DOCSLIB.ORG

Les Rencontres De

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Les Rencontres De à partir du 15 janvier A L’AFFICHE LOLA MONTÈS samedi 18 janvier minuit du 8 au 14 janvier 2020 de Max Ophuls Allemagne/France 1955 1h55 couleur version restaurée NUIT TÉLÉRAMA avec Martine Carol, Peter Ustinov 3 FILMS ET 1 PETIT DEJEUNER A la Nouvelle-Orléans, au milieu du XIXème siècle, jeudi 16 janvier 20h00 un cirque gigantesque donne en représentation la vie scandaleuse de Lola Montès, alias comtesse de Landsfeld. Répondant aux questions les plus indis- LES RENCONTRES DE crètes du public, sous la direction de son manager habillé en Monsieur Loyal, elle est contrainte de raconter dans quelles conditions elle a refusé pour époux le vieillard qu’on lui destinait, préférant s’enfuir avec le jeune amant de sa mère et comment, passant de lui à d’autres, elle connut des hommes célèbres, JE NE RÊVE QUE DE VOUS tels que Liszt, achevant sa prodigieuse et scanda- de Laurent Heynemann leuse carrière en qualité de maîtresse attitrée de Louis France 2019 1h40 couleur II, roi de Bavière. Mais une telle femme ne pouvait que avec Elsa Zylberstein, Hippolyte Girardot, déchaîner les passions et même, en Bavière, la révo- lution. Après avoir été obligée de fuir, elle est réduite Emilie Dequenne, Mathilda May à la déchéance finissant dans ce cirque. Sa tragique CYCLE conclusion se trouvera-t-elle dans le clou du spec- projection suivie d’une rencontre tacle, le grand saut de la mort ? organisée par le magazine L’Histoire MONTY PYTHON «Le film sera immédiatement défendu par les avec CYCLE réalisateurs qui deviendront ceux de la Nouvelle Laurent Heynemann, Vague, qui le hisseront au rang de chef-d’oeuvre.» Réalisateur et Scénariste INGMAR BERGMAN et tous les jours Antoine de Baecque, LE CHAMPO - Espace Jacques Tati 14h15 16h30 19h10 21h20 Historien et Critique de cinéma 51, rue des Ecoles - Paris 5 ème Tel : 01 43 29 79 04 CYCLE MONTY PYTHON CYCLE INGMAR BERGMAN JABBERWOCKY MONIKA version restaurée de Terry Gilliam Suède 1953 1h38 NetB VOSTF avec Harriet Andersson, Lars Ekborg, Dagmar Ebbesen G-B 1976 1h45 couleur VOSTF version restaurée mer 12h00 - lun 19h30 avec Michael Palin, Terry Jones, Max Wall PERSONA Suède 1966 1h24 NetB VOSTF version restaurée avec Gunnar Bjömstrand, Margaretha Krook DRÔLE DE DRAME de Marcel Carné mer 19h30 - sam 12h00 France 1937 1h35 NetB version restaurée tous les jours 15h40 LES FRAISES SAUVAGES avec Françoise Rosay, Michel Simon, Suède 1957 1h32 NetB VOSTF version restaurée Louis Jouvet MONTY PYTHON, SACRÉ GRAAL avec Victor Sjöstrom, Bibi andersson, Ingrid Thulin de Terry Jones et Terry Gilliam jeu 12h00 - sam 19h30 G-B 1974 1h30 couleur VOSTF A Londres, en 1900. Archibald Soper, le rigide évêque avec Graham Chapman, John Cleese, de Bedford, tonne en chaire contre les romans poli- Eric Idle ciers pernicieux de Félix Chapel, qu’il poursuit de JEUX D’ÉTÉ sa vindicte sans savoir que sous ce pseudonyme Suède 1951 1h36 NetB VOSTF version restaurée se cache son cousin, Irwin Molyneux, un vieux bo- avec Maj-Britt Nilsson, Birger Malmsten taniste maladif. L’évêque, qui aime à rogner sur ses jeu 19h30 - mar 12h10 dépenses, s’invite chez les Molyneux un soir que les