Hark! a Vagrant Free
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Want to Have Some Fun with Tech and Pol Cart
Want To Have Some Fun With Technology and Political Cartoons? Dr. Susan A. Lancaster Florida Educational Technology Conference FETC Political and Editorial Cartoons In U.S. History http://dewey.chs.chico.k12.ca.us/edpolcart.html • Political cartoons are for the most part composed of two elements: caricature, which parodies the individual, and allusion, which creates the situation or context into which the individual is placed. • Caricature as a Western discipline goes back to Leonardo da Vinci's artistic explorations of "the ideal type of deformity"-- the grotesque-- which he used to better understand the concept of ideal beauty 2 • Develop Cognitive • Historical and Thinking and Higher Government Events Levels of Evaluation, • Group Work Analysis and Synthesis • Individual Work • Create Student • Current Events Drawings and Interpretations • Sports Events • Express Personal • Editorial Issues Opinions • Foreign Language and • Real World Issues Foreign Events • Visual Literacy and • Authentic Learning Interpretation • Critical Observation and Interpretation • Warm-up Activities • Writing Prompts 3 • Perspective A good editorial cartoonist can produce smiles at the nation's breakfast tables and, at the same time, screams around the White House. That's the point of cartooning: to tickle those who agree with you, torture those who don't, and maybe sway the remainder. 4 http://www.newseum.org/horsey/ Why include Political Cartoons in your curriculum? My goal was to somehow get the students to think in a more advanced way about current events and to make connections to both past and present Tammy Sulsona http://nieonline.com/detroit/cftc.cfm?cftcfeature=tammy 5 Cartoon Analysis Level 1 Visuals Words (not all cartoons include words) List the objects or people you see in the cartoon. -
Hark! a Vagrant Free Download
HARK! A VAGRANT FREE DOWNLOAD Kate Beaton | 166 pages | 27 Sep 2011 | DRAWN & QUARTERLY | 9781770460607 | English | United Kingdom Hark! A Vagrant by Kate Beaton (2011, Hardcover) Readers also enjoyed. Five stars. Looking on the bright side, although Kate Beaton's drawing style is not my favorite personally, it is expressive and seems to fit the content of the comic strips quite well. Beaton's book is crammed full of smart, funny, and shhh! No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. Weren't we talking about Middle Ages stuff? Rochester and giggles at the problematic lives of peasants in Medieval England. This is more of a for-everyone Hark! A Vagrant. Beaton, for taking some of the world's most problematic characters fiction or otherwise and making them loveable again. Ratings and Reviews Write a review. Some of my favorites include Sherlock Holmes and his Watsons, pirate nemeses, and the various French Revolution figures. My favorite sequence would have to be the journey of Lewis and Clark, but the ones Hark! A Vagrant the Bronte sisters wer Hark! Hark! A Vagrant Vagrant features sexy Batman, the true stories behind Hark! A Vagrant Nancy Drew covers, and Queen Elizabeth doing the albatross. Quite a few off the comics made me laugh, and I liked the subtle humor I them. Delaf Annie Groovie. Hark! A Vagrant line is scratchy Hark! A Vagrant her comics often look muddy. -
Ces Auteurs Qui Tiennent La Route
