Hans Uhlmann Findbuch Zum Dokumentarischen Teilnachlass
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Ursula Sax Education and Teaching
URSULA SAX EDUCATION AND TEACHING 1935 born in Backnang/ Baden-Württemberg, lives and works in Berlin 2000 End of teaching profession– again freelance work 1993 – 2000 Professor of sculpture at the Hochschule für Bildende Künste Dresden 1990 – 1993 Professor of sculpture at the Hochschule für Bildende Künste Braunschweig 1989 Guest professor of sculpture at the Hochschule der Künste Berlin 1987 Performance at the Nazareth Church, Berlin – Wedding with Klaus Steinmann 1987 Bremen Wood Symposium on occasion of the exhibition of the Deutscher Künstlerbund in Bremen 1985 – 1986 Guest professor at the Hochschule der Künstle Berlin From 1960 Freelance work in Berlin 1956 – 1960 Studies of sculpture at the Hochschule für Bildende Künste Berlin 1960 Meisterschülerin of Prof. Hans Uhlmann 1950 – 1955 Studies of sculpture at the Staatliche Akademie für Bildende Künste Stuttgart GRANTS AND AWARDS, SYMPOSIUMS (SELECTION) 1998 2 months guest of honor at the Villa Massimo, Rom 1981 Hand-Hollow-Foundation, East Chatham, N.Y. USA (4 month grant) 1979 – 1980 Cité des arts (6 months grant), Paris 1979 Symposium II ‚Kunst und Holz’, Kunstverein Freiburg 1975 – 1976 Villa Massimo, Rom (3 months grant, Senat Berlin) 1974 Art Award Böttcherstraße, Bremen 1970 Will-Grohmann-Award 1963 Villa-Romana-Award (13-month stay in Florence) 1961 Symposium European Sculptors St. Margarethen, Austria 1960 Grant of the Kulturkreis im Bundesverband der Deutschen Industrie Travelling grant of the Berliner Senats for Greece Schröderstr. 1, 10115 Berlin, Tel.: +49-30-784 12 -
„Geometrisches Ballett“ Hommage À Oskar Schlemmer Von Ursula Sax
„Geometrisches Ballett“ Hommage à Oskar Schlemmer von Ursula Sax Freitag, 18. Oktober 2019 Westbad Leipzig, großer Saal Beginn: 20:00 Uhr Einlaß: 19:00 Uhr Karten an allen VVK-Stellen sowie unter www.love-your-artist.de/ und www.eventim.de ____________________________________________________________________________________ Kurzinfo: Bildhauerei als Grundlage eines Bühnenstücks: Im Bauhaus-Jubiläumsjahr bringen freie darstellende Künstler*innen aus Dresden das "Geometrische Ballett" von Ursula Sax als szenische Wiederaneignung mit Live-Musik zur Uraufführung. Gewidmet Oskar Schlemmer und dessen "Triadischem Ballett", rückt das Stück im Bauhaus-Jubiläumsjahr wieder in das Interesse der Kunstwelt, nachdem es bereits 1990 / 1991 in Teilen aufgeführt wurde. Die zugehörigen, im Original erhaltenden Tanzskulpturen und performativen Objekte, die seit 2010 im Besitz der Berlinischen Galerie sind und für die neue Inszenierung dupliziert werden, nehmen in der Bildenden Kunst eine Sonderstellung ein. Charakteristikum des Konzepts von Ursula Sax ist die Gattungsüberschreitung von Skulptur, Performance, Tanz, Theater und Musik, ohne dabei ein Libretto vorzugeben. ____________________________________________________________________________________ Langinfo: Das Überschreiten der Grenzen: Bildhauerei als Grundlage eines Bühnenstücks Das „Geometrische Ballett (Hommage à Oskar Schlemmer)“ verbindet verschiedene Bereiche der Künste: Zu allererst ist es ein Werk der Bildhauerin Ursula Sax, die 1935 in Backnang (Baden-Württemberg) geboren wurde, und nach Bildhauerstudien seit 1955 freischaffende Künstlerin ist. Das erste Studium trat sie bereits mit 15 Jahren in Stuttgart an der dortigen Kunstakademie an und ergänzte es in Berlin ab 1955 mit einem Studium bei Hans Uhlmann. Jahrzehnte später folgte sie dem Ruf als Professorin für Bildhauerei zuerst an die Hochschule für Bildende Künste Braunschweig (1990–1993) und später in Dresden (1993–2001). Skulpturen von Ursula Sax finden sich vielerorts im öffentlichen Raum und ihr Werk ist in zahlreichen Museen (u.a. -
Spring/Summer 2020 Sping/Summer 2020 We Love Books
