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Monday Tuesday Wednesday Thursday Friday Saturday Swinging Trapeze 1000-01 2:30-3:30PM Swinging Trapeze 1000-02 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Swinging Trapeze 1000-02 2:45-3:30PM Swinging Trapeze 1000-01 2:15-3:15PM 9:00 AM Wings 0000-01 2:30-3:45PM Cloud Swing 1000-01 2:30-3:00PM Revolving Ladder 1000-01 3:15-4:00PM Double Trapeze 0100-04 3:30-4:15PM Duo Trapeze 0100-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM 3:00 Mexican Cloud Swing 0100-02 3:30-4:15PM Pas de Deux 0000-01 3:00-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Handstands 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Double Trapeze 0100-02 3:15-4:00PM Triangle Trapeze 1000-01 3:30-4:15PM Chair Stacking 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Duo Trapeze 0100-02 3:30-4:15PM Static Trapeze 1000-01 4-Girl Spinning Cube 0000-01 3:30-4:00PM Mini Hammock 0000-02 Handstands 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 High Wire 1000-01 Stilt Walking 1000-01 3:30-4:25PM Toddlers 0200-03 ages 3-4 Mexican Cloud Swing 0100-02 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Stilt Walking 1000-01 3:30-4:25PM Trampoline 0000-04 ages 6-9 Swinging Trapeze 0100-01 3:30-4:15PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM 4:00 PM 4:00 4-Girl Spinning Cube 1000-01 3:45-4:30PM Circus Spectacle 0100-01 Pas de Deux -
8 Places to Run Away with the Circus
chicagoparent.com http://www.chicagoparent.com/magazines/going-places/2016-spring/circus 8 places to run away with the circus The Actors Gymnasium Run away with the circus without leaving Chicago! If your child prefers to hang upside down while swinging from the monkey bars or tries to jump off a kitchen cabinet to reach the kitchen fan, he belongs in the circus. He’ll be able to squeeze out every last ounce of that energy, and it’s the one place where jumping, swinging, swirling and balancing on one foot is encouraged. Here are some fabulous places where your child can juggle, balance and hang upside down. MSA & Circus Arts 1934 N. Campbell Ave., Chicago; (773) 687-8840 Ages: 3 and up What it offers: Learn skills such as juggling, clowning, rolling globe, sports acrobatics, trampoline, stilts, unicycle 1/4 and stage presentation. The founder of the circus arts program, Nourbol Meirmanov, is a graduate of the Moscow State Circus school, and has recruited trained circus performers and teachers to work here. Price starts: $210 for an eight-week class. The Actors Gymnasium 927 Noyes St., Evanston; (847) 328-2795 Ages: 3 through adult (their oldest student at the moment is 76) What it offers: Kids can try everything from gymnastics-based circus classes to the real thing: stilt walking, juggling, trapeze, Spanish web, lyra, contortion and silk knot. Classes are taught by teachers who graduated from theater, musical theater and circus schools. They also offer programs for kids with disabilities and special needs. Price starts: $165 for an 8-10 week class. -
National Circus and Acrobats of the People's Republic of China
Friday, September 11, 2015, 8pm Saturday, September 12, 2015, 2pm & 8pm Zellerbach Hall National Circus and Acrobats of the People’s Republic of China Peking Dreams Cal Performances’ $"#%–$"#& season is sponsored by Wells Fargo. PROGRAM Peking Dreams EKING (known today as Beijing), the capital of the People’s Republic of China, is a Pfamous historical and cultural city with a history spanning 1,000 years and a wealth of precious Chinese cultural heritage, including the Great Wall, the Forbidden City, the Summer Palace, and the Temple of Heaven. Acrobatic art, Chinese circus, and Peking opera are Chinese cultural treasures and are beloved among the people of Peking. These art forms combine music, acrobatics, performance, mime, and dance and share many similarities with Western culture. Foreign tourists walking along the streets or strolling through the parks of Peking can often hear natives sing beautiful Peking opera, see them play diabolo or perform other acrobatics. Peking Dreams , incorporating elements of acrobatics, Chinese circus, and Peking opera, invites audiences into an artistic world full of history and wonder. The actors’ flawless performance, colorful costumes, and elaborate makeup will astound audiences with visual and aural treats. PROGRAM Opening Acrobatic Master and His Pupils The Peking courtyard is bathed in bright moonlight. In the dim light of the training room, three children formally become pupils to an acrobatic master. Through patient teaching, the master is determined to pass his art and tradition down to his pupils. The Drunken Beauty Amidst hundreds of flowers in bloom, the imperial concubine in the Forbidden City admires the full moon while drinking and toasting. -
Yann Leblanc- Curriculum Vitae Montreal
Curriculum Vitae Yann LeBlanc London, UK Mobile: +44 (0)7944 185 291 E-mail : [email protected] Instagram: circusyannleblanc.entertainer Yann graduated in 2010 from the National circus school of Montreal. He was then hired by Cirque Éloize, a highly known circus company from Canada and consequently worked for companies such as: The 7 Fingers, Cirque Alfonse, GOP Variete, Flip Fabrique, Art on Ice, Cirque du Soleil and so on. Recently he decided to live in UK with his partner where their passion can be witness in all their projects. The duet is performing a top level hand to hand act but also having 6 solos in between them: Cyr wheel, Juggling, Handstand, Contortion, Aerial hoop and Silk. They work regularly in different cabarets, corporates events, dinner shows all around London, Europe, but also all around the world. General information Age: 30 years old Nationality: Canadian with Uk Visa Height: 1,74 meters / 5’8’’ Weights: 176 Pounds / 80 kg Hair: brown Eyes: brown Spoken language: French and English Formation National Circus School of Montreal: DEC program 2008/2009/2010 -Main discipline: Duo juggling -Minor discipline: Hand to hand, Acrobatic, Trampoline & Banquine National circus school of Montreal: High school IV et V 2006/2007 -General formation Touring Shows GOP Essen: Lovely Bastard ( 65 shows) -Cyr wheel & Hand to hand 2019 Cirque Éloize: Cirkopolis (250 shows) -Hand to hand, Club Passing, German wheel, Diabolo, 2018/15/14/13 Cyr wheel duo, Banquine & Teeterboard Flip Fabrique: Catch me (180 shows) -Acrobatic, Cyr -
Vertical Boom En
CLOWN AND COMICAL ACROBATIC SHOW TROUpPLOP We are a Chilean-Portuguese circus company, born from the union of 2 duos: VAYA + Dardea2. The passion for troupe acrobatics, physical comedy, and humor for all ages, are our bases and mark the spirit of our artistic work. We look forward to cross the limits of madness and re-connect the audience with the child we all carry inside. A contemporary setting with a humorous and impressive acrobatic performance, bringing back the clowns to everyone! Troupplop Founded in November 2018, after making a creative residence in Valparaíso-Chile. The show opening was 2019 in La Serena- Chile. During 2019 they performed a national Street Festival Tour . In November/December 2019, the company does a creative residence at the National Circus School of Rio de Janeiro-Brazil. They worked with the Russian professor Sasha Khudyakova and togheter re created the show. After this training and creative period Vertical Boom re-opens in December 2019 and does a regional tour. During 2020 the show was booked to performed in European Street Festivals. s a l o munita Professional circus artist Actress and hand-to- specializing in Clown hand flyer trained in and Chinese pole. 15 Chile and Barcelona. years of performing She works from 2012 to experience in Chile, 2016 at the Giramundo Argentina, Brazil and company with the France. Acrobatic show "Sueño de Hilos". training as a hand-to- In Cia. Dos Pontos, hand base and between 2014 and banquine. 2016 in the show Resident in Valparaíso, "Cofficce Show" and member of "Carpa Azul" since 2017 forms the and the companies company Vaya, "Disparate Circus Rock", creating the shows "On "Dardea2" and Time", "Atempo", "I See Gonzalo "Troupplop" You" and "Vertical berna fernandez Boom". -
Trapeze Las Vegas Fall 2020 – Session 5 – Starts on 9-14-20 – Ends on 11-20-20 10 Weeks Session with 1St Payment Due by Sept
Trapeze Las Vegas Fall 2020 – Session 5 – Starts on 9-14-20 – Ends on 11-20-20 10 weeks session with 1st payment due by Sept. 10 and 2nd payment due by Oct. 16 End of session show on Sat Nov. 21 – Open to all interested – must commit by Oct. 16 Start Monday Tuesday Wednesday Thursday Friday Saturday Sunday time 9am Circus 2 Kids (2 hrs) Circus 2 Kids (2 hrs) Circus 2 Adults (2 hrs) Circus 1 Kids (2 hrs) 9am Circus 2 Kids (2 hrs) Bungee 10am Flying trapeze All Flying Trapeze All 4pm 6pm Circus 1 Kids (2 hrs) Dance 1 Kids (1 hr) Aerial Angels (3 hr) 6pm Tumbling Kids (1 hr) 6pm 7pm Circus 3 (2 hrs) Aerial Partner (1 hr) Chinese Pole (1 hr) Trampwall 2 Kids (1 hr) Circus 1 Kids (2 hrs) Bungee 7pm Circus 2 Adults (2 hrs) Circus 1 – Kids (2 hrs) Handstand (1 hr) Circus 1 Adults (2 hrs) 7pm Trampwall 1 Kids (1 hr) Trampwall 1 Kids (1 hr) Circus 1 Adults (2 hrs) Flying Trapeze All 7pm Trampoline Adults (1 hr) Bungee 7pm Bungee Juggling (1 hr) 7pm Straps Adults (1 hr) Chinese Pole (1 hr) 7pm Tumbling Adult (1 hr) Bungee 8pm Straps Adults (1 hr) Ground Partner (1 hr) Trampwall 2 Kids (1 hr) 8pm Bungee 8pm Flying Trapeze All Flying Trapeze All Privates available for Silks – Lyra – German Wheel – Bungee - Tumbling – Trapeze and other… Wheel of Death offered on Tuesday, Thursday and Saturday. 30 minutes session booked on demand. All classes must be booked for the full 10 weeks session except Bungee, Wheel of Death, and Flying Trapeze which can be booked on a weekly basis Flying trapeze: minimum height of 48 in Bungee: minimum weight of 65lbs Partner – Pole – Handstand – Juggling: call for pre-req Kids classes are for kids between the ages of 6 to 16 – Adult classes are for 14 and up with approval [email protected] 702-551-4858 Revised 10- 5--2020 . -
Circuit Rider
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2009 Circuit Rider Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fiction Commons, Literature in English, North America Commons, and the Modern Literature Commons Repository Citation Idol, Kimberley Harris, "Circuit Rider" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1170. http://dx.doi.org/10.34917/2533726 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CIRCUIT RIDER by Kimberley Harris Idol Bachelor of Arts Mount St. Mary's College, Los Angeles 1989 Masters of Science Mount St. Mary's College, Los Angeles 1994 Masters of Arts California State University of Northridge, Reseda 2003 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts in Creative Writing Department of English University of Nevada, Las Vegas Graduate College University of Nevada, Las Vegas May 2009 UMI Number: 1472418 Copyright 2009 by Idol, Kimberley Harris INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Lucas Boutin CV 2020 English
LUCAS BOUTIN — ACROBAT D.O.B. : 19/02/1990 [email protected] Based in Montréal French passport Permanent Resident of Canada Language EXPERIENCE French / English Acrobat/Artist Coach - CRYSTAL - Cirque du Soleil - Tour - 2017/2020 Circus Disciplines Creation and international tour of the arena show CRYSTAL, the first Cirque Chinese pole, floor du Soleil Ice show. General acrobat, as well as pole specialist in the main acrobatics, hoop diving, poles/pendular pole act (mix of chinese pole and russian swing). Back-up cyr wheel, juggling clown and back-up juggler. (bouncing balls and clubs), banquine and Receptionist, The 7 Fingers, Montreal — February/June 2017 groupe acrobatic. Casting, data base and receptionist for the 7 Fingers in their ofice in Formations Montreal. - National Center for Circus Arts (Circus Coach - LA PERLE - Dragone - DUBAI — November 2016 Space) Chinese pole and suspended pole coach for the last Dragone creation LA Specialized in chinese PERLE in Dubai. pole and floor acrobatics 2008/2011 Acrobat - CIRKOPOLIS - Cirque Éloize- Montreal/Miami June/July 2016 London, England. Rehearsals of the show CIRKOPOLIS by Cirque Éloize in Montreal followed by - École Nationale de 5 weeks of performances in Miami, USA. Main act Duo Chinese pole, and Cirque de Châtellerault groups acts (banquine, floor acrobatics, club passing). French baccalaureat in literature and Circus Solo Chinese Pole - THE ACT - DUBAI - November 2015 Arts, specialized in floor One month of performing my solo chinese pole act for the cabaret THE ACT acrobatics and juggling in Dubai. 2005/2008 Châtellerault, France. Coach - National Center for Circus Arts - London - July 2015 Chinese pole coach for the Circus Degree at the National Center for Circus Profil Arts (Circus Space) in London. -
Accessible Arts Calendar Summary 2019 Current Venues and Shows
Accessible Arts Calendar Summary 2019 Current Venues and Shows Updated 9-4-19 – The VSA Minnesota Accessible Arts Calendar lists arts events that proactively offer accessibility accommodations such as: ASL (American Sign Language Interpreting), AD (Audio Description), CC (Closed Captioning), OC (Open or Scripted Captioning), DIS (performers with disabilities), or SENS (Sensory-friendly accommodations) which are inclusive for children on the autism spectrum. The main Accessible Arts Calendar listings (emailed monthly through August 2019 and online at http://vsamn.org/community/calendar) offer descriptions of shows, authors, directors, describer & interpreter names, ticket prices, discounts, dates for Pay What You Can (PWYC), and more. This Current Venues and Shows list supplements the Accessible Arts Calendar. On our website as a Resource under Community (http://vsamn.org/community/resources-community/), it summarizes shows at arts venues across Minnesota: plays, concerts, exhibits, films, storytelling, etc. It’s limited to what we learn about and have time to include. The venues are organized alphabetically by Twin Cities venues and then by Greater Minnesota venues. They may offer accessible performances proactively or upon request. Words in GREEN identify some accessibility accommodations. We assume all auditoriums and bathrooms are wheelchair-accessible and theatres with fixed seating have assistive listening devices, unless noted otherwise. Both calendars will be discontinued after September 2019 when VSA Minnesota ceases operation. -
Tomb Raider & Aerial Angel
Slackwire LED-Quick Change Aerial Straps Fish Fetish Desire for Light Tomb Raider & Aerial Angel 1 Inhalt About us 3 Desire for Light 4 Fish Fetish 8 Tomb Raider 12 Aerial Angel 14 Rotor 18 Awards 22 Testimonials 23 Portfolio 26 Download Link 27 Contact 29 2 About us Mara Zimmerli & Chris Pettersen Quality entertainment is our thing! Chris combines fun acting abilities with balance skills on the slackwire. He earned his bachelor degree in Circus Arts at Ecole Supérieure des Arts du Cirque in Belgium. His signature act Fish Fetish won prices at Festival Mondial du Cirque Demain in Paris and in Young Stage International Circus Festival in Switzerland. Mara unites grace and power in a female body. With specialised coaching and workshops, she has developed her sensual and empowering vibes. Seen on TV, performed in Cirque du Soleil in New York, and the London Olympics Closing Ceremony. Mara & Chris are seriously funny, versatile and they entertain by the values of a true artist with heart and dedication! This is your chance to offer your visitors something they have never seen before. 3 Desire for Light LED - Quick-change 4 A story where a duel turns into a duet, and a fight becomes the desire for light! A highly choreographed LED performance with object manipulation, costume quick-change, and an epic cinematic ending. Video 5 Desire for Light Technical requirements It takes about 20 minutes to get into the quick change costumes before we go on stage, so if we perform more than one act during your show, please take this into consideration. -
The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus. -
Cirque Mechanics Study Guide
Prepared by Aida Lashua & Skye Strauss - INTRODUCTION - 42ft is inspired by the mid-1930’s circus “big top,” including the “period” costumes and the music. It takes us backstage and allows the audience to witness “a day in the life of a 1930’s circus performer.” THIS GUIDE HAS THREE DISCUSSION SECTIONS • CIRCUS HISTORY & PRODUCTION INSPIRATION • A brief introduction to historical circus will help students understand circus life and customs as they appear in the production. They will also learn how circus turns of phrase have become familiar idioms. • This section also introduces artists that inspired the creators of 42ft from across media platforms. These include LIFE Magazine’s photographs of the 1930’s, Charlie Chaplin’s films, and Sarah Gruen’s novel Water for Elephants. • HISTORY AND SOCIAL STUDIES: THE GREAT DEPRESSION • The time period for this show coincides with The Great Depression, framing circus as an important form of popular entertainment and contextualizing it in a wider conversation about arts funding through the WPA. • THE SCIENCE OF CIRCUS: NEWTONS LAWS & SIMPLE MACHINES • For the acrobats, performing extraordinary feats requires an understanding of basic principles of physics including inertia, momentum, and centrifugal force. The contraptions in the show are based on simple machines that rely on the same principles to help the acrobats fight against gravity. - GUIDE 1 OF 3 - CIRCUS HISTORY AND PRODUCTION INSPIRATION - CIRCUS HISTORY - The Circus Ring: One of the most popular misconceptions is that circus dates back to Roman antiquity. But the Roman circus was actually the precursor of the modern racetrack; there are only a few common denominators between Roman and modern circuses.