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©Ministero per beni e le attività culturali-Bollettino d'Arte GIUSEPPE BASILE INTERVENTI CONSERVATIVI DtURGENZA IN CI:IIESE ROMANE. GLI AFFRESCHI DELLA CAPPELLA BUFALINI A SANTA MARIA IN ARA COELI E DELLA CAPPELLA DEL BAGNO A SANTA CECILIA IN TRASTEVERE L'opinione pubblica più sensibile è ormai sufficiente Quanto comune sia il caso di infiltrazioni di acque me mente consapevole dei rischi 'a cui sono esposti i manu teoriche, specialmente in edifici storici vecchi e malan fatti d'arte all'aperto e dei danni che arrecano loro feno dati, è a conoscenza di tutti e non soltanto degli addetti meni naturali come la pioggia, il vento, il gelo o di origine ai lavori. Non altrettanto può dirsi - forse - di quanto antropica come l'inquinamento atmosferico. frequentemente tali inconvenienti assumano un carattere Meno noti sono invece i danni a cui vanno incontro de di cronicità, soprattutto a caus;1 del venir meno o del terminate categorie di manufatti artistici al chiuso che, l' affievolirsi di una prassi secolare di regolare manuten per loro natura, non possono essere spostati qualora insor zione degli edifici che riusciva di solito ad impedire ga la necessità di sottrarli a fattori di degrado venutisi a che l'accidente alla muratura si trasformasse in un agente creare accidentalmente. rl di degrado per la decorazione da essa supportata. Si tratta in particolare di decorazioni di superfici murarie In realtà ha quasi dell'incredibile venire a conoscenza per le quali sono stati impiegati nel corso dei secoli le di quanti interventi di conservazione e di restauro si tecniche e i materiali più svariati ma che hanno comunque sarebbero potuti evitare se soltanto si fosse provveduto in comune il fatto di essere legati inscindibilmente, per loro in tempo a riparare il pluviale rotto o a ricollocare al suo costituzione, ad un supporto murario: in particolare, pit posto la tegola sul tetto. -
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The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Hassler's Roma: a Publication That Descrive Tutte Le Meraviglie Intorno Al Nostro Al- Describes All the Marvels, Both Hidden and Not, Bergo, Nascoste E Non
HASSLER’S ROMA A CURA DI FILIPPO COSMELLI Prodotto in esclusiva per l’Hotel Hassler direzione creativa: Filippo Cosmelli direzione editoriale: Daniela Bianco fotografie: Alessandro Celani testi: Filippo Cosmelli & Giacomo Levi ricerche iconografiche: Pietro Aldobrandini traduzione: Logos Srls. - Creative services assistente: Carmen Mariel Di Buono mappe disegnate a mano: Mario Camerini progetto grafico: Leonardo Magrelli stampato presso: Varigrafica, Roma Tutti I Diritti Riservati Nessuna parte di questo libro può essere riprodotta in nessuna forma senza il preventivo permesso da parte dell’Hotel Hassler 2018. If/Books · Marchio di Proprietà di If S.r.l. Via di Parione 17, 00186 Roma · www.ifbooks.it Gentilissimi ospiti, cari amici, Dear guests, dear friends, Le strade, le piazze e i monumenti che circonda- The streets, squares and buildings that surround no l’Hotel Hassler sono senza dubbio parte inte- the Hassler Hotel are without a doubt an in- grante della nostra identità. Attraversando ogni tegral part of our identity. Crossing Trinità de mattina la piazza di Trinità de Monti, circonda- Monti every morning, surrounded by the stair- ta dalla scalinata, dal verde brillante del Pincio case, the brilliant greenery of the Pincio and the e dalla quiete di via Gregoriana, è inevitabile silence of Via Gregoriana, the desire to preser- che sorga il desiderio di preservare, e traman- ve and hand so much beauty down to future ge- dare tanta bellezza. È per questo che sono feli- nerations is inevitable. This is why I am pleased ce di presentarvi Hassler’s Roma: un volume che to present Hassler's Roma: a publication that descrive tutte le meraviglie intorno al nostro al- describes all the marvels, both hidden and not, bergo, nascoste e non. -
Chigi Palace
- Chigi Palace - English Version Traduzione di Giovanna Gallo Ancient palace of the Sixteenth century located in the heart of Rome, it was conceived by Pietro Aldobrandini, Pope Clement VII’s brother and an important representative of the Roman aristocracy. The idea of the original plan, entrusted to the Umbrian architect Bartolini from Città di Castello, was to enlarge a pre-existent block of buildings, to incorporate some more houses and to construct a single building made of three floors with the main entrance on Via del Corso. The ownership of the palace was rather unstable because it was handed several times to other Families, such as the Detis, for almost a whole century, until 1659 when it was purchased by the Chigi family, among whose members there were also some cardinals and one Pope, Alexander VII. The Chigis were rich bankers with Sienese origins and backers of the Vatican and they changed the frame of the building, that was thus named after them. At least for two centuries the palace has been the residence of some aristocratic families and, later on, it became the seat at first of the Spanish Embassy (around the second half of the XVIIIth century ), then of the Austro-Hungarian Empire, being sold at last by the Chigis themselves to the Kingdom of Italy ( Regno d’Italia ) in 1916, when it was assigned to become the seat of the Ministero delle Colonie ( Ministry of Colonial Affairs). In 1922 Benito Mussolini, both as Italian Prime Minister and Minister of Foreign Affairs, ordered to transfer there the Ministry of Foreign Affairs. -
