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FOTV-Report-Online-SP.Pdf
A FUTURE FOR PUBLIC SERVICE TELEVISION: CONTENT AND PLATFORMS IN A DIGITAL WORLD A report on the future of public service television in the UK in the 21st century www.futureoftv.org.uk 1 2 Contents Foreword by David Puttnam 4 Introduction 7 Chapter 1: Television and public service 14 Chapter 2: Principles of public service for the 21st century 28 Chapter 3: Television in a rapidly changing world: channels, content and platforms 38 Chapter 4: The BBC 50 Chapter 5: Channel 4 66 Chapter 6: ITV and Channel 5 78 Chapter 7: New sources of public service content 90 Chapter 8: TV: a diverse environment? 102 Chapter 9: Nations and regions 114 Chapter 10: Content diversity 128 Chapter 11: Talent development and training 144 Chapter 12: Conclusion and recommendations 152 Appendix 1: Sir David Normington’s proposals for appointing the BBC board 160 Appendix 2: BAFTA members’ survey 164 Appendix 3: Onora O’Neill, ‘Public service broadcasting, public value and public goods’ 172 Appendix 4: Inquiry events 176 Acknowledgements 179 3 Foreword by Lord Puttnam Public service broadcasting is a noble 20th If only the same could be said of much of century concept. Sitting down to write this our national popular press. Our democracy preface just a few days before the most suffers a distorting effect in the form of significant British political event of my mendacious axe-grinding on the part of most lifetime, with no idea of what the result might of the tabloid newspapers. In his brilliant be, there is every temptation to escape into new book, Enough Said, the former director neutral generalities. -
Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Experience Art. Live. PAINT out – the 21St Century Outdoor Extreme Art
Experience Art. Live. PAINT OUT – the 21st century outdoor extreme art event Paint Out Press and other Media copy Press copy of competition announcements, special event features – such as taking to canoes to paint from the river or gathering 100 artists on an historic heath together, and winners with photos of their art and cheque presentation (using extra-large branded & personalised presentation cheques). We regularly appear in Archant media titles including the EDP/NEN (circulation 50k) and Norfolk Magazine (readership 34k), have been mentioned in The Times arts diary, and been featured on That’s TV/Mustard TV (viewers 122k/m), Future Radio (listeners 42k/m) and BBC Radio Norfolk (listeners 176k/wk). http://www.paintoutnorwich.org/press/#PressCoverage Experienced professional publicity team with a track record in search engine & social media marketing optimisation and an eye for original and publicity worthy media calls. Experienced copywriting and proofreading, on-team writers and photojournalists, artists, graphic designers and brand integrity consultants. Film and video production - over two-dozen videos and short films recorded to date by ourselves and others including BBC Voices, City College Norwich Media Production Company, Giacomo Gex, Teele Photography & Film, Mustard TV (2016), That’s TV (2017), Norfolk Now and Tin Can Island TV. Paint Out Print, Banners, Branded Merchandise Our design team make sure that every event is visibly signposted with branded materials including banners, café-style barriers, clothing, flags, -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
The Art of Seeing Double
13·10·09 Week 41 explore.gateway.bbc.co.uk/ariel P hotogra P H THE BBC NEWSPAPER : chris ca P stick HATS OFF TO A CRAFTY NEWSNIGHT ORIGINAL a Page 5 THE ART OF SEEING DOUBLE IDENTICAL TWINS Michael and Greg ◆McKenzie are to be immortalised by Damien Hirst in his Tate Modern celebration of look-alikes. But the two BBC journalists won’t be giving up their day jobs. Page 4 > NEWS 2-4 WEEK AT WORK 8-9 ANALYSIS 10 MAIL 11 JOBS 14 GREEN ROOM 16 < 216 News aa 00·00·08 13·10·09 NEED TO KNOW THE WEEK’S esseNTIALS NEWS BITES TodAY WAS voted ‘most admired’ a programme from the past 25 Late result nobody expected years in a poll marking the silver anniversary of consumer group Room 2316, White City Voice of the Listener and Viewer. 201 Wood Lane, London W12 7TS u GIven THE events OF THE PRECedING DAYS, 020 8008 4228 viewers had been expecting an announcement on MARTHA LAne Fox, the government’s Managing Editor Strictly Come Dancing on Saturday night, so it was champion for digital inclusion, and Stephen James-Yeoman 02-84222 no surprise when Bruce Forsyth stepped forward… former Newsnight editor Peter Barron Deputy editors to tell people that they could watch the England/ are among the speakers at an Online Ukraine football match on tv after all. Access Forum at Television Centre Sally Hillier 02-26877 Or rather that they could watch a hour-long on October 16. The aim of the event Cathy Loughran 02-27360 highlights programme, presented by Gary Lineker, is to develop common approaches to Features editor at 10.15pm on BBC One, which pushed the news encourage greater online adoption. -
