John Hay Poems
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Round the World by Andrew Carnegie</H1>
Round the World by Andrew Carnegie Round the World by Andrew Carnegie Produced by Paul Wenker, Kurt Hockenbury and the Online Distributed Proofreading Team. ROUND THE WORLD BY ANDREW CARNEGIE PREFACE It seems almost unnecessary to say that "Round the World," like "An American Four-in-Hand in Britain," was originally printed for private circulation. My publishers having asked permission to give it to the public, I have been induced to undertake the slight revision, and to make some additions necessary to fit the original for general circulation, not so much by the favorable reception accorded to the "Four-in-Hand" in England as well as in America, nor even by the flattering words of the critics who have dealt so kindly with it, but chiefly because of many valued letters which page 1 / 342 entire strangers have been so extremely good as to take the trouble to write to me, and which indeed are still coming almost daily. Some of these are from invalids who thank me for making the days during which they read the book pass more brightly than before. Can any knowledge be sweeter to one than this? These letters are precious to me, and it is their writers who are mainly responsible for this second volume, especially since some who have thus written have asked where it could be obtained and I have no copies to send to them, which it would have given me a rare pleasure to be able to do. I hope they will like it as they did the other. Some friends consider it better; others prefer the "Four-in-Hand." I think them different. -
The Giraffe in History and Art
The Giraffe in History and Art BY BERTHOLD LAUFER Curator of Anthropology 9 Plates in Photogravure, 23 Text-figures, and 1 Vignette Anthropology Leaflet 27 FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1928 The Anthropological Leaflets of Field Museum are designed to give brief, non-technical accounts of some of the more interesting beliefs, habits and customs of the races whose life is illustrated in the Museum's exhibits. LIST OF ANTHROPOLOGICAL LEAFLETS ISSUED TO DATE 1. The Chinese Gateway (Laufer) . ... $.10 2. The Philippine Forge Group (Cole) 10 3. The Japanese Collections (Gunsaulus) 25 4. New Guinea Masks (Lewis) 25 5. The Thunder Ceremony of the Pawnee (Linton) . .25 6. The Sacrifice to the Morning Star by the Skidi Pawnee (Linton) 10 7. Purification of the Sacred Bundles, a Ceremony of the Pawnee (Linton) 10 8. Annual Ceremony of the Pawnee Medicine Men (Linton) 10 9. The Use of Sago in New Guinea (Lewis) 10 10. Use of Human Skulls and Bones in Tibet (Laufer) .10 11. The Japanese New Year's Festival, Games and Pastimes (Gunsaulus) 25 12. Japanese Costume (Gunsaulus) 25 13. Gods and Heroes of Japan (Gunsaulus) 25 14. Japanese Temples and Houses (Gunsaulus) . .25 15. Use of Tobacco among North American Indians (Linton) 25 16. Use of Tobacco in Mexico and South America (Mason) 25 17. Use of Tobacco in New Guinea (Lewis) 10 18. Tobacco and Its Use in Asia (Laufer) 25 19. Introduction of Tobacco into Europe (Laufer) . .25 20. The Japanese Sword and Its Decoration . (Gunsaulus) 25 in . 21. Ivory China (Laufer) , 75 22. -
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Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
THE BOOK of ORM / 31 Ftajwiif to Ilw Ffiçic
THE BOOK OF ORM / 31 ftajwiif to ilw ffiçic By ROBERT BUCHANAN STRAHAN & CO., PUBLISHERS 56 L U D G A T E H IL L , LO N D O N . 1870 LONDON: PRINTED BY VIRTUE AND CO., C ITY ROAD. CONTENTS, —*— PAGE. Inscription to F . W . C .........................................................ix THE BOOK OF ORM. “ The Book of the Visions seen by Orin the Celt ” . 3 I. F irst Song of the V e i l ................................. 5 1. The Veil Woven ....... 7 2. Earth the M o t h e r ..............................................12 3. Children of E a r t h ......................................................15 4. The Wise M e n ....................................................... 19 II. The Man and the Shadow .... 23 1. The S h a d o w ........................................................25 2. The Rainbow . ■ .....................................45 III. Songs of Corruption.......................................... 55 1. Phantasy .......................................................... * 57 2. The Dream of the World without Death . 62 3. Soul and F l e s h ........................................................75 IV . The Soul and the Dwelling . -77 V. Songs of Seeking . -93 1. “ O Thou whose Ears incline unto my Singing” . 95 2. Q u e s t ............................................................................97 VI CONTENTS. PAGE. 3. The Happy Earth . 99 4. O unseen O n e ! ...............................................................101 5. 'World’s M ystery....................................... 103 6. The Cities ........ 104 7. The -
Emily Brontë's Poems