domestiques viennent de rendre leur tablier. Pour évi- ter le déshonneur, Margaret Molyneux feint d’être en voyage et s’enferme dans la cuisine où elle s’affaire CRIS ET CHUCHOTEMENTS derrière les fourneaux. L’évêque interprète mal le ma- Suède 1973 1h30 couleur VOSTF version restaurée mer ven dim mar 12h05 laise d’Irwin et l’absence de Margaret. Il se persuade avec Ingrid Thulin, Livv Ullmann , Harriet Anderson jeu sam lun 21h30 que son cousin a assassiné son épouse et alerte Scotland Yard... MONTY PYTHON, LA VIE DE BRIAN ven 12h00 - dim 19h30 de Terry Jones «La restauration redonne vie à ce film atypique. G-B 1979 1h30 couleur VOSTF Raison de plus pour (re)découvrir cette comédie LE SEPTIÈME SCEAU loufoque, ni très réaliste, ni très poétique, même avec Graham Chapman, John Cleese Suède 1957 1h37 NetB VOSTF version restaurée avec Gunnar Bjömstrand, Bengt Ekerot, Bibi Andersson si ses auteurs inventeront, par la suite, le « réa- lisme poétique ». Leçon d’histoire et éclats de rire peuvent faire bon ménage.» ven 19h30 - dim 12h00 Aurélien Ferenczi - TELERAMA SONATE D’AUTOMNE Suède 1978 1h37 couleur VOSTF version restaurée avec Ingrid Bergman, Liv Ullmann, Lena Nyman mer ven dim mar 21h30 tous les jours lun 12h00 - mar 19h30 jeu sam lun 12h05 13h50 17h35.
Load more

Recommended publications
  • Short Time Space the Gallery of Photography In
    Short Time Space The Gallery of Photography in Dublin is designed like a camera. Its large picture win - dow on the first floor, above the entrance foyer, opens to a spacious inner chamber. The width of this aperture, however, resembles less the keyhole function of the tradi - tional lens, more the image screen on the back of todayʼs digital cameras. Old tech - nology gives way to new forms of visualising and recording what the camera sees. Indeed the slight delay in capturing the digital image, as the pixel grid adjusts minutely to the light conditions once the shutter is pressed, coincidentally introduces the element of time so central to Sigune Hamannʼs art. Duration, the passing of time in the fixing of the image and the passing of still more time in the perception and rec - ollection of the original event is flagged by the length of the photographic montage she has placed within the galleryʼs picture window. Simultaneously visible from inside and outside the space, it reveals the mechanics of how cameras record images. It also introduces the element of performance that runs through her work and invites an active response from the visitor, breaking down the separate spaces occupied by the work and its viewers. In Hamannʼs early collaborations working with composers and dancers, her designs framed and supported the dramaturgy originated by and with others. More recently, the separation of the performersʼ space from the audience at the edge of the stage or by the proscenium arch has yielded to the artistʼs engage - ment with art made directly in public spaces, often with the artist herself undertaking actions that define the work as something unfolding, something to be perceived over time in the space we all occupy.
    [Show full text]
  • Filmography V6.Indd
    a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television.
