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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
GSN Edition 01-01-13
Happy New Year The MIDWEEK Tuesday, Jan. 1, 2013 Goodland1205 Main Avenue, Goodland, Star-News KS 67735 • Phone (785) 899-2338 $1 Volume 81, Number 01 8 Pages Goodland, Kansas 67735 weather report 21° 9 a.m. Saturday Today • Sunset, 4:34 p.m. Wednesday • Sunrise, 7:07 a.m. The dry conditions in 2012 contributed to numerous County Roads 20 and 54. The fire was one of several often hampered firefighting efforts. • Sunset, 4:35 p.m. fires, such as this one in a stubble field in June near believed to have been started by lightning. High winds Midday Conditions • Soil temperature 29 degrees • Humidity 54 percent • Sky sunny • Winds west 10 mph Drought, bricks are top stories • Barometer 30.23 inches and rising Was 2012 a year of great change? cember added to the total precipita- • Record High today 70° (1997) Or a year of the same-old same- tion. As of Dec. 28, Goodland had • Record Low today -15° (1928) old? A little bit of both as it turned seen 9.52 inches of precipitation out. The Goodland Star-News staff during 2012, making it not the dri- Last 24 Hours* has voted on the top 10 local news est year on record. The Blizzard on High Friday 27° stories of 2012. Stories 10 through Dec. 19 pushed Goodland over the Low Friday 1° six appeared in the Friday, Dec. 28, edge. 1956, which saw 9.19 inches, Precipitation none paper. The top five stories of the year remains the driest year. This month 0.50 appear below. -
10 Questions Everyone Should Ask About California's Prison Realignment
DOI 10.1515/cjpp-2013-0011 Calif. J. Politics Policy 2013; 5(2): 266–306 Joan Petersilia* and Jessica Greenlick Snyder Looking Past The Hype: 10 Questions Everyone Should Ask About California’s Prison Realignment Abstract: California’s Criminal Justice Realignment Act passed in 2011 shifted vast discretion for managing lower-level offenders from the state to the county, allocated over $2 billion in the first 2 years for local programs, and altered sen- tences for more than 100,000 offenders. Despite the fact that it is the biggest penal experiment in modern history, the state provided no funding to evaluate its overall effect on crime, incarceration, justice agencies, or recidivism. We provide a frame- work for a comprehensive evaluation by raising 10 essential questions: (1) Have prison populations been reduced and care sufficiently improved to bring prison medical care up to a Constitutional standard? (2) What is the impact on victim rights and safety? (3) Will more offenders participate in treatment programs, and will recidivism be reduced? (4) Will there be equitable sentencing and treatment across counties? (5) What is the impact on jail crowding, conditions, and litiga- tion? (6) What is the impact on police, prosecution, defense, and judges? (7) What is the impact on probation and parole? (8) What is the impact on crime rates and community life? (9) How much will realignment cost? Who pays? (10) Have we increased the number of people under criminal justice supervision? Keywords: prison realignment; California corrections; criminal justice; prisons; probation and parole; Jails; victim’s rights; penology. *Corresponding author: Joan Petersilia, PhD, Adelbert H. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Wheeler Winston Dixon
WHEELER WINSTON DIXON Curriculum Vitae EDUCATION: 1980 - 82 Ph.D. Rutgers University, New Brunswick, NJ Major Focus: 20th Century American and British Literature; Film Studies. 1976 - 80 M.A., M.Phil. Rutgers University, New Brunswick, NJ 1969 - 72 A.B. Livingston College, New Brunswick, NJ APPOINTMENTS HELD: 2010 – Present Coordinator, Film Studies Program 2003 – 2005 Coordinator, Film Studies Program 2000 – Present James P. Ryan Endowed Professor of Film Studies 1999 – 2003 Chairperson, Film Studies Program; Professor, English, University of Nebraska, Lincoln. 1997 Visiting Professor, Department of Communications, The New School University, New York, Summer, 1997. 1992 - 1998 Chairperson, Film Studies Minor; Professor, English, University of Nebraska, Lincoln. 1988 - 1992 Chairperson, Film Studies Program; Associate Professor, English, University of Nebraska, Lincoln. 1984 - 1988 Assistant Professor, English and Art, University of Nebraska - Lincoln. 1983 Visiting Professor, Film Studies, The New School for Social Research, New York, NY. 1974 - 1984 Instructor, English, Rutgers University, New Brunswick. 1969 - 1972 Instructor, Film Studies, Department of Art, Livingston College. COURSES TAUGHT: 2013 Film History, Film Genre: Action and Suspense, 1960s Outlaw Cinema 2012 Film History, Film Genre, Contemporary World Cinema, Science Fiction 2011 Film History, Film Genre, Film Theory 2010 Film History, Film Genre: The Musical, Noir Films 2009 Film History, Film Genre: The Western, Science Fiction Films 2008 Film History, Film Genre: Classic -
