DOCSLIB.ORG

The Ithacan, 1975-10-09

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ithacan, 1975-10-09 Ithaca College Digital Commons @ IC The thI acan, 1975-76 The thI acan: 1970/71 to 1979/80 10-9-1975 The thI acan, 1975-10-09 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1975-76 Recommended Citation The thI acan, "The thI acan, 1975-10-09" (1975). The Ithacan, 1975-76. 7. http://digitalcommons.ithaca.edu/ithacan_1975-76/7 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1975-76 by an authorized administrator of Digital Commons @ IC. ·-oc tober 9, 1975 ·vol.~49/ No. 7 lth,aca-·college lt.haca ,.New York published'independentfyby the·student$· of- ttb~ca Colleg·e ' -< -- - • • .. •• -.! ... - . ' Taylor Concert C,tncelledAt;:$300 Loss; · Pressure From U-iiicorn Alleged Reason ~y Paul Stern was playing at the U_nicorn. " __ Ithaca College the same ·11ight the . (The full-context oITh~ Bureau of Unicorn had· scherl°uled Living­ The James Taylor Concert Concert's statement is published ston .. planned for October 18" has been on page 5). Upon notification of the cancelled. The previously ar­ The Bureau of Concerts cancellation from· Supreme Art­ rangeJI performance of his bro­ charges that Unicorn president ists. the Bureau of Con·certs ther, Livingston. at the Unicorn Robert Davis " ... wanted Living­ attempted to find a viable way to forced James' booking agency, ston's manager to ask James' salvage the concert. International Creative Manage- manager not to accept our (the An attempt was made to • ment (ICM) to renege on ·a verbal college's) offer on the grounds switch concert dates with SUNY agree.ment with the college, said that it would hurt the Unicorn Plattsburg who had booked Bureau of Concerts Chairman Al -financially and hurt Livingston's James Taylor.for October 19, but Metauro. ' career." They further expressed iUail(•d. "The Bureau of Concerts . the belief that both Livingston Thej3ureaL1 of Concerts then regrets to announce the Jame-:; and his manager disagreed with cont('mplated moving the concert Tavlor Concert has heen can­ the logic put f2,rth by Davis, but time to 6 pm so as not to conflict celled." It was rn;>t the easiest that Davis' telephone call to with the Livingston Taylor per­ thing for Metauro to say. James Taylor's personal man­ formance at the Unicorn . .James According to the Bureau of ager. Peter Asher, in which he, Taylor's management turned Concerts ;,On Thursday,.. Octo­ according to the Bureau of down that offer. · her 2, even_ though the contracts Concerts " ... led Mr. Asher to They also looked into the had arrived, we were informed helieve that he had support of possibility of huying out Living­ hy (Ithaca College's agent) Su­ !Livingston Taylor's agent) Don 'ston's contract fron1·the Unicorn. preme Artists that James Taylor Law. agency and Livingston This too fail£>d. ,\ssociation suhrnittt-d a hid of 0<"toh(•r 1~ at ~t. Johns l 'ni\'l'r would not play at Ithaca College Taylor" forced Asher not to allow . In the meanwhile, Jim Kra­ $15,000 to Jamt>s Taylor'-; man· ..,j1_,· in Nt>w York Cit,,·. hecause his brother,__ Livingston, ....Ja~es Taylor to perform at mer of (;olleg-iate Ente_rtainment ag-Pment for hinr to appear on continued 011 paqe six WICB-Beco.mes Parties On Campus ~equested To End Earlier . Partying Q'l the Ithaca Col­ putt-ing- it ·into .the- Judicial Codl' t hl' Saf!'ty orfirt•rs ask ca1i' rt•!sult ,( S(~t_i<J_~-~-- .. -__ Major . '' ............ _... .. -- .~Atea.. , : ' . lege·l!aqrpus.:tnust come to a halt through pro~r channels, Peria­ in ehargl·~ of SP1·tion L 1. 