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¡Ayer Como Ahora!
-EN EL- . ¡AYER COMO AHORA! ¡19iJI "ZAPATISTAS J, 1912. · HISTORIA -DE- [L BANOAL SMO -EN EL- E~T~DO DE M~HELO~. ¡Ayer como Ahora! -------•..-+-~--- - ¡ J 860! n9 J 1! II Plateados!" "z·apatlstas. 1" 1912. - -TIP. GUADALUPAN~. MICIESES 1.- - PUEdLA. ". LOS TEMERARIOS ~ , -0- lOS HEROES DE l~ DEliNCUENCIA! ~3 i'é'i; ¡.;~~ ~ E-: i'¡. ~ i-:e-:¡.. i-:i-~ íF-:E-:fc ¡';i-i-: ¡.;~e.: t.E'éc é-:E-'¡" i-:e:., i'E,e-: ~"-E-: :-s:-!"!~~ ~ ~ ~ Historia completa y detal Jada de los "Plateados" del Estado de ;. : Morelos, desde su origen en 18úD. Sus hechos beróicos y su DO" ; ~ bleza de bandidos. Vida y hazañas del valiente Jefe de éllos: Sa~ ! ~t lomé Placencia. = ~ ~ ~· ~"33~,,~¡:,e.:¡;"~~~4)~ '-t~ .-3~~;.¡~~~:-t"J:!~;.t~"t':-!~:-j~~"!~'!~~~ .-3~~(¡;1¿ C~U~~S DE ~UE SE EXTERMINAR~N MUTUAMENH ()bra interesante, de actualidad; escritél con datos verídi• ( 'OS de uu testigo oCll1ar de lnuchos de aquellos episodios; superviviente de aquella época, quien conoci6 personalmen te á todos los fanl0sos jefes de "los Plateados," y que fné uno de sus perseguidores, - ~ -_. _ - - ~ -............ ~ . -- -- t)unsMera~iones so~re el vanllalisDlo actnal .~ ¡CINCUENTA AÑOS DESPUES! ~ ASUNTOS DE ESTA OBRITA. -- ---JOC--- Prólogo.-¡Ayer ronzo ahora! Capitulo l-El debut de un bandIdo. Capítulo II UlI raj>toporcuellta agrna. Capitulo ¡!I --Los iml"lador. s de I'Lulg) Vampa." Capítulo 1 V --B~l/ld¡dos y Sdlt"ros Capitulo V. ---uLosPlateadJ:/' como AuxiHar,,'s en la gurrra con Fra71úa. Capítulo VI. -- ~'Los Plateados" matan czen soldados impe r¡"alúta. ~· . Capitulo VII - Un adulterio qu:: divide á IiLos Plateados" en H C/Jarros" y o Catrillcs." . -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Anthony Quinn
The T’ang Horse: Anthony Quinn Curated by Ysabel Pinyol An intimate look at the late actor’s legacy through the lens of his own art works and art collection January 24 – August 1, 2016 Anthony Quinn with his sculpture Windblown Lady, marble, c.1982. Photographer unknown. Courtesy of The Anthony Quinn Foundation. January 11, 2015 — Mana Contemporary is pleased to of more than 3,000 objects that included art works, rare present The T’ang Horse: Anthony Quinn, an exhibition of books, antiques, African masks, decorative eggs and Anthony Quinn’s own art, accompanied by a selection of an array of found objects such as rocks and fragments pieces from his vast personal collection that he acquired of coral. throughout his life and travels. The T’ang Horse: Anthony Quinn brings together a repre- Known primarily as an actor, Anthony Quinn was also an sentative sampling of Quinn’s own art works, juxtapos- accomplished visual artist. Over the course of his long life ing them with pieces from his collection. The exhibition is he produced an extensive oeuvre of paintings, drawings named after an antique Chinese ceramic horse sculpture, and sculptures. At the same time, Quinn was a voracious the first artwork Quinn purchased as a young man. Quinn’s and obsessive collector, amassing a personal collection art and his collecting were inextricably entwined, and both 1 / 2 were nourished and influenced by his constant travels as About The Anthony Quinn Foundation an international film star. Taken together, the objects in The Anthony Quinn Foundation creates and administers the exhibition trace the intersection between Quinn’s life, innovative programs to advance the idea that art, in all art, and film career, presenting a portrait of a prodigious- its forms, is essential to learning and the enrichment of ly talented and endlessly driven man who, in the words of the mind. -
