To Thirteen-Year-Olds Who Are Habitual, Committed Readers: What, How and Why They Read, and the Social and Cultural Factors Which Shape Their Development
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
JMAD Media Ownership Report
JMAD New Zealand Media Ownership Report 2014 Published: 2014 December 5 Author: Merja Myllylahti This New Zealand Ownership Report 2014 is the fourth published by AUT’s Centre for Journalism, Media and Democracy (JMAD). The report finds that the New Zealand media market has failed to produce new, innovative media outlets, and that all the efforts to establish non-profit outlets have proved unsustainable. The report confirms the general findings of previous reports that New Zealand media space has remained highly commercial. It also confirms the financialisation of media ownership in the form of banks and fund managers. The report also observes that in 2014 convergence between New Zealand mass media and the communications sector generally was in full swing. Companies, such as Spark (former Telecom NZ), started to compete head-to-head with the traditional broadcasters on the online on-demand video and television markets. The American online video subscription service Netflix is entering the NZ market in March 2015. Additionally, the report notes evidence of uncomfortable alliances between citizen media, politicians, PR companies and legacy media. As Nicky Hager’s Dirty Politics book revealed, the National Party and PR practitioners used the Whale Oil blog to drive their own agendas. Also, events related to Maori TV, TVNZ and Scoop raise questions about political interference in media affairs. It is now evident that the boundaries between mainstream media, bloggers, public relations practitioners and politicians are blurring. Key events and trends concerning New Zealand media Financialisation of mass media ownership confirmed Substantial changes in Fairfax, APN and MediaWorks ownership Competition heats up in online television and video markets Turbulence at Maori TV Blurred lines among politicians, bloggers, journalists and PR practitioners The JMAD New Zealand media ownership reports are available here: http://www.aut.ac.nz/study- at-aut/study-areas/communications/media-networks/journalism,-media-and-democracy-research- centre/journalists-and-projects 1 1. -
Charities, Philanthropists, Policy Entrepreneurs, International Companies and State Schooling in Aotearoa New Zealand
CHARITIES, PHILANTHROPISTS, POLICY ENTREPRENEURS, INTERNATIONAL COMPANIES AND STATE SCHOOLING IN AOTEAROA NEW ZEALAND Final report to the New Zealand Educational Institute Te Riu Roa, New Zealand Post Primary Teachers’ Association Te Wehengarua, and New Zealand Primary Principals’ Federation Ngā Tumuaki o Aotearoa John O’Neill with Connor Duffy and Sarojinie Fernando Massey University Te Kunenga Ki Pūrehuroa, Manawatū July 2016 Contents i ii ListAcknowledgements of Tables and Figures iii Summary v Introduction 1 Context 3 Transparency, understanding and debate 4 Blurring public and private in state schooling 5 ‘Modernising’ state schooling 6 Educational Management Organisations 17 For-profit 21 Not-for-profit 25 Philanthropy 28 Regulation 29 Giving 35 Investing 36 Educational charities in New Zealand 40 Policy N 47 Actors 47 etworks 51 Cases 58 NetworksPearson 59 Cognition Education 65 Core Education 76 Foundation North 86 COMET 98 Kidscan 109 Conclusion 116 References 119 Appendices xix Appendix A: Methodology xix Appendix B: Educational charities with annual income between $1 million and $10 million xxvi Appendix C: Case organisation Tables and Figures xxxiii social network i Acknowledgements The direct costs of the research were funded jointly by New Zealand Educational Institute Te Riu Roa, New Zealand Post Primary Teachers’ Association Te Wehengarua and New Zealand Primary Principals’ Feder Aotearoa. ation Ngā Tumuaki o Tom Haig, Liz Hawes and Stephanie Mills provided advice, guidance and feedback throughout the project. rature searches and social Connor Duffy undertook the main web and lite networktwo Charities analyses. Services Dr Sarojinie databases. Fernando undertook the statistical analysis of the Ella B ation information retrieval, Dylan Roberts withourke analysis assisted of annual with financial case organis statements, and Ju final report. -
Tulalip Resort Casino Rocks out on May 25Th to the Sounds of Queen and Boston