    [Show full text]
  • Krapp's Last Tape in Great Britain
    Krapp’s Last Tape in Great Britain: Production History amid Changing Practice Andrew Head As a mainstay of Beckett’s dramatic canon, productions of Krapp’s Last Tape occupy an enduring position in the history of post-war British theatre. Written during the flowering of new English playwriting centred on the Royal Court Theatre and emerging as one of Beckett’s major theatrical successes of the 1950s, the play continues to resonate and is often programmed as part of live events. Whether as part of planned repertory seasons in metropolitan or regional theatres; as part of an ever-burgeoning national festival culture; or when presented on alternative media platforms such as film or television, the play lends itself to differing cultural gatherings that are often quite removed from its theatrical origins. The varied and diverse contexts within which Beckett’s relatively short work for the stage has been performed since its genesis speak as much about the logistical and practical expediencies afforded by the text as they do of the play’s richly lyrical and wistfully autobiographical content. In addition to the play’s extended monologue of regret for an ultimately unfulfilled life, the work offers much in terms of its portability in production and the potential it has for presentation in a wide range of venues and performance contexts. This has led to its life in performance being framed in ways that have shifted according to venue and audience. The play can be regarded simultaneously as both a product of twentieth-century avant-garde performance practice – in which its position within Beckett’s oeuvre cements its status as a significant work in the wider context of twentieth-century drama – as well as an example of innovative civic arts provision for local and provincial audiences.
    [Show full text]
  • Interview with Barry Craine
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Barry Craine – interview transcript Interviewer: Sue Barbour 29 April 2009 SummaryVariety artiste, Comedian. American theatre; band calls; The Bathroom; Collins' Music Hall, Islington Green; comedy routines; costume; digs; Fred Karno's Army; Tony Hancock; North-East Clubs; The Three Hats; touring; variety billing; Max Wall. SB: This is Sue Barbour from the University of Sheffield interviewing Barry Crane who is… an Equity member, fully paid up, and a performer BC: Life member! SB: Life member? Well, that’s even better! And first of all, I just want to check with you, Barry, that it’s OK for me to… for this interview to be used for the British Library Theatre Project and for future generations to access information about what it was like to appear in Variety? BC: Yes. Fully agreed. SB: Good. First of all, can I just ask you how you came to be in show business… whether you had any family involved with it at all or… How did it start? BC: Yes, my mother was in show business. She did an act called The Three Hats. As far as I can remember her sister was part of the act – I don’t know who the third one was – and they used to bring me up out of the audience as a naughty little schoolboy. They used to do a lot of juggling and knock-about. SB: Oh. BC: But I used to come and just interfere with the act, which at the time was a very popular style of working… Due, a lot, to Fred Karno, who had this show called Fred Karno’s Speechless Comedians which, as it says, is just comedians that were totally visual and this was a visual… I used to talk quite a bit.
    [Show full text]
  • Février 2018 Luxembourg City Film Festival Terry Gilliam John
    02 Luxembourg City Film Festival Terry Gilliam John Cassavetes Ciné-conférence « Film & Politik » Février 2018 Informations pratiques 3 Sommaire Tableau synoptique 4 Cinéma 17, place du Théâtre Abonnement gratuit L-2613 Luxembourg au programme mensuel Luxembourg City Film Festival 6 Tél. : 4796 2644 Université Populaire du Cinéma 10 Tickets online [email protected] Ciné-conférence « Film & Politik » 12 sur www.cinematheque.lu www.luxembourg-ticket.lu Journée mondiale contre l’excision 14 Le Monde en doc 16 Soirée spéciale « Ciné-débat » 18 Kino mat Häerz 20 Bd. Royal R. Willy Goergen Essential Cinema 22 R. des Bains Côte d’Eich Rétrospective Terry Gilliam 26 R. Beaumont Rétrospective John Cassavetes 34 Weekends@Cinémathèque 40 Cinema Paradiso 48 Baeckerei R. du Fossé R. Aldringen R. L’affiche du mois 55 R. des Capucins des R. Av. de la Porte-Neuve la de Av. Grand-Rue Bd. Royal Bd. Salle de la Cinémathèque Accès par bus : Glossaire P Parking Place du Théâtre Lignes 9, 10, 11, 12, 14, 19, 20 vo version originale non sous-titrée vostf version originale sous-titrée en français Arrêt : Badanstalt (rue des Bains) vostang version originale sous-titrée en anglais Place d’Arme R. du Curé vostf+all version originale sous-titrée Caisse Vente des billets ½ heure Administration / en français et en allemand vf version française avant les séances Archives / Bibliothèque vl version luxembourgeoise 10, rue Eugène Ruppert La Cinémathèque de la Ville de Luxembourg est un € musée du cinéma ayant pour mission la préservation vofr version originale française Plein Tarif Billet : 3,70 vall version allemande L-2453 Luxembourg et valorisation du patrimoine cinématographique inter- Carnet 10 billets : 25,00 € vostall version originale sous-titrée en allemand R.