ANNEX 2 – List of Service Providers Required to Respond Together with Service Name(S)
ANNEX 2 – List of service providers required to respond together with service name(s). Those who did not respond are indicated in red. 1. 2WEBMEDIA LIMITED (wankitnow.com) 2. 965 TV Ltd (Studio66 TV) 3. AETN UK (A&E Networks – History / Bio / C1) 4. Amazon Instant Video Limited (Amazon Instant Video) 5. AMC Networks International Broadcasting Ltd (AMC/ MGM / Extreme Sport Channels) 6. AMC Networks Programme Services Ltd (AMC Channel) 7. Arsenal Broadband Limited (Arsenal Player) 8. Bay TV Liverpool Ltd (Bay TV Liverpool) 9. BBC Worldwide Ltd (BBC Worldwide / BBC Store) 10. British Film Institute (BFI Player) 11. British Sign Language Broadcasting Trust (BSL Zone Player) 12. British Telecommunications PLC t/a BT Vision (BT TV / BT Vision / BT Sport) 13. Broadcasting (Gaia) Ltd (Amateur Girlfriends/100% Babes/Barley Legal TV/Hustler XXX Movies) 14. CBS AMC Networks EMEA Channels Partnership (CBS Reality, Drama, Action, Europa) 15. CBS AMC Networks UK Channels Partnership (CBS Reality, Drama, Action, Horror Channel) 16. Channel 4 Television Corporation and 4Ventures Ltd (All 4 / 4oD) 17. Columbia Pictures Corporation Ltd (Sony Pictures Television) 18. Channel 5 Broadcasting Ltd (Demand 5) 19. Chelsea Football Club Ltd (Chelsea TV Online) 20. Chrominance Television (Chrominance TV inc Cinematio) 21. Cirkus Limited (Cirkus Sweden) 22. Classical TV Ltd (Classical TV) 23. Community Channel (Community Channel) 24. Curzon Cinemas Limited (Curzon Home Cinema) 25. Digital Theatre.com Ltd (www.digitaltheatre.com) 26. Discovery Communications Europe Ltd (Discovery Networks Northern Europe Play inc. Animal Planet, TLC) 27. Discovery Networks Northern Europe Limited (Discovery Networks VOD) 28. E! Entertainment UK Limited (E! Entertainment) 29. -
Glasgow University, 5 March 2014 Introduction
Media plurality meeting notes: Glasgow University, 5 March 2014 Introduction: aims of AHRC project / Scottish context This is one of 6 seminars looking at policy thinking and policy making around media plurality. This one is designed to focus on the more nation-specific issues in Scotland, which will then feed into the project as a whole. Chair: Important that these issues are aired in Scotland, since the read across from London may not apply in the Scottish context. Also fits into other events / projects the Centre for Cultural Policy Research has been running. In a recent seminar about press, the constitutional question did not, surprisingly, weigh heavily. The question of survival and sustainable business models came out top. The CCPR has tried to look at that in context of other national models; there is a piece on Policy Scotland blog1, which discusses interim conclusions. With Policy Scotland, it is planning something on broadcasting and independence: there will be an event on 13 May 2014. Media Plurality and the Press – current problems and policy issues arising • Legacy of KM Group decision against mergers • Common ownership of television and newspapers: is it really a concern? • Sustainability struggles for national titles, but strong circulations for some local titles and high penetration for titles like Shetland Times • Newspapers in a new landscape with different competitors: from local blogger, to Google • Discussion over statutory notices and council obligations for printing in newspapers Thinking has been influenced by decisions around attempted purchase by the Kent Messenger (KM) group of 7 Northcliffe titles in 2011, approved by Ofcom but referred by OFT to Competition Commission and subsequently dropped by KM. -
Filming in Edinburgh 2019
Policy and Sustainability Committee 10.00am, Tuesday, 25 February 2020 Filming in Edinburgh 2019 Executive/routine Executive Wards All Council Commitments 1. Recommendations 1.1 Policy and Sustainability Committee is asked to: 1.1.1 Note the overall summary of filming in Edinburgh, the recorded impacts and benefits and income to the Council from film production in 2019; 1.1.2 Discharge the motion from Council on 24 October 2019 on the Film Charter and Principles; and 1.1.3 Note the intention to share this report with Governance, Risk and Best Value Committee in response to the request for information about the income generated to the Council from film. Paul Lawrence Executive Director of Place Contact: David Cooper, Service Manager E-mail: [email protected] | Tel: 0131 529 6233 Report Filming in Edinburgh in 2019 2. Executive Summary 2.1 This report provides Committee with an annual report on filming in Edinburgh in 2019 and provides details on the impacts and benefits, as well as information on the income generated for the Council from filming. 3. Background 3.1 On 6 March 2014, the Council’s Economy Committee approved an update to the Film Charter for the city. Although the Charter is not legally binding on either the Council or filmmakers, it was developed to encourage film production companies to choose Edinburgh. The Charter was developed with Film Edinburgh (then Edinburgh Film Office) and sets out how the Council and the Film Edinburgh will facilitate filmmaking in the city. 3.2 On 29 January 2019, Culture and Communities Committee approved an update to the Code of Practice for filming in Edinburgh. -