Libraire-60:Libraire-NewMaquette 10-07-10 12:40 PM Page 1 Août - Septembre 2010 • no 60 le libraireLe bimestriel des librairies indépendantes GRATUIT 40034260 poste-publications poste-publications Entrevues Dominique Fortier Anne Robillard Marie-Renée Lavoie Dossier CES AUTEURS QUI TIENNENT LA ROUTE Libraire d’un jour Amir Khadir Libraire-60:Libraire-NewMaquette 10-07-10 12:41 PM Page 2 www.ada-inc.com Libraire-60:Libraire-NewMaquette 10-07-10 12:41 PM Page 3 « Les gens connaissent ma chute, ils vont maintenant connaître ma rédemption. » Disponible en librairie photo auteur © jacques migneault Le site des Guides Voir fait peau neuve ! Découvrez nos destinations vedettes, nos conseils et nos bons plans sur www.guidesvoir.ca Bon voyage ! www.guidesvoir.ca Libraire-60:Libraire-NewMaquette 10-07-10 12:41 PM Page 4 Libraire-60:Libraire-NewMaquette 10-07-10 12:41 PM Page 5 EN PREMIER LIEU SOMMAIRE Le mot de Josée-Anne Paradis le libraire no60 Août-Septembre 2010 BILLET Fille de libraire et Papineau, Papineau ? 6 globe-trotter en- gagée, Josée-Anne Paradis a grandi ÉDITORIAL entre livres, parties Sortir de sa bulle, embrasser le monde 7 de soccer, cahiers Droit d’écriture et sorties culturelles. LIBRAIRE D’UN JOUR Amir Khadir : « Frapper l’imagination, nous élever un peu… » 8 devant ENTRE PARENTHÈSES 10-11-20-26-42-52-61 On a tous un jour eu la piqûre pour un livre. On se souvient de la façon dont on en a fait LITTÉRATURE QUÉBÉCOISE l’acquisition (dans une librairie, en classe, en cadeau), de l’instant où l’on a découvert que Le libraire craque! 12-13-14 l’auteur semblait s’adresser directement à nous — et à nous seuls — et du moment où l’on Les choix de la rédaction 14 a fermé ce volume, en restant sans voix, fasciné. -
Toward an Aesthetics and Politics of Guilt in American
UNIVERSITY OF CALIFORNIA Los Angeles Responsibility, Freedom, and the State: Toward an Aesthetics and Politics of Guilt in American Literature, 1929-1960 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Timothy Jeffrey Haehn 2014 © Copyright by Timothy Jeffrey Haehn 2014 ABSTRACT OF THE DISSERTATION Responsibility, Freedom, and the State: Toward an Aesthetics and Politics of Guilt in American Literature, 1929-1960 By Timothy Jeffrey Haehn Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2014 Professor Eleanor K. Kaufman, Chair This dissertation proposes a fundamental reassessment of guilt in twentieth-century American literature. I claim that guilt ought to be understood not so much in relation to the Holocaust or the history of U.S. race relations as in relation to the state. In readings of Mary McCarthy, Richard Wright, J. D. Salinger, Arthur Miller, and Saul Bellow, as well as the early Superman comics and fiction and criticism that invoke Fyoder Dostoevsky’s work, this project demonstrates how authors of fiction and popular culture mobilize feelings of responsibility and guilt to symbolize anxieties over the diminished role of the state as a vehicle for public relief. As the federal government jettisoned burdens that it had borne since the Depression, the writers in question depict various mechanisms employed by individuals to absorb state burdens and to compensate for the reduced availability of state-backed relief. With renewed emphasis on existential categories such as guilt, freedom, and anxiety, I trace tensions at the core of mid- twentieth-century narratives that situate them squarely within the problematics of antistatism. -
Drawn&Quarterly
DRAWN & QUARTERLY spring 2012 catalogue EXCERPT FROM GUY DELISLE’S JERUSALEM EXCERPT FROM GUY DELISLE’S JERUSALEM EXCERPT FROM GUY DELISLE’S JERUSALEM CANADIAN AUTHOR GUY DELISLE JERUSALEM Chronicles from the Holy City Acclaimed graphic memoirist Guy Delisle returns with his strongest work yet, a thoughtful and moving travelogue about life in Israel. Delisle and his family spent a year in East Jerusalem as part of his wife’s work with the non-governmental organiza- tion Doctors Without Borders. They were there for the short but brutal Gaza War, a three-week-long military strike that resulted in more than 1000 Palestinian deaths. In his interactions with the emergency medical team sent in by