Acoustamind - is Niraj Singh who is born and bred from Bombay, India. Niraj got acquainted with disc joking at a very tender age of 16. In his Djing journey, he was hit by the psychedelic music wave in 2005 which gave birth to his psychedelic project “Psyboy Original” under which he performed in several events and festivals throughout India. Completed his “Audio Engineering” from the prestigious SAE institute in the year 2012 to deepen his understanding of music production and is currently pursuing Acoustical instruments. He spends majority time of the day in his studio (Rabbit Hole Soundlab), producing music which consists of dark and harmonic atmospheres, deep and powerful bass lines, psychedelic melodies and synthesized rhythms. His music is a smooth blend of familiar Sounds from the nature and unheard Alienated sounds. “Acoustamind” as a project believes and focuses on working with collaboration with various artists like Karran, Shishiva, etc to produce music with cross collaboration of creative ideologies. Niraj has shared the stage with many senior artists of the dark and forest psychedelic trance genre on numnerous occasions in Goa and other parts of India. Acoustamind’s objective is to spread UNBOUNDED FRESH BREATHTAKING AND BRAIN TRANSFORMING ELECTROMAGNETIC WAVES with a humble smile through SOUNDCARPETS MELTED WITH PHAT KICKS AND ULTRAUEBERROLLING GROOVY BASSLINES and wishes to travel the world. http://bhooteshwara.com/artist/acoustamind/ http://soundcloud.com/…/acoustamind-vs-kosmic-baba-bad-robot Name: Ovnimoon records ALPHATRANCE Hometown: Toulouse, France Genre: Psychedelic trance, Progressive trance Psytrance, Trance Likes(Facebook): 10,588 About: Dj Alphatrance (Ovnimoon Records) is DJ who is spiritually enlightened by Buddhism.