Regional and Local Television in the United Kingdom
Snapshot: regional and local television in the United Kingdom Deirdre Kevin European Audiovisual Observatory 2015 1 Table of Contents About the brief 2 Summary 2 1 Introduction 4 1.1 Nations and regions in the United Kingdom 4 2 Overview of the UK television landscape 6 2.1 BBC remit: regional and local news and services 6 2.2 The BBC and the UK regions 7 2.2.1 BBC Northern Ireland 9 2.2.2 BBC Scotland 9 2.2.3 BBC ALBA 10 2.2.4 BBC Wales 10 2.3 S4C 11 2.4 Channel 3 licensees: ITV, UTV, STV 12 2.4.2 STV - Scottish Television 15 2.4.3 UTV - Ulster Television 15 2.5 News and programming obligations for Channel 3 16 2.6 The new local DTT channels 17 2.6.2 Estuary TV 18 2.6.3 London Live 19 2.6.4 Mustard TV 19 2.6.5 Notts TV 19 2.6.6 STV Glasgow and STV Edinburgh 19 2.6.7 Bay TV Liverpool 20 2.6.8 Latest TV 20 2.6.9 Made in Television: Bristol, Cardiff, Leeds, and Tyne and Wear 20 2.6.10 NVTV 21 2.6.11 Sheffield Live! 21 2.6.12 That’s Solent 21 2.6.13 Big Centre TV 21 European Audiovisual Observatory 2.6.14 Other channels 21 3 Audiences: channels and news 23 3.1 Audiences in the UK regions and nations 23 3.2 Audiences for other regional channels 24 3.2.1 S4C 24 3.2.2 BBC ALBA 24 3.2.3 Regional audiences for specific foreign channels 25 3.3 Local TV audiences 25 3.4 Online viewing data 26 3.5 News audiences 27 3.5.1 News and current affairs 27 3.6 Programmes about Europe 28 Sources: 30 European Audiovisual Observatory About the brief This brief was prepared by the European Audiovisual Observatory for the European Commission, DG COMM and DG REGIO in September 2014. -
The-Communication-Market-Report-2016.Pdf
About this document The report contains statistics and analysis of the UK communications sector. It is a reference for industry, stakeholders, academics and consumers. It provides context to the work Ofcom undertakes in furthering the interests of consumers and citizens in the markets we regulate. The report contains data and analysis on broadcast television and radio, fixed and mobile telephony, internet take-up and consumption and post. We publish this report to support Ofcom’s regulatory goal to research markets constantly and to remain at the forefront of technological understanding. It also fulfils the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report. It also addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the same Act). Much of the data included in this report is available for anyone to access, use and share on the open data pages of Ofcom’s website: www.ofcom.org.uk/opendata Contents Introduction 1 Methodological note 2 1 Market in context 3 2 Television and audio-visual 51 3 Radio and audio 109 4 Telecoms and networks 135 5 Internet and online content 177 6 Post 217 7 Glossary & Table of Figures 247 Introduction The availability of technologies and services that offer faster and more reliable internet connections has continued to grow this year. 4G mobile services are now available to 97.8% of UK premises, and superfast broadband is available to more than eight in ten households. Consumers are increasingly embracing these services. -
Parliamentary Debates (Hansard)
Tuesday Volume 576 25 February 2014 No. 125 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 25 February 2014 £5·00 © Parliamentary Copyright House of Commons 2014 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 141 25 FEBRUARY 2014 142 dementia strategy will be renewed? I understand that we House of Commons have the Prime Minister’s dementia challenge, but, like many of us, Prime Ministers come and go. We need a Tuesday 25 February 2014 strategy and not simply the Prime Minister’s challenge. Mr Hunt: I can assure the right hon. Lady that this The House met at half-past Eleven o’clock Prime Minister is here to stay. Indeed, I can also reassure her that the national dementia strategy is here to stay. PRAYERS As she has announced that she is stepping down at the end of this Parliament, may I thank her for her campaigning on dementia, which, I think, came from a family connection [MR SPEAKER in the Chair] with the issue? She has attended many of my dementia meetings and the G8 dementia summit. She has made a really important contribution, and I thank her for that. Oral Answers to Questions Paul Burstow (Sutton and Cheam) (LD): May I follow up on the question that the right hon. Lady has just asked? The Secretary of State has said that the national strategy is here to stay and that is very welcome, but the HEALTH national strategy was drafted with the intention that it would expire this year.