Doctors Without Borders, Delisle eloquently plumbs the depths of the conflict. Some of the most moving moments in Jerusalem are the in- teractions between Delisle and Palestinian art students as they explain the motivations for their work. Interspersed with these simply told, affecting stories of suffering, Delisle deftly and often drolly recounts the quotidian: crossing checkpoints, going ko- sher for Passover, and befriending other stay-at-home dads with NGO-employed wives. Jerusalem evinces Delisle’s renewed fascination with architec- ture and landscape as political and apolitical, with studies of highways, villages, and olive groves recurring alongside depictions of the newly erected West Bank Barrier and illegal Israeli settlements. His drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle’s mastery of the travelogue. “[Delisle’s books are] some of the most effective and fully realized travel writing out there.” – NPR ALSO AVAILABLE: SHENZHEN 978-1-77046-079-9 • $14.95 USD/CDN BURMA CHRONICLES 978-1770460256 • $16.95 USD/CDN PYONGYANG 978-1897299210 • $14.95 USD/CDN GUY DELISLE spent a decade working in animation in Europe and Asia. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Texts of the Exhibition Presented at the Mccord Museum from June 20, 2012 to January 26, 2013
Texts of the exhibition Presented at the McCord Museum From June 20, 2012 to January 26, 2013. Table of Contents Introduction 2. 1 – The end of the world in 2012 2. 2 – Political calamities 4. 2.1 World War II 1939-1945 4. 2.2 The Cold War 1947-1991 6. 2.3 The former Yugoslavia 1991-2001 7. 2.4 Israel 1995- … 7. 2.5 New York 2001 8. 2.6 Iran 1978-1979 8. 2.7 Uganda 1971-1979 9. 2.8 Haiti 1980 9. 2.9 Paris 1986 9. 2.10 Rwanda 1994 9. 2.11 The Persian Gulf 1991 9. 2.12 Darfur 2003- … 10. 2.13 Iran 2009 10. 2.14 The Arab World 2010- … 10. 2.15 Iraq 2003-2011 12. 2.16 Al-Quaeda 2001- … 12. 2.17 Afghanistan 2001- … 14. 3 – Plagues 14. 4 – The calamity of being mortal 15. 5 – Calamities that … aren’t 18. 5.1 Y2K, or the Millennium Bug 18. 5.2 The trials and tribulations of the Montreal Canadiens 18. 5.3 Is Montreal on its last legs? 22. 5.4 Damn winter! 24. 6 – The end of the blue planet? 25. 6.1 The Gulf of Mexico 2010 26. 6.2 The province of Quebec 2007 26. 6.3 Off the coast of Spain 2002 26. 6.4 Chernobyl 1986 27. 6.5 The province of Quebec 1998 27. 6.6 Haiti 2010 27. 6.7 Japan 2011 27. 6.8 Climate change 28. 7 – Cartoonists biographies 29. Cartooning Calamities! 1 ã McCord Museum, 2012 Introduction The history of humanity is punctuated by all sorts of calamities: predicted disasters that never happen, cataclysms that take people by surprise and destroy their lives, wars that devastate whole countries, trifling misfortunes raised to the level of catastrophe to add a little spice to life. -
Fair Game: Canadian Editorial Cartooning
FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective. -
69Th BATTALION
(ISSUED WITH MILITIA ORDERS, 1917.) Canadian Expeditionary Force f 69th BATTALION Nominal Roll of Officers, Non -Commissioned Officers and Men. i EMBARKATION Port: St. John, N.B. 10m -8 -16. Ship: S.S. " Scandinavian." 593 -2 -29. Date: April 17th, 1916. I 69th BATTALION . - TAKEN ON STRENGTH. of of Kin. of of fiZNo. Rank. Name. Former Corps. Name Next Address of Next Kin. Country F2'p Birth. Place. Date. Regimental Lieut. -Colonel.... Dansereau, Joseph Adolphe C.F.A. Dansereau, C. A ' "Ritz Carlton," Montreal, P.Q Canada St. John April 4, 1916. Major Gagnon, Henri Royal A 61st Regt Gagnon, Mrs. E. R 11 Bayle St., Montreal, P.Q Canada St. John April 1, 1916. Major Hallé, Joseph F. X 9th Regt Belleau, Mrs. Paul 15 Commerciale St., Bienville, P.Q Canada St. John April 1, 1916. Major Williams, Richard Harte K....... Imp. Forces Williams, Mrs. J. B "Penrose," Argyll Rd., Swanage, Dorset, Eng India St. John April 1, 1916. Captain Beique, Victor Edouard .... 