Your MADE in ITALY Shopping List... The
Your MADE IN ITALY shopping list... The stores in Rome, especially in the glamorous fashion vias adjacent to the Spanish Steps, are brimming with ideas fresh from the catwalk. THE BIG SHOPS The Rome shopping scene is less department stores, more streets of boutiques. La Rinascente: Piazza Colonna, Open Monday to Saturday: 9.30 am - 10.00 pm and Sunday 10.30 am - 8.00 pm. Men’s accessories, women’s accessories, lingerie, men’s underwear, sportswear, streetwear, gifts, perfumes, jewellery etc. (Map 1) THE SPECIALISTS For antique prints: one of the oldest galleries of its kind in Rome, the Galleria di Castro (Via del Babuino 71) is a gallery for antique prints from the 16th to the 19th century specializing in Roman scenes. Open Monday through Saturday 10 am 8pm. (Map 2) For accessories: leading world producer of luxury accessories and clothing, at Gucci (Via Condotti 8) you’ll find quality materials, a craftsman’s care, and avant-garde designs. (Map 3) For a bag: Furla (Piazza di Spagna 22 and Via Condotti 55-56). Bags, small leathergoods, shoes, jewellery, watches, sunglasses, belts. (Map 4) For children’s clothing: Pure Sermonetta (Via Frattina 111) offers clothing for children 0 – 14 years of age. Brands include Dolce & Gabbana, Roberto Cavalli Junior and Gianfranco Ferrè. Silvana del Plato (Via della Vite 75) sells clothes for children 0 – 12 of age by some of Italy’s most prestigious companies as well as handmade baby clothes in wool, cotton and cashmere made to order. (Map 5) For chocolate: hidden down a tiny alleyway, Chocolate & Praline Cioccolateria (Vicolo della Torretta 18) has delightful presentation boxes of traditional chocs and candied fruits with organic ingredients. -
The Shops and Shopkeepers of Ancient Rome
CHARM 2015 Proceedings Marketing an Urban Identity: The Shops and Shopkeepers of Ancient Rome 135 Rhodora G. Vennarucci Lecturer of Classics, Department of World Languages, Literatures, and Cultures, University of Arkansas, U.S.A. Abstract Purpose – The purpose of this paper is to explore the development of fixed-point retailing in the city of ancient Rome between the 2nd c BCE and the 2nd/3rd c CE. Changes in the socio-economic environment during the 2nd c BCE caused the structure of Rome’s urban retail system to shift from one chiefly reliant on temporary markets and fairs to one typified by permanent shops. As shops came to dominate the architectural experience of Rome’s streetscapes, shopkeepers took advantage of the increased visibility by focusing their marketing strategies on their shop designs. Through this process, the shopkeeper and his shop actively contributed to urban placemaking and the distribution of an urban identity at Rome. Design/methodology/approach – This paper employs an interdisciplinary approach in its analysis, combining textual, archaeological, and art historical materials with comparative history and modern marketing theory. Research limitation/implications – Retailing in ancient Rome remains a neglected area of study on account of the traditional view among economic historians that the retail trades of pre-industrial societies were primitive and unsophisticated. This paper challenges traditional models of marketing history by establishing the shop as both the dominant method of urban distribution and the chief means for advertising at Rome. Keywords – Ancient Rome, Ostia, Shop Design, Advertising, Retail Change, Urban Identity Paper Type – Research Paper Introduction The permanent Roman shop was a locus for both commercial and social exchanges, and the shopkeeper acted as the mediator of these exchanges. -
ROME : ART and HISTORY OPENAIR 2020-2021, 2Nd Semester Meeting 1 – 13.03.2021 the Eternal City
University of Rome Tor Vergata School of Global Governance Prof. Anna Vyazemtseva ROME : ART AND HISTORY OPENAIR 2020-2021, 2nd semester Meeting 1 – 13.03.2021 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1 - 2pm:Lunch Meeting 2 – 20.03.2021 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 27.03.2021 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 10.04.2021 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1 - 2pm:Lunch Meeting 5 – 14.04.2021 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 08.03.2021 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1 – 2 pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society. -
2016 Le Icone Romane
