Native American Film + Video Festival, 2009
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Le Cas Du Wapikoni Mobile
UNIVERSITÉ DU QUÉBEC À MONTRÉAL PRATIQUES MÉDIATIQUES ALTERNATIVES ET ESPACES PUBLICS. LE CAS DU WAPIKONI MOBILE. THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN COMMUNICATION PAR ANTONIN SERPEREAU NOVEMBRE 2011 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» II Remerciements Je tiens en premier lieu à remercier mes directeurs de recherche. Pour son implication déjà ancienne, puisqu'il m'a accompagné également dans ma recherche de Master, pour sa rigueur de raisonnement, pour la confiance qu'jl m'a très tôt accordée, pour les effOlts qu'il a déployés pour que je puisse être financé et réaliser cette thèse en cotutelle, pour la cordialité de nos échanges, je remercie Philippe Bouquillion, mon directeur de thèse à l'Université Paris 8. -
Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence -
Wapikoni from Coast to Coast Reconciliation Through Media Arts
Press Release For immediate RELEASE WAPIKONI FROM COAST TO COAST RECONCILIATION THROUGH MEDIA ARTS Montreal, November 23, 2016 – Wapikoni Mobile, a travelling studio that gives a voice to Indigenous youth through mediation, training and audiovisual production, is proud to announce that it has been selected by the Government of Canada as a recipient of the Canada 150 Fund. “Through the project “Wapikoni from Coast to Coast: Building Bridges and Reconciliation through Media Arts”, young Indigenous Canadians will have the opportunity to be heard and to exchange ideas. Our government is proud to contribute more than $2 million to support the audiovisual and musical creative workshops that will give young creators the chance to express themselves. The resulting works will be presented in several communities across the country. Let’s take advantage of the 150th anniversary of Confederation to have a positive dialogue and to strengthen relations between us all,” said the Honourable Mélanie Joly, Minister of Canadian Heritage. On this occasion and for the first time ever, Wapikoni – a First Nations organization – will collaborate with the Metis and Inuit nations. Wapikoni will also meet with other First Nations across Canada and will reinforce its existing ties with minority language communities. This unique three-fold venture involves about 30 partners, including Indigenous communities, the imagineNATIVE Film + Media Festival, the Vancouver International Film Festival (VIFF), and the National Film Board of Canada (NFB), ensuring maximum reach and visibility. In the first segment of the project – and with a new mobile studio – Wapikoni will complete a Canadian audiovisual and music creation tour in 20 Indigenous communities and urban centres in eight provinces and territories. -
Latin America Indigenous Funders Conference
Latin America Indigenous Funders Conference Buen Vivir: Supporting the Role of Indigenous Peoples in Bio- Cultural Diversity, Human Rights, and Sustainable Economic Models Photo: Goldman Environmental Prize Berta Cáceres OCTOBER 24 –27, 2016 IFIP International Funders for Indigenous Lima, Peru Photo: Goldman Environmental Prize Goldman Environmental Photo: Berta Cáceres founded the National Council of Popular and Indigenous Organizations of Honduras (COPINH) to address the growing threats posed to Lenca communities by Illegal logging, fight for their territorial rights, and improve their livelihoods. LATIN AMERICA INDIGENOUS FUNDERS CONFERENCE We are delighted to welcome you to IFIP’s Latin America Regional Funders Conference in Lima, Peru. This conference brings together a diverse array of leaders from Indigenous communities, ngos, and donor organizations to highlight why Indigenous Philanthropy offers a tremendous potential to strengthen the self-development of Indigenous communities. Our conference theme is Buen Vivir: Supporting the Role of Indigenous Peoples in Bio-Cultural Diversity, Human Rights and Sustainable Economic Models. This year for the first time we have expanded the conference concurrent sessions into four tracks to meet overwhelming interest in this theme and accommodate the excellent session proposals received. At the same