1 oft hl' by 11:30 p.m. Sunday through las dassified.it as a "request". ,Judi\'ial Code: failun• to comply ByToniSomma will not do" said John ~e~hisho­ Thursday nigh_!§, and 2:00 a.m. Reasons hl'hind the request. ,, il h t lw n•asonahll' rl'qUl'St-; of glou, Dean. of· the School· of on Friday· a'nd Saturday nights, said l't>rialas, art• "to give peopll' l'Ol11·~1· ol'fi1·ials. WICB-FM is in the ·process CQmmunications. Vice President of Student and in thl' building a l'hance to slcl'p L1q11or on <"am pus l'an not he of boosting their power from . · The new line of programing Campus Affairs Gus Perialas if t ht>v so wish." ~,·n 1·d aftl·r I a.m. That is a 10-5500 watts. The power boost will center around fom: specific confirmed Tuesday. .i\.lthough the request is not :-.tipulat ion in the liquor license will result in a huge increase of areas. Keshishoglou described In addition, alchohol can not off(eiallv an amendment to the on!' must apply for land have) at area that the station will reach. · them as instructional and educa­ he served at· social functions .Judil·iai Code, it can still he anv fundion when• money is They eventually will be tional programs. Min.ority pro­ anywhere on campus after 1 a.m. Pnforl0 t'CI. According to Perialas, us;•d. If admission is free and serving the entire Tompkins grams, which he explained · as ThG statement-;"'"however, is just SafPt,V will appear at p:irties at drink" sold Sl'par:itl'ly, or the County area and on fair weather specialized groupc;, whose inter­ a reminder of th'e Alchoholic approximately 11 ::JO p.m. week­ pri1·1· of admission entitles tbl' days. as far as CoJ;tland. After ests are not served · by other Beverage Commission's rules as nighh, and ask that it he hroken part.\' ~ol'r to drinks. or door the, increase WICB-FM will be stations, Music and News will tht>y apply to liquor licenses for up. There is then a half-hour pri1/I'" arl' sold, I hi' sponsoring more poweF-ful than WVBR, also receive more · extensive ltha<·:i, New York. gr;ll'l' pl·riod, hut failure_ lo do:as lco11tinue<i on page 31 which operates on 3000 watts. treatment. The new "noise amendment" Installation of a tower which - The reason for this type of applies ta· parties and any· will house "the transmitter was programming, says Keshishog- organizt·d social function taking Cream Store Becomes Ic·e' . completed last Friday. The . lou, is that "the increase in placP in a huilding with living . .structure is located behind South power _will· make the station qpartcrs attached to it. P~rialas Hill and .can be seen above the · reach more of the community." gav~e as examples dorm lounges, Subject Of Investigation tree tops, to the left of the Advantages of the increased and the Terrace a·nd Towers Towers. power are many-fold, according cafeterias.· The Union would By Andy Friedman and store, VicP-Pr('sident for Stu­ Plans for the 5500 watt to the Dean, "A radio station is follow its own closing hours, as it Paul Stern dent and Campus Affairs Gus boost, which have .been-·in the an important and integral part of is not adjacent to living facilities. Pe rial as said yesterday. making for several years, ·were the TV-R major" he stated. "I~ The - "amendment" is not Ithaca College will very Perialas does not know what sparked by an F.C.C. decision to would give the- student a· qiore really an amendment al all, shortly "take action" against the typl' of "action" will ht> taken, review all ten watt stations. The · meaningful expe~ience.": Kes~i!!- Pcr'i~las- .