Circuit Rider

Total Page:16

File Type:pdf, Size:1020Kb

Circuit Rider UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2009 Circuit Rider Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fiction Commons, Literature in English, North America Commons, and the Modern Literature Commons Repository Citation Idol, Kimberley Harris, "Circuit Rider" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1170. http://dx.doi.org/10.34917/2533726 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CIRCUIT RIDER by Kimberley Harris Idol Bachelor of Arts Mount St. Mary's College, Los Angeles 1989 Masters of Science Mount St. Mary's College, Los Angeles 1994 Masters of Arts California State University of Northridge, Reseda 2003 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts in Creative Writing Department of English University of Nevada, Las Vegas Graduate College University of Nevada, Las Vegas May 2009 UMI Number: 1472418 Copyright 2009 by Idol, Kimberley Harris INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI* UMI Microform 1472418 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Copyright by Kimberley Harris Idol 2009 All Rights Reserved Thesis Approval The Graduate College University of Nevada, Las Vegas April 3 20 09 The Thesis prepared by Kimberley Idol Entitled Circuit Rider is approved in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Examination Committee Chair Dean of the Graduate College Examination Committee Member Examination Committee Member Graduate College Faculty Representative 1017-53 ii ABSTRACT Circuit Rider: by Kimberley Harris Idol Mr. Douglas Unger, Examination Committee Chair Professor of English University of Nevada, Las Vegas An historical novel set at the end of the American Civil War focusing on the week between President Lincoln's assassination and John Wilkes Booth's death. The backdrop of the story is comprised of the historical events and political figures that shaped this period in time in America. The plot is also configured around the fictional histories of three young souls, the spirit of a murdered Chinese immigrant girl, and a brother and sister who's home in the Appalachians was destroyed during the war. All three are escaping the devastating consequences of the war and seeking a new start in the Western states. They become personally entangled in the plot to assassinate the president on the way west. The story focuses on the American underclass, the distinctive experiences of the runaways, the impoverished, immigrants, newly freed slaves and those in the criminal class who were also active participants in shaping the recorded history of the United States and as noteworthy as the heroes and villains Americans know by heart. The novel posits that the small dramas have as powerful an effect on the course of American history as do the renowned conflagrations and disasters that become headline news. iii TABLE OF CONTENTS ABSTRACT Hi PROLOGUE 1 1 6 2 18 3 30 4 46 5 61 6 65 7 70 8 76 9 78 10 87 11 97 12 99 13 112 14 123 15 129 16 133 17 137 18 142 iv 19 149 20 158 21 159 22 166 23 168 24 172 25 181 26 192 27 201 28 211 29 217 30 219 31 228 32 236 33 245 34 251 35 253 36 255 37 259 VITA 262 v Circuit rider is an American term for an individual who travels a regular circuit of locations to provide services and judgment. The term first came into widespread application forjudges, particularly in the sparely populated American West, who would hold court in each town in their circuit on a regular basis. Preachers who did this would ride on horseback and were called circuit riders or saddlebag preachers. They traveled with few possessions, carrying only what could fit in their saddlebags. They traveled through wilderness and villages, they preached every day at any place available and they were always on the move Prologue There are people who don't do you any good and people you can't help but hurt. You shouldn't travel with these companions even if they strike your fancy. At fourteen years Cable Gaines was already a bad stick when I first saw him, a dirty cracker with an ugly core, and at thirteen I was already a twisted soul. We were young, but even children can make decisions that set their fates in stone. I am Mei and the first time I saw Cable properly was in afield bursting with grape shot and cannon fire. Then we suffered a string of days following the troops, then we took a train ride and then we trailed together more or less, until Cable finally cut me loose. Drifters tend to take the same trails through big territories. The world is huge but there are few beaten paths, so you can't help but run into one another from time to time, particularly if you are heading west. I lost track of him from time to time but we always met up again. I liked Cable from the start. I liked that he could harbor as much spite as I could. I liked the way he could take a beating, tolerate betrayal and return the same and I loved lying to a boy who never spoke the truth. It was Cable who taught me to read, though he did it mostly to shut me up. I could only read in English but I could read and write in the end. I might have made a fine grown woman, had I lived. I am Mei. Born in wartime while my parents were soldiering in the eastern Guangxi Zhuang region, bonfires and screaming are my first memories. My people lived in the mountains and hid in the mud. I think my birthplace deformed me. My living shape would 1 have fooled you. When you looked at me you would have seen a girl but inside I was a panther with a festering scratch in its side. My family and I fled China when I was too young to wear pigtails. I remember that I wore a rough weave my grandmother gave me the day my parents, my brother and I, crept away. I remember that I lost my shoes on a beach because it was dark and I tripped. And when I tried to retrieve them my mother slapped me. "My shoes, " I whispered. "Shoes are for walking Mei. Now is the time to swim. " Then she forced me into the water and followed, with my brother strapped to her back. My parents sold me into the life soon after we landed. They probably comforted themselves with the long view; one that extended backwards through generations and affected futures they would never see. But I always saw life in smaller bits, only each day at a time mattered; this was my way until I died. And I have never forgiven them for casting me adrift. If they sold me in order to survive, I am not certain they deserved it. I never knew my birthday, or my exact age. Those details evaporate into the high wide sky when you cross oceans. Numbers matter to the Chinese. Good or bad ones can conserve or destroy one's destiny. But I never knew my dates, so I never knew my numbers. But in numerology terms, Mei is 3, a strong number. As the Chinese sell their daughters, Americans squander their sons. Cable was a half- breed hillbilly dredged out of the Appalachian soil by army scouts and fitted with fatigues. He didn't have his sisters with him when we met, digging in behind a failing line of shooters, on a blasted battlefield. He called me a whore and I pitched a rock at him. You could tell straight off that he liked being smarter than the next fellow. I think he 2 learned letters just out of spite. It was a skill that made him better than his origins. He hated his father, his mother, and just about everybody else. And he loved his sisters. I think he let me be because even bad boys get lonely and the fact that I would have dropped him down a well just because it was Tuesday made him smile. If the world is a base place, then being meaner than it is makes you a lion instead of a mouse.
Recommended publications
  • The Norse Influence on Celtic Scotland Published by James Maclehose and Sons, Glasgow
    i^ttiin •••7 * tuwn 1 1 ,1 vir tiiTiv^Vv5*^M òlo^l^!^^ '^- - /f^K$ , yt A"-^^^^- /^AO. "-'no.-' iiuUcotettt>tnc -DOcholiiunc THE NORSE INFLUENCE ON CELTIC SCOTLAND PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW, inblishcre to the anibersitg. MACMILLAN AND CO., LTD., LONDON. New York, • • The Macmillan Co. Toronto, • - • The Mactnillan Co. of Canada. London, • . - Simpkin, Hamilton and Co. Cambridse, • Bowes and Bowes. Edinburgh, • • Douglas and Foults. Sydney, • • Angus and Robertson. THE NORSE INFLUENCE ON CELTIC SCOTLAND BY GEORGE HENDERSON M.A. (Edin.), B.Litt. (Jesus Coll., Oxon.), Ph.D. (Vienna) KELLY-MACCALLUM LECTURER IN CELTIC, UNIVERSITY OF GLASGOW EXAMINER IN SCOTTISH GADHELIC, UNIVERSITY OF LONDON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I9IO Is buaine focal no toic an t-saoghail. A word is 7nore lasting than the world's wealth. ' ' Gadhelic Proverb. Lochlannaich is ànnuinn iad. Norsemen and heroes they. ' Book of the Dean of Lismore. Lochlannaich thi'eun Toiseach bhiir sgéil Sliochd solta ofrettmh Mhamiis. Of Norsemen bold Of doughty mould Your line of oldfrom Magnus. '' AIairi inghean Alasdair Ruaidh. PREFACE Since ever dwellers on the Continent were first able to navigate the ocean, the isles of Great Britain and Ireland must have been objects which excited their supreme interest. To this we owe in part the com- ing of our own early ancestors to these isles. But while we have histories which inform us of the several historic invasions, they all seem to me to belittle far too much the influence of the Norse Invasions in particular. This error I would fain correct, so far as regards Celtic Scotland.
    [Show full text]
  • The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
    THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus.
    [Show full text]
  • Cirque Mechanics Study Guide
    Prepared by Aida Lashua & Skye Strauss - INTRODUCTION - 42ft is inspired by the mid-1930’s circus “big top,” including the “period” costumes and the music. It takes us backstage and allows the audience to witness “a day in the life of a 1930’s circus performer.” THIS GUIDE HAS THREE DISCUSSION SECTIONS • CIRCUS HISTORY & PRODUCTION INSPIRATION • A brief introduction to historical circus will help students understand circus life and customs as they appear in the production. They will also learn how circus turns of phrase have become familiar idioms. • This section also introduces artists that inspired the creators of 42ft from across media platforms. These include LIFE Magazine’s photographs of the 1930’s, Charlie Chaplin’s films, and Sarah Gruen’s novel Water for Elephants. • HISTORY AND SOCIAL STUDIES: THE GREAT DEPRESSION • The time period for this show coincides with The Great Depression, framing circus as an important form of popular entertainment and contextualizing it in a wider conversation about arts funding through the WPA. • THE SCIENCE OF CIRCUS: NEWTONS LAWS & SIMPLE MACHINES • For the acrobats, performing extraordinary feats requires an understanding of basic principles of physics including inertia, momentum, and centrifugal force. The contraptions in the show are based on simple machines that rely on the same principles to help the acrobats fight against gravity. - GUIDE 1 OF 3 - CIRCUS HISTORY AND PRODUCTION INSPIRATION - CIRCUS HISTORY - The Circus Ring: One of the most popular misconceptions is that circus dates back to Roman antiquity. But the Roman circus was actually the precursor of the modern racetrack; there are only a few common denominators between Roman and modern circuses.
    [Show full text]
  • The Summer I Became a Nerd
    The Summer I Became a Nerd Leah Rae Miller Table of Contents Praise for The Summer I Became a Nerd Prologue #1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 #29 #30 #31 Acknowledgments About the Author Praise for THE SUMMER I BECAME A NERD “Between the laugh out loud dialogue and Maddie and Logan’s pulse-skipping romance, I longed for the Flash’s speed so I could read the book over again and again!” - Cole Gibsen, author of the KATANA series (Flux) “Leah Rae Miller’s debut is charming, funny, clever and utterly geek-tastic! But beyond that, I appreciated the book’s message that the road to happiness is to be true to yourself first.” - The FlyLeaf Review “An extremely adorkable read about being comfortable in your own skin. Get ready to bring out your inner nerd!” - Sara Book Nerd “THE SUMMER I BECAME A NERD is everything you want in an ideal summer; it’s fun and bright, with the perfect mix of romance and nerdiness. You’ll devour this book with as much enthusiasm as the main character devours the latest comic book.” - Alice in Readerland “A total feel good romance with plenty of laughs and smiles, and just the right amount of emotion.” - A Good Addiction “A sweet and fun summer read that turns the tables on the popular guy/nerdy girl scenario and refreshingly features a popular girl who wants to let her nerd flag fly.
    [Show full text]
  • THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
    THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • Cirque Mechanics: Jan
    Cirque Mechanics: Jan. 17, 2020 Cirque Cirque Mechanics 42FT – A Menagerie of Mechanical Marvels Friday, Jan. 17, 7:30 p.m. Program Act One Act Two Opening Poster Wall Justin Finds the Circus Revolving Ladder Matinee Finale Rosebud Returns The Suitcase Animal Trainer Circus Parade Knife Throwing Wheel Charivari Sword Swallowing Juggling with Rosebud Slack Wire Duo Trapeze Strong Man Log Zombie Cape Russian Swing Strong Man Bowling Balls Justin Joins the Circus Bravado Brothers Finale Juggle Go Round There will be one 20-minute intermission between acts one and two. CIRQUE MECHANICS IS REPRESENTED BY PLEASE NOTE • Latecomers will be seated at the house manager’s discretion. • Photography and video recordings of any type are strictly prohibited during the performance. • Smoking is not permitted anywhere. CU Boulder is a smoke-free campus! · cupresents.org · 303-492-8008 C-1 energy led him to “run away” with his own circus Program notes company, Cirque Mechanics. About 42ft – A Menagerie of Lashua believes that innovative mechanical Mechanical Marvels apparatus and the relationship between performer and machine sets his company apart and is at the Forty-two feet in diameter has been the measure heart of what makes Cirque Mechanics unique. of the circus ring for 250 years. Englishman Philip Lashua has delivered on this approach in the Astley discovered that horses galloping inside this company’s theatrical productions. His innovative ring provide the ideal platform for acrobatic feats. machines interact with acrobats, dancers, jugglers These equestrian acrobatics, along with clowns and contortionists on a 1920s factory floor in and flyers, are a large part of what we’ve all come Birdhouse Factory, a gold rush-era town in Boom to know as the circus.
    [Show full text]
  • Fltinibib in Florida
    ,Q5J i-p ( FLTINIBIB IN FLORIDA F. s. u. students stage fifth annual campus big top By LYNN Ru ESTER IN THE CIRCUS that opens in Tallahassee, Florida, this April, the nerveless young lady on the flying trapeze could very weil be a chemistry major, and, just as logically, the clown getting most of the laughs might be a straight "A" student in bacteriology. "Flying High," the "big top" production of Florida State University, located at Tallahassee, has an all-student cast, from ringmaster to the lowliest roustabout. It is an unusual, exciting, and popular circus featuring pretty coeds and daring young men, and regardless of the station of the performers there is one thing the ushers have in common with the stars-none of them is paid. Opening day for the 1952 version of " Flying High" is April 30. After a four-day stand on the horne grounds of the F.S.U. campus, the circus will take to the road on week ends for about twenty-five performances. In addition, there will be numerous appearances of individual acts before civic clubs and various other organizations. In the five years of its existence, the Florida circus has become one of the most popular college hits in the country. Drawing most of its performers from astate weil known for its pretty girls, the F.S.U. circus is generously endowed with star per­ formers. Thirty-five acts, put on in five rings, make an evening of Break-away cas ting is included amonB fast-moving entertainment. Additional circus atmosphere is pro­ the darinB aerial acrobatic aets in the F.S .
    [Show full text]
  • Mer Litteratur Inom Cikrus
    CIRKUSLITTERATUR A-Z Academic Juggler's Bibliography Lewbel, Arthur 1994 Lewbel, Arthur Acrobat and the Angel, The Shannon, Mark and Shannon, David 1999 Putnam, NY Acrobatics and Ping Pong Willcox, Isobel 1981 Dodd, Mead Acrobatics Book Wiley, Jack 1978 World, Calif Acrobats and Mountebanks Roux & Garnier 1890 Chapman and Hall, London Acrobats of the Soul Jenkins, Ron 1998 Theater Communications Group Act As Known Napier, Valantyne 1986 Globe Press, Vic Aktive Pause, Jonglier Hofman, Michael 1996 Barmer Bank Alex, the Amazing Aerial Acrobat Peg, Gianni 1986 A and C Black Alex, The Amazing Juggler Peg, Gianni 1981 Holt, Rinehart, winston All Wind And Twists Brearley, Doug 1975 Playtime Balloons American Circus Posters Fox Charles, Philip 1978 Dover American Circus, The Culhane, John 1990 Henry Holt, NY Amphitheatres and Circuses Brown, Col T. Allston 1994 Borgo Press, San Bernardino, CA Animals Are My Life Hagenbeck, Lorenz 1956 Bodley Head,London Animals in Captivity Street, Philip 1965 Faber and Faber, London Animals In Circuses And Zoos Kiley-Worthington, Dr M 1990 Little Eco-Farms Annee des arts de cirque 2001 Hors Les Murs Annee des Arts du Cirque Meurin, Nicholas 2002 ddo Annie Fratellini, l'Au Revoir 1997 Le Cirque dans l'Univers Annie Oakley and Buffalo Bill's Wild West Sayers, Isabelle S 1981 Dover, NY Annie Oakley of the Wild West Havighurst, Walter 1955 Robert Hale, London Annotated Bibliography of Pantomime Mayer, David 1975 BTI Anyone Can Ride A Unicycle Halpern, Jack 1985 Miyata, Japan AOL Zircus Hoyer, Klaus 1985 AOL Ape I knew, The Lewis, George W (Slim) 1961 Caxton, Caldwell, Ohio Applaus 50 jaar Circus Elleboog Jan van Eeden, ed.
    [Show full text]
  • Oral History Interview with Mary Rawls
    Oral History Interview with Mary Rawls Interview Conducted by Juliana Nykolaiszyn and Tanya Finchum June 13, 2011 The “Big Top” Show Goes On: An Oral History of Occupations Inside and Outside the Canvas Circus Tent Oklahoma Oral History Research Program Edmon Low Library ● Oklahoma State University © 2011 The “Big Top” Show Goes On An Oral History of Occupations Inside and Outside the Canvas Circus Tent Interview History Interviewers: Juliana Nykolaiszyn, Tanya Finchum Transcribers: Ashley Sarchet, Miranda Mackey Editors: Miranda Mackey, Amy Graham, Tanya Finchum The recording and transcript of this interview were processed at the Oklahoma State University Library in Stillwater, Oklahoma. Project Detail The “Big Top” Show Goes On: An Oral History of Occupations Inside and Outside the Canvas Circus Tent aims to preserve the voices and experiences of those involved with the work culture associated with Hugo, Oklahoma’s tent circus tradition. Funding for this project was made possible by the Library of Congress American Folklife Center as part of a 2011 Archie Green Fellowship awarded to researchers Tanya Finchum and Juliana Nykolaiszyn with the Oklahoma Oral History Research Program at the OSU Library. This project was approved by the Oklahoma State University Institutional Review Board on May 6, 2011. Legal Status Scholarly use of the recordings and transcripts of the interview with Mary Rawls is unrestricted. The interview agreement was signed on June 13, 2011. 2 The “Big Top” Show Goes On An Oral History of Occupations Inside and Outside the Canvas Circus Tent About Mary Rawls… Mary Frazier Rawls was born in San Francisco, California in 1927.
    [Show full text]
  • Teacher's Instructional Guide
    GOODSPEED MUSICALS Teacher’s Instructional Guide for the Goodspeed Musicals production of July 9 - September 18, 2010 Goodspeed Opera House East Haddam, Conn. The Teacher’s Instructional Guide is made possible through the generosity of The Max Showalter Center for Education in the Musical Theater 1 Teacher’s Instructional Guide Table of Contents Title Page from Carnival! program…………........…........................................……………...........................3 Cast of Characters……………………………………………………………..........................……………4 Musical Numbers Listing…...........................……………………………………………………………….5 Program Notes………………………..……..........................………………………………………………6 Carnival! Synopsis…………………………….............……..................................………………………….8 Character Summary..................….......................………………………………………………………......10 Puppetry’s Creative Manifestations………..………………………………………….................................11 Puppetry in Pop Culture…...........................………………………………………………………………13 Circus History…...........................………………………………………................……………………....15 Circus Slang…...........................…………………………………………..................…………………….16 Theater Etiquette………………………………......................……………………………………………17 Language Arts for Middle Level………………………………........................……………………………18 Social Studies for Middle Level…………………………………….………..........................…………….19 English for High School Level…...................................…………………………………………………...21 Social Studies for High
    [Show full text]
  • FRONTIER INDUSTRIALISTS Fifty Years of Innovation at L&H
    FRONTIER INDUSTRIALISTS Fifty Years of Innovation at L&H FRONTIER INDUSTRIALISTS Fifty Years of Innovation at L&H by Sam Hurst CONTENTS Introduction 11 one Fearless 17 two Second Generation 39 three CNC Revolution 69 © 2014 by L&H Industrial | All rights reserved. four Selling Value 85 Book design by Mike Palmer. five String of the Kite 101 Printed in Canada. Notes & Permissions L&H Industrial has taken all reasonable steps to six Accidental Genius 111 Published by ensure the accuracy of the information provided in L&H Industrial the book; any errors or omissions are inadvertent. Gillette, Wyoming seven Coming of Age 135 United States of America Captions in this book provide information on the creator and the repository from which the images in eight Life of Pirates 143 In association with Vantage Point Historical this book were obtained. L&H Industrial has made its Services, Inc. best efforts to determine the creator and copyright nine Building Gears 151 South Dakota holder of all images used in this publication. Images United States of America. held by L&H Industrial have been deemed to be owned by the company unless we were able to ten Third Generation 163 ISBN-13: 978-0-9796389-9-2 determine otherwise. Special thanks to photographer ISBN-10: 0-9796389-9-2 Steve Babbitt at www.stevebabbittphotography.com. Conclusion 181 | 1 On the Wyoming frontier, innovators have always combined ingenuity and inspiration with hard work to shape the future. They have been unafraid to learn from their mistakes. In 1964, when Leon Wandler and Hank Barney established what is today L&H Industrial in the boomtown of Gillette, their vision was modest, but their commitment to quality craftsmanship was enormous.
    [Show full text]