J2e icone romane Con il Calendario 2016 il 3ondo [difici di Culto vuole valorillare una parte poco conosciuta del proprio patrimonio artistico: re icone romane. Delle icone medioevali dipinte o realillate a mosaico su tavola, custodite nelle Chiese di Roma e del C.a.2io, il 3ondo [difici di Culto è proprietario di una parte consistente. tra le più venerate e famose per la concessione di speciali gra.2ie,databili tra il V1 e il X1V secolo. Il termine "icona" deriva dal greco-bi.cantino e significa "immagine". ma la sua radice rimanda alla forma verbale "sembrare". "essere simile" e per questo, in senso cristiano. identifi('ò la "raffigura.2ione di un personaggio sacro" per eccelle11.2a: Cristo, la Sua Santa Madre, gli f\postoli e i Santi o episodi della Coro vita inseriti in un contesto liturgico o devozionale. Intesa esse11.2ialmente come pannello ligneo dipinto. la parola icona entrerà nel linguaggio storico-artistico moderno con l'accezione di pitturasacra su tavola di origine. tradi.cioneo ispira.2ione greco-bi.cantina. Roma custodisce alcune delle icone più antiche finora conosciute. al pari del Monastero di Santa Caterina d'Alessandria sul Sinai. 11 gruppo romano. però, non va contrapposto alle più antiche icone di 6isa11.2io ma neanche considerato una loro filia.2ione in quanto pone problemi interpretativi differenti e si inserisce, con una propria peculiarità. nel contesto della for mula.2ione artistica dell'Impero bi.cantino, trovando a volte paragoni e confronti anche con aree eterodosse a Costantinopoli e a volte imponendosi per specificità di stile e di significato. -
Rome on the Rise
HoustonChronicle @HoustonChron Houston Chronicle | Sunday, April13, 2014 |HoustonChronicle.com and Chron.com Section L WEEKEND GETAWAY An afternoon antiquing and eating in Fayetteville. TRAVEL Page L2 ESCAPES &HOME DESTINATION Rome on the rise Andrew Sessaphoto Big changes are remaking the Eternal City —here’s acheatsheet for what’s newinthe CaputMundi right now By Andrew Sessa prime ministers in the last18months. And that’sjustthe beginning. ROME,Italy—Visitors to Rome Despite the economic crisis often approach the city with what you INSIDER’S thatcontinues to linger in Italyin might call aJulius Caesar attitude: “Veni, GUIDE general and in Rome in particular vidi, vici,”they say. “I came,Isaw,I —orperhaps because of it —there’s conquered.” innovation aplenty to be found here. Colosseum?Check. Imperial Forum? Exciting just-opened hotels and novel Check. Coins tossed in the TreviFountain, neck restaurants impress with their styleand design; cramps suered at the Sistine Chapel, scoops rising neighborhoods and forward-thinking of gelato eaten in frontofthe Pantheon?Check. individuals demand attention; and even the old Check. Double check. And then they’re out. is newagain, as ancientand recentlyuncovered There’s good reason for this, of course.Not for historical sightshaveopened to the public for the nothing is Rome called the Eternal City —for the firsttime. mostpart, it seems to stay eternallythe same.So Today, getting to knowthe city is all about whychangethe itineraryfrom the greatesthits going deeper,feeling more adventurous and tour your parents did in 1967,oreventhe one veering much further o the typical touristpath. Marco Bertani /D.O.M. Hotel your grand-touring ancestors did in 1767? Here are seveninsider tips for making the most Top: The domes and rooftops of Rome in silhouette, includ- ButRome is aplace in fluxthese days.The city of Rome right now. -
Qt7hq5t8mm.Pdf
UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city. -
LIVING ITALY PAST and PRESENT Issue 5 Winter-Spring 2018
ISSN 2514-0779 LIVING ITALY PAST AND PRESENT Issue 5 Winter-Spring 2018 The Spanish Steps in Bloom Photo © GGH TABLE OF CONTENTS LETTER FROM THE EDITOR ����������������������������������������������� 3 ARRIVEDERCI ROMA ������������������������������������������������������ 4 By Our Itinerant Reporter �������������������������������������������������������������������������������� 4 VILLA TORLONIA, ONE OF ROME’S ��������������������������������� 6 HISTORICAL HOMES AND PARKS ��������������������������������� 6 By Georgina Gordon-Ham �������������������������������������������������������������������������������� 6 ANCIENT ROME BROUGHT ALIVE ��������������������������������� 8 ALL SAINTS ANGLICAN CHURCH, ROME �������������������������� 9 By Rubina Montebello ������������������������������������������������������������������������������������������ 9 RUGBY ROUND UP 2018 ���������������������������������������������������� 11 By Our Sports Correspondent ��������������������������������������������������������������������� 11 BOOK REVIEWS ������������������������������������������������������������������� 13 WALKING IN TUSCANY ������������������������������������������������������������������������������ 13 WALKING AND TREKKING IN ��������������������������������������������������������������������� 13 GRAN PARADISO ����������������������������������������������������������������������������������������������� 13 VIEWS OF ROME ������������������������������������������������������������ 14 By Georgina Jinks �����������������������������������������������������������������������������������������������