A Study Guide for Wowie-Zowie!
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Monday Tuesday Wednesday Thursday Friday Saturday Swinging Trapeze 1000-01 2:30-3:30PM Swinging Trapeze 1000-02 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Swinging Trapeze 1000-02 2:45-3:30PM Swinging Trapeze 1000-01 2:15-3:15PM 9:00 AM Wings 0000-01 2:30-3:45PM Cloud Swing 1000-01 2:30-3:00PM Revolving Ladder 1000-01 3:15-4:00PM Double Trapeze 0100-04 3:30-4:15PM Duo Trapeze 0100-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM 3:00 Mexican Cloud Swing 0100-02 3:30-4:15PM Pas de Deux 0000-01 3:00-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Handstands 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Double Trapeze 0100-02 3:15-4:00PM Triangle Trapeze 1000-01 3:30-4:15PM Chair Stacking 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Duo Trapeze 0100-02 3:30-4:15PM Static Trapeze 1000-01 4-Girl Spinning Cube 0000-01 3:30-4:00PM Mini Hammock 0000-02 Handstands 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 High Wire 1000-01 Stilt Walking 1000-01 3:30-4:25PM Toddlers 0200-03 ages 3-4 Mexican Cloud Swing 0100-02 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Stilt Walking 1000-01 3:30-4:25PM Trampoline 0000-04 ages 6-9 Swinging Trapeze 0100-01 3:30-4:15PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM 4:00 PM 4:00 4-Girl Spinning Cube 1000-01 3:45-4:30PM Circus Spectacle 0100-01 Pas de Deux -
8 Places to Run Away with the Circus
chicagoparent.com http://www.chicagoparent.com/magazines/going-places/2016-spring/circus 8 places to run away with the circus The Actors Gymnasium Run away with the circus without leaving Chicago! If your child prefers to hang upside down while swinging from the monkey bars or tries to jump off a kitchen cabinet to reach the kitchen fan, he belongs in the circus. He’ll be able to squeeze out every last ounce of that energy, and it’s the one place where jumping, swinging, swirling and balancing on one foot is encouraged. Here are some fabulous places where your child can juggle, balance and hang upside down. MSA & Circus Arts 1934 N. Campbell Ave., Chicago; (773) 687-8840 Ages: 3 and up What it offers: Learn skills such as juggling, clowning, rolling globe, sports acrobatics, trampoline, stilts, unicycle 1/4 and stage presentation. The founder of the circus arts program, Nourbol Meirmanov, is a graduate of the Moscow State Circus school, and has recruited trained circus performers and teachers to work here. Price starts: $210 for an eight-week class. The Actors Gymnasium 927 Noyes St., Evanston; (847) 328-2795 Ages: 3 through adult (their oldest student at the moment is 76) What it offers: Kids can try everything from gymnastics-based circus classes to the real thing: stilt walking, juggling, trapeze, Spanish web, lyra, contortion and silk knot. Classes are taught by teachers who graduated from theater, musical theater and circus schools. They also offer programs for kids with disabilities and special needs. Price starts: $165 for an 8-10 week class. -
Petra Sprecher, Cirque Du Soleil Trapeze Artist World Taurus Stunt Awards Nominee for Best High Work and Best Overall Stunt by a Woman, Stuntwoman of the Year Nom
PETRA SPRECHER, CIRQUE DU SOLEIL TRAPEZE ARTIST WORLD TAURUS STUNT AWARDS NOMINEE FOR BEST HIGH WORK AND BEST OVERALL STUNT BY A WOMAN, STUNTWOMAN OF THE YEAR NOM SAG-AFTRA www.PetraSprecher.com Height: 5’8 Email: [email protected] Weight: 145 Mobile: 323-447-3090 Hair: Brown Google: 424-244-2909 Eyes: Brown PERSONAL STATEMENT: I’ve been in the entertainment industry since I’m six years old, touring with the Circus! Now, I am a Stuntwoman and I truly enjoy working for Film and Television; whether it’s to double an actor or to play A stunt role, the enthusiasm and gratitude remain the same! With every booking, I create and deliver an Effortless performance with attention to detail. I’m a professional. HIGHLIGHTS IN FILM: Ad Astra, Independence Day: Resurgence, Flight, The House, 50 Shades of Black, Eagle Eye, Hancock, Evan Almighty, Aeon Flux, Scary Movie, Pirates, Men in Black, The Time Machine, Minority Report HIGHLIGHTS IN TELEVISION: Lovecraft Country, Star Trek: Picard, Loki, Lethal Weapon, Little Big Shots, Scandal, The Criminal Minds, Feed The Beast, Castle, Extant, CSI: NY, Tyler Perry’s The Haves And The Havenots, Ugly Betty, Alias ACTORS DOUBLED: Mariah Carey, Rihanna, Vanessa Williams, Vivica A. Fox, Kimberly Elise, Paula Patton, Aisha Tyler, Rosario Dawson, Sophie Okonedo, Queen Latifah, Oprah Winfrey, Tamara Tunie, Meta Golding, Caroline Chikezie, Angela Robinson, April Parker-Jones, Christine Adams, Merrin Dungey, Gina Torres COORDINATORS WORKED FOR: Yan Dron, Buddy Sosthand, Rob Alonzo, Pete Bucossi, Simon Crane, Tom Elliott, -
Smithsonian Institution News
Smithsonian Institution News June 5, 2017 Media only: Angelica Aboulhosn (202) 633-0644; [email protected] Media website: http://newsdesk.si.edu Smithsonian Folklife Festival Spotlights Circus Arts To mark its 50th anniversary, the 2017 Smithsonian Folklife Festival will highlight the vibrant cultural and artistic expressions of the circus from diverse communities across the country. Featuring a Big Top circus tent on the National Mall, the “Circus Arts” program will take visitors behind the scenes to explore everything from traditions passed down through generations to many of the new expressions that reflect changing social and cultural mores that have always been a hallmark of circus life, work and artistry. The program will feature intimate workshops, full-scale performances and an interactive Circus School where visitors can meet and learn from master artists from across five major circus disciplines: acrobatics, aerials, clowning, equilibristics (e.g., tightrope walking) and object manipulation (e.g., juggling). Visitors to the Festival can also meet artists and coaches, costume designers, makeup artists, riggers and more. The Festival will be held Thursday, June 29, through Tuesday, July 4, and Thursday, July 6, through Sunday, July 9, on the National Mall between Seventh and 12th streets. Admission is free. Festival hours are from 11 a.m. to 5 p.m. each day, with evening dance parties at 5:30 p.m. and circus performances at 7 p.m. Daily matinee performances in the Big Top will include “Wonderland,” a vibrant and dramatic circus adaptation of “Alice in Wonderland” performed by Circus Juventas, a youth circus school in St. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
Challenging Artists to Create Tomorrow's Circus Circadium Is the Only Higher-Education Program for Circus Artists in the United States
Challenging Artists to Create Tomorrow's Circus Circadium is the only higher-education program for circus artists in the United States. We offer a full-time, three-year course that grants a Diploma of Circus Arts, recognized by the Pennsylvania Board of Education. We are committed to radically changing the future of circus, and performing arts as a whole, by bringing a multidisci- plinary and experiment-driven approach to creation and performance. As a 501(c)3 organization, the school relies on individual contributions and foundation support to cover costs that cannot be offset by student tuition. We keep our tuition rates low to encourage students from different backgrounds to attend, and to ensure that they will not launch their artistic careers bur- dened by student debt. Circus Arts are Thriving Worldwide, contemporary representations of circus are thriving and expanding – from Cirque du Soleil, to Pink’s performance at the Grammys, to the wide array of theatre and dance groups that incorporate elements of acrobatics, aerials, and clowning into their performances. Circus is no longer confined to the Big Top, as artists in every discipline discover its rich potential for physical expression. And yet, until now the United States lacked a dedicated facility for training contemporary circus artists. Students who wanted to train intensively in circus traveled to Canada, Europe, or Australia. They often stayed in those countries and established companies, meaning that now virtually all of the edgy, exciting, vibrant new circus companies are based overseas. There are a growing number of arts presenters in the U.S. who are clamoring for these kinds of shows – and the only way to get them has been to import them. -
Florida State University Flying High Circus
Florida State University Flying High Circus There has been an FSU Flying High Circus for almost as long as there has been a Florida State University. When the Florida State College for Women went coeducational in 1947, one of the new faculty members was Jack Haskin. As a high school coach in Pontiac, Illinois, Haskin had staged student gymnastic exhibitions. He wanted to start an activity at the new university which would allow men and women to participate together. His idea was the circus. The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice for the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from "circus activity" to "circus professionalism.” Performances are often of such high caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze. In the circus, you will see tricks attempted and completed that are more difficult than many you would see in other American or European circuses. Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are rarely done elsewhere such as triple aerial high casting and three-lane breakaway. -
Circus Report, May 24, 1976, Vol. 5, No. 21
M« Miiiifi eiiHS fllljj 5th Year Ma> 2k, 1976 Number 21 Show Folds in Texas An anticipated circus day at San Antonio (Texas) turned out to be a disappointment for fans and show folks alike. In the midst of a steady rain Circus Galaxy folded in that .city on May 9th. Early this year announcements about the circus indicated it would rival the best shows on the road. Phone crews started their San Antonio promotion about two months ago. While they were vague about the show's name they were positive it was a "large tented show" with the best of everything. CFA's who saw the circus at Victoria described it as "a small show" with no show owned equipment. They called it strictly "a drum and organ show" with the Oscarian Family and some Mexican performers. Six performances were scheduled for San Antonio, but prior to the first show, performers were told they (Continued on Page 16) A VAILABLE fOP LIMITED ENGAGEMENTS HOLLYWOOD ELEPHANTS Contact JUDY JACOBSKAYE Suit* 519 • 1680 North Vine Street • Hollywood, California • 90028 Area Code 213 • 462-6001 Page 2 The Circus Report American Continental by MIKE SPORRER The 1976 circus season got off to a big start with the arriv- al of the American Continental Circus at Seattle, Wash. The May 1-5 engagement was sponsored by the Police Officers Guild, that organi- zation's llth annual circus presentation. This year's Bicentennial edition is a colorful one and is well presented. The center ring is new and all three are painted red, white and blue. -
Sarrasani Between the Fable and the Epic
SARRASANI BETWEEN THE FABLE AND THE EPIC by Gustavo Bernstein 1 2 To my father, inspirer and instigator behind these pages. 3 4 Homeland is wherever I pitch my tent. Trude Stosch-Sarrasani 5 6 INDEX INTRODUCTION Letter from Trude Stosch-Sarrasani PREFACE By Jorge H. Bernstein SENIOR An early orphanhood………………………………………………………………… Dreams of an artist……………………………………………………………… The court jester………………………………………………………………… Tradition and nostalgia………………………………………………………………… Sensationen! Sensationen!………………………………………………………………. The princess of Elbe (and her “Golden Palace”)…………………………………… A convoy of artists……………………………………………………………………… Europe in flames…………………………………………………………………………. From the Bolshevik Revolution to a gala dinner………………………………………. The conquest of the Americas (or a German in the tropics)…………………………..... The Queen of the Río de la Plata (or the whims of a diva)…………………………… Circus sinks on the high seas…………………………………………………… Arabian Nights (the mirage of technique)…………………………………………… Crash (the tentacles of Wall Street)……………………………………….........…… A typical Freudian cast…………………………………………………..……………… Judenzirkus (or early murmuring of the Third Reich)……………………………… Friday 13th (the Führer’s shadow)…………………………………………………... Stowaway on board (and the siren’s song)……………………………… A thread of light at sunset………………………………………………………… Elephants wear mourning, too………………………………………………………… JUNIOR The show must go on…………………………………………………………………… Junior’s first journey to the New World (including: the fundamental pact with the minister, the purging of the staff, the new agile and swift -
January 2020!! Oakland Magic Circle Newsletter Official Website: Bjornson Hall, 2258 Macarthur Blvd., Oakland, CA 94602
January 2020!! Oakland Magic Circle Newsletter Official Website: www.OaklandMagicCircle.com Bjornson Hall, 2258 MacArthur Blvd., Oakland, CA 94602 . $20 non-members Brad Henderson is perhaps best known for his analytical approach to creating magic and an explanation of this approach will be the foundation and framework of his lecture.Using tricks as needed for illustrative purposes, he will discuss JANUARY MEETING-Tuesday, January 7, valuable ways of approaching magic, share 2020 theories and strategies that are essential to the 6:00pm- Doors Open- Come early to share creation of magic that reaches the level of an art form. Brad’s goal will be to provide you with ideas, effects and news informally. Free back knowledge that should allow you as a magician to issues of Linking Ring magazine. progress, improve and ultimately realize your own Complimentary cookies, coffee and tea. creative visions. 7:00- Business meeting, and Good of the Order News and Announcements 7:30ish: Break "If you've ever encountered Brad Henderson in an on-line discussion, you'll know that he has very 8:00- BRAD HENDERSON LECTURE strong opinions, and is not afraid to express them Free for 2020 paid OMC Members emphatically. If you see him perform, you'll realize Oakland Magic Circle January 2020 Newsletter that he backs up everything he says: Brad walks background he brings to his powerful lecture. the walk, to the benefit of his audiences."- Max Maven Brad’s LIVE ACT on Penguin Magic has generated responses like these: "Brad Henderson has shown me, time and time again, how much he truly cares about magic. -
Circus Schools Discovery Questionnaire This Is for Quotation Purposes Only—This Is Not a Binder A
ANY PERSON WHO KNOWINGLY AND WITH INTENT TO DEFRAUD ANY INSURANCE COMPANY OR OTHER PERSON, FILES AN APPLICATION FOR INSURANCE CONTAINING ANY FALSE INFORMATION, OR CONCEALS FOR THE PURPOSE OF MISLEADING, INFORMATION CONCERNING ANY FACT MATERIAL THERETO, COMMITS A FRAUDULENT INSURANCE ACT, WHICH IS A CRIME. CIRCUS SCHOOLS DISCOVERY QUESTIONNAIRE THIS IS FOR QUOTATION PURPOSES ONLY—THIS IS NOT A BINDER A. General Information PROPOSED EFFECTIVE DATE: 1. Applicant (as it would appear on the coverage contract): 2. Doing Business As: 3. Mailing Address: City: State: Zip: 4. Contact Person: Years Experience: Contact Person is: □ Owner □ Manager □ Promoter □ Management □ Other: 5. Phone: Fax Number: 6. Web Address: E-Mail Address: 7. Is this a new business? □ Yes □ No If no, how many years have you been in business? 8. Applicant is: □ Individual □ Corporation □ Partnership □ Joint Venture □ Other: 9. Length of season: 10. Who was your last or is your current insurance carrier? 11. What is or was your annual premium? 12. Describe your claims and loss history: 13. Amount of Liability Required: □ 50,000 per accident / 100,000 annual □ 100,000 per accident / 200,000 annual aggregate aggregate □ 100,000 per accident / 300,000 annual □ 200,000 per accident / 300,000 annual aggregate aggregate □ 200,000 per accident / 500,000 annual □ 300,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 300,000 annual □ 500,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 1,000,000 annual □ 500,000 per accident / 1,000,000 annual aggregate aggregate 14. Self-Insured Retention desired: □ $1,000 □ $2,500 □ $5,000 □ Other: $ B. -
Acrobatics Acts, Continued
Spring Circus Session Juventas Guide 2019 A nonprofit, 501(c)3 performing arts circus school for youth dedicated to inspiring artistry and self-confidence through a multicultural circus arts experience www.circusjuventas.org Current Announcements Upcoming Visiting Artists This February, we have THREE visiting artists coming to the big top. During the week of February 4, hip hop dancer and choreographer Bosco will be returning for the second year to choreograph the Teeterboard 0200 spring show performance along with a fun scene for this summer's upcoming production. Also arriving that week will be flying trapeze expert Rob Dawson, who will attend all flying trapeze classes along with holding workshops the following week. Finally, during our session break in February, ESAC Brussels instructor Roman Fedin will be here running Hoops, Mexican Cloud Swing, Silks, Static, Swinging Trapeze, Triple Trapeze, and Spanish Web workshops for our intermediate-advanced level students. Read more about these visiting artists below: BOSCO Bosco is an internationally renowned hip hop dancer, instructor, and choreographer with over fifteen years of experience in the performance industry. His credits include P!nk, Missy Elliott, Chris Brown, 50 Cent, So You Think You Can Dance, The Voice, American Idol, Shake It Up, and the MTV Movie Awards. Through Bosco Dance Tour, he’s had the privilege of teaching at over 170 wonderful schools & studios. In addition to dance, he is constantly creating new items for BDT Clothing, and he loves honing his photo & video skills through Look Fly Productions. Bosco choreographed scenes in STEAM and is returning for his 2nd year choreographing spring and summer show scenes! ROB DAWSON As an aerial choreographer, acrobatic equipment designer, and renowned rigger, Rob Dawson has worked with entertainment companies such as Cirque du Soleil, Universal Studios, and Sea World.