-pointed .. out.. Not manager-owners of Lick-It, the hut said the College "is not abundance. of small stations are (con_~in~ed ()11,_page 2) ;· · w~~tirig_t~ µlake ii. "legalistic", hy stud_~nt operated I ice cream pleased" with Lhe situation thaL occupying valuable space and are· now exists. not re.aching :populations sizeable . · Thl' situatio:i is l hat no one -enought to merit their· existence. l'Xal'tly knows who presPnlly . The School of Communica­ owns the i1·1• 1·r!'am 1·nopc,at ivl' . ' tions, to which the radio station "What we havl• hPre is three · pl:1y's. a -significant ro_le,. sought . st.udent!s using Coll£>ge space for fu!)ds for the p_roject. _The.major - . a priv!J.t(• com·t•rn," Peria las .donations came from'members of . · ·'stated. -- the . alumni, m'embers of'' the,_ : ' ·There are three possibilities Board· of ·.Tr_us~ees, specifi~ally· .'· ·. concerning the future owner,hip Michael -Hanna, .and the lat~ ·Rod ·. :· of the Store, determined aftt'r a Serling.' . ,-. ~-,. meeting between· Perialas, Stu­ Additional- -funds are- being.- ·:: 1 dent Body President Richard ' sot,lght to ' ;support., the new··', ;: Otis, and Business Manager for ' programming,:~ which· will :·stem ::·i J,ic·k-lt Mary Beth White . .fromt: he PO"'.er increase. : '' ·. ', .,! The possibilities outlined hy ' > The· :F.,<;;c. ·requir4?S,,,that.,,,- :. Pcrialas are: that .Lick-It could station.s,9Ji~iiting on .5500··w.~u~·- ,:·.: be a private husiness owned hy­ remain on~ihe air.at"least sixteen-.;,'_, thrce students. Should the : h'oJrs per. day~:-Prese_ntly, WICB')'. College he willing to rent them : . broadcasts ~eh .hol!r-1? a.'.d.l!:Y, ._from.·::::·: the space they are presently 1 :00-10:00, .a.m:- ,and ·-from" 6.:-0<V< occ1,1pying {if such SP,acc remains · p. m ;' .. ,< "2:00 ·a f rn; _; :., Tbe:,: nell( ( ,~ available), they may be permit­ .progra'1) -will' t:ilf: in-:~~f'mfd_ijay(,~;- ' tcd to remain on campus.
Load more

Recommended publications
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • E08bff68148321589893341.Pdf
    Brevard Live January 2017- 1 2 - Brevard Live January 2017 Brevard Live January 2017- 3 4 - Brevard Live January 2017 Brevard Live January 2017- 5 6 - Brevard Live January 2017 Contents January 2017 FEATURES SEAFOOD & MUSIC FESTIVAL PETER YARROW Now held at Shepard Park in Cocoa Columns Beach, the festival features the freshest Peter Yarrow found fame with the 1960s Charles Van Riper folk music trio Peter, Paul and Mary. seafood along with some amazing live entertainment: mega-star, singer- and 22 Political Satire Yarrow co-wrote (with Leonard Lipton) “The Column” one of the group’s greatest hits, “Puff, songwriter, legend John McLean and the Magic Dragon”. reggae legends, The Original Wailers. Page 17 Calendars Page 11 25 Live Entertainment, Concerts, Festivals TRAVIS DAIGLE IRELAND The next generation of “guitar heroes Take yourself to another time and place Local Download in the making” has arrived. Meet Travis and drink in the history of the enchant- by Andy Harrington Daigle who has recently recorded an EP 33 ing Emerald Isle. You haven’t been to Local Music Scene with the help of rock legends David Pas- Ireland until you’ve experienced all the torius and Kenny “Rhino” Earl. They are drunk, the loud, and the wild there is to In The Spotlight featured on our cover this month. offer. John Leach was among them. 35 by Matt Bretz Page 13 Page 17 Flori-duh! TITUSVILLE MARDI GRAS ANDY STANFIELD 36 by Charles Knight Historic downtown Titusville will trans- We first met Andy in 2012 when he ap- form into a New Orleans style French peared with his band Pipes of Pan during The Dope Doctor Quarter during the Titusville Mardi Gras the Original Music Series.