85th Regt . Beique, Hon. F. L. 540 Sherbrooke St., Montreal, P.Q Canada St. John April 14, 1916. Captain Clerk, George Edward C.A.M.0 Clerk, Mrs. George E 2558a Park Ave., Montreal, P.Q " Canada St. John April 1, 1916. Captain Copeland, Melvin C. W C.F.A Copeland, Mrs. Ruby Irene Lachute, P.Q Canada. St. John April 1, 1916. Captain Dansereau, Hayward C.F.A Dansereau, J. B Rivière du Loup, P.Q Canada St. John April 10, 1916. Captain Ellis, William Hendry ,... 61st Regt Ellis, Mrs. A. E. J 18 St. -
2008 Backlist
Pelican Publishing Company BACKLIST CATALOG S African-American Interest . 56-57 Revolutionary War . 23 Antiques & Collectibles . 4 Southern History . 30 Architecture . 7-9 War of 1812 . 23 Louisiana Architecture . 9 World War II . 28 Majesty Architecture Series ...........................7 Holidays. 59-63 New Orleans Architecture Series .......................8 Christmas . 61 Art . 1-3 Halloween . 60 ONTENT Louisiana Art . 3 Hanukkah . 58, 61 C Mardi Gras Treasures Series by Henri Schindler . 3 Thanksgiving . 60 Biography & Autobiography . 37-40 The Night Before Christmas Series.................. 62-63 Louisiana Figures . 37 Humor . 19 Personal Memoirs. 40 Hurricanes. 36 Business & Economics. 46-47 Irish Interest . 55 Business Communication. 46 St. Patrick’s Day . 55 Entrepreneurship . 47 Judaica . 57-58 Kevin Hogan . 46 Music & Performing Arts . 5 Management . 47 Outlaws. 35 Sales & Selling . 47 Pirates . 40 Cartoons . 20-21 Poetry . 44 Best Editorial Cartoons of the Year Series . 21 Political Science. 22 Children’s Author Features . 45 Reference. 53 David Davis . 45 Genealogy . 53 Steven L. Layne . 45 Trivia . 53 Cookbooks. 10-18 Religion . 50-51 Frank Davis . 16 Dove Inspirational Press . 50 Jude Theriot . 17 Joe H. Cothen . 51 Justin Wilson . 17 Renaissance New Testament . 51 Restaurant Cookbooks . 10-11 Self-Help . 48-49 Family & Relationships. 52 Mike Hernacki . 49 Fiction & Literature. 41-44 Zig Ziglar . 48 George W. Cable . 43 Scottish Interest. 54 Harold Bell Wright. 43 Sports & Recreation. 67-69 James Everett Kibler . 43 Cruising Guide Series.............................. 67 Gardening & Nature. 6 Golfing. 69 Health. 52 Kentucky Derby . 68 History. 23-35 Travel. 64-67 19th Century . 29 Ghost Hunter’s Guides ............................. 67 20th Century . 29 International Travel . -
Bit of a Prospect SI 93
Hip No. Consigned by Mike J. Schoonover Hip No. 1 Bit Of A Prospect SI 93 1 2007 Bay Mare Corona Cartel SI 97 {Holland Ease SI 109 Coronas Prospect SI 105 { Corona Chick SI 113 Fantastic Polly SI 94 {Fantastic Native Bit Of A Prospect SI 93 Miss Polly Pistol SI 92 5028298 First Down Dash SI 105 {Dash For Cash SI 114 A Bit Of Dash SI 85 First Prize Rose SI 98 (1989) { A Bit Of Beduino {*Beduino TB Chargability SI 99 By CORONAS PROSPECT SI 105 (2000). Stakes winner of 8 races, $164,559, Kindergarten Fut. [G3]-NTR, AQHA East Derby [G3], 2nd AQHA Derby Chlg. Champ. [G1], etc. Half brother to READY TO RUMBLE SI 104. Sire of 70 ROM, $1,971,264, including PROSPECT TO THE TOP SI 106 (8 wins, $680,750, Hobbs America Fut. [G2]), KISS A CORONA SI 108 (6 wins, $128,077, Okla. Horsemen’s Fut. [RG2]), UNCOMMOM EPISODE SI 90. 1st dam A BIT OF DASH SI 85, by First Down Dash. Placed at 2. Dam of 28 foals, 21 to race, 17 winners, including– Special Attitude SI 108 (f. by Bills Ryon). 4 wins to 3, $38,413, 3rd Four Corners Futurity, Cottonwood S., finalist Ruidoso Fut. [G1]. Dam of– This I Know SI 93 (f. by Now I Know). 2 wins to 3, $23,840, finalist in the New Mexico Breeders’ Futurity [R] [G2]. Amsterdam SI 104 (f. by Tres Seis). 2 wins to 3, $37,595, 2nd Dash for Cash Juvenile [R], 3rd New Mexico Distaff Challenge.