Naún Briones Y Etc
VERSO A VERSO CON GUITARRA Tulio Bustos Cordero VERSO A VERSO CONTulio GUITARRA Bustos Cordero Casa de la Cultura Ecuatoriana “Benjamín Carrión”, Núcleo2009 de Loja Tulio Bustos Cordero VERSO A VERSO CON GUITARRA Mayo 2009 Lic. Mario Jaramillo Andrade Presidente de la Casa de la Cultura Ecuatoriana “Benjamín Carrión”, Núcleo de Loja Dirección de la Editorial: Luis Córdova Espinales Digitación de textos y Diseño gráfico: Gonzalo Antonio Vega Impresión: Paúl Ramírez Guamán Compaginación y encuadernación: Julio Espinoza Bustamante Impreso en: Editorial «Gustavo A. Serrano» de la Casa de la Cultura Ecuatoriana, Núcleo de Loja Loja - Ecuador Impreso en Ecuador Printed in Ecuador Dedicatoria Con nostalgia a la memoria cariñosa de mis padres. Con acendrado amor: a mi esposa y a mis hijos. A la ternura inalcanzable de mis nietos. Con un afecto muy singular a dos entrañables amigos: cantores y poetas sensitivos, con quienes compartí miles de alegrías, sueños y canciones, en largos inviernos y gratas primaveras, en más de la mitad de nuestras vidas; a Trotsky y al “Gato” Benjamín (para volvernos a juntar). Al paisaje campesino de mi tierra. A mis hermanos, a mi familia, a mi pueblo y a mi gente. El autor TULIO BUSTOS, TROVADOR Poeta cantautor, Tulio Bustos pertenece a la estirpe de los trovadores de la Edad Media europea, a la de los rapsodas y aedas de la Grecia antigua, y a la de los poetas cantautores de todas las épocas pasadas, presentes y por venir de todas las latitudes de la tierra. Viajero como ellos de grandes distancias, que llevan en su canto noticias de lo que sucede en los lugares que recorren con las gentes que los habitan. -
RENOIR Bahía De Valparaíso SONETOS EN FACE VALPARAÍSO - CHILE
10 de Febrero RENOIR Bahía de Valparaíso SONETOS EN FACE VALPARAÍSO - CHILE VALPARAÍSO, qué disparate eres, qué loco, puerto loco, qué cabeza con cerros, desgreñada, no acabas de peinarte, nunca tuviste tiempo de vestirte, siempre te sorprendió la vida, te despertó la muerte PABLO NERUDA … SONETOS EN FACE Es un grupo abierto en facebook, que a poco tiempo de haberse creado, cuenta en la actualidad con 207 miem- bros activos. Ellos publican POESÍA VERSIFICADA, es decir, sujeta a métrica. Hablamos de poesía docta, pero que cumple además el principal objetivo, que es sorprendernos y lle- narnos el alma de una innumerable galería de imágenes, acordes con el sentir del artista que las publica. Nosotros hemos querido en esta ocasión presentar a nues- tros amables lectores, parte de la prolífera producción de los miembros de SONETOS EN FACE, imposible hacer- lo toda en una sola edición. Vaya para cada uno de los publicados en esta ocasión, nuestro reconocimiento y gratitud por compartir su arte. A quienes por estrictos motivo de espacio, no de arte o calidad, no alcazamos a publicar en este número, la pro- mesa de hacerlo en breve, porque todos y cada uno de ellos nos llenan de arte, todos los sentidos La ciudad es un gran anfiteatro natural, emplazada en una bahía rodeada de ce- rros, en los cuales vive la mayor parte de la población. En el plan de la ciudad, está el centro administrativo, comercial y fi- nanciero; mientras que el bordemar se en- cuentra ocupado por el puerto. Los changos, habitantes pre conquista la llamaban Quintil. -
Rodrigo De La Rosa Fagoaga Nombre Artistico