FOR IMMEDIATE RELEASE March 19, 2014 For Information Contact: Lisa Severn, F & B Director Tulalip Resort Casino 10200 Quil Ceda Boulevard Tulalip, Washington 98271 (360) 716-1240 www.tulalipresort.com TULALIP RESORT CASINO ROCKS OUT ON MAY 25TH TO THE SOUNDS OF QUEEN AND BOSTON Tulalip, Washington --- Tulalip Resort Casino invites fans to rock to the pulsating sounds of Queen and Boston, on Sunday, May 25. Starting at 8:00pm in the Orca Ballroom, the Casino Resort will host “Rock the Empire,” a tribute style concert with classic music from two of the greatest bands of the 70’s and 80’s. Groupies can sway to the lively beats while sipping on cocktails from the no-host bar. Queen Nation - Queen Tribute Band Queen Nation was formed in 2004, and consists of band members: Joe Retta or Gregory Finsley on vocals and keyboards as Freddie Mercury; Mike McManus on guitar as Brian May; Pete Burke on drums as Roger Taylor; and Parker Combs on bass as John Deacon. The group’s mission is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts. Music lovers can jam to ultimate Queen songs such as “Cold Stone Crazy,” “Tie Your Mother Down,” “Somebody to Love,” “Crazy Little Thing Called Love,” and more. Third Stage - Boston Tribute Band Borrowed Time hails from Seattle and will make their debut as “Third Stage” at Tulalip. They play the greatest hits from the band Boston, filling the show with great renditions and the enthusiasm that is reflective of the band's personalities. -
Empire SSN 0957-4948 Is Published 12 Times a Year by Bauer Consumer Media Ltd
006 JUNE 2016 EDITORS CONTRIBUTING EDITORS 4JNPO#SBVOE "OHJF&SSJHP *BO'SFFS 8JMM-BXSFODF *BO/BUIBO Editor-In-Chief Kim Newman, David Parkinson, Nev Pierce, Adam Smith, Damon Wise Terri White CONTRIBUTORS Words: Neil Alcock, Dan Aykroyd, Eve Barlow, Simon Crook, Fred Dellar, Deputy Editor Jimi Famurewa, David Hughes, Dorian Lynskey, Patrick Peters, Olly Jonathan Pile Richards, Emma Simmonds, Anna Smith (ALS), Sam White, Owen Williams. Subbing: Lucy Williams. Photography: Sarah Dunn, Steve 020 7295 6722 4DIPàFMEIllustrations: Noma Bar, Jacey, Bill McConkey, John Royle ART BAUER MEDIA Chief Executive Paul Keenan Creative Director Group Managing Director Rob Munro-Hall Publishing Director Liz Martin Chris Lupton Business Analyst Natalie Talbot 020 7859 8642 Managing Editor Sophie Price MARKETING Deputy Art Director Communications Director Jess Blake 0207-208 3424 Direct Marketing Manager Julie Spires 01733 468164 Adam Gerrard Senior Marketing Manager Natalie Wilkins 020-7208 3535 020 7520 6447 Marketing Manager Ally Johnstone 020-7859 8491 Marketing Executive Alex Penge 020-7208 3521 Direct Marketing Executive Rebecca Lambert 01733 468804 Newstrade Marketing Manager, Men’s, Film & Music Photographic Director Dave Clark 020-7520 6465 Debi Berry 020 7208 3705 PRODUCTION Print Production Controller Carl Lawrence 01733-468858 Ad Production Controller Katie Kerry 01733-468878 Designer ePublishing Production Director Alan Kindell 020-7859 8604 ed’s letter Olly Gibbs ADVERTISING 020 7295 8595 Group MD Abby Carvosso PA to Group MD Alison Meadley Head of Magazine Media Clare Chamberlain THERE ARE CERTAIN FILMS THAT SHOULD BE LEFT Junior Designer Head of Magazine Brands Rachel Flower Group Commerical Director Simon Kilby alone. We don’t want a remake of Jaws. -
The 47Th Voyager Media Awards. #VMA2020NZ
Welcome to the 47th Voyager Media Awards. #VMA2020NZ Brought to you by the NPA and Premier sponsor Supporting sponsors Canon New Zealand, nib New Zealand, ASB, Meridian Energy, Bauer Media Group, NZ On Air, Māori Television, Newshub, TVNZ, Sky Sport, RNZ, Google News Initiative, Huawei, Ovato, BusinessNZ, Asia Media Centre, PMCA, E Tū , Science Media Centre, Air New Zealand and Cordis, Auckland. Order of programme Message from Michael Boggs, chair of the NPA. Jane Phare, NPA Awards Director, Voyager Media Awards Award ceremony hosts Jaquie Brown and James McOnie Jaquie Brown James McOnie Jaquie and James will read out edited versions of the judges’ comments during the online ceremony. To view the full versions go to www.voyagermediaawards.nz/winners2020 after the ceremony. In some cases, judges have also added comments for runners-up and finalists. Winners’ and finalists’ certificates, and trophies will be sent to media groups and entrants after the online awards ceremony. Winners of scholarship funds, please contact Awards Director Jane Phare, [email protected]. To view the winners’ work go to www.voyagermediaawards.nz/winners2020 To view the list of judges, go to www.voyagermediaawards.nz/judges2020 Information about the historic journalism awards, and the Peter M Acland Foundation, is at the end of this programme and on www.voyagermediaawards.nz Order of presentation General Best headline, caption or hook (including social media) Judges: Alan Young and John Gardner Warwick Church, NZ Herald/NZME; Rob Drent, Devonport Flagstaff and Rangitoto Observer; Warren Gamble, Nelson Mail/Stuff; and Barnaby Sharp, Nelson Mail/Stuff. Best artwork/graphics (including interactive/motion graphics) Judges: Daron Parton and Melissa Gardi 1 News Design Team/TVNZ; Richard Dale, NZ Herald/NZME; Cameron Reid and Vinay Ranchhod, Newshub/MediaWorks; Toby Longbottom, Phil Johnson and Suyeon Son, Stuff Circuit/Stuff; and Toby Morris, The Spinoff. -