time, the agenda will offer plenty of networking opportunities designed to provide a fulfilling conference experience. Our goal is to bring together stories, experiences and ideas for collaboration, as well as ways of learning about the different grantmaking approaches and how funders work in partnership with local communities, social movements, ngos, and others to advance Indigenous peoples’ well-being, security and rights. It is our hope that, as you engage in the conference, you will take this opportunity to practice the “Four Rs of Indigenous Philanthropy”: • Reciprocity in the give-and-take of listening and speaking. -
6Th on Screen Report
WOMEN IN VIEW On Screen Report June 2021 On Screen 2021 About Women in View Written by: Jill Golick & Nathalie Younglai Women in View is a national not-for-profit organization dedicated to gender parity and inclusion in Data Analysis: Jill Golick Canadian media both on screen and behind the scenes. Project Manager: Amber-Sekowan Daniels Research Lead: Katie McMillain Women in View Board of Directors Research Coordinator: Bita Joudaki Tracey Deer Research on the representation of BIPOC women was overseen by Nathalie Younglai, founder of Black, Aisha Jamal Indigenous and People of Colour in TV and Film (BIPOC TV & Film). Jan Miller Additional Research: Muna Deria, Umang Antariksh Sagar Lizzy Karp Design: Innovate By Day General Manager: Amber-Sekowan Daniels, [email protected] Special Thanks: Adeline Bird, Joan Jenkinson, Sharon McGowan, Women in the Director’s Chair, [email protected] Women in Film and Television Canada. www.womeninview.ca The authors acknowledge the financial support of Ontario Creates, the Government of Canada, Canadian Broadcasting Corporation, Directors Guild of Canada, Inspirit Foundation, and the Canadian Media Producers Association, BC Producers Branch. About BIPOC TV & FILM BIPOC TV & Film is a not-for-profit organization and collective of Black, Indigenous and People of Colour in Canada’s TV and film industry. From writers, directors, producers and actors to editors, crew members and executives, our members are a mix of emerging, mid-level and established industry professionals. BIPOC TV & Film is dedicated to increasing the representation of BIPOC both in front and behind the camera. BIPOC TV & Film was founded in 2012 as Indigenous & Creatives of Colour in TV & Film by Writer/ Director Nathalie Younglai, who saw a need to form a community for others like her, who were also feeling isolated by the overall lack of representation of BIPOC in the industry. -
DIALOG Aboriginal Peoples
Collaboration with RESEARCH AND KNOWLEDGE NETWORK INRS DIALOG Aboriginal peoples UQAM UQAT in the Université du Québec network DIALOG Research and Knowledge Network Relating to • Develop a better understanding of the historical, social, Aboriginal Peoples cultural, economic, and political realities of Aboriginal Quebec is home to over 140,000 Aboriginal people.1 Nearly Some 600 Aboriginal students attend Université du Québec communities, topical issues, and relations between Close cooperation with Aboriginal peoples is central to the three-quarters of this population live in non-urban areas institutions every year,2 12% of whom are graduate stu- Aboriginal and non-Aboriginal peoples by fostering the mission of DIALOG, an international research and knowledge served by Université du Québec member institutions. As a dents. A number of institutions have developed training co-creation of knowledge and taking into account the network relating to Aboriginal peoples. Three network insti- result, the institutions have forged close ties with Aborig- programs and student support and guidance initiatives needs, perspectives, and approaches of Aboriginal com- tutions and a number of affiliated researchers participate inal communities, and the network student body includes tailored to their cultural, geographic, and socioeconomic munities in research and public policy. in DIALOG, including INRS, the sponsor. DIALOG’s mission representatives of the ten First Nations and Inuit. realities. is to develop a better understanding of Aboriginal realities • Support university students, and Aboriginal students Over the past ten years, Université du Québec has awarded and the interaction between Aboriginal and non-Aboriginal in particular, by getting them involved in networking close to 1,000 diplomas to Aboriginal students. -
Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460 -
Building Resilience Through Partnership
BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award. -
"Nvtramkaiñ Kom Taiñ Ixofil Mogen"
"NVTRAMKAIÑ KOM TAIÑ IXOFIL MOGEN" REFLECTION, LEARNING, AND KNOWLEDGE SHARING THROUGH INDIGENOUS COMMUNITY FILMMAKING FINAL TECHNICAL REPORT to the InternAtionAl Development ReseArch Centre (IDRC) CanAdiAn PArtnerships SmAll GrAnts AUTHORS ThorA HerrmAnn, DPhil | Project leAd AriellA OrbAch, MSc | Project co-leAd June 2014 PROJECT INFORMATION IDRC project number: 106616-00020699-036 IDRC project title: Nvtramkaiñ kom taiñ ixofil mogen: Reflection, leArning And knowledge shAring through indigenous community cinemA Countries: Chile (ArAucaníA region) And CAnAdA (Québec) ReseArch institution: Université de MontréAl C.P. 6128, succursale Centre-ville, MontréAl (QC) H3C 3J7 ReseArch teAm: Dr. ThorA HerrmAnn, leAd reseArcher, Université de Roberto ContrerAs, community reseArcher (Chile), MontréAl, [email protected] [email protected] AriellA OrbAch, co-leAd, StrAtegic Video InitiAtive, GerArdo Berrocal, community reseArcher (Chile), [email protected] Adkimvn, [email protected] JuAn RAin, community reseArcher (Chile), MAnon BArbeAu, collAborAtor (Québec), WApikoni [email protected] Mobile, [email protected] FresiA PAinefil, community reseArcher (Chile), KArine GrAvel, collAborAtor (Québec), WApikoni [email protected] Mobile, [email protected] AbstrAct: Indigenous communities fAce chAllenges to preserve the ecosystems upon which locAl livelihoods And culturAl identities depend, requiring collAborAtive efforts And innovative tools. Video is An Accessible, powerful informAtion And communication technology (ICT) thAt offers new possibilities for mArginAlized communities to communicate their reAlities, to plAy An Active role in influencing policy, And to breAk down bArriers of discriminAtion. Our project used video As A tool for enAbling two Indigenous MApuche communities in Chile, And pArticulArly their youth, to ApproAch And AnAlyze local development issues And bring local perspectives to the forefront of debAtes on bioculturAl diversity conservation And equitAble development. -
Report Submitted by UNESCO to the 19Th Session of the United Nations Permanent Forum on Indigenous Issues (UNPFII)
Report submitted by UNESCO to the 19th Session of the United Nations Permanent Forum on Indigenous Issues (UNPFII) 13 - 24 April 2020 Executive summary: In 2017, the Executive Board of UNESCO noted with satisfaction its Policy on Engaging with Indigenous Peoples, a policy that harmonises the mandated programme work of UNESCO with the UN Declaration on the Rights of Indigenous Peoples. During 2019, all Sectors of UNESCO engaged in activities related to the IYIL2019. The United Nations Educational, Scientific and Cultural Organisation (UNESCO) served as the lead UN agency for the organization of the International Year of Indigenous Languages 2019, which is covered in a separate report to the UNPFII. In October 2019, the Director General appointed Mexican actress, Ms. Yalitza Aparicio, as the UNESCO Goodwill Ambassador for Indigenous Peoples. Her priorities are on human rights, dignity, indigenous languages, and the rights of domestic workers. Each Sector of UNESCO has contributed to the implementation of the UNDRIP System-wide Action Plan (SWAP). Some Regional Offices have been particularly engaged, owing to their circumstances. Notably, Santiago Office has been working on intercultural and multilingual education including the mobilization of indigenous knowledge systems. Montevideo Office has been concentrating on indigenous engagement in the Man and Biosphere programme, including indigenous knowledge and culture components. Bangkok Office has been engaged in a series of education events including on multilingualism and inclusivity. The Paris Headquarters has focused on indigenous knowledge of biodiversity, ecosystems and climate change. Contributing to the work plan of the UNFCCC Local Communities and Indigenous Peoples Platform (LCIPP). The Natural Sciences Sector hosts the IPBES Technical Support Unit on Indigenous and Local Knowledge (TSU on ILK). -
Key Creative Personnel: “Gespe’Gewa’Gi: the Last Land” S1 13 X 22-Minute Documentary Series for APTN, English and Mi’Gmaq Language Versions 2020-06-02
BIOS -- Key Creative Personnel: “Gespe’gewa’gi: The Last Land” S1 13 x 22-minute documentary series for APTN, English and Mi’gmaq language versions 2020-06-02 Production Company Bio: Rezolution Pictures Inc. is an award-winning film, television and interactive media production company, founded by Ernest Webb and Catherine Bainbridge, which plays a vital role in bringing cultural diversity to the North American broadcasting landscape. Since 2001 it has built itself a reputation for creating acclaimed series and one-of-a-kind productions, working with many of Canada’s best new and established Indigenous talents to create unique comedy, dramatic, and documentary films and television series. In addition to the Sundance, Hot Docs, and Canadian Screen Award winner RUMBLE: The Indians Who Rocked the World, and Mohawk Girls, the company produced the multiple-Gemini and Peabody Award-winning film, Reel Injun, as well as several award-winning documentaries including The Oka Legacy, Smoke Traders, The Last Explorer, and Club Native. Rezolution has been producing documentary series with APTN for over a decade, creating successful programming in English and Indigenous languages such as Mohawk Girls, Down the Mighty River, Working it Out Together, Dream Big, Indians + Aliens, Dreamcatcher Bios, and Gespe’gewa’gi: The Last Land. List of Key Creative Personnel Ernest Webb Executive Producer / Writer / Co-Director (Cree) Greg Lawrence Executive Producer / Co-Director Lisa M. Roth Producer Catherine Bainbridge, Christina Executive Producers Fon, Linda Ludwick Heather Condo Trainee Director (Mi’gmaq) Carl Freed Editor / Co-Writer Rebecca Lessard Editor / Co-Writer Julian Morelli Editor / Co-Writer Edith Labbé DOP Kristen Brown Camera operator Marco Fania Sound recordist Rezolution Productions Inc. -
We Shall Remain, Episode 5, Wounded Knee 2 of 10 Facilitator Reference
Facilitator Reference WE SHALL REMAIN – EPISODE 5: WOUNDED KNEE (Inspired by real life events) Submitted by: Pam McDonald ........................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: American Experience (PBS) ..................................................................... Released: 2009 Directors: Stanley Nelson Genre: Documentary .......................................................................... Audience Rating: Not rated Runtime: 80 minutes Materials Leading in the Wildland Fire Service, Wildland Fire Leadership Values and Principles, notepads, and writing utensils. Objectives The objective of this lesson is for students to watch We Shall Remain – Episode 5: Wounded Knee and discuss what makes an effective leader, how media and politics can positively and negatively affect public opinion, and the importance of being students of fire through lessons learned. Basic Plot Episode 5: Wounded Knee is the fifth documentary in a five-part mini-series devoted to Native history and the leaders that shaped American history. Episode 5 focuses on the use of the media and other means of influencing public opinion, female leadership, civil disobedience, and the continued struggle between Native Americans and the Federal government. Some links in this document will direct you to a non-government website that may have different policies from those of NWCG. Facilitator Reference Facilitator Notes Discussion of the events at Wounded Knee (1973) can spur lively debate. Facilitators should encourage debate that promotes leadership development and abides by the values and principles of the wildland fire service. Disclaimer: Information and references provided within this lesson plan are intended for the sole purpose of sharing knowledge to improve leadership and organizational learning throughout the wildland fire community. No endorsement of any contributor or their opinions is given or implied and is presented to begin respectful discussion.