    [Show full text]
  • The Rise, Fall and Rise of the Anglo-American Comic Eccentric Dancer Wilkie, I
    Funny walking : the rise, fall and rise of the Anglo-American comic eccentric dancer Wilkie, I http://dx.doi.org/10.1080/2040610X.2017.1343971 Title Funny walking : the rise, fall and rise of the Anglo-American comic eccentric dancer Authors Wilkie, I Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/42954/ Published Date 2017 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Funny Walking: The Rise, Fall and Rise of the Anglo-American Comic Eccentric Dancer Abstract This article considers the (seemingly) lost art of comic eccentric dance. As a form of popular entertainment, comic eccentric dancing is generally assumed to be an early to mid-twenti- eth century phenomenon that emerged in the UK from the late Victorian Music Hall period and remained unchanged throughout the Variety period, only to disappear in the era of new mass media’s lack of appetite for ‘turns’ and speciality acts. However, is comic eccentric dance really a lost performance form? Can incarnations of the form really be considered as obsolete and archaic as such routines as, say, mesmerism, blackface or budgerigar acts? This article will attempt to reposition comic eccentric dance as a metamorphic form that still, surprisingly, exists, and is to be found with reasonable ubiquity, in renewed incarna- tions within twenty first century media.
    [Show full text]
  • THE TELEVISION ANNUAL for 196O the Most Eminent Actors and Actresseson the British Stage Nowadays Appear in Television
    THE TELEVISION ANNUAL FOR 196o The most eminent actors and actresseson the British stage nowadays appear in television. Vivien Leigh chose the unusual playThe Skin of Our Teeth,when she appeared for Granada. According to the "audience ratings", however,the play was not popular with viewers. THE TV REVOLUTION KENNETH BAILYSurveys the Non -Stop Development of British Television THE expansion of television, in numbers of viewers and in organization behind the programmes, has made a rapid spurt. In size and complexity, what is involved in television today was undreamed of only five years ago. Gone for ever are the days when every viewer knew where each programme was coming from, and knew that the BBC was responsible for all that he saw. Today many a viewer finds himself lost in a tangle of symbols like ATV, AR, ABC, TTT, TWW, and more; understanding of what goes on is fogged by varied "channel" numbers; by such slogans as "Granada from the North" when the programme comes from Chelsea; and by a mixture of ITV "boss" names always popping up in the press, like Parnell, Bernstein, Grade, Brownrigg and Adorian. Those old familiar names, Alexandra Palace and Lime Grove, which once meant the absolute source of all British television, are now lost among the mostly unnamed and little publicised studios of ITV in London and the provinces. And much that is seen comes out of film cans from Hollywood, New York, Elstree and Teddington, produced out of a vortex of film -cum -TV financiers, producers, distributors and others. The maze of operations which is television today contrasts sharply with the tiny beginning, and the slow start.