SPRING/SUMMER 2020 SPING/SUMMER 2020 WE LOVE BOOKS. Matthias Kliefoth Distribution Sales Representatives/DACH France/Beneluxe Christian Boros Ted Dougherty DISTANZ publications are dis- Germany Phone + 44 (0) 20 74 82 24 39 tributed by Edel Germany GmbH. Customer Service [email protected] DISTANZ Verlag GmbH Please contact our distributors and Andrea Ellies Hallesches Ufer 78 sales representatives listed below. Phone + 49 (0) 40 89 08 53 74 Scandinavia D-10963 Berlin For all further enquiries regarding Fax + 49 (0) 40 89 08 59 374 (Denmark, Iceland, Norway, Sweden) distribution and sales, please contact [email protected] Gill Angell, Angell Eurosales the Edel Book Sales Department at Phone + 44 (0) 17 64 68 37 81 Phone + 49 (0) 30 24 08 33 200 [email protected]. Austria Mobile + 44 (0) 78 12 06 45 27 [email protected] Vienna [email protected] Martin Schlieber www.distanz.de Distributors [email protected] www.distanz.com Eastern Europe/Russia Germany Austria (Albania, Armenia, Azerbaijan, KNV Zeitfracht GmbH West Bulgaria, Czech Republic, Croatia, Verlagsauslieferung Dietmar Vorderwinkler Estonia, Georgia, Hungary, Latvia, Press Industriestraße 23 [email protected] Lithuania, Moldova, Poland, Romania, D-70565 Stuttgart Slovak Republic, Slovenia, Ukraine) Phone + 49 (0) 711 78 99 21 38 Austria Ewa Ledóchowicz Anna Kessel Fax + 49 (0) 711 78 99 10 10 East / South Mobile + 48 (0) 60 64 88 122 Phone + 49 (0) 30 24 08 33 201 [email protected] Wolfgang Habenschuss [email protected] [email protected] -
Willi Baumeister Book in English
/ CREATOR FROM THE UNKNOWN 1955 – 1889 Willi Baumeister (1889–1955) is one of Modernism’s most significant artists. A central theme in his work was the search for universal reference points and the sources of artistic creation: Creativity as a never-ending process of discovery. baumeister As a painter and art professor, Baumeister campaigned for open Brigitte Pedde artistic exchange. With the present volume, the Willi Baumeister willi Stiftung is striking out in a new direction. For the first time ever, an introduction to the work of a seminal artist of the modern age is freely available on the Internet as a high-quality open access art book. WWW.WILLI-baumeister.COM Brigitte Pedde WILLI BAUMEISTER 1889–1955 Translated by Michael Hariton eBook PUBLISHED BY THE WILLI Baumeister STIFTUNG ISBN 978-3-7375-0982-4 9 783737 509824 Brigitte Pedde WILLI BAUMEISTER 1889–1955 CREATOR FROM THE UNKNOWN Translated by Michael Hariton PUBLISHED BY THE WILLI BAUMEISTER STIFTUNG Brigitte Pedde AUTHOR Henrike Noetzold DESIGN Reinhard Truckenmüller PHOTOS Cristjane Schuessler PROJECT COORDINATOR / IMAGE EDITOR Bernd Langner ONLINE EDITOR Michael Hariton (for Mondo Agit) TRANSLATION Elliot Anderson (for Mondo Agit) COPY EDITOR Willi Baumeister Stiftung PUBLISHER epubli GmbH MANUFACTURED AND PUBLISHED BY This work is licensed under a Creative Commons license agreement: LICENSE Attribution - NonCommercial - ShareAlike 3.0 Germany License. To view the terms of the license, please follow the URL: http://creativecommons.org/licenses/by-nc-sa/3.0/deed.de Felicitas -
Willi Baumeister International Willi Baumeister and European Modernity 1920S–1950S
Willi Baumeister International Willi Baumeister and European Modernity 1920s–1950s November 21, 2014 — March 29, 2015 Works by Willi Baumeister 1909–1955. Works from the Baumeister Collection by Josef Albers, Hans Arp, Julius Bissier, Georges Braques, Carlo Carrà, Marc Chagall, Albert Gleizes, Roberta González, Camille Graeser, Hans Hartung, Wassily Kandinsky, Paul Klee, Franz Krause, Le Corbusier, Fernand Léger, El Lissitzky, August Macke, Otto Meyer-Amden, Joan Miró, László Moholy-Nagy, Amédée Ozenfant, Pablo Picasso, Oskar Schlemmer, Kurt Schwitters, Michel Seuphor, Gino Severini, Zao Wou-Ki From the Daimler Art Collection: Hans Arp, Willi Baumeister, Max Bill, Camille Graeser, Otto Meyer-Amden, Oskar Schlemmer, Georges Vantongerloo Daimler Contemporary Berlin Potsdamer Platz Berlin Introduction Renate Wiehager Stuttgart artist Willi Baumeister (1889–1955) is one of the The collection comprises, among others, paintings by Wassily From the outset the Daimler Art Collection has, in both its most important German artists of the postwar period and Kandinsky, Hans Arp, Fernand Léger, and Kazimir