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8 Places to Run Away with the Circus
chicagoparent.com http://www.chicagoparent.com/magazines/going-places/2016-spring/circus 8 places to run away with the circus The Actors Gymnasium Run away with the circus without leaving Chicago! If your child prefers to hang upside down while swinging from the monkey bars or tries to jump off a kitchen cabinet to reach the kitchen fan, he belongs in the circus. He’ll be able to squeeze out every last ounce of that energy, and it’s the one place where jumping, swinging, swirling and balancing on one foot is encouraged. Here are some fabulous places where your child can juggle, balance and hang upside down. MSA & Circus Arts 1934 N. Campbell Ave., Chicago; (773) 687-8840 Ages: 3 and up What it offers: Learn skills such as juggling, clowning, rolling globe, sports acrobatics, trampoline, stilts, unicycle 1/4 and stage presentation. The founder of the circus arts program, Nourbol Meirmanov, is a graduate of the Moscow State Circus school, and has recruited trained circus performers and teachers to work here. Price starts: $210 for an eight-week class. The Actors Gymnasium 927 Noyes St., Evanston; (847) 328-2795 Ages: 3 through adult (their oldest student at the moment is 76) What it offers: Kids can try everything from gymnastics-based circus classes to the real thing: stilt walking, juggling, trapeze, Spanish web, lyra, contortion and silk knot. Classes are taught by teachers who graduated from theater, musical theater and circus schools. They also offer programs for kids with disabilities and special needs. Price starts: $165 for an 8-10 week class. -
Circus Trailer *
* CIRCUS TRAILER * 4 GROUPS With the 4 circus techniques JUGGLING ---------- Gonzalo, François, Tjaz ---------- Target gropup: 6-9 years old, begginers Welcome: Magic Space General presentations: Whisper the facilitators names. a) Movements with one ball, the group repeats. b) Call somebody only with the movement made Specific Wam up: Desplacements throughout the space, dancing, with music and one ball each other a) block the ball b) write your name with the ball c) make differents throughts d) come back to the circle and present how you've written your name Exercise with juggling balls 2 groups. Chose a leader. a) The rest of the group, takes a marker all toghether, and with eyes closed, the Leader says to them the directions of the lines that they have to draw. b) transform the lines drawed in throughts and CatXing movements, giving them a number. c) put in order the number and create a groups choreograph d) present the choreography With scarfs: 3 each one a) Everyone with 3 scarfs, two on the hands and one on the floor. Standing up, through the scarf and take the one from the floor. 3 scarfs cascade. b)Try to move around the space once you can throw and catch. c) In a circle, through 1 sacrf and move to the right, catching the scarf of the one that is at your right. Diabolo/ and balls : Calm down: Each participant one diabolo in the head, with a ball inside the diabolo. Walk within letting down the diabolo, and change de ball inside with another. If the diablo falls, you frizz until somebody putts the diabolo/ball in your head. -
Petra Sprecher, Cirque Du Soleil Trapeze Artist World Taurus Stunt Awards Nominee for Best High Work and Best Overall Stunt by a Woman, Stuntwoman of the Year Nom
PETRA SPRECHER, CIRQUE DU SOLEIL TRAPEZE ARTIST WORLD TAURUS STUNT AWARDS NOMINEE FOR BEST HIGH WORK AND BEST OVERALL STUNT BY A WOMAN, STUNTWOMAN OF THE YEAR NOM SAG-AFTRA www.PetraSprecher.com Height: 5’8 Email: [email protected] Weight: 145 Mobile: 323-447-3090 Hair: Brown Google: 424-244-2909 Eyes: Brown PERSONAL STATEMENT: I’ve been in the entertainment industry since I’m six years old, touring with the Circus! Now, I am a Stuntwoman and I truly enjoy working for Film and Television; whether it’s to double an actor or to play A stunt role, the enthusiasm and gratitude remain the same! With every booking, I create and deliver an Effortless performance with attention to detail. I’m a professional. HIGHLIGHTS IN FILM: Ad Astra, Independence Day: Resurgence, Flight, The House, 50 Shades of Black, Eagle Eye, Hancock, Evan Almighty, Aeon Flux, Scary Movie, Pirates, Men in Black, The Time Machine, Minority Report HIGHLIGHTS IN TELEVISION: Lovecraft Country, Star Trek: Picard, Loki, Lethal Weapon, Little Big Shots, Scandal, The Criminal Minds, Feed The Beast, Castle, Extant, CSI: NY, Tyler Perry’s The Haves And The Havenots, Ugly Betty, Alias ACTORS DOUBLED: Mariah Carey, Rihanna, Vanessa Williams, Vivica A. Fox, Kimberly Elise, Paula Patton, Aisha Tyler, Rosario Dawson, Sophie Okonedo, Queen Latifah, Oprah Winfrey, Tamara Tunie, Meta Golding, Caroline Chikezie, Angela Robinson, April Parker-Jones, Christine Adams, Merrin Dungey, Gina Torres COORDINATORS WORKED FOR: Yan Dron, Buddy Sosthand, Rob Alonzo, Pete Bucossi, Simon Crane, Tom Elliott, -
JUGGLING in the U.S.S.R. in November 1975, I Took a One Week Tour to Leningrad and Ring Cascade Using a "Holster” at Each Side
Volume 28. No. 3 March 1976 INTERNATIONAL JUGGLERS ASSOCIATION from Roger Dol/arhide JUGGLING IN THE U.S.S.R. In November 1975, I took a one week tour to Leningrad and ring cascade using a "holster” at each side. He twice pretended Moscow, Russia. I wasfortunate to see a number of jugglers while to accidentally miss the catch of all 9 down over his head before I was there. doing it perfectly to rousing applause and an encore bow. At the Leningrad Circus a man approximately 45 years old did Also on the show was a lady juggler who did a short routine an act which wasn’t terribly exciting, though his juggling was spinning 15-inch square glass sheets. She finished by spinning pretty good. He did a routine with 5, 4, 3 sticks including one on a stick balanced on her forehead and one on each hand showering the 5. He also balanced a pole with a tray of glassware simultaneously. Then, she did the routine of balancing a tray of on his head and juggled 4 metaf plates. For a finish, he cqnter- glassware on a sword balanced point to point on a dagger in her spun a heavy-looking round wooden table upside-down on a 10- mouth and climbing a swaying ladder ala Rosana and others. foot sectioned pole balanced on his forehead, then knocked the Finally, there were two excellent juggling acts as part of a really pole away and caught the table still spinning on a short pole held great music and variety floor show at the Arabat Restaurant in in his hands. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
A World to Change
Joy Che Jio Jrjft Juggting knives, rejigging lives acing an expectant audience of two, a slim Sfuenerolly, youths young man stands, poised and balanced, ot holdins juggling clubs in his hands. Showtimel risk hove low self- As the clubs arc and loop through the air in intricate esteem ond tend patterns, kept aloft by a bewildering blur of moving to be ocademic hands, they watch in fantasticated silence, as does a wide-eyed boy who happens to walk by and stops underochievers. When to gawk. It is a display of bewitching artistry and I come in to offer a effortless grace. circus workshop, it's on But what went unseen in this seemingly carefree olternotive for themF$ per{ormance are the countless hours of intensive juggling practice, and that intangible quality subtle and ratherunexpected one, between mastery - the wholehearted commitment and fevered concentration needed to master the skill. In this of circus acts and cultivation of character. Jay - and lies the crucial element of social circus'effectiveness explains how these strange bedfellows interact and its role in intervention for troubled youths, says integrate in making a difference to youth at risk: youths self-esteem and social worker-turned-social circus trainer Mr Jay "Generally, at risk have low underachievers. When I come Che JiaJun. tend to be academic in to offer a circus workshop, it's an alternative for juggle, Circus skills and social work seem, at flrst glance, them. Learning to and then being able to perform, a most unlikely pairing. But a link exists, albeit a actually boosts their self-esteem." ffi--=-1- CHANffi ', speak English, felt inferior to others and had a flery gfiny temper. -
Sarrasani Between the Fable and the Epic
SARRASANI BETWEEN THE FABLE AND THE EPIC by Gustavo Bernstein 1 2 To my father, inspirer and instigator behind these pages. 3 4 Homeland is wherever I pitch my tent. Trude Stosch-Sarrasani 5 6 INDEX INTRODUCTION Letter from Trude Stosch-Sarrasani PREFACE By Jorge H. Bernstein SENIOR An early orphanhood………………………………………………………………… Dreams of an artist……………………………………………………………… The court jester………………………………………………………………… Tradition and nostalgia………………………………………………………………… Sensationen! Sensationen!………………………………………………………………. The princess of Elbe (and her “Golden Palace”)…………………………………… A convoy of artists……………………………………………………………………… Europe in flames…………………………………………………………………………. From the Bolshevik Revolution to a gala dinner………………………………………. The conquest of the Americas (or a German in the tropics)…………………………..... The Queen of the Río de la Plata (or the whims of a diva)…………………………… Circus sinks on the high seas…………………………………………………… Arabian Nights (the mirage of technique)…………………………………………… Crash (the tentacles of Wall Street)……………………………………….........…… A typical Freudian cast…………………………………………………..……………… Judenzirkus (or early murmuring of the Third Reich)……………………………… Friday 13th (the Führer’s shadow)…………………………………………………... Stowaway on board (and the siren’s song)……………………………… A thread of light at sunset………………………………………………………… Elephants wear mourning, too………………………………………………………… JUNIOR The show must go on…………………………………………………………………… Junior’s first journey to the New World (including: the fundamental pact with the minister, the purging of the staff, the new agile and swift -
Circus School Announces Special Needs Pilot Program
buzzonstage.com https://www.buzzonstage.com/chicago/evanston/actors-gymnasium/articles/circus-school-announces-special-needs-pilot-program Circus School Announces Special Needs Pilot Program The Actors Gymnasium is proud to announce a pilot program serving children and adults with disabilities. Initially, the program will offer two classes tailored for: students with Autism aged 10-14 and students with Down Syndrome aged 16 years and older. Additional classes will be added based on community interest. Circus Arts offers a non-competitive, creative recreational opportunity that allows individuals to shine. Taught by certified instructors, classes will provide instruction in a variety of circus disciplines, including aerial arts, tumbling, and dance in a safe and supportive environment. Students will enjoy individualized attention and be coached according to their ability, helping them to develop confidence in a community of their peers. Parents within AG's community saw the growth in confidence that students experienced in private lessons and one off workshops and knew the potential AG's open environment could bring to students with special needs. When they approached Executive Director Virginia Nugent with the idea, she saw it as a perfect opportunity to help another community "Learn to Fly" physically, emotionally, and creatively. The ability to launch a new pilot program is largely due to support from the Noyes Tenants Association and The City of Evanston to get an additional teaching space in the Noyes Cultural Arts Center. This new space opened up a number of new possibilities for the non-profit. Open Houses will be held on September 11 at 6:00 pm for students with Down Syndrome and September 14 at 7:30 pm for students with Autism to introduce parents and students to the space. -
Mapping Circus and Street Art in Southeast Europe INTRODUCTION
MAPPING CIRCUS AND STREET ART IN SOUTHEAST EUROPE INTRODUCTION For the circus in the Balkans, it can be said to be a spontaneous growth plant that builds its way through a series of obstacles, side-tracks, and aggravating circumstances. Over the past years of persistent work and action, the plant called the circus has succeeded in roots taking and growing in a tree that is expanding its branches. Through the years, with the development of Cirkobalkana festival, contemporary circus festival that is focused on representing regional circus scene from Balkans, artists, groups and circus organizations started to collaborate more and more. It was obvious that if we are working together, it helps us to develop new ideas and shows, to bring foreign educators in the region, international high-quality shows and also to position contemporary circus and street art in national cultural policies. In 2018 we started the first regional platform, CPuP - Circus on the move and we got the grant from Foundation Kultura nova which gave us the wind in our sails. Through various activities (co-production of performances, residency programs, education and quest performances), program cooperation is developed as well as a greater flow of cultural work in the region. The educational program strengthens the capacity of member organizations; enable professional training of artists and artist’s mobility in the field of regional contemporary art. One of the activities was mapping circus organization in the region to collect more information about organizations, spaces and performers (individuals/companies) that are working in the circus or street performing art in the Balkan Region. -
An Overview of Circus and Street Arts in Morocco
AN OVERVIEW OF KAHWA MEETINGS MOROCCO STREET AND CIRCUS ARTS IN MOROCCO ARTCENA is the National Centre for Circus, Street and Theatre Arts, This publication was created by the French Ministry of written by Claudine Culture. It coordinates Circostrada Dussollier and edited and has a permanent seat on its by Circostrada Steering Committee. It works closely with sector professionals and offers them publications and Since 2003, Circostrada Network has been multimedia resources through its working to develop and structure the fields digital platform. It develops mentoring, training, tools and services to of circus and street arts in Europe and beyond. help them in their daily practices. With more than 100 members from over 30 It provides support to contemporary countries, it helps building a sustainable future creation through national programmes and encourages for these sectors by empowering cultural international development of these players through activities in observation and three sectors. research, professional exchanges, advocacy, European Network capacity-building and information. Co-funded by the Circus and Street ArtS Creative Europe Programme of the European Union FOREWORD What is the landscape and what project(s) exist relating to street and circus arts? In Morocco, cultural figures are strengthening the links between artistic creativity and place(s), on a local, regional and international level. Since the inaugural États Généraux de la Culture (General Assembly on Culture) in 2014, the landscape for street and circus arts has evolved considerably, with the arrival on the scene of new companies and projects, the creation of a Moroccan street arts federation as well as international cooperation projects. -
January 2020!! Oakland Magic Circle Newsletter Official Website: Bjornson Hall, 2258 Macarthur Blvd., Oakland, CA 94602
January 2020!! Oakland Magic Circle Newsletter Official Website: www.OaklandMagicCircle.com Bjornson Hall, 2258 MacArthur Blvd., Oakland, CA 94602 . $20 non-members Brad Henderson is perhaps best known for his analytical approach to creating magic and an explanation of this approach will be the foundation and framework of his lecture.Using tricks as needed for illustrative purposes, he will discuss JANUARY MEETING-Tuesday, January 7, valuable ways of approaching magic, share 2020 theories and strategies that are essential to the 6:00pm- Doors Open- Come early to share creation of magic that reaches the level of an art form. Brad’s goal will be to provide you with ideas, effects and news informally. Free back knowledge that should allow you as a magician to issues of Linking Ring magazine. progress, improve and ultimately realize your own Complimentary cookies, coffee and tea. creative visions. 7:00- Business meeting, and Good of the Order News and Announcements 7:30ish: Break "If you've ever encountered Brad Henderson in an on-line discussion, you'll know that he has very 8:00- BRAD HENDERSON LECTURE strong opinions, and is not afraid to express them Free for 2020 paid OMC Members emphatically. If you see him perform, you'll realize Oakland Magic Circle January 2020 Newsletter that he backs up everything he says: Brad walks background he brings to his powerful lecture. the walk, to the benefit of his audiences."- Max Maven Brad’s LIVE ACT on Penguin Magic has generated responses like these: "Brad Henderson has shown me, time and time again, how much he truly cares about magic. -
Fedec Fédération Européenne Des Écoles De Cirque Professionnelles the Fedec 3
THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB FEDEC FÉDÉRATION EUROPÉENNE DES ÉCOLES DE CIRQUE PROFESSIONNELLES THE FEDEC 3 PREAMBLE 4 OBJECTIVES AND FINDINGS OF SURVEY 6 INTRODUCTION 7 The landscape – requirements and resources 7 Sources? 8 Methodological issues 9 FIRST PART 10 SOME REFERENCE POINTS 11 QUESTIONS OF PRINCIPLE 15 SECOND PART 18 TYPOLOGIES OF SETTINGS 19 QUESTIONNAIRE 25 - Inventory 25 - Objectives 26 - Analysis 26 - Expectations 27 THIRD PART 34 Transmission and validation 35 CONCLUSION 39 RECOMMENDATIONS 41 APPENDIX 45 Questionnaire used in survey 45 Students from the schools of the European Federation under contract in classic or contemporary circus businesses 47 ACKNOWLEDGEMENTS 49 This project has been funded with support from the European Commission. This publication refl ects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES PERFORMANCE WITHOUT SPIRIT OR SPIRIT WITHOUT PERFORMANCE? WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB 1 2 THE FEDEC Created in 1998, the European Federation of Professional Circus Schools (FEDEC) is a network that is comprised of 38 professional circus schools located in 20 different countries (Albania, Australia, Belgium, Canada, Chile, Colombia, Denmark, Finland, France,