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The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Dazed N Confused Song List
Dazed n Confused Song List Ozzy Osbourne - Crazy Train - Solo’s, Paranoid 163 Whitesnake - Still of the Night -100 - Solo’s Aerosmith - Walk this Way 109 - Sweet Emotion 99 Uriah Heep - Easy Living 161 Robin Trower - Day of the Eagle 132, No time 127 Joe Walsh - Rocky Mountain Way 83 Molly Hatchet - Dream 106, Flirting w/ Disaster 120 April Wine - Roller 141, Sign of the gypsy queen 138 Rush - Tom Sawyer 175, Limelight 138 Bob Seeger - Strut 116 Ratt - Round and Round solo’s 127, Van Halen - Panama 141, Beautiful Girls 205, Jump 129, Poundcake 105 Thin Lizzy - Jailbreak 145 Rick Derringer - Rock n Roll Hoochie Koo 200 Billy Idol - Rebel Yell 166 Montrose - Space Station #5 168 Led Zeppelin - Immigrant Song 113, (Whole Lotta Love, Bring it on Home, How Many More Times) Foghat - I Just Wanna Make Love to You 127, Slowride 114, Fool for the city 140 Ted Nugent - Stranglehold, Dog Eat Dog 136, Cat Scratch Fever 127 Neil Young - Rockin in the Free World 132 Heart - Barracuda 137 James Gang - Funk 49 91, Walk Away 102 Poison - Nothin But a Good Time 129, Talk Dirty to Me 158 Motley Crue - Mr. Brownstone106, Smokin in the boys room 135, Looks that kill 136, Iron Maiden - Run to the Hills 173 Skid Row - Youth Gone Wild 117 ZZ Top - Tush, Sharped dressed man 125 Scorpions - Rock You Like a Hurricane 126 Grand Funk Railroad - American Band 129 Doucette - Mamma Let Him Play 136 Sammy Hagar - Heavy Metal, There’s only one way to rock 153, I don’t need love 106 Golden Earring - Radar Love -
An Introduction to Authentic Public Speaking
An Introduction to Authentic Public Speaking www.presencetraining.co.uk Contents Introduction 3 Principle 1 – It’s all about you, but not in the way you think 4 Principle 2 – Don’t try to control your feelings 5 Principle 3 – Make (the right sort of) eye contact 7 Principle 4 – See and be seen 9 Principle 5 – Trust the silence 11 Principle 6 – Don’t forget to breathe 13 Principle 7 – The connection is more important than the content 15 So now what…? 17 Further reading 18 2 Introduction Welcome to this introductory guide to authentic public speaking. What we’re aiming to introduce to you here is a radically different and astonishingly effective way of doing public speaking. One that blew me away and delighted me when I first discovered it. The foundation for this approach is an understanding that relationship is at the heart of what it means to be human, and that if we get the relationships right everything else follows. And that public speaking is no exception. So, this is public speaking viewed as an act of relating to others – something we do with others - not to others. From this point of view public speaking is a co-created act. We create an event of public speaking with our audience. Yes, we have different roles – the speaker and the audience, yet we are both listening to each other and both responding. What we’ve tried to do in this guide is to encapsulate most of the main principles that we cover in the first 2 days of our Foundation training. -
2019 USCCP Tournament and Event Schedule
2019 USCCP Tournament and Event Schedule Date Type Name Cost GG Contact Phone E-Mail Jan. 5 to Jan. 6 Adult Softball New Year's Bash $300 4 Kyle Thomson [email protected] Jan. 12 to Jan. 13 Jan. 19 to Jan. 20 Jan. 26 to Jan. 27 Adult Softball The Yeti (M/W) 295 4 MPRD/Chris Shaull 541-774-2407 [email protected] Feb. 2 to Feb. 3 Feb. 9 to Feb. 10 Feb. 16 to Feb. 17 Adult Softball Home Runs 4 Hearts (Co-Ed) 295 4 MPRD/Chris Shaull 541-774-2407 [email protected] Feb. 23 Youth Baseball Groundhog Grand Slamboree 200 2 MPRD/Chuck Hanson 541-774-2481 [email protected] Mar. 2 to Mar. 3 Adult Softball Holiday RV Classic 295 Ken Parducci 541-840-6534 [email protected] Mar. 9 to Mar. 10 Mar. 16 to Mar. 17 Youth Baseball March Mayhem 400 3 MPRD/Chuck Hanson 541-774-2481 [email protected] Mar. 23 to Mar. 24 Fastpitch Spring Fling 400 4 MPRD/Chuck Hanson 541-774-2481 [email protected] Mar. 25 to Mar. 26 Fastpitch Medford Spring Break Classic 4 Mike Mayben 541-646-0405 [email protected] Mar. 28 to Mar. 29 Adult Softball Northwest Travel League (70+) Ted Schroeder 541-773-6226 [email protected]@charter.net Mar. 30 to Mar. 31 Adult Softball Northwest Travel League (50+)(63+) Randy Schmelzer 541-690-4813 [email protected] Apr. 6 to Apr. 7 Youth Baseball Spring Classic 400 3 MPRD/Chuck Hanson 541-774-2481 [email protected] Apr. -
Broadcast Print Digital
MEDIA WATCH October 2017 Visit St. Pete/Clearwater BROADCAST Program Dates Details Impressions Notes May 2017 - May 2018 (36 flighted weeks of: 5/29-6/26; 7/10-7/24; 8/7- National Public Radio (NPR) 8/21; 9/4-9/18; 10/2-10/16; 10/30- :15 Spot Schedule in key programs 252,700,000 Network Radio 11/13/17 -- 1/1-3/19; 4/2; 4/16; 4/30; 5/14/18 Partnership Added Value: Ask Me Another: 6/2/17, 8/18/17, 10/6/17, 12/1/17, 2/2/18, 4/6/18 -- Wait Wait Don’t Tell Me: AMA: 6/2, 8/18, 10/6, 12/1/17, 2/2, 7/22/17, 9/16/17, 11/4/17, 1/13/18, 3/31/18, 5/5/18 -- Amazon National Public Radio (NPR) 4/6/18 -- WWDTM: 7/22, 9/16, 11/4/17, Alexa Podcast, plays on access (6/1/17-5/18/18) -- Digital 252,700,000 Network Radio 1/13, 3/31, 5/5/18 -- Alexa on access Banners: Desktop – Run of Site300x600 Display Banner; (6/1/17-5/18/18) Smartphone/Tablet: In-Story Banner 600x500 Mobile Banner; WWCTM Chicago Taping - Cater the show and mention on-air Brand spot rotation plus :10 spots in News Inventory/ consistent positioning (right after Clearwater Jazz (10/2- WESH (NBC) ORLANDO TV 8/21/17 to 8/20/18 (Annual Campaign: weather) in five program areas – M-F 6-7a (5 spots), M-F 4-5p (5 10/18) and John’s Pass News Sponsorship Campaign 23 spots per week) spots), M-F 5-6p (5 spots), Sa/Su 6-8a (4 spots) and Sa/Su 8-10a Seafood Festival (10/16 - (4 spots) 10/25). -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