    [Show full text]
  • An Introduction to Authentic Public Speaking
    An Introduction to Authentic Public Speaking www.presencetraining.co.uk Contents Introduction 3 Principle 1 – It’s all about you, but not in the way you think 4 Principle 2 – Don’t try to control your feelings 5 Principle 3 – Make (the right sort of) eye contact 7 Principle 4 – See and be seen 9 Principle 5 – Trust the silence 11 Principle 6 – Don’t forget to breathe 13 Principle 7 – The connection is more important than the content 15 So now what…? 17 Further reading 18 2 Introduction Welcome to this introductory guide to authentic public speaking. What we’re aiming to introduce to you here is a radically different and astonishingly effective way of doing public speaking. One that blew me away and delighted me when I first discovered it. The foundation for this approach is an understanding that relationship is at the heart of what it means to be human, and that if we get the relationships right everything else follows. And that public speaking is no exception. So, this is public speaking viewed as an act of relating to others – something we do with others - not to others. From this point of view public speaking is a co-created act. We create an event of public speaking with our audience. Yes, we have different roles – the speaker and the audience, yet we are both listening to each other and both responding. What we’ve tried to do in this guide is to encapsulate most of the main principles that we cover in the first 2 days of our Foundation training.
    [Show full text]
  • GSN Edition 01-01-13
    Happy New Year The MIDWEEK Tuesday, Jan. 1, 2013 Goodland1205 Main Avenue, Goodland, Star-News KS 67735 • Phone (785) 899-2338 $1 Volume 81, Number 01 8 Pages Goodland, Kansas 67735 weather report 21° 9 a.m. Saturday Today • Sunset, 4:34 p.m. Wednesday • Sunrise, 7:07 a.m. The dry conditions in 2012 contributed to numerous County Roads 20 and 54. The fire was one of several often hampered firefighting efforts. • Sunset, 4:35 p.m. fires, such as this one in a stubble field in June near believed to have been started by lightning. High winds Midday Conditions • Soil temperature 29 degrees • Humidity 54 percent • Sky sunny • Winds west 10 mph Drought, bricks are top stories • Barometer 30.23 inches and rising Was 2012 a year of great change? cember added to the total precipita- • Record High today 70° (1997) Or a year of the same-old same- tion. As of Dec. 28, Goodland had • Record Low today -15° (1928) old? A little bit of both as it turned seen 9.52 inches of precipitation out. The Goodland Star-News staff during 2012, making it not the dri- Last 24 Hours* has voted on the top 10 local news est year on record. The Blizzard on High Friday 27° stories of 2012. Stories 10 through Dec. 19 pushed Goodland over the Low Friday 1° six appeared in the Friday, Dec. 28, edge. 1956, which saw 9.19 inches, Precipitation none paper. The top five stories of the year remains the driest year. This month 0.50 appear below.
    [Show full text]
  • 10 Questions Everyone Should Ask About California's Prison Realignment
    DOI 10.1515/cjpp-2013-0011 Calif. J. Politics Policy 2013; 5(2): 266–306 Joan Petersilia* and Jessica Greenlick Snyder Looking Past The Hype: 10 Questions Everyone Should Ask About California’s Prison Realignment Abstract: California’s Criminal Justice Realignment Act passed in 2011 shifted vast discretion for managing lower-level offenders from the state to the county, allocated over $2 billion in the first 2 years for local programs, and altered sen- tences for more than 100,000 offenders. Despite the fact that it is the biggest penal experiment in modern history, the state provided no funding to evaluate its overall effect on crime, incarceration, justice agencies, or recidivism. We provide a frame- work for a comprehensive evaluation by raising 10 essential questions: (1) Have prison populations been reduced and care sufficiently improved to bring prison medical care up to a Constitutional standard? (2) What is the impact on victim rights and