RODRIGO DE LA ROSA NOMBRE REAL: RODRIGO DE LA ROSA FAGOAGA NOMBRE ARTISTICO: RODRIGO DE LA ROSA FECHA DE NACIMIENTO: 30 DE AGOSTO DE 1977 LUGAR DE NACIMIENTO: CIUDAD DE MEXICO NACIONALIDAD: MEXICANA ESTATURA: 1.73 M IDIOMAS: ESPANOL E INGLES FORMACION ACADEMICA: Lic. en Actuación Escuela Nacional De Arte teatral (Instituto Nacional de Bellas Artes) México 1998- 2000 Tecnica Vocal – Maestra Fabiola Zepeda 2005- Coach Vocal – Russell Dominguez 2001 – 2003 Talleres de Jazz y Tap – Maestros James Kelly y Kay Anderson EXPERIENCIA LABORAL TELEVISION MI FAMILIA PERFECTA (Novela) PERSONAJE: Guillermo (Antagonico) Dir.: Otto Rodriguez, Tony Rodriguez y Ricardo Schwartz; Produccion: Telemundo/Jose Gerardo Guillen, USA 2018 AL OTRO LADO DEL MURO (Novela) PERSONAJE: Mauricio (Actacion Especial) Dir.: Nicolas Di Blasi, Luis Manzo; Produccion: Telemundo/Aimee Godinez, USA 2017-2018 MILAGROS DE NAVIDAD (Miniserie) PERSONAJE: Ramon (Protagonico) Dir.: Hector Marquez; Produccion: Telemundo/Andres Barahona, USA 2017 RUTA 35 (Serie) PERSONAJE: Miguel Atencio (Soporte) Dir.: Santiago Viteri, Otto Rodriguez, Ramiro Meneses, German Porras; Produccion: Univision/Jorge Giraldo, USA 2017 EL ROSTRO DE LA VENGANZA (Novela) PERSONAJE: Victor Leyton (Actuacion Especial) Dir.: Nicolas Di Blasi, Jaime Segura; Produccion: Telemundo/Jairo Arcila, USA 2013-2014 BURN NOTICE (Serie) PERSONAJE: Burly Guard (Guest Star) Dir.Paul Holahan; Produccion: USA NETWORK/Terry Miller USA 2012 AMERICA'S MOST WANTED (Serie) PERSONAJE: Charles (Protagonico) Dir. Glenn Weiss; Produccion: Lifetime Television/Lance Helfin USA 2012 ALGUIEN TE MIRA (Novela) PERSONAJE: Pedro Pable (Estelar) Dir. Leonardo Galavis, Luis Manzo; Produccion: Telemundo/Diana Ariza USA 2011 PERRO AMOR (Novela) PERSONAJE: Gonzalo (Estelar) Dir. David Posada, Luis Manzo; Produccion: Telemundo/Jairo Arcila USA 2010 VIDAS CRUZADA (Novela) PERSONAJE Raul (Soporte) Dir. -
Moneyball' Bit Player Korach Likes Film
A’s News Clips, Tuesday, October 11, 2011 'Moneyball' bit player Korach likes film ... and Howe Ron Kantowski, Las Vegas Review Ken Korach's voice can be heard for about 22 seconds in the hit baseball movie "Moneyball," now showing at a theater near you. That's probably not enough to warrant an Oscar nomination, given Anthony Quinn holds the record for shortest amount of time spent on screen as a Best Supporting Actor of eight minutes, as painter Paul Gaugin in 1956's "Lust for Life." But whereas Brad Pitt only stars in "Moneyball," longtime Las Vegas resident Korach lived the 2002 season as play-by- play broadcaster for the Oakland Athletics, who set an American League record by winning 20 consecutive games. And though Korach's 45-minute interview about that season wound up on the cutting-room floor -- apparently along with photographs of the real Art Howe, the former A's manager who was nowhere near as rotund (or cantankerous) as Philip Seymour Hoffman made him out to be in the movie -- Korach said director Bennett Miller and the Hollywood people got it right. Except, perhaps, for the part about Art Howe. "I wish they had done a more flattering portrayal of Art ... but it's Hollywood," Korach said of "Moneyball," based on author Michael Lewis' 2003 book of the same name. "They wanted to show conflict between Billy and Art." Billy is Billy Beane, who was general manager of the Athletics then and still is today. Beane is credited with adapting the so-called "Moneyball" approach -- finding value in players based on sabermetric statistical data and analysis, rather than traditional scouting values such as hitting home runs and stealing bases -- to building a ballclub. -
Flickers Honors Anthony Quinn, Adopted Rhode Islander, on 100Th Birthday