MTO 21.1: Hough, Elements of Style in Stevie Nicks
Volume 21, Number 1, March 2015 Copyright © 2015 Society for Music Theory Elements of Style in Three Demo Recordings by Stevie Nicks Matthew T. Hough NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.15.21.1/mto.15.21.1.hough.php KEYWORDS: rock, pop, harmony, composition, Stevie Nicks, Fleetwood Mac ABSTRACT: This article examines demo recordings of three songs by Stevie Nicks in terms of compositional style and in relation to conventions of rock harmony. Sections from two of Nicks’ unreleased solo demo recordings are compared to publicly released versions of the same songs, revealing distinctive stylistic elements and their subsequent normalization. Compositional applications for rock music based on structural and contrapuntal techniques found in these demo recordings are also presented. Received January 2015 Introduction [1.1] Stephanie “Stevie” Nicks (b. 1948 in Phoenix, Arizona) is one of rock’s best known female performers of the last fifty years. Despite her many decades of fame, investigation into Nicks’ work as a composer remains scarce. This is perhaps not due to a lack of interest; her close association with numerous collaborators—most notably, guitarist Lindsey Buckingham and other members of the band Fleetwood Mac—often makes pinpointing Nicks’ individual compositional traits difficult. As released to the public, Nicks’ songs invariably contain significant contributions from these collaborators in the form of instrumental or vocal arrangements and production. Recently, examples of Nicks’ unreleased demo recordings have begun to appear on YouTube and various file-sharing sites. In many of these recordings, Nicks is heard singing and playing a keyboard instrument without additional accompaniment. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
The Making of Middle Indonesia Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde
The Making of Middle Indonesia Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Edited by Rosemarijn Hoefte KITLV, Leiden Henk Schulte Nordholt KITLV, Leiden Editorial Board Michael Laffan Princeton University Adrian Vickers Sydney University Anna Tsing University of California Santa Cruz VOLUME 293 Power and Place in Southeast Asia Edited by Gerry van Klinken (KITLV) Edward Aspinall (Australian National University) VOLUME 5 The titles published in this series are listed at brill.com/vki The Making of Middle Indonesia Middle Classes in Kupang Town, 1930s–1980s By Gerry van Klinken LEIDEN • BOSTON 2014 This is an open access title distributed under the terms of the Creative Commons Attribution‐ Noncommercial 3.0 Unported (CC‐BY‐NC 3.0) License, which permits any non‐commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of KITLV (Royal Netherlands Institute of Southeast Asian and Caribbean Studies). Cover illustration: PKI provincial Deputy Secretary Samuel Piry in Waingapu, about 1964 (photo courtesy Mr. Ratu Piry, Waingapu). Library of Congress Cataloging-in-Publication Data Klinken, Geert Arend van. The Making of middle Indonesia : middle classes in Kupang town, 1930s-1980s / by Gerry van Klinken. pages cm. -- (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, ISSN 1572-1892; volume 293) Includes bibliographical references and index. ISBN 978-90-04-26508-0 (hardback : acid-free paper) -- ISBN 978-90-04-26542-4 (e-book) 1. Middle class--Indonesia--Kupang (Nusa Tenggara Timur) 2. City and town life--Indonesia--Kupang (Nusa Tenggara Timur) 3. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-15-1999 Columbia Chronicle (11/15/1999) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/15/1999)" (November 15, 1999). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/459 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. • • ' • t .... ' VOLUME 3 3,NUMBER 8 COLUMBIA COLLEGE CHICAGO MONDAY. NOVEMBER 15, 1999 CAMPUS VITALITY SPORTS America Online chief BadAlTS 111 thl' The Creature Feature heralds "l11c Internet Age" Rose Bowl a,lf.Uil:' PAGE2 INSIDE BACK PAGE . RcCEIVEC Threat of repay1ng grants ,. · ~ · 1 'J J999 for college drop-outs DANIELLE HAAS who withdrawals from college. Staff Writer Under the new law, colleges will return any portion of student aid that doesn't cover the period in which Under a new rule proposed by the U. S. Department the student was enrolled. of Education, students will be forced to repay Pell Because the new law is so complex, the U. S. Grants and other federal aid that they don't use for Department of Education will provide software and educational purposes, if they don't complete the worksheets to all colleges so that it may caculate the semester for which the financial aid is rendered.