safety? (3) Will more offenders participate in treatment programs, and will recidivism be reduced? (4) Will there be equitable sentencing and treatment across counties? (5) What is the impact on jail crowding, conditions, and litiga- tion? (6) What is the impact on police, prosecution, defense, and judges? (7) What is the impact on probation and parole? (8) What is the impact on crime rates and community life? (9) How much will realignment cost? Who pays? (10) Have we increased the number of people under criminal justice supervision? Keywords: prison realignment; California corrections; criminal justice; prisons; probation and parole; Jails; victim’s rights; penology. *Corresponding author: Joan Petersilia, PhD, Adelbert H.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • Wheeler Winston Dixon
    WHEELER WINSTON DIXON Curriculum Vitae EDUCATION: 1980 - 82 Ph.D. Rutgers University, New Brunswick, NJ Major Focus: 20th Century American and British Literature; Film Studies. 1976 - 80 M.A., M.Phil. Rutgers University, New Brunswick, NJ 1969 - 72 A.B. Livingston College, New Brunswick, NJ APPOINTMENTS HELD: 2010 – Present Coordinator, Film Studies Program 2003 – 2005 Coordinator, Film Studies Program 2000 – Present James P. Ryan Endowed Professor of Film Studies 1999 – 2003 Chairperson, Film Studies Program; Professor, English, University of Nebraska, Lincoln. 1997 Visiting Professor, Department of Communications, The New School University, New York, Summer, 1997. 1992 - 1998 Chairperson, Film Studies Minor; Professor, English, University of Nebraska, Lincoln. 1988 - 1992 Chairperson, Film Studies Program; Associate Professor, English, University of Nebraska, Lincoln. 1984 - 1988 Assistant Professor, English and Art, University of Nebraska - Lincoln. 1983 Visiting Professor, Film Studies, The New School for Social Research, New York, NY. 1974 - 1984 Instructor, English, Rutgers University, New Brunswick. 1969 - 1972 Instructor, Film Studies, Department of Art, Livingston College. COURSES TAUGHT: 2013 Film History, Film Genre: Action and Suspense, 1960s Outlaw Cinema 2012 Film History, Film Genre, Contemporary World Cinema, Science Fiction 2011 Film History, Film Genre, Film Theory 2010 Film History, Film Genre: The Musical, Noir Films 2009 Film History, Film Genre: The Western, Science Fiction Films 2008 Film History, Film Genre: Classic
    [Show full text]
  • SATURDAY EVENING AUGUST 7, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Magnum P.I
    SATURDAY EVENING AUGUST 7, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Magnum P.I. ’ 48 Hours ’ 48 Hours ’ CBS 2 News at 10PM Retire NCIS “Perennial” ’ NCIS: New Orleans ’ 4 83 2020 Tokyo Olympics Marathon, Track and Field, Diving, Basketball. (N) (Live) News 2020 Tokyo Olympics 5 52020 Tokyo Olympics Marathon, Track and Field, Diving, Basketball. (N) (Live) News 2020 Tokyo Olympics 6 6Boxing PBC: Cody Crowley vs. Gabriel Maestre. FOX 6 News at 9 (N) News (:35) Game of Talents (:35) TMZ ’ (:35) Extra (N) ’ 7 7Funniest Home Videos Shark Tank ’ The Good Doctor ’ News at 10pm Castle ’ Castle ’ Paid Prog. 9 9Friends ’ Friends ’ Friends Friends Weekend News WGN News Potash Two Men Two Men Mom ’ Mom ’ Mom ’ 9.2 986 Hazel Hazel Jeannie Jeannie Bewitched Bewitched That Girl That Girl McHale McHale Burns Burns Benny 10 10 Father Brown ’ Agatha Christie’s Poirot Death in Paradise ’ Austin City Limits ’ Doctor Who “Nightmare of Eden” Burt Wolf Father 11 Father Brown ’ Death in Paradise ’ Shakespeare Professor T Unforgotten Downton Abbey on Masterpiece ’ 12 12 Funniest Home Videos Shark Tank ’ The Good Doctor ’ News Big 12 Sp Entertainment Tonight (12:05) Nightwatch ’ Forensic 18 18 FamFeud FamFeud Goldbergs Goldbergs Polka! Polka! Polka! Last Man Last Man King King Funny You Funny You Smile 24 24 Heartland ’ Murdoch Mysteries ’ Ring of Honor Wrestling World Poker Tour Game Time World 414 Video Spotlight Music 26 Burgers Burgers Family Guy Family Guy Family Guy Burgers Burgers Burgers Family Guy Family Guy Jokers Jokers ThisMinute 32 13 Boxing PBC: Cody Crowley vs.
    [Show full text]
  • Siletz News Presorted Confederated Tribes of First-Class Siletz Indians Mail SILETZ NEWS P.O
    Siletz News Presorted Confederated Tribes of First-Class Siletz Indians Mail SILETZ NEWS P.O. Box 549 U.S. Postage Siletz, OR 97380-0549 Paid - Permit No. 178 Delores Pigsley, Salem, OR Confederated Tribes of Siletz Indians Tribal Chairman Vol. 49, No. 4 April 2021 Mike Kennedy, Interim General Manager and Editor-in-Chief ‘Moccasin Telegraph’ finds new life as source of vaccine information for Tribes Once leery of federal health initiatives, erated Tribes of Siletz Indians – are on a Dee Pigsley, chairwoman of the Con- “We’ve vaccinated the clinic staff, our Native Americans embrace COVID-19 mean streak. federated Tribes of Siletz Indians, says she essential staff, elders. So we’re working vaccines as way to protect communi- According to Cherity Bloom-Miller, was concerned the initial vaccine rollout down that priority list.” ties and families the Tribe’s clinical services director, CTSI was moving too slowly. But by late Janu- The CTSI is now looking to inoculate By Brian Bull, Underscore.news; origi- has vaccinated roughly one-quarter of the ary, they had enough Moderna vaccine casino workers over the next three weeks. nally posted March 10, 2021 5,547 enrolled members, and about one- allocated from the state for 300 people. The Chinook Winds Casino Resort has While the U.S. as a whole is just find- third of those who live in Oregon. As of “So we’ve been setting up appoint- just reopened, boding well for one of the ing its stride administering the COVID- Friday, the Tribal government had given ments for tribal members,” Pigsley con- Tribe’s biggest sources of revenue.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • Final EIR Page 1186 of 2369
    Attachment 3 - Final EIR Page 1186 of 2369 Attachment 3 - Final EIR Page 1187 of 2369 Attachment 3 - Final EIR Page 1188 of 2369 Attachment 3 - Final EIR Page 1189 of 2369 Attachment 3 - Final EIR Page 1190 of 2369 Attachment 3 - Final EIR Page 1191 of 2369 Attachment 3 - Final EIR Page 1192 of 2369 Attachment 3 - Final EIR Page 1193 of 2369 Attachment 3 - Final EIR Page 1194 of 2369 Attachment 3 - Final EIR Page 1195 of 2369 Attachment 3 - Final EIR Page 1196 of 2369 Attachment 3 - Final EIR Page 1197 of 2369 Attachment 3 - Final EIR Page 1198 of 2369 Attachment 3 - Final EIR Page 1199 of 2369 Attachment 3 - Final EIR Page 1200 of 2369 Attachment 3 - Final EIR Page 1201 of 2369 Attachment 3 - Final EIR Page 1202 of 2369 Attachment 3 - Final EIR Page 1203 of 2369 Attachment 3 - Final EIR Page 1204 of 2369 Attachment 3 - Final EIR Page 1205 of 2369 Attachment 3 - Final EIR Page 1206 of 2369 Attachment 3 - Final EIR Page 1207 of 2369 Attachment 3 - Final EIR Page 1208 of 2369 Attachment 3 - Final EIR Page 1209 of 2369 Attachment 3 - Final EIR Page 1210 of 2369 Attachment 3 - Final EIR Page 1211 of 2369 Attachment 3 - Final EIR Page 1212 of 2369 Attachment 3 - Final EIR Page 1213 of 2369 Attachment 3 - Final EIR Page 1214 of 2369 Attachment 3 - Final EIR Page 1215 of 2369 Attachment 3 - Final EIR LANDMARKS PRESERVATIONPage 1216 of COMMISSION 2369 Meeting Action Minutes Planning and Development Department Land Use Planning Division Date: Thursday, November 5, 2009 Time: 7:00 p.m.
    [Show full text]