The Ithacan, 1975-10-09
Ithaca College Digital Commons @ IC The thI acan, 1975-76 The thI acan: 1970/71 to 1979/80 10-9-1975 The thI acan, 1975-10-09 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1975-76 Recommended Citation The thI acan, "The thI acan, 1975-10-09" (1975). The Ithacan, 1975-76. 7. http://digitalcommons.ithaca.edu/ithacan_1975-76/7 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1975-76 by an authorized administrator of Digital Commons @ IC. ·-oc tober 9, 1975 ·vol.~49/ No. 7 lth,aca-·college lt.haca ,.New York published'independentfyby the·student$· of- ttb~ca Colleg·e ' -< -- - • • .. •• -.! ... - . ' Taylor Concert C,tncelledAt;:$300 Loss; · Pressure From U-iiicorn Alleged Reason ~y Paul Stern was playing at the U_nicorn. " __ Ithaca College the same ·11ight the . (The full-context oITh~ Bureau of Unicorn had· scherl°uled Living The James Taylor Concert Concert's statement is published ston .. planned for October 18" has been on page 5). Upon notification of the cancelled. The previously ar The Bureau of Concerts cancellation from· Supreme Art rangeJI performance of his bro charges that Unicorn president ists. the Bureau of Con·certs ther, Livingston. at the Unicorn Robert Davis " ... wanted Living attempted to find a viable way to forced James' booking agency, ston's manager to ask James' salvage the concert. International Creative Manage- manager not to accept our (the An attempt was made to • ment (ICM) to renege on ·a verbal college's) offer on the grounds switch concert dates with SUNY agree.ment with the college, said that it would hurt the Unicorn Plattsburg who had booked Bureau of Concerts Chairman Al -financially and hurt Livingston's James Taylor.for October 19, but Metauro. -
SATURDAY EVENING AUGUST 7, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Magnum P.I
SATURDAY EVENING AUGUST 7, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Magnum P.I. ’ 48 Hours ’ 48 Hours ’ CBS 2 News at 10PM Retire NCIS “Perennial” ’ NCIS: New Orleans ’ 4 83 2020 Tokyo Olympics Marathon, Track and Field, Diving, Basketball. (N) (Live) News 2020 Tokyo Olympics 5 52020 Tokyo Olympics Marathon, Track and Field, Diving, Basketball. (N) (Live) News 2020 Tokyo Olympics 6 6Boxing PBC: Cody Crowley vs. Gabriel Maestre. FOX 6 News at 9 (N) News (:35) Game of Talents (:35) TMZ ’ (:35) Extra (N) ’ 7 7Funniest Home Videos Shark Tank ’ The Good Doctor ’ News at 10pm Castle ’ Castle ’ Paid Prog. 9 9Friends ’ Friends ’ Friends Friends Weekend News WGN News Potash Two Men Two Men Mom ’ Mom ’ Mom ’ 9.2 986 Hazel Hazel Jeannie Jeannie Bewitched Bewitched That Girl That Girl McHale McHale Burns Burns Benny 10 10 Father Brown ’ Agatha Christie’s Poirot Death in Paradise ’ Austin City Limits ’ Doctor Who “Nightmare of Eden” Burt Wolf Father 11 Father Brown ’ Death in Paradise ’ Shakespeare Professor T Unforgotten Downton Abbey on Masterpiece ’ 12 12 Funniest Home Videos Shark Tank ’ The Good Doctor ’ News Big 12 Sp Entertainment Tonight (12:05) Nightwatch ’ Forensic 18 18 FamFeud FamFeud Goldbergs Goldbergs Polka! Polka! Polka! Last Man Last Man King King Funny You Funny You Smile 24 24 Heartland ’ Murdoch Mysteries ’ Ring of Honor Wrestling World Poker Tour Game Time World 414 Video Spotlight Music 26 Burgers Burgers Family Guy Family Guy Family Guy Burgers Burgers Burgers Family Guy Family Guy Jokers Jokers ThisMinute 32 13 Boxing PBC: Cody Crowley vs. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
The National Film Preserve Ltd. Presents the This Festival Is Dedicated To
THE NATIONAL FILM PRESERVE LTD. PRESENTS THE THIS FESTIVAL IS DEDICATED TO Stanley Kauffmann 1916–2013 Peter O’Toole 1932–2013 THE NATIONAL FILM PRESERVE LTD. PRESENTS THE Julie Huntsinger | Directors Tom Luddy Kim Morgan | Guest Directors Guy Maddin Gary Meyer | Senior Curator Mara Fortes | Curator Kirsten Laursen | Chief of Staff Brandt Garber | Production Manager Karen Schwartzman | SVP, Partnerships Erika Moss Gordon | VP, Filmanthropy & Education Melissa DeMicco | Development Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | VP, Publicity Justin Bradshaw | Media Manager Jannette Angelle Bivona | Executive Assistant Marc McDonald | Theater Operations Manager Lucy Lerner | SHOWCorps Manager Erica Gioga | Housing/Travel Manager Beth Calderello | Operations Manager Chapin Cutler | Technical Director Ross Krantz | Technical Wizard Barbara Grassia | Projection and Inspection Annette Insdorf | Moderator Mark Danner | Resident Curators Pierre Rissient Peter Sellars Paolo Cherchi Usai Publications Editor Jason Silverman (JS) Chief Writer Larry Gross (LG) Prized Program Contributors Sheerly Avni (SA), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Geoff Dyer (GD), Gian Luca Farinelli (GLF), Mara Fortes (MF), Scott Foundas (SF), Guy Maddin (GM), Leonard Maltin (LM), Jonathan Marlow (JM), Todd McCarthy (TM), Gary Meyer (GaM), Kim Morgan (KM), Errol Morris (EM), David Thomson (DT), Peter von Bagh (PvB) Tribute Curator Short Films Curators Student Prints Curator Chris Robinson Jonathan Marlow Gregory Nava and Bill Pence 1 Guest Directors Sponsored by Audible.com The National Film Preserve, Ltd. Each year, Telluride’s Guest Director serves as a key collaborator in the A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Festival’s programming decisions, bringing new ideas and overlooked films. -
Working for Quality Child Care: an Early Childhood Education Text from the Child Care Employee Project
DOCUMENT RESUME ED 308 020 PS 018 106 AUTHOR Whitebook, Marcy, Comp.; And Others TITLE Working for Quality Child Care: An Early Childhood Education Text from the Child Care Employee Project. INSTITUTION Child Care Employee Project, Berkeley, CA. PUB DATE 89 u,mr, 11V J. /. 228p. AVAILABLE FROMThe Child Care Employee Project, P.O. Box 5603, Berkeley, CA 94705 ($10.00). PUB TYPE Guides Classroom Use Guides (F_r Teachers)(052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Administrative Policy; Advocacy; Child Caregivers; Cooperation; *Day Care; *Educational Quality; *Fringe Benefits; Health Needs; Instructional Materials; Labor Legislation; *Program Administration; *Teacher Salaries; Teaching Guides; *Work Environment IDENTIFIERS *Employee Rights ABSTRACT This early childhood education text was designed to help students and child care staff become effective advocates for the improvement of quality, salaries, and working conditions in child care programs. Unit I provides literature on the issues affecting the child care field and focuses on strategies to improve salaries and working conditions. Articles on the teacher shortage, the impact of high staff turnover on children, and employer-supported child care contribute to a picture of current child care. Unit II covers: (1) state and federal labor laws; (2) substitutes and in-home caregive s; (3) strategies for improving relationships among staff and between parents and staff;(4) the special stresses of various ;%inds of child care;(5) the health and safety concerns of child care staff; and (6) unions. Unit III provides information on salary schedules, health coverage, and pension plans. Also considered are various center policies, such as those regarding personnel, substitute and volunteer procedures, and evaluation, and ways to implement these policies. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
Ostponed Award Assembly Et for Tomorrow Mornm
...1111111111111111111111.11.. FOUR ONE-ACT TWENTYFLYING PLAYS TO BE CLUB DECLARES 'r And PRESENTED BY SpcAt Pally TAYLOR PLANE eshmen, S. J. THESPIANS La te_ College__ HALF PAID FOR "1,. \I. SAN JOSE, CALIFORNIA, NIONDAY, FEBRUARV 14, 1938 Number 84 Exhibits Dramas By Kaucher, Group Prove They 101 James Clancy, And Save Money By thwestern Miss Douglas Joining Club To Paint ostponed Award Assembly exico LITTLE THEATER is SPOT LANDINGS Ian Francis. Given Thursday et For Tomorrow Mornm mellent otos,. To Be gBurch, Kimura Win irk exhibitiou And Friday At Amateur Certificates setts, Stanfod Spartan Band To Play ted in a speed 830 O'Clock After Soloing SPECIAL MEETING OF PRESS freshman As Honors Go To ors. rum fantasy, and domestic By MARIAN SCHUMANN portrayed in an I CLUB SET S.J. Athletes Although they have had the :, former. drama will be FOR NOON TODAY ivate airplane only four months, mem- of thy experimental production, consist- The athletic award assembly set recent sketch. which bers of the Twenty Flying Club ing of four one-act plays, Group To Make More for last Thursday but postponed the American are proud of the fact that the presented Thursday and because the awards failed to w- the will be Plans For Coming Kindergarten- $1,600 ship is half paid for and Easton that time, will definitely at 8:30 o'clock in aive by , travels, he ?delay evenings that the plane has traveled ap- 'Headline Hop' be held tomorrow morning at 11 art exhibits Theater. proximately 37,600 miles without he the Little Primary Give o'clock in Morris Dailey auditor- dew Mar- a mishap.