LAST THINGS This page intentionally left blank Last Things Emily Bront¨e’s Poems JANET GEZARI 1 1 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Janet Gezari 2007 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by Laserwords Private Limited, Chennai, India Printed in Great Britain on acid-free paper by Biddles Ltd., King’s Lynn, Norfolk ISBN 978–0–19–929818–1 13579108642 For Sam and Vanessa She lives on a moor in the north. -
Durham E-Theses
Durham E-Theses Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music PAULEY, JOHN-BEDE How to cite: PAULEY, JOHN-BEDE (2013) Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9499/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ABSTRACT Benjamin Britten, Herbert Howells, and Silence as the Ineffable in English Cathedral Music John-Bede Pauley Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much longer history, but by the beginning of the twentieth century, its expressive potential had not been significantly recognized in liturgical choral music. This study examined the relationship between twentieth-century musical silence and the expression of silence as the ineffable in Anglican choral music (referred to as English cathedral music or ECM) of the middle of the twentieth century. -
What He Has Seen and the People He Has Met in the Course of the Last Forty Years
The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years. By Joseph Heco. Edited by James Murdoch THE NARRATIVE OF A JAPANESE; What he has seen and the people he has met in the course of the last forty years. BY JOSEPH HECO. Edited BY JAMES MURDOCH, M.A. VOL. II. [ALL RIGHTS RESERVED.] PLATE 1. BIRD's-EYE VIEW OF THE CITY OF YEDO, AS IT APPEARED IN 1863. The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years. By Joseph Heco. Edited by James Murdoch http://www.loc.gov/resource/calbk.112 I. August 4th. This morning the U.S. Consulate was found to be minus its national coat-of-arms over the gate-way. This seemed to ruffle the worthy Consul very considerably. He at once issued a notice offering a reward for information leading to the apprehension and conviction of the thief who had been tampering with Uncle Sam's fowl-yard. But all to no purpose,—for what really became of that American Eagle remains a mystery even unto this day. On August 6th the English fleet under Admiral Kupper steamed out of the bay in line. It was said to be bound for Kagoshima, Satsuma's Capital, to exact reparation from that Daimio for the outrage committed by his men at Namamugi on the Tokaido in September, 1862. August 8th. The foreign representatives were notified by the Shogun's Government that Ogasawara, Dzosho-no-kami had been released from his membership of the Gorojiu. -
Lars Müller Publishers 2017 / 2018 Architecture Design Photography
Lars Müller Publishers 2017/ 2018 Architecture Design Photography Art Society 1 We welcome the challenge of bringing together the strands in our program to create a well-rounded representation of our publishing house’s stance and focuses. That becomes particularly apparent this year. Running across the various program segments, the publications we have selected do justice to our guiding principles: documenting facets of cultural debates, highlighting interconnections within society, and establishing surprising new linkages. The new publications offer insights into contemporary topics, explore societal questions and cultural phenomena, as well as presenting unusual artistic and design practices. The publi- cations are most definitely aimed not just at insiders or experts, but instead address an attentive audience that shares our fasci nation with a broad spectrum of topics and the outstanding quality evidenced in the explorations of these themes. To learn more about our books, visit our website www.lars-mueller-publishers.com All books are available in our online shop. 2 Architecture Lars Müller Publishers focuses on the integration of architectural themes into the context of a future-oriented discourse. Ecological and sociopolitical objectives are the key concerns — rather than traditional monographs or ephemeral whims of the Zeitgeist. Architecture 3 THE FORM OF FORM Despite the historical significance of form in Lisbon Architecture architecture, the subject is frequently undervalued Triennale in debate. This book relates a variety -
Photogr?)Phs Reduced Copies of Measured Drawings
San 1 fon1 ia PHOTOGR?)PHS REDUCED COPIES OF MEASURED DRAWINGS WRITTEN ISTORICAL AND DESCRIPT VE DATA i i c Arne .i can Eng i 11 r n Pe conj Na onal Park Service rtmen of the Int r r P.O. Bm< 37127 Wash ngton, D .. 2001 7 27 IllSTORIC AMERICAN ENGINEERING RECORD SHIP BALCLUTHA (Ship Star of Alaska) (Ship Pacific Queen) HAER No. CA-54 Rig/Type of craft: Ship Trade: Cargo Official Number: 3882 Principal Length: 256.3 1 Gross tonnage: 1862 Dimensions: Beam: 38.5' Net tonnage: 1590 Depth: 17.5 Location: Hyde Street Pier San Francisco, California Date of Construction: 1886 Designer: Unknown Builder: Charles Connell & Co. Scotstoun, Scotland Present Owner: National Park Service San Francisco, California Present Use: Historic ship exhibit Significance: One of the. last surviving steel-hulled full rigged ships. Vessel involved in the 19th century Pacific Coast grain trade and the 20th century Pacific Coast salmon packing trade. Researcher: Norman J. Brouwer South Street Seaport Museum, New York, 1990 Ship BALCLUTHA ( HAER No. CA-54 Page 2 TABLE OF CONTENTS Background: The Sailing Ship and the Industrial Revolution 3 Robert McMillan, Owner of the BALCLUTHA 8 SIRENIA, the Brief Career of the Only Near-sistership 13 Charles Connell & Co., Builders of the BALCLUTHA 18 The Building of the BALCLUTHA 21 BALCLUTHA's Career Under the British Merchant Ensign 35 BALCLUTHA's Years in the Pacific Lumbar Trade 52 BALCLUTHA's Years In the Alaska Salmon Packing Trade 57 PACIFIC QUEEN, "Ark of Nautical curiosities" 66 BALCLUTHA and the San Francisco Maritime Museum 76 The Design of BALCLUTHA 88 Endnotes 97 Appendix 1. -
Old Marblehead Sea Captains and the Ships in Which They Sailed
Old Marblehead Sea Captains and the Ships in Which They Sailed Compiled and Published for the Benefit of the MARBLEHEAD HISTORICAL SOCIETY By Benjamin J. LINDSEY, Treasurer 1915 Copyrighted by BENJAMIN J. LINDSEY, 1915 Marblehead, Mass. ABBREVIATIONS S P - Ship' Paper or Pass (see cut; page 23) C P - Clearance Paper (see Cut) page 52 and 98. M V S - Marblehead Vital Statistics G C. - Capt. George Cloutman's Letter Book G B - Glover Broughton INTRODUCTION The information contained in this volume has been obtained by careful and persistent research from widely distributed sources viz: the Marblehead and Salem and Beverly Custom House Records, original books of the Marble- head Marine Insurance Company, covering five thousand policies running from 1800 to 1840, list of Marblehead Soldiers and Sailors in the Revolutionary War (compiled in 1912-13 by the author), old log books, old letter books, old newspapers, list of Privateersmen of 1812 made up by Capt. Glover Broughton in a memorial to the 34th, 35th and 36th Congresses asking for grants of land for services rendered, and from the descendants of the men mentioned. This volume is intended to be a fairly accurate list of the Old Sea Captains of Marblehead, and the vessels in which they sailed, going to and from foreign ports. The list of the names of the men is very nearly complete, but the list of the vessels is not as satisfactory, it being at this late date practically impossible to obtain complete information. Of the five hundred men mentioned, but two are alive at this time, Captain John D. -
Music & Entertainment
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 17th & Wednesday 18th November 2020 at 10:00 Viewing on a rota basis by appointment only For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 4. Touch LP, Touch - Original UK 10. Progressive Rock LPs, twelve DAY ONE Mono Release 1969 on Deram (DML 1033) albums of mainly Classic and Prog - With Poster - Laminated Gatefold Garrod Rock comprising The Who (Tommy and & Lofthouse Sleeve - Original Mono Inner Quadrophenia), Led Zeppelin II, Deep Vinyl Records - Brown / White Labels - Sleeve, Poster, Purple (Burn and Concerto For Group and Inner and Vinyl all in Excellent condition Orchestra), Black Sabbath - Sabbath Bloody A large number of the original albums £60-100 Sabbath, Pink Floyd - Ummagumma, David and singles in the Vinyl section make Bowie - 1980 All Clear (Promo), Osibisa -
Mimesis International
MIMESIS INTERNATIONAL LITERATURE n. 2 FICTIONAL ARTWORKS Literary Ékphrasis and the Invention of Images Edited by Valeria Cammarata and Valentina Mignano MIMESIS INTERNATIONAL This book is published with the support of the University of Palermo, “Department of Cultures and Society”, PRIN fund 2009, “Letteratura e cultura visuale”, Prof. M. Cometa. © 2016 – MIMESIS INTERNATIONAL www.mimesisinternational.com e-mail: [email protected] Isbn: 9788869770586 Book series: Literature n. 2 © MIM Edizioni Srl P.I. C.F. 02419370305 TABLE OF CONTENTS PREFACE 9 Michele Cometa Daniela Barcella BEINGS OF LANGUAGE, BEINGS OF DESIRE: FOR A PSYCHOANALYTICAL READING OF RAYMOND ROUSSEL’S LOCUS SOLUS 11 Michele Bertolini THE WORD THAT YOU CAN SEE: VISUAL AND SCENIC STRATEGIES IN LA RELIGIEUSE BY DIDEROT 25 Valeria Cammarata THE IMPOSSIBLE PORTRAIT. GEORGES PEREC AND HIS CONDOTTIERE 43 Clizia Centorrino THE DREAM-IMAGE IN GRADIVA’S GAIT FROM POMPEII TO MARRAKESH 59 Roberta Coglitore MOVING THE LIMITS OF REPRESENTATION: INVENTION, SEQUEL AND CONTINUATION IN BUZZATI’S MIRACLES 75 Duccio Colombo CAN PAINTINGS TALK? AN ÉKPHRASTIC POLEMIC IN POST-STALIN RUSSIA 87 Giuseppe Di Liberti HOMO PICTOR: ÉKPHRASIS AS A FRONTIER OF THE IMAGE IN THOMAS BERNHARD’S FROST 113 Mariaelisa Dimino BETWEEN ONTOPHANY AND POIESIS: HUGO VON HOFMANNSTHAL’S DANCING STATUES 127 Floriana Giallombardo THE OPTICAL WONDERS OF AN EIGHTEENTH-CENTURY MICROSCOPIST: GEOMETRIC CRYSTALS AND GOTHIC RÊVERIES 137 Tommaso Guariento DESCRIPTION AND IDOLATRY OF THE IMAGES: ROBERTO CALASSO’S