Flickers Honors Anthony Quinn, Adopted Rhode Islander, on 100th Birthday Nominated for acting Oscars four times and winning twice, Anthony Quinn was one of the most prolific and recognizable actors of the 20th century. He appeared in over 160 films released between 1936 and 2002, many of them considered among the best of all-time or at least definitive in their genre. Born Antonio Rodolfo Quinn Oaxaca in Mexico in 1915, the actor lived the final years of his life in Bristol. After his death in 2001 at the age of 86, the town granted a request by his widow that he be buried in a private grave on the family estate off Poppasquash Rd. To commemorate this adopted son of its home state, Flickers: The Rhode Island International Film Festival, is holding a major curated retrospective running through Nov 2015 that will showcase 32 of his films. “We’re screening a large, large collection of his work,” said Shawn Quirk, RIFF programming director. He said that the retrospective was undertaken with the co-operation of Quinn’s widow, Kathy Benvin Quinn. Quinn’s mixed-heritage Hispanic ancestry – his mother was Irish and Mexican, and his father was of indigenous Nahuatl (Aztec) descent – allowed him to play a wide variety of ethnic roles, ranging from Bedouin Arab (Auda ibu Tayi, Lawrence of Arabia, 1962) to continental Greek (Alexis Zorba, Zorba the Greek, 1964). Some roles depended upon this flexibility, such the lead Johann Moritz in The 25th Hour (1967), a Romanian peasant during World War II who is mistaken for a Jew and sent to a concentration camp, reclassified as Aryan and conscripted into the Waffen SS, and then prosecuted as a war criminal. -
La Violencia Que Sufren Las Mujeres Gitanas En Brasil Y España: Análisis Comparado
La violencia que sufren las mujeres gitanas en Brasil y España: análisis comparado Directora: Dra. María Acale Sanchéz Alumna: Mtra. Fernanda Pattaro Amaral Proyecto de Investigación Master de Género, Identidad y Ciudadanía Facultad de Filosofía y Letras Universidad de Cádiz 2010/2011 1 Índice Resumen……………………………………………………………………………….…….7 Introducción……………………………………………………………………….………..8 Capítulo 1: Los Caminos Científicos que Nortean ese Estudio.............................................10 1.1 Objetivos Generales y Específicos…………………………………………….…..…18 1.2 Hipotesis …………………………………..………………………………….……..19 1.3 Metodologia…………………………………………………………………….….19 Capítulo 2: Las gitanas en Brasil…………………………………………………………20 2.1“Los/as gitanos/as son ladrones por naturaleza” -Mirian Stanescon……………………………………………………………………………………………23 2.2 “Hay Mucho Romanticismo en Relación a Nuestra Etnia” – Márcia Yáskara Guelpa……………………………………………………………………………………27 Capítulo 3: Jerez de La Frontera - “Ser gitano y andaluz, es ser tres veces Español” …………………………. ………………………………………………………………….29 3.1 Jerez: El Flamenco y la gente………….…………………………………………34 3.2 La Organización “Fundación Secretariado Gitano” ……………………………….36 3.3 Las gitanas dueñas de las palabras…………………………………………………..39 2 3.3.1 Un Panorama sobre los feminismos en España hasta la década de 1980……………………………………………………………………………..………..40 3.3.2 Un Panorama sobre los feminismos en Brasil hasta los años 80………………45 3.3.3 Los Cambios hechos por y para las mujeres gitanas: la solidaridad y complicidad gitana………………………………………………………………………………………49 Capítulo -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
Relatos De Plumas Ausentes; Resaltos, Cuentos Y Recuento De Los Narradores De Durango
Relatos de Plumas Ausentes. Resaltos, Cuentos y Recuento de los Narradores de Durango Antonio Avitia Hernández México, 2006 Relatos de Plumas Ausentes; Resaltos, Cuentos y Recuento de los Narradores de Durango. Antonio Avitia Hernández. México, 2006. Derechos Reservados. 2 Prólogo Relatos de Voz a Oído.- Quienes habitaron el territorio del actual estado de Durango antes del arribo de los europeos, como sociedