Activities Report 14/15 Message from the President of the Board of Directors
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Le Cas Du Wapikoni Mobile
UNIVERSITÉ DU QUÉBEC À MONTRÉAL PRATIQUES MÉDIATIQUES ALTERNATIVES ET ESPACES PUBLICS. LE CAS DU WAPIKONI MOBILE. THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN COMMUNICATION PAR ANTONIN SERPEREAU NOVEMBRE 2011 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» II Remerciements Je tiens en premier lieu à remercier mes directeurs de recherche. Pour son implication déjà ancienne, puisqu'il m'a accompagné également dans ma recherche de Master, pour sa rigueur de raisonnement, pour la confiance qu'jl m'a très tôt accordée, pour les effOlts qu'il a déployés pour que je puisse être financé et réaliser cette thèse en cotutelle, pour la cordialité de nos échanges, je remercie Philippe Bouquillion, mon directeur de thèse à l'Université Paris 8. -
Wapikoni from Coast to Coast Reconciliation Through Media Arts
Press Release For immediate RELEASE WAPIKONI FROM COAST TO COAST RECONCILIATION THROUGH MEDIA ARTS Montreal, November 23, 2016 – Wapikoni Mobile, a travelling studio that gives a voice to Indigenous youth through mediation, training and audiovisual production, is proud to announce that it has been selected by the Government of Canada as a recipient of the Canada 150 Fund. “Through the project “Wapikoni from Coast to Coast: Building Bridges and Reconciliation through Media Arts”, young Indigenous Canadians will have the opportunity to be heard and to exchange ideas. Our government is proud to contribute more than $2 million to support the audiovisual and musical creative workshops that will give young creators the chance to express themselves. The resulting works will be presented in several communities across the country. Let’s take advantage of the 150th anniversary of Confederation to have a positive dialogue and to strengthen relations between us all,” said the Honourable Mélanie Joly, Minister of Canadian Heritage. On this occasion and for the first time ever, Wapikoni – a First Nations organization – will collaborate with the Metis and Inuit nations. Wapikoni will also meet with other First Nations across Canada and will reinforce its existing ties with minority language communities. This unique three-fold venture involves about 30 partners, including Indigenous communities, the imagineNATIVE Film + Media Festival, the Vancouver International Film Festival (VIFF), and the National Film Board of Canada (NFB), ensuring maximum reach and visibility. In the first segment of the project – and with a new mobile studio – Wapikoni will complete a Canadian audiovisual and music creation tour in 20 Indigenous communities and urban centres in eight provinces and territories. -
Latin America Indigenous Funders Conference
Latin America Indigenous Funders Conference Buen Vivir: Supporting the Role of Indigenous Peoples in Bio- Cultural Diversity, Human Rights, and Sustainable Economic Models Photo: Goldman Environmental Prize Berta Cáceres OCTOBER 24 –27, 2016 IFIP International Funders for Indigenous Lima, Peru Photo: Goldman Environmental Prize Goldman Environmental Photo: Berta Cáceres founded the National Council of Popular and Indigenous Organizations of Honduras (COPINH) to address the growing threats posed to Lenca communities by Illegal logging, fight for their territorial rights, and improve their livelihoods. LATIN AMERICA INDIGENOUS FUNDERS CONFERENCE We are delighted to welcome you to IFIP’s Latin America Regional Funders Conference in Lima, Peru. This conference brings together a diverse array of leaders from Indigenous communities, ngos, and donor organizations to highlight why Indigenous Philanthropy offers a tremendous potential to strengthen the self-development of Indigenous communities. Our conference theme is Buen Vivir: Supporting the Role of Indigenous Peoples in Bio-Cultural Diversity, Human Rights and Sustainable Economic Models. This year for the first time we have expanded the conference concurrent sessions into four tracks to meet overwhelming interest in this theme and accommodate the excellent session proposals received. At the same time, the agenda will offer plenty of networking opportunities designed to provide a fulfilling conference experience. Our goal is to bring together stories, experiences and ideas for collaboration, as well as ways of learning about the different grantmaking approaches and how funders work in partnership with local communities, social movements, ngos, and others to advance Indigenous peoples’ well-being, security and rights. It is our hope that, as you engage in the conference, you will take this opportunity to practice the “Four Rs of Indigenous Philanthropy”: • Reciprocity in the give-and-take of listening and speaking. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Texts of the Exhibition Presented at the Mccord Museum from June 20, 2012 to January 26, 2013
Texts of the exhibition Presented at the McCord Museum From June 20, 2012 to January 26, 2013. Table of Contents Introduction 2. 1 – The end of the world in 2012 2. 2 – Political calamities 4. 2.1 World War II 1939-1945 4. 2.2 The Cold War 1947-1991 6. 2.3 The former Yugoslavia 1991-2001 7. 2.4 Israel 1995- … 7. 2.5 New York 2001 8. 2.6 Iran 1978-1979 8. 2.7 Uganda 1971-1979 9. 2.8 Haiti 1980 9. 2.9 Paris 1986 9. 2.10 Rwanda 1994 9. 2.11 The Persian Gulf 1991 9. 2.12 Darfur 2003- … 10. 2.13 Iran 2009 10. 2.14 The Arab World 2010- … 10. 2.15 Iraq 2003-2011 12. 2.16 Al-Quaeda 2001- … 12. 2.17 Afghanistan 2001- … 14. 3 – Plagues 14. 4 – The calamity of being mortal 15. 5 – Calamities that … aren’t 18. 5.1 Y2K, or the Millennium Bug 18. 5.2 The trials and tribulations of the Montreal Canadiens 18. 5.3 Is Montreal on its last legs? 22. 5.4 Damn winter! 24. 6 – The end of the blue planet? 25. 6.1 The Gulf of Mexico 2010 26. 6.2 The province of Quebec 2007 26. 6.3 Off the coast of Spain 2002 26. 6.4 Chernobyl 1986 27. 6.5 The province of Quebec 1998 27. 6.6 Haiti 2010 27. 6.7 Japan 2011 27. 6.8 Climate change 28. 7 – Cartoonists biographies 29. Cartooning Calamities! 1 ã McCord Museum, 2012 Introduction The history of humanity is punctuated by all sorts of calamities: predicted disasters that never happen, cataclysms that take people by surprise and destroy their lives, wars that devastate whole countries, trifling misfortunes raised to the level of catastrophe to add a little spice to life. -
DIALOG Aboriginal Peoples
Collaboration with RESEARCH AND KNOWLEDGE NETWORK INRS DIALOG Aboriginal peoples UQAM UQAT in the Université du Québec network DIALOG Research and Knowledge Network Relating to • Develop a better understanding of the historical, social, Aboriginal Peoples cultural, economic, and political realities of Aboriginal Quebec is home to over 140,000 Aboriginal people.1 Nearly Some 600 Aboriginal students attend Université du Québec communities, topical issues, and relations between Close cooperation with Aboriginal peoples is central to the three-quarters of this population live in non-urban areas institutions every year,2 12% of whom are graduate stu- Aboriginal and non-Aboriginal peoples by fostering the mission of DIALOG, an international research and knowledge served by Université du Québec member institutions. As a dents. A number of institutions have developed training co-creation of knowledge and taking into account the network relating to Aboriginal peoples. Three network insti- result, the institutions have forged close ties with Aborig- programs and student support and guidance initiatives needs, perspectives, and approaches of Aboriginal com- tutions and a number of affiliated researchers participate inal communities, and the network student body includes tailored to their cultural, geographic, and socioeconomic munities in research and public policy. in DIALOG, including INRS, the sponsor. DIALOG’s mission representatives of the ten First Nations and Inuit. realities. is to develop a better understanding of Aboriginal realities • Support university students, and Aboriginal students Over the past ten years, Université du Québec has awarded and the interaction between Aboriginal and non-Aboriginal in particular, by getting them involved in networking close to 1,000 diplomas to Aboriginal students. -
Fair Game: Canadian Editorial Cartooning
FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective. -
69Th BATTALION
(ISSUED WITH MILITIA ORDERS, 1917.) Canadian Expeditionary Force f 69th BATTALION Nominal Roll of Officers, Non -Commissioned Officers and Men. i EMBARKATION Port: St. John, N.B. 10m -8 -16. Ship: S.S. " Scandinavian." 593 -2 -29. Date: April 17th, 1916. I 69th BATTALION . - TAKEN ON STRENGTH. of of Kin. of of fiZNo. Rank. Name. Former Corps. Name Next Address of Next Kin. Country F2'p Birth. Place. Date. Regimental Lieut. -Colonel.... Dansereau, Joseph Adolphe C.F.A. Dansereau, C. A ' "Ritz Carlton," Montreal, P.Q Canada St. John April 4, 1916. Major Gagnon, Henri Royal A 61st Regt Gagnon, Mrs. E. R 11 Bayle St., Montreal, P.Q Canada St. John April 1, 1916. Major Hallé, Joseph F. X 9th Regt Belleau, Mrs. Paul 15 Commerciale St., Bienville, P.Q Canada St. John April 1, 1916. Major Williams, Richard Harte K....... Imp. Forces Williams, Mrs. J. B "Penrose," Argyll Rd., Swanage, Dorset, Eng India St. John April 1, 1916. Captain Beique, Victor Edouard .... 85th Regt . Beique, Hon. F. L. 540 Sherbrooke St., Montreal, P.Q Canada St. John April 14, 1916. Captain Clerk, George Edward C.A.M.0 Clerk, Mrs. George E 2558a Park Ave., Montreal, P.Q " Canada St. John April 1, 1916. Captain Copeland, Melvin C. W C.F.A Copeland, Mrs. Ruby Irene Lachute, P.Q Canada. St. John April 1, 1916. Captain Dansereau, Hayward C.F.A Dansereau, J. B Rivière du Loup, P.Q Canada St. John April 10, 1916. Captain Ellis, William Hendry ,... 61st Regt Ellis, Mrs. A. E. J 18 St. -
Building Resilience Through Partnership
BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award. -
"Nvtramkaiñ Kom Taiñ Ixofil Mogen"
"NVTRAMKAIÑ KOM TAIÑ IXOFIL MOGEN" REFLECTION, LEARNING, AND KNOWLEDGE SHARING THROUGH INDIGENOUS COMMUNITY FILMMAKING FINAL TECHNICAL REPORT to the InternAtionAl Development ReseArch Centre (IDRC) CanAdiAn PArtnerships SmAll GrAnts AUTHORS ThorA HerrmAnn, DPhil | Project leAd AriellA OrbAch, MSc | Project co-leAd June 2014 PROJECT INFORMATION IDRC project number: 106616-00020699-036 IDRC project title: Nvtramkaiñ kom taiñ ixofil mogen: Reflection, leArning And knowledge shAring through indigenous community cinemA Countries: Chile (ArAucaníA region) And CAnAdA (Québec) ReseArch institution: Université de MontréAl C.P. 6128, succursale Centre-ville, MontréAl (QC) H3C 3J7 ReseArch teAm: Dr. ThorA HerrmAnn, leAd reseArcher, Université de Roberto ContrerAs, community reseArcher (Chile), MontréAl, [email protected] [email protected] AriellA OrbAch, co-leAd, StrAtegic Video InitiAtive, GerArdo Berrocal, community reseArcher (Chile), [email protected] Adkimvn, [email protected] JuAn RAin, community reseArcher (Chile), MAnon BArbeAu, collAborAtor (Québec), WApikoni [email protected] Mobile, [email protected] FresiA PAinefil, community reseArcher (Chile), KArine GrAvel, collAborAtor (Québec), WApikoni [email protected] Mobile, [email protected] AbstrAct: Indigenous communities fAce chAllenges to preserve the ecosystems upon which locAl livelihoods And culturAl identities depend, requiring collAborAtive efforts And innovative tools. Video is An Accessible, powerful informAtion And communication technology (ICT) thAt offers new possibilities for mArginAlized communities to communicate their reAlities, to plAy An Active role in influencing policy, And to breAk down bArriers of discriminAtion. Our project used video As A tool for enAbling two Indigenous MApuche communities in Chile, And pArticulArly their youth, to ApproAch And AnAlyze local development issues And bring local perspectives to the forefront of debAtes on bioculturAl diversity conservation And equitAble development. -
Native American Film + Video Festival, 2009
March 26 - March 29 NATIVE AMERICAN FILM+VIDEO FESTIVAL HOW TO ATTENd THE FESTIVAL NMAIyellow MANAGEMENT pantone 116 GGHC STAFF SUPPORT All festival programs are free. For daytime pro- Kevin Gover (Pawnee/Comanche), Director, NMAI Samir Bitar, Manager, Visitor Services grams in the Auditorium and Diker Pavilion, seating Tim Johnson (Mohawk), Associate Director, NMAI Quinn Bradley (Navajo), Public Affairs Assistant is on a first-come, first-served basis. For programs Museum Programs Group Leonor Bonuso, Administration in The Screening Room, which has limited seating, John Haworth (Cherokee), Director, George Gustav Marco Cevallos tickets will be distributed at the Will Call Desk Heye Center Margaret Chen, Special Assistant, Executive Office starting 40 minutes before each showtime. Peter Brill, Deputy Assistant Director for Exhibits, Gaetana DeGennaro (Tohono O’odham), Manager, Programs and Public Spaces GGHC Resource Center Reservations are recommended for evening Johanna Gorelick, Manager, GGHC Education programs at NMAI. No more than 4 tickets can FESTIVAL DIRECTORS Department be reserved by any one person. Pick up reserved Elizabeth Weatherford, Head of Film and Video Jorge Estévez (Taino), Cultural Arts tickets at the Will Call Desk starting 40 minutes Center, FVC Tamara Levine, Administration before showtime. Tickets not picked up by 15 Emelia Seubert, Assistant Curator, FVC Jeff Mann, IT Support minutes before showtime are released to the Wait LaKisha Maxey, Administrative Support, Education List. NMAI members are given priority for reserva- FESTIVAL PRODUCERS Scott Merritt, Deputy Assistant Director for tions until March 11. To reserve call 212-514-3737 or Michelle Svenson, Festival Producer, FVC Operations and Program Support email [email protected]. -
Report Submitted by UNESCO to the 19Th Session of the United Nations Permanent Forum on Indigenous Issues (UNPFII)
Report submitted by UNESCO to the 19th Session of the United Nations Permanent Forum on Indigenous Issues (UNPFII) 13 - 24 April 2020 Executive summary: In 2017, the Executive Board of UNESCO noted with satisfaction its Policy on Engaging with Indigenous Peoples, a policy that harmonises the mandated programme work of UNESCO with the UN Declaration on the Rights of Indigenous Peoples. During 2019, all Sectors of UNESCO engaged in activities related to the IYIL2019. The United Nations Educational, Scientific and Cultural Organisation (UNESCO) served as the lead UN agency for the organization of the International Year of Indigenous Languages 2019, which is covered in a separate report to the UNPFII. In October 2019, the Director General appointed Mexican actress, Ms. Yalitza Aparicio, as the UNESCO Goodwill Ambassador for Indigenous Peoples. Her priorities are on human rights, dignity, indigenous languages, and the rights of domestic workers. Each Sector of UNESCO has contributed to the implementation of the UNDRIP System-wide Action Plan (SWAP). Some Regional Offices have been particularly engaged, owing to their circumstances. Notably, Santiago Office has been working on intercultural and multilingual education including the mobilization of indigenous knowledge systems. Montevideo Office has been concentrating on indigenous engagement in the Man and Biosphere programme, including indigenous knowledge and culture components. Bangkok Office has been engaged in a series of education events including on multilingualism and inclusivity. The Paris Headquarters has focused on indigenous knowledge of biodiversity, ecosystems and climate change. Contributing to the work plan of the UNFCCC Local Communities and Indigenous Peoples Platform (LCIPP). The Natural Sciences Sector hosts the IPBES Technical Support Unit on Indigenous and Local Knowledge (TSU on ILK).