Public Version Fairfax / Nzme Response to Submissions 29
PUBLIC VERSION FAIRFAX / NZME RESPONSE TO SUBMISSIONS 29 JULY 2016 INTRODUCTION 1. NZME Limited 1 (" NZME ") and Fairfax NZ Limited (" Fairfax ") have had the opportunity to review the public submissions to the Commerce Commission (" Commission ") in response to the Commission's Statement of Preliminary Issues dated 14 June 2016 (" SOPI ") in relation to the Fairfax / NZME application (the " Application ") seeking approval to merge the New Zealand operations of NZME and Fairfax (the "Transaction "). 2. Fairfax and NZME's responses and observations in relation to the submissions and the key points contained in them are set out below. Appendix Two also contains an overview of the recent Reuters Institute Digital News Report 2016 and The Pew Research Center State of the News Media 2016 report that reinforce the acceleration of the trends identified in the Application. SUMMARY 3. The Commission received 49 submissions in total. Once duplicated submissions from a single person / economic entity are removed, there are fewer than 40.2 This is a low number of submissions on a high-profile transaction involving media. 3 4. All the submissions were from competitors, journalists, or academics / public policy lobby groups. That is unusual when measured, for example, against the range of submissions received by the Commission on its last high profile authorisation. 4 It is however not surprising. In traditional competition analysis, if competitors are opposing, it is often an indicator that the merger will be pro-competitive,5 as the merged entity is potentially expected to provide a better offering to customers (in this case, consumers and advertisers). 5. -
Boston Live Tom Scholz Download Torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube
boston live tom scholz download torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube. Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. Boston – Boston (1976) Boston – Boston (1976) SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz Single Layer SACD | Full Scans Included Total Size: 1.52 GB (ISO) + 771 MB (FLAC) | 3% RAR Recovery Label: Epic | USA | Cat#: ES 34188 | Genre: Hard Rock. Boston is one of the best-selling albums of all time, and deservedly so. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Feature • Fran Cosmo------Life Beyond Boston by Deborah Kennedy Py with Their Performance
----------------------- Feature • Fran Cosmo --------------------- Life Beyond Boston By Deborah Kennedy py with their performance. He always wants to make it better. He’ll have an incredible night, the crowd is Imagine, if you will, 1980. It was the year of The jumping up and down for him, and he’ll turn to us and Empire Strikes Back, Raging Bull and Nine to Five. worry, ‘Did I sound okay?’ Also of Mt. Saint Helens and the Post-it® Note. That “Fran doesn’t have a technical background, but if same year, we found out who shot J.R. We also discovered that 24-hour news, courtesy of CNN, could lead to some pretty ridiculous programming. Another noteworthy happening from that rich period in our country’s popular culture was the fact that Fran Cosmo, otherwise known as the former lead singer of Boston, got his first big music business break. In 1980, Cosmo (a.k.a. Francis Cosmo Migliaccio) was approached by Barry Gou- dreau, guitarist for Boston, about working on Goudreau’s debut solo album. Cosmo jumped at the chance to work with Goudreau, and three years later their collaboration led to the forma- tion of a new act, Orion the Hunter. The self-titled debut Cosmo and Goudreau released shortly thereafter might not have made Orion the Hunter a household name, but it did give radio listeners the hit single “So You Ran” and scored the group a tour of the U.S. with Aerosmith for their Back in the Saddle tour. Cosmo’s collaboration with Goudreau also got his foot in the door with Boston, at the time an unstoppable force in the world of classic rock, and seven years later Cosmo was invited to join Boston as lead singer, Brad Delp hav- FRAN COSMO ing left the band w/PARADISE to pursue other projects. -