    [Show full text]
  • Interview with Maurice Stewart
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Maurice Stewart – interview transcript Interviewer: Kate Harris 17 August 2006 Actor and Stage Manager. Audiences; Michael Bentall; Berliner Ensemble; Peter Daubeny; directing Shakespeare; Jack Hylton; Italia Conti Stage School; Look Back in Anger; new plays; Oklahoma!; Old Vic; repertory; revue; stratification of theatre; television; tours; Sam Wanamaker; World Theatre seasons. KH: I would just like to start off with a question about how you first began working in theatre. MS: Ah, an interesting one, because I thought it was all my idea. But I was 17 before I realised that my mother had wanted to go into the theatre and had been refused permission by her father, and I think before I was born she knew that I was going into the theatre, so it was quite a conditioning process. But it was very early. KH: OK, because then you went to the Italia Conti Stage School didn't you when you were quite young? MS: Yes. Well, that was at the age of 12, but before that I had been performing with a children's group which really was quite an extraordinary range of singing and dancing and doing pantomimes in working men’s clubs, and then when I went to secondary modern school I found myself playing the leads in fully mounted Gilbert and Sullivan productions… KH: Gosh! MS: …so by the time I was 11 I was very seasoned. KH: Yes, you were a seasoned performer. MS: And I went down to London on my own from Leicester at the age of 12 and stayed in digs and went to a stage school, so one becomes very self-sufficient very early.
    [Show full text]
  • The National Life Story Collection
    IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Tommy Roberts Interviewed by Anna Dyke C1046/12 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Title Page Ref. No.: C1046/12/01-39 Wav file Refs.: Collection title: Oral History of British Fashion Interviewee’s surname: Roberts Title: Mr Interviewee’s forenames: Thomas Stephen Sex: Male Occupation: Boutique Owner Date of birth: 1942 Mother’s occupation: Housewife Father’s occupation: Businessman Date(s) of recording and tracks (from-to): 01.08.2005 (track 1-8), 19.08.2005 (track 9-13), 30.08.2005 (14-21), 12.09.05 (track 22-32), 21.09.05 (track 32-39) Location of interview: Interviewee’s home, Dover; except 19.08.05 at Interviewee’s shop, Hackney Name of interviewer: Anna Dyke Type of recorder: Marantz PMD660 Total no. of tracks: 39 Recording Format: Wav 16bit 48khz Mono or stereo: Stereo Burned to DVD(s) Duration: 16 hours 25 minutes Additional material: Copyright/Clearance: Interview finished, full clearance given. Interviewer’s comments: Background noise from interviewee’s shop/customers 19.08.05 Tommy Roberts Page 1 C1046/12/01 [Track 1] Okay, are you ready? Okay.
    [Show full text]
  • Austintheaterallianceposters.Pdf
    Archives > Collections > Fine Arts Library Posters held by the Fine Arts Library's archive of the State and Paramount theatres collection. We are in the process of uploading and linking to images of many of these posters. If you would like to see a particular image online that we have not linked, please contact Ellen Gibbs. Event Creators Event Event Additional ID Event Title Event Venue Event Type Height Width Poster Designer Copyright Date(s) Producer/Promoter Information Michael Palin, Max Wall, Harry H. Corbett, John Le Mystic Cove 1001 Jabberwocky Film 39.5 27 - 2001 Mesurier, Warren Mitchell. Entertainment Director, Terry Gilliam. Clark Gable, Vivien Leigh, Selznick International Leslie Howard, Olivia de Production, re- 50th Anniversary 1002 Gone with the Wind Havilland. Director Victor Film 41 27 1939 released by Metro- Screening Fleming. Author, Margaret Goldwyn-Mayer Inc. Mitchell. Sarah White, Eric Johnson, Erik Markegard, Signature: Neil Ben Keith, Pegi Young, Young, Elizabeth 1003 Greendale James Mazzeo, Elizabeth Film 36 24 Shakey Pictures Keith, Ben Keith, Keith. Bernard Shakey, Pegi Young, and Director. Neil Young, others. Screenplay. No performers listed. Green House Pictures Occupation: 1004 Garrett Scott and Ian Film 36 24 and Subdivision Dreamland Olds, Directors. Productions Tom Hanks, Denzel 1005 Philadelphia Washington. Jonathan Film 39.75 26.75 TriStar Pictures 1993 Demme, Director. Annette Bening, Jeremy 1006 Being Julia Film 40 27 Sony Pictures Classics 2004 Irons The Best Little Burt Reynolds, Dolly Universal-RKO 1007 Whorehouse in Film 40.75 27 1982 Parton Pictures Texas Opens The Lord of the 1008 December Film 40 27 New Line Cinema 2003 Rings 17th Keir Dullea, Gary Lockwood.
    [Show full text]
  • Civil War It Defines What It Means to Be a Jew
    May 19, 2019 A Record of the Patriotic Service of Shearith Israel Congregational Honor Roll and Tribute Listing ֶזְה שִמְי לֹעָלְם וֶזִה זְכִרְי לדֹר דֹר: This is My name for ever, and this is My memorial unto all generations. (Exodus 3:15) This booklet has been prepared ֲחַגֹור חְר ְַָך עָלּב יֵרְִך גְּבֹור הֹודַָךוֲהָדֶרָך: :in memory of ַאְזִכָירִהשְמָך ְ ָכלּב דָֹר ודַֹר עֵל כַן עִמְים יְהֹודּוָך לֹעָלָם וֶעד: Cpl. Arnold C. Franco (1923-2016) Gird your sword upon your thigh, O hero, in your splendor and glory. I commemorate your name for all generations, so nations will praise you forever and ever. (Psalm 45: 4, 18) and Lt. Commander Dennis B. Freilich (1934-2017) For God and Country Central Park West at 70th Street, New York City • www.shearithisrael.org GREETINGS FROM TABLE OF CONTENTS RABBI MEIR SOLOVEICHIK Greetings: Rabbi Meir Soloveichik The onorableH Jerry Nadler Commander Jon Zak, JWV Peter Hein, Sons of the Revolution Introduction by Zachary Edinger Biographical Sketches of Shearith Israel members who have served the United States from the American Revolution through the Spanish-American War American Revolution For Americans, Memorial Day obligates us once a year to remember War of 1812 those who made the ultimate sacrifice for their nation. For Jews, Mexican-American War memory, bridging the gap between past and present, is a constant duty; Civil War it defines what it means to be a Jew. Rabbi Joseph Soloveitchik once Spanish-American War wrote that Jews experience what he called a “unitive time consciousness” whereby through the retelling of our story, “bygones turn into facts, Honor Roll Listings for WWI pale memories into living experiences and archaeological history into a Compiled by Dr.
    [Show full text]
  • Trashionals 12 Round 12 Toss-Ups
    TRASHionals 12 Round 12 Toss-Ups 1. This former pro has returned to Baylor to complete his degree in physical education and serves a student manager for the varsity basketball team, passing out towels and advice. Despite being named the Southwest Conference's MVP in 1992, he went undrafted; but later joined Moses Malone as the only two undrafted players to score over 11,000 points in the NBA. After stints in New Jersey and Boston, he found his greatest success with the Hornets, where he also faced the greatest tragedy of his career as part of the street racing event that killed team mate Bobby Phils in January 2000. For ten points, name this undersized shooting guard who ended his career as a role player on the Eastern Conference winning Cavs team from 2007. Answer: David Wesley 2. This organization produced a 1979 remake of Samuel Beckett's Film starring comedian Max Wall. Founded in 1933, it was restructured after the 1948 Radcliffe Report and is currently directed by Amanda Nevill. Jonathan Rosenbaum on Greed, Laura Mulvey on Citizen Kane, and Simon Callow on The Night of the Hunter can all be read in its "Film Classics" series, and it also maintains the SIFT database and runs the world's largest moving image archive, while its "Southbank" facility screens over 1,000 films a year. Its 1999 Top 100 list featured Kes, Don't Look Now, and Trainspotting in the top 10 and Brief Encounter and The Third Man in the top 2 spots, while its most famous publication runs a highly regarded critics' poll every 10 years.
    [Show full text]