FRONTIER INDUSTRIALISTS Fifty Years of Innovation at L&H
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FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards. -
Circuit Rider
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2009 Circuit Rider Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fiction Commons, Literature in English, North America Commons, and the Modern Literature Commons Repository Citation Idol, Kimberley Harris, "Circuit Rider" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1170. http://dx.doi.org/10.34917/2533726 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CIRCUIT RIDER by Kimberley Harris Idol Bachelor of Arts Mount St. Mary's College, Los Angeles 1989 Masters of Science Mount St. Mary's College, Los Angeles 1994 Masters of Arts California State University of Northridge, Reseda 2003 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts in Creative Writing Department of English University of Nevada, Las Vegas Graduate College University of Nevada, Las Vegas May 2009 UMI Number: 1472418 Copyright 2009 by Idol, Kimberley Harris INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Ultimate Super Mage ™ by Dean Shomshak
The Ultimate Super Mage ™ by Dean Shomshak HERO PLUS™ The Ultimate Super Mage™ Version 1.1 by Dean Shomshak Editor/Developer: Bruce Harlick Illustrations: Storn Cook Charts: Scott A.H. Ruggels Solitaire Illustration: Greg Smith Pagemaking & Layout: Bruce Harlick Graphic Design: Karl Wu Editorial Contributions: Steve Peterson, Ray Greer, George MacDonald, Steven S. Long Proof Reader: Maggi Perkins Managing Editor: Bruce Harlick Copyright @1996 by Hero Games. All rights reserved. Hero System, Fantasy Hero, Champions, Hero Games and Star Hero are all registered trademarks of Hero Games. Acrobat and the Acrobat logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. All other trademarks and registered trademarks are properties of their owners. Published by Hero Plus, a division of Hero Games. Hero Plus Hero Plus is an electronic publishing company, using the latest technology to bring products to customers more efficiently, more rapidly, and at competitive prices. Hero Plus can be reached at [email protected]. Let us know what you think! Send us your mailing address (email and snail mail) and we’ll make sure you’re informed of our latest products. Visit our Web Site at http://www.herogames.com Contents Introduction .............................................7 The White School.............................................. 27 How To Use This Book .................................. 7 The Black School............................................... 27 A Personal Disclaimer................................... -
The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus. -
Cirque Mechanics Study Guide
Prepared by Aida Lashua & Skye Strauss - INTRODUCTION - 42ft is inspired by the mid-1930’s circus “big top,” including the “period” costumes and the music. It takes us backstage and allows the audience to witness “a day in the life of a 1930’s circus performer.” THIS GUIDE HAS THREE DISCUSSION SECTIONS • CIRCUS HISTORY & PRODUCTION INSPIRATION • A brief introduction to historical circus will help students understand circus life and customs as they appear in the production. They will also learn how circus turns of phrase have become familiar idioms. • This section also introduces artists that inspired the creators of 42ft from across media platforms. These include LIFE Magazine’s photographs of the 1930’s, Charlie Chaplin’s films, and Sarah Gruen’s novel Water for Elephants. • HISTORY AND SOCIAL STUDIES: THE GREAT DEPRESSION • The time period for this show coincides with The Great Depression, framing circus as an important form of popular entertainment and contextualizing it in a wider conversation about arts funding through the WPA. • THE SCIENCE OF CIRCUS: NEWTONS LAWS & SIMPLE MACHINES • For the acrobats, performing extraordinary feats requires an understanding of basic principles of physics including inertia, momentum, and centrifugal force. The contraptions in the show are based on simple machines that rely on the same principles to help the acrobats fight against gravity. - GUIDE 1 OF 3 - CIRCUS HISTORY AND PRODUCTION INSPIRATION - CIRCUS HISTORY - The Circus Ring: One of the most popular misconceptions is that circus dates back to Roman antiquity. But the Roman circus was actually the precursor of the modern racetrack; there are only a few common denominators between Roman and modern circuses. -
INFOCUS Infocusmagazine.Org
Some Are Dreamers THE NATIONAL ACADEMIES Some Are Doers ACADEMY OF SCIENCES NATIONAL ACADEMY OF ENGINEERING NATIONAL INSTITUTE OF MEDICINE RESEARCH COUNCIL NATIONAL INFOCUS infocusmagazine.org Some Are Both We call them Engineers Reward Excellence! Nominate an outstanding bioengineer for the National Academy of Engineering’s 2011 Fritz J. and Dolores H. Russ Award. To find out more, go to www.nae.edu/2009awards/r1 INFOCUS PRE-SORT STANDARD P.O. Box 665 U.S. POSTAGE PAID Holmes, PA 19043 PERMIT NO. 6426 WASHINGTON, DC Balancing Protection & Personal Privacy | What’s Next in Neuroscience? The Costs of Scientific Space Missions | Updated Stem Cell Research Guidelines Winter 2009 vol. 8 number 3 Science and Technology for Spacecraft Maximum Allowable Test and Evaluation of Biological America’s Progress: Ensuring the Concentrations for Selected Standoff Detection Systems Best Presidential Appointments in Airborne Contaminants, Vol. 5 — Abbreviated Version the New Administration Committee on Toxicology, Board Board on Chemical Sciences and Committee on Science, on Environmental Studies and Technology and Board on Life Engineering, and Public Policy; Toxicology, Division on Earth and Sciences, Division on Earth and National Academy of Sciences, Life Studies (2008, 386 pp.; ISBN Life Studies (2008, 42 pp.; ISBN National Academy of Engineering, 0-309-12844-7; available from 0-309-11443-8; available from and Institute of Medicine (2008, NAP). NAP). 76 pp.; ISBN 0-309-12680-0; available from NAP). Spacecraft Water Exposure Transitions to Alternative -
Cirque Mechanics: Jan
Cirque Mechanics: Jan. 17, 2020 Cirque Cirque Mechanics 42FT – A Menagerie of Mechanical Marvels Friday, Jan. 17, 7:30 p.m. Program Act One Act Two Opening Poster Wall Justin Finds the Circus Revolving Ladder Matinee Finale Rosebud Returns The Suitcase Animal Trainer Circus Parade Knife Throwing Wheel Charivari Sword Swallowing Juggling with Rosebud Slack Wire Duo Trapeze Strong Man Log Zombie Cape Russian Swing Strong Man Bowling Balls Justin Joins the Circus Bravado Brothers Finale Juggle Go Round There will be one 20-minute intermission between acts one and two. CIRQUE MECHANICS IS REPRESENTED BY PLEASE NOTE • Latecomers will be seated at the house manager’s discretion. • Photography and video recordings of any type are strictly prohibited during the performance. • Smoking is not permitted anywhere. CU Boulder is a smoke-free campus! · cupresents.org · 303-492-8008 C-1 energy led him to “run away” with his own circus Program notes company, Cirque Mechanics. About 42ft – A Menagerie of Lashua believes that innovative mechanical Mechanical Marvels apparatus and the relationship between performer and machine sets his company apart and is at the Forty-two feet in diameter has been the measure heart of what makes Cirque Mechanics unique. of the circus ring for 250 years. Englishman Philip Lashua has delivered on this approach in the Astley discovered that horses galloping inside this company’s theatrical productions. His innovative ring provide the ideal platform for acrobatic feats. machines interact with acrobats, dancers, jugglers These equestrian acrobatics, along with clowns and contortionists on a 1920s factory floor in and flyers, are a large part of what we’ve all come Birdhouse Factory, a gold rush-era town in Boom to know as the circus. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2014 1 Journal of Hip Hop Studies, Vol. 1 [2014], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University Media & Print Manager: Travis Harris https://scholarscompass.vcu.edu/jhhs/vol1/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) . FO I ITH M I ,I T R T IDIE .ORT ~ PAru<.UN~V RSllY Save The Kids Foundation (http://savethekidsgroup.org/) 511<, a f't.dly volunteer 3raSS-roots or3an:za6on rooted :n h;,P ho,P and transf'orMat:ve j us6c.e, advocates f'or alternat:ves to, and the end d, the :nc..arc.eration of' al I youth . -
Fltinibib in Florida
,Q5J i-p ( FLTINIBIB IN FLORIDA F. s. u. students stage fifth annual campus big top By LYNN Ru ESTER IN THE CIRCUS that opens in Tallahassee, Florida, this April, the nerveless young lady on the flying trapeze could very weil be a chemistry major, and, just as logically, the clown getting most of the laughs might be a straight "A" student in bacteriology. "Flying High," the "big top" production of Florida State University, located at Tallahassee, has an all-student cast, from ringmaster to the lowliest roustabout. It is an unusual, exciting, and popular circus featuring pretty coeds and daring young men, and regardless of the station of the performers there is one thing the ushers have in common with the stars-none of them is paid. Opening day for the 1952 version of " Flying High" is April 30. After a four-day stand on the horne grounds of the F.S.U. campus, the circus will take to the road on week ends for about twenty-five performances. In addition, there will be numerous appearances of individual acts before civic clubs and various other organizations. In the five years of its existence, the Florida circus has become one of the most popular college hits in the country. Drawing most of its performers from astate weil known for its pretty girls, the F.S.U. circus is generously endowed with star per formers. Thirty-five acts, put on in five rings, make an evening of Break-away cas ting is included amonB fast-moving entertainment. Additional circus atmosphere is pro the darinB aerial acrobatic aets in the F.S . -
Typologies of Black Male Sensitivity in R&B and Hip
Chaney and Mincey: Typologies of Black Male Sensitivity in R&B and Hip Hop JOURNAL OF HIP HOP STUDIES . Typologies of Black Male Sensitivity in R&B and Hip Hop Cassandra Chaney and Krista D. Mincey Abstract A qualitative content analysis was conducted on the lyrics of 79 R&B and Hip Hop songs from 1956-2013 to identify the ways that these Black male artists expressed sensitivity. The songs were determined by Billboard Chart Research Services, and Phenomenology provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black male sensitivity in R&B and Hip Hop to be based on the following four typologies: (a) Private Sensitivity; (b) Partnered Sensitivity; (c) Perceptive Sensitivity; and (d) Public Sensitivity. Private Sensitivity occurred when the Black male is alone; feels lonely; disguises or hides his tears from his romantic partner or others; and expresses a determination to not cry and/or continue crying. Partnered Sensitivity occurred when the Black male encourages and/or connects with his romantic partner, other men, and/or members of the Black community through crying. Perceptive Sensitivity was demonstrated when Black men acknowledge the tears shed by others, and shed tears themselves while being conscious of society’s expectation that men suppress emotion and/or refrain from crying. Public Sensitivity was exemplified when the Black male cries publicly and verbally expresses that he does not care what others think of him. Qualitative examples are provided to support each of the aforementioned themes. R&B and Hip Hop are two music genres that have gained global appeal in recent years.