Open THESIS.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS AND SCIENCES IDENTITY AND HIP-HOP: AN ANALYSIS OF EGO-FUNCTION IN THE COLLEGE DROPOUT AND THE MISEDUCATION OF LAURYN HILL LAURA KASTNER SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts & Sciences and Statistics with honors in Communication Arts & Sciences Reviewed and approved* by the following: Anne Demo Assistant Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Senior Lecturer of Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In this thesis, I will be analyzing how Kanye West and Lauryn Hill create identity for themselves and their listeners in the albums The College Dropout and The Miseducation of Lauryn Hill, respectively. Identity creation will be analyzed using Richard Gregg’s concept of ego-function. By applying the three stages of the theory – victimization of the ego, demonization of the enemy, and reaffirmation of the ego – to both albums, I hope to uncover the ways that both West and Hill contribute to identity creation. I also discuss the ways in which they create identity that cannot be explained by ego-function theory. I also briefly address the following questions: (1) How does the language of ego-function differ between the artists? (2) How does their music speak to listeners of different ethnicities? (3) What role does gender play in ego-function? Does the language of ego-function differ between genders? ii TABLE OF CONTENTS Acknowledgements ………………………………………………………………......iii Chapter 1 Introduction ................................................................................................. 1 Kanye West: The Jerk and the Genius ............................................................................ -
New Zealand Media Ownership 2018
NEW ZEALAND MEDIA OWNERSHIP 2020 AUT research centre for Journalism, Media and Democracy (JMAD) Edited by Merja Myllylahti and Wayne Hope December 7, 2020 ABOUT THIS REPORT This report is part of JMAD’s ongoing series of reports on New Zealand media ownership. Since 2011, the AUT research centre for Journalism, Media and Democracy (JMAD) has published reports that document and analyse developments within New Zealand media. These incorporate media ownership, market structures and key events during each year. The reports are freely available and accessible to anyone via the JMAD research centre: https://www.aut.ac.nz/study/study-options/communication- studies/research/journalism,-media-and-democracy-research-centre 2020 report team To celebrate the JMAD research centre’s 10th anniversary, this 10th New Zealand media ownership report is co-written by AUT lecturers who are experts in their fields. The report is co-edited by the JMAD Co-Directors Dr Merja Myllylahti and Professor Wayne Hope. Contributors Dr Sarah Baker Dr Peter Hoar Professor Wayne Hope Dr Rufus McEwan Dr Atakohu Middleton Dr Merja Myllylahti Dr Greg Treadwell This report is covered by the Creative Commons Attribution License 4.0 International. When reproducing any part of this report – including tables and graphs – full attribution must be given to the report author(s). 1 10TH ANNIVERSARY OF JOURNALISM, MEDIA AND DEMOCRACY RESEARCH CENTRE The AUT research centre for Journalism, Media and Democracy (JMAD) was established in 2010 by (then) Associate Professors Wayne Hope and Martin Hirst to promote research into the media and communication industries and to increase knowledge about news and professional practices in journalism. -
The Proposed Fairfax-Nzme Merger
KASIA GINDERS THE PROPOSED FAIRFAX-NZME MERGER AND ITS IMPLICATIONS FOR DEMOCRACY: WHAT THE MERGER REVEALS ABOUT NEW ZEALAND’S LEGAL COMMITMENT TO PROTECTING THE CONSTITUTIONAL ROLE OF NEWS MEDIA Faculty of Law Victoria University of Wellington 2010 1 Abstract The Commerce Commission is currently reviewing the proposed merger of Fairfax NZ Limited and NZME, which would see nearly 90% of New Zealand’s newspaper market held by a single company. However, it is unclear that the review process is designed to ensure that any changes in media ownership result in the right kind of important public consequences: the preservation of the constitutional role of the media. In this paper I seek to analyse what the merger process reveals about New Zealand’s legal commitment to protecting the public role of journalism. Ultimately, I conclude that there is a failure to promote diversity in the news media and ensure the right kind of consequence – a thriving democracy. Public law – media law Table of Contents I INTRODUCTION ........................................................................................................ 4 II PART ONE: THE SIGNIFICANCE OF THE MERGER ....................................... 5 A The Fairfax-NZME merger .......................................................................................... 5 B Why ownership diversity matters: the public role and power of the news media ........ 7 C Why news media ownership is problematic: the current News Zealand news landscape 12 III PART II: EVALUATING THE CURRENT APPROACH TO NEWS