Malevich. conception and its aims, gone well beyond mere corporate- among the most significant representatives of abstract paint- The focus of the exhibition is on central groups of works by image enhancement. In fact, over the years the collection ing. His influence as an avant-garde artist, as a professor at Willi Baumeister, ranging from his constructivist phase to the has become one of the leading European Corporate Collec- the School of Decorative Arts in Frankfurt am Main and after Mauerbilder and the late Montaru paintings as well as the tions and a living part of the corporation. Since it was inau- 1946 at the Stuttgart Academy, and as a major art theoreti- Afrika series. -
URSULA SAX EDUCATION and TEACHING 1935 Born in Backnang
URSULA SAX EDUCATION AND TEACHING 1935 born in Backnang/ Baden-Württemberg, lives and works in Berlin 2000 End of teaching profession– again freelance work 1993 – 2000 Professor of sculpture at the Hochschule für Bildende Künste Dresden 1990 – 1993 Professor of sculpture at the Hochschule für Bildende Künste Braunschweig 1989 Guest professor of sculpture at the Hochschule der Künste Berlin 1987 Performance at the Nazareth Church, Berlin – Wedding with Klaus Steinmann 1987 Bremen Wood Symposium on occasion of the exhibition of the Deutscher Künstlerbund in Bremen 1985 – 1986 Guest professor at the Hochschule der Künstle Berlin From 1960 Freelance work in Berlin 1956 – 1960 Studies of sculpture at the Hochschule für Bildende Künste Berlin 1960 Meisterschülerin of Prof. Hans Uhlmann 1950 – 1955 Studies of sculpture at the Staatliche Akademie für Bildende Künste Stuttgart GRANTS AND AWARDS, SYMPOSIUMS (SELECTION) 2017 Kunstpreis of the State Capital Dresden 1998 2 months guest of honor at the Villa Massimo, Rom 1981 Hand-Hollow-Foundation, East Chatham, N.Y. USA (4 month grant) 1979 – 1980 Cité des arts (6 months grant), Paris 1979 Symposium II ‚Kunst und Holz’, Kunstverein Freiburg 1975 – 1976 Villa Massimo, Rom (3 months grant, Senat Berlin) 1974 Art Award Böttcherstraße, Bremen 1970 Will-Grohmann-Award 1963 Villa-Romana-Award (13-month stay in Florence) 1961 Symposium European Sculptors St. Margarethen, Austria 1960 Grant of the Kulturkreis im Bundesverband der Deutschen Industrie Travelling grant of the Berliner Senats for Greece Schröderstr. -
VILLA ROMANA the Artists House in Florence 22 November 2013 – 9 March 2014
VILLA ROMANA The Artists House in Florence 22 November 2013 – 9 March 2014 Media Conference: 21 November 2013, 11 a.m. Content 1. Exhibition Dates Page 2 2. Information on the Exhibition Page 4 3. Wall Quotation Page 6 4. List of exhibited Artists Page 8 5. Winners of the Villa Romana Prize Page 9 6. Catalogue Page 21 Head of Corporate Communications / Press Officer Sven Bergmann T +49 228 9171–204 F +49 228 9171–211 [email protected] Exhibition Dates Duration 22 November 2013 – 9 March 2013 Director Rein Wolfs Managing Director Dr. Bernhard Spies Curator Angelika Stepken, Director of the Villa Romana Exhibition Manager Susanne Kleine Head of Corporate Communications / Sven Bergmann Press Officer Catalogue / Press Copy € 25 / € 10 Opening Hours Tuesday and Wednesday: 10 a.m. to 9 p.m. Thursday to Sunday: 10 a.m. to 7 p.m. Public Holidays: 10 a.m. to 7 p.m. Closed on Mondays Admission Florence and Villa Romana standard / reduced / family ticket € 10 / € 6.50 / € 16 Happy Hour-Ticket € 6 Tuesday and Wednesday: 7 to 9 p.m. Thursday to Sunday: 5 to 7 p.m. (for individuals only) Advance Ticket Sales standard / reduced / family ticket € 11.90 / € 7.90 / € 19.90 inclusive public transport ticket (VRS) on www.bonnticket.de ticket hotline: T +49 228 502010 Admission for all Exhibitions standard / reduced / family ticket € 15 / € 10 / € 24 Guided Group Tours information T +49 228 9171–243 and registration F +49 228 9171–244 [email protected] Public Transport Underground lines 16, 63, 66 and bus lines 610, 611 and 630 to Heussallee / Museumsmeile. -
Willi Baumeister International Willi Baumeister and European Modernity 1920S–1950S
Willi Baumeister international Willi Baumeister and European Modernity 1920s–1950s Works by Willi Baumeister from the years 1909-1955 Supplemented by works of international artists of the time Daimler Contemporary, Potsdamer Platz Berlin November 21, 2014 – March 29, 2015 Works from the Baumeister Collection by Josef Albers, Hans Arp, Julius Bissier, Georges Braques, Carlo Carrà, Marc Chagall, Albert Gleizes, Roberta González, Camille Graeser, Hans Hartung, Wassily Kandinsky, Paul Klee, Franz Krause, Le Corbusier, Fernand Léger, El Lissitzky, August Macke, Otto Meyer-Amden, Joan Miró, László Moholy-Nagy, Amédée Ozenfant, Pablo Picasso, Oskar Schlemmer, Kurt Schwitters, Michel Seuphor, Gino Severini, Zao Wou-Ki From the Daimler Art Collection: Hans Arp, Willi Baumeister, Max Bill, Camille Graeser, Otto Meyer-Amden, Oskar Schlemmer, Georges Vantongerloo Stuttgart artist Willi Baumeister (1889–1955) is one of the most important German artists of the postwar period and among the most significant representatives of abstract painting. His influence as an avant-garde artist, as a professor at the School of Decorative Arts in Frankfurt am Main and after 1946 at the Stuttgart Academy, and as a major art theoretician could be felt far beyond Germany. From early on, Baumeister was in close contact with French artists and exhibited his works in Italy, Spain, France, and Switzerland. He could seamlessly resume these contacts after the Second World War. The exhibition retraces his international relations to gallerists, collectors and art historians. It will, for the first time, present parts of his private art collection, which he assembled through swapping his own works for paintings by his artist friends. The collection comprises, among others, paintings by Wassily Kandinsky, Hans Arp, Fernand Léger, and Kazimir Malevich. -
Wassily Kandinsky Papers, 1911-1940 (Bulk 1921-1937)
http://oac.cdlib.org/findaid/ark:/13030/kt1r29n4zp Online items available Finding aid for the Wassily Kandinsky papers, 1911-1940 (bulk 1921-1937) Isabella Zuralski. Finding aid for the Wassily Kandinsky 850910 1 papers, 1911-1940 (bulk 1921-1937) Descriptive Summary Title: Wassily Kandinsky papers Date (inclusive): 1911-1940 (bulk 1921-1937) Number: 850910 Creator/Collector: Kandinsky, Wassily Physical Description: 2 Linear Feet(3 boxes, 1 flat file folder) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Russian-born artist considered to be one of the creators of abstract painting. Papers document Kandinsky's teachings at the Bauhaus, his writings, his involvement with the Russian Academy of Artistic Sciences (RAKhN) in Moscow, and his professional contacts with art dealers, artists, collectors, and publishers. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in German and Russian with some English and French. Biographical / Historical Note Wasily Kandinsky [Vasilii Vasil'evich Kandinskii] was born in 1866 in Moscow, Russia and died in 1944 in Neuilly-sur-Seine, France. He is considered one of the first creators of purely abstract painting. In 1896, after academic studies and initial career in law and social sciences, Kandinsky turned down an offer of professorship in jurisprudence, and together with his first wife Anja Shemiakina, left Russia for Munich with the intention of becoming a painter. -
Spring/Summer 2020 Sping/Summer 2020 We Love Books
SPRING/SUMMER 2020 SPING/SUMMER 2020 WE LOVE BOOKS. Matthias Kliefoth Distribution Sales Representatives/DACH France/Beneluxe Christian Boros Ted Dougherty DISTANZ publications are dis- Germany Phone + 44 (0) 20 74 82 24 39 tributed by Edel Germany GmbH. Customer Service [email protected] DISTANZ Verlag GmbH Please contact our distributors and Andrea Ellies Hallesches Ufer 78 sales representatives listed below. Phone + 49 (0) 40 89 08 53 74 Scandinavia D-10963 Berlin For all further enquiries regarding Fax + 49 (0) 40 89 08 59 374 (Denmark, Iceland, Norway, Sweden) distribution and sales, please con- [email protected] Gill Angell, Angell Eurosales tact the Edel Book Sales Department Phone + 44 (0) 17 64 68 37 81 Phone + 49 (0) 30 24 08 33 200 at Austria Mobile + 44 (0) 78 12 06 45 27 [email protected] [email protected]. Vienna [email protected] Martin Schlieber www.distanz.de [email protected] Eastern Europe/Russia www.distanz.com Distributors Austria (Albania, Armenia, Azerbaijan, Germany West Bulgaria, Czech Republic, Croatia, KNV Zeitfracht GmbH Dietmar Vorderwinkler Estonia, Georgia, Hungary, Latvia, Press Verlagsauslieferung [email protected] Lithuania, Moldova, Poland, Romania, Industriestraße 23 Slovak Republic, Slovenia, Ukraine) D-70565 Stuttgart Austria Ewa Ledóchowicz Anna Kessel Phone + 49 (0) 711 78 99 21 38 East / South Mobile + 48 (0) 60 64 88 122 Phone + 49 (0) 30 24 08 33 201 Fax + 49 (0) 711 78 99 10 10 Wolfgang Habenschuss [email protected] [email protected] [email protected] -
Press Release Klee & Kandinsky Klee & Kandinsky
Zentrum Paul Klee Bern Press release Eva Pauline Bossow Head of Media, Marketing and 18/06/2015 Communication [email protected] Exhibition | Set-up and contents | Catalogue | T +41 (0)31 359 01 88 Biographies Paul Klee & Wassily Kandinsky Zentrum Paul Klee Monument im Fruchtland 3 Exhibition Postfach Klee & Kandinsky CH-3000 Bern 31 19/06 — 27/09/2015 T 031 359 01 01 F 031 359 01 02 ZENTRUM PAUL KLEE, BERN www.zpk.org Klee & Kandinsky - the most significant Zentrum Paul Klee exhibition Paul Klee and Wassily Kandinsky are the dream pair of art history and yet there has never been a comprehensive exhibition confronting the works of the two founding fathers of abstract art. The Zentrum Paul Klee in Bern and the Städtische Galerie im Lenbachhaus and the Kunstbau in Munich now close this gap by showing from the world’s most renowned museums the finest selection of works by the two master painters who were Bauhaus neighbours. When in 1929 Wassily Kandinsky and Paul Klee pose for a photo in imitation of the Goethe-Schiller Memorial in Weimar, it testifies to the high degree of self-confidence of both artists during their Dessauer Bauhaus period, a high point in both careers. The photo reveals much about the complexity of one of the most remarkable and prolific creative friendships in art history. Their names are a reference today, synonymous with « classical modernism ». They are considered since the 1950’s to be the founding fathers of abstract art. The association of both artists was certainly intense, but was also idealized, for it obscured the artistic and human aspect of two very dissimilar characters whose careers progressed quite differently at all tangential points. -
Press Release the Harvard Art Museums Present Inventur—Art In
Press Release The Harvard Art Museums present Inventur—Art in Germany, 1943–55 Showcases artwork largely unknown to American audiences by modern German artists working during the most tumultuous time in that country’s history. Hans Uhlmann, Male Head | Männlicher Kopf, 1942. Steel sheet. Lehmbruck Museum, Duisburg, FrK 4237/1995. © 2017 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Photo: Jürgen Diemer. Cambridge, MA November 17, 2017 (updated January 16, 2018) The Harvard Art Museums’ newest special exhibition, Inventur—Art in Germany, 1943–55, will be on view from February 9 through June 3, 2018. The first exhibition of its kind, Inventur examines a largely unaddressed moment in modern German art—from just before the end of World War II to the decade just after—and features more than 160 works by nearly 50 artists, including women who were integral to exhibitions at the time but whose work has often been ignored. Much of the artwork presented has never been on view outside Germany. Taking its name from a 1945 poem by Günter Eich, the exhibition focuses on modern art created at a time when Germans were forced to acknowledge and reckon with the atrocities of World War II and the Holocaust, the country’s defeat and occupation by the Allies, and the ideological ramifications of the fledgling Cold War. Chosen for the way it helps characterize the art of this period, the German word Inventur (inventory) implies not just an artistic stocktaking, but a physical and moral one as well—the reassurance of one’s own existence as reflected in the stuff of everyday life.