Photo-Play World (June 1919)

Total Page:16

File Type:pdf, Size:1020Kb

Photo-Play World (June 1919) W AN THE V# THE ONE BY WHICH ALL OTHERS ARE GOVERNED j V** y x 9?* >r;v. M JUNE 1919 35 ‘FA COPY 43.30 a YEAR - jjmmiiiiiiiniii ITH the summer rushing hard upon us, we begin to think OT long ago Fatty Arbuckle came East—presumably to of pleasant white sand banks and cool water washing up N make a contract for some new pictures. The fabulous W green seaweed; and the longing for a dip in the blue sum at which Fatty’s honorarium was fixed makes one ocean, or a breezy ride in a launch through a still channel, wonder if this exponent of the most comical comedy is quite the becomes insistent. In the days when woods are green and the innocent and happy-go-lucky clown he pretends to be. How- fragrance of wild-flowers mingles with the happy chirrup of ever, true to the traditions that he has established for doing and birds to stimulate the senses, the poet in man is bound to yearn looking the ludicrous thing, Fatty obediently posed for a set of for self-expression, but the temptation to let the golden hours pictures that show him funnier than ever, if such a thing can be. slip by in idle dreaming, is often stronger than the urge to put The Photo-Play World came into possession of a number of into words the feeling of lazy content that the mi days by sea, or these pictures—which were not for general distribution—and, long, nothing-to-do hours in the country, impart. together with a little tale of Fatty’s latest doings, they will These are the days when the bathing-girl easily reaches the appear in the July number. height her mi of popularity; at Palm Beach or in sunny California, * * * she has presided over fashion’s destinies on the beach for months already; but in lands where the sun waits till July to shine hard, T is the magazine which interprets the art of the photo-play I the belle of the beach, in a glorified bathing costume, must wait I with the best effect to discriminating readers that will be a while longer for her day of triumph. the magazine to live and grow in the returning days of The July issue of The Photo- Play World will feature the normal competition. The Photo-Play World has set for itself iiiiiiihi latest and daintiest things in bathing outfits. These will come a very high standard. So high indeed is this standard that only from East and West and South, by exercising the most careful judg- and they will give an idea of the ment and by taking infinite pains mi variety and effectiveness that may can we hope to live up to it. We be embodied in even so practical have our own ideas as regards and meagre a piece of wearing Why Don’t You Have Your editorial policy; we aim to be apparel as a bathing-suit. honest. That is the first and fore- * * * Say ? most point. We shall not say that a II poor play is good because we wish HE recent large and rapid to keep on friendly terms with some growth of the motion-picture There is a section of The Photo-Play T star or some distributing agency; colony on the Western coast World designed expressly the use the for of we shall not indulge in fulsome has led to the selection on the part reader. In that section our friends—and our praise or cheap flattery; we shall of many photo-play stars, of perma- mini enemies the friends and the enemies of the weigh carefully, examine earnestly nent homes in Hollywood, Los — and do our best to present clearly Angeles, and their vicinity. photo-play at large, may freely express their Many and adequately and interestingly of these houses are examples of the opinions. These opinions may be complimen- the whole panoramic view of mo- architect’s most finished art, while tary or otherwise—indeed, those which are other- tion-picture play activities in this the care with which backgrounds wise are often the most interesting and and other countries. and surroundings have been chosen profitable. Because we aim to publish a and developed, proves that most of Now the thing that we want you all to do— iiiimm magazine for particular people does the men and women who play in min every reader of The Photo-Play World— is not mean that we shall attempt to the pictures know a beautiful thing to sit right down and write us a letter It need rise above the understanding of the when they see it. Among those average person. But we take it for who have magnificent homes, or not be more than a hundred words, so that it tells at granted that our readers want good the least picturesque and comfort- us just what you think about the motion-picture English, not necessarily ornate, but able and artistic ones, are Anita play. You are a picture-playgoer or you free from hyperbole and free from Stewart, Bessie Barriscale, Dorothy would not be reading a picture-play magazine. vulgar slang, and that they wish to Dalton, the Chaplins, Douglas meet their screen favorites on a Fairbanks, Charles Ray and Warren Here is your chance to have your say about the iiiniim common plane that is yet minus Kerrigan. A group of very hand- pictures one picture or any number pictures. — of tawdry artificialities and express- some photographs showing these You do not have to be a writer to write a let- ions. After all, the people who mi houses, with some of their settings, play in pictures are just people— will be a feature of the July issue. ter; nor do you need to make a literary compo- mi human beings like the rest of us. The pictures reveal something of sition it. Just your thought in your of own They work hard to provide us with the aggregation of wealth and words—now, won't you do it, and do it at once ? pleasure; they do their best to win in luxury that the centering of picture- our smiles and our tears, and they making in California has brought like to know that they are succeed- ing in what they are doing. A magazine like The Photo-Play MONG those whom we are glad to see return from the war World becomes the medium of expression for both the player is Captain Robert Warwick. We have missed him in the and the playgoer; A they can talk to each other through its pictures, and is no doubt, so have you. Now he back at pages, and the more they talk, the greater the intimacy a mmmmi work, and the promise of an early production has been given. magazine establishes between them, the more nearly is that mm In honor of Captain Warwick’s return, we shall print in the next magazine serving its purpose. issue a portrait and a story about him, special of his some news VVe want everyone who reads The Photo-Play World to him more recent experiences from mi an authoritative source. feel free to express himself and herself; we try to interpret the player to * * * the playgoer, and we try to get the measure of the reader that the player may have an idea of the kind of people HE July cover will take the form of a striking character whom he and she will meet from the vantage point of the screen. study of Alla Nazimova. With “Out of the Fog,” Mile. T * * * Nazimova reached the highest point of her art as thus far revealed in the photo-play. In this picture she was the real AY we call the attention of readers to the fact that if Nazimova of the Ibsen plays, the fascinating and tragic figure they will place a one-cent stamp on any copy of The that is like a flame, lurid M and twisted, a passionate soul winding Photo-Play World and put it in the mail box, it will its struggling way through Heaven and hell. The drawing is by go with other magazines to the men still in camps and on the a well-known New York newspaper artist, whose interpretations other side, and so help them to pass the tedious hours which of the elusive Russian actress have won him high praise. many are enduring in pleasurable reading occupation. miimmmmummmii — The Editors iiiiimiiiiiiiiiiiil 2 THE PHOTO-PLAY WORLD Reliable Poultry Journal SAVE Baseball Magazine Successful Farming Pennsylvania Farmer Forest & Stream Breeders Gazette MONEY * 3.00 ON MAGAZINES * 3.00 Publisher’s Price Publisher's Price Both for McCall’s Magazine $1.00 Little Folks All three for Today’s Housewife 81.00 Jj.50 Modern Priscilla 1.50 „ Publisher’s Price $2.00 McCall’s Magazine 1.00 $7 25 Publisher’s Price $4.00 Boys’ Life (with calendar) $1.50 Both for (new with McCall’s Magazine 1.00 Youth’s Companion . 95 free copies and calendar $2.00 Publisher’s Price $2.50 Woman’s Home Companion, or n.25~ McCall’s Magazine $1.00 Both for American Magazine 2.00 j) Modern Priscilla, or Little Folks 1.50 s?.00 Publisher’s Price $4.00 Publisher’s Price $2.50 Modern Priscilla $1.50 McCall’s Magazine 1.00 Boys’ Life (with calendar) $1.50 Both for Pictorial Review 2.00 Little Folks 1.50 *3.50 *2-25 Publisher’s Price $4.50 Publisher’s Price $3.00 Mother’s Magazine $2.00 Both for Little Folks $1.50 Little Folks 1.50 Modern Priscilla 1.50 *2-50 McCall’s Magazine 1.00 $ 3-50 Publisher’s Price $3.00 Publisher’s Price $4.50 Delineator $2.00 Both for McCall’s Magazine $1.00 Both for Everybody’s, Both to one address 2.00 Pictorial Review 2.00 s ! 3-°o 2-50 Publisher’s Price $4.00 Publisher’s Price $3.00 EXTRAORDINARY OFFER All For THE PHOTO-PLAY WORLD MOTION PICTURE MAGAZINE ::::)$ PICTURE PLAY MAGAZINE FTo one or sepa- MOTION PICTURE CLASSIC rate addresses.
Recommended publications
  • New Findings and Perspectives Edited by Monica Dall’Asta, Victoria Duckett, Lucia Tralli Researching Women in Silent Cinema New Findings and Perspectives
    in Silent Cinema New Findings and Perspectives edited by Monica Dall’Asta, Victoria Duckett, lucia Tralli RESEARCHING WOMEN IN SILENT CINEMA NEW FINDINGS AND PERSPECTIVES Edited by: Monica Dall’Asta Victoria Duckett Lucia Tralli Women and Screen Cultures Series editors: Monica Dall’Asta, Victoria Duckett ISSN 2283-6462 Women and Screen Cultures is a series of experimental digital books aimed to promote research and knowledge on the contribution of women to the cultural history of screen media. Published by the Department of the Arts at the University of Bologna, it is issued under the conditions of both open publishing and blind peer review. It will host collections, monographs, translations of open source archive materials, illustrated volumes, transcripts of conferences, and more. Proposals are welcomed for both disciplinary and multi-disciplinary contributions in the fields of film history and theory, television and media studies, visual studies, photography and new media. http://creativecommons.org/licenses/by-nc-nd/3.0/us/ # 1 Researching Women in Silent Cinema: New Findings and Perspectives Edited by: Monica Dall’Asta, Victoria Duckett, Lucia Tralli ISBN 9788898010103 2013. Published by the Department of Arts, University of Bologna in association with the Victorian College of the Arts, University of Melbourne and Women and Film History International Graphic design: Lucia Tralli Researching Women in Silent Cinema: New Findings and Perspectives Peer Review Statement This publication has been edited through a blind peer review process. Papers from the Sixth Women and the Silent Screen Conference (University of Bologna, 2010), a biennial event sponsored by Women and Film History International, were read by the editors and then submitted to at least one anonymous reviewer.
    [Show full text]
  • The Rocky Road to OZ Wicked Witch’S Fiery Exit
    Saturday, April 9, 2011; 2 & 8 pm only E.Y Harburg tune “Over the Rainbow” (which was almost cut from the picture) became Garland’s theme and a song that has attained cult status. Casting was not the only problem. The script was labored over by 16 writers, 13 of whom went uncredited including cast members Jack Haley and Bert Lahr, poet Ogden Nash, and screenwriter Herman J. Mankiewicz, who authored Citizen Kane (1941). The picture went through five directors (Norman Taurog, Mervyn LeRoy, George Cukor, Richard Thorpe and Victor Fleming), a ton of extras and they almost fried Margaret Hamilton in the effects created for the The Rocky Road to OZ Wicked Witch’s fiery exit. the time The Wizard of Oz premiered at Sid Grauman’s Chinese Theater on a summer night Yet despite the difficulties, and the initial lackluster box By in 1939, it had been staged successfully as a office,The Wizard of Oz was Oscar®-nominated for Best Broadway musical and three silent film versions had already Picture, Color Cinematography, Interior Decoration, and been released. L. Frank Baum, creator of the Oz franchise did Special Effects and won awards for Best Song (“Over the his own production in 1914 and the 1925 version directed Rainbow”) and Original Score. It also placed tenth on the by silent film comedian Larry Semon featured Oliver ‘Babe’ list of the Greatest American Films of All Time. “There’s no Hardy as the Tin Woodman. Samuel Goldwyn, who had question that Steven Spielberg, George Lucas, Peter Jackson, acquired the film rights in 1933, sold them to M-G-M for almost any influential contemporary filmmaker you could $75,000 and the adventure began.
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • The Silent Film Project
    The Silent Film Project Films that have completed scanning – Significant titles in bold: May 1, 2018 TITLE YEAR STUDIO DIRECTOR STAR 1. [1934 Walt Disney Promo] 1934 Disney 2. 13 Washington Square 1928 Universal Melville W. Brown Alice Joyce 3. Adventures of Bill and [1921] Pathegram Robert N. Bradbury Bob Steele Bob, The (Skunk, The) 4. African Dreams [1922] 5. After the Storm (Poetic [1935] William Pizor Edgar Guest, Gems) Al Shayne 6. Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The 7. Aladdin And The 1917 Fox Film C. M. Franklin Francis Wonderful Lamp Carpenter 8. Alexandria 1921 Burton Holmes Burton Holmes 9. An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest 10. Animals of the Cat Tribe 1932 Eastman Teaching 11. Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales 12. Aryan, The 1916 Triangle William S. Hart William S. Hart 13. At First Sight 1924 Hal Roach J A. Howe Charley Chase 14. Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee 15. Autumn (nature film) 1922 16. Babies Prohibited 1913 Thanhouser Lila Chester 17. Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri 18. Barnyard Cavalier 1922 Christie Bobby Vernon 19. Barnyard Wedding [1920] Hal Roach 20. Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel 21. A Beast at Bay 1912 Biograph D.W. Griffith Mary Pickford 22. Bebe Daniels & Ben Lyon 1931- Bebe Daniels, home movies 1935 Ben Lyon 23. Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean 24.
    [Show full text]
  • Sidney Franklin (Director) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Sidney Franklin (director) 电影 串行 (大全) Her Sister from Paris https://zh.listvote.com/lists/film/movies/her-sister-from-paris-18059429/actors Courage https://zh.listvote.com/lists/film/movies/courage-86924534/actors The Bride of Fear https://zh.listvote.com/lists/film/movies/the-bride-of-fear-21712070/actors Dulcy https://zh.listvote.com/lists/film/movies/dulcy-1111819/actors The Guardsman https://zh.listvote.com/lists/film/movies/the-guardsman-1143771/actors A Lady's Morals https://zh.listvote.com/lists/film/movies/a-lady%27s-morals-1657514/actors Two Weeks https://zh.listvote.com/lists/film/movies/two-weeks-16681469/actors East Is West https://zh.listvote.com/lists/film/movies/east-is-west-17151174/actors The Safety Curtain https://zh.listvote.com/lists/film/movies/the-safety-curtain-17303000/actors The Probation Wife https://zh.listvote.com/lists/film/movies/the-probation-wife-17315584/actors Her Only Way https://zh.listvote.com/lists/film/movies/her-only-way-17697958/actors Six Shooter Andy https://zh.listvote.com/lists/film/movies/six-shooter-andy-21752651/actors Heart o' the Hills https://zh.listvote.com/lists/film/movies/heart-o%27-the-hills-218869/actors The Hoodlum https://zh.listvote.com/lists/film/movies/the-hoodlum-245894/actors The Actress https://zh.listvote.com/lists/film/movies/the-actress-2559129/actors The Barretts of Wimpole https://zh.listvote.com/lists/film/movies/the-barretts-of-wimpole-street-3316380/actors Street Private Lives https://zh.listvote.com/lists/film/movies/private-lives-3329635/actors Quality
    [Show full text]
  • Volume 8, Number 1
    POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • RUDOLPH VALENTINO January 1971
    -,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-.
    [Show full text]
  • Catalogo Giornate Del Cinema Muto 2016
    ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael
    [Show full text]
  • Camera (1920-1922)
    7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America.
    [Show full text]
  • William A. Brady: Theatre Entrepreneur
    WILLIAM A. BRADY: THEATRE ENTREPRENEUR By NEVIS EZELLE HAGLER, JR, A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 *J^-J UNIVERSITY OF FLORIDA 5185 3 1262 08552 ACKNOWLEDGEMENTS I wish to express rny appreciation to the research staff and director of the Theatre Collection at the Lincoln Center Library of the Performing Arts and to Mr. Louis Rachow, of the Players Club, for their valuable assistance and guidance. Special appreciation is extended to two of the theatre's most gracious actresses, Miss Helen Kayes and Miss Madge Kennedy, for their recollec- tions, assistance, and time. My gratitude is also ex- tended to Dr. Richard L. Green, Dr. Clyde G. Sumpter, Dr. Sidney Homan, and Dr. Norman Markel, for their aid in reading the study and offering valuable criticism, A special note of appreciation is due Dr. L. L. Zimmerman, the chairman of this work, for his encourage- ment, criticism, and, most importantly, for his friendship, PREFACE During his lifetime, William A. Brady was one of the most active and successful producers in the American theatre. Since his death, in 1950, his reputation has faded into relative obscurity. No study of his career has been made, and he is mentioned only briefly and with- out regularity in works dealing with the American theatre of the first half of the twentieth century. This study will examine his life and career as a theatrical producer in order to demonstrate the ways in which Brady's career exemplified certain aspects of the early twentieth century American theatre.
    [Show full text]
  • Theology in Silent Films, 1902 to 1927
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Skin and Redemption: Theology in Silent Films, 1902 to 1927 Susan Craig Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1794 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Skin and Redemption: Theology in Silent Films, 1902 to 1927 by Susan Craig A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 Susan Jean Craig All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Martin J. Burke Date Chair of Examining Committee Prof. Helena Rosenblatt Date Executive Officer Prof. Donald Scott Prof. Jonathan Sassi Prof. Marc Dolan THE CITY UNIVERSITY OF NEW YORK Prof. Richard Koszarski RUTGERS UNIVERSITY Supervisory Committee iv Abstract Theology in Silent Films by Susan Craig Adviser: Prof. Martin J. Burke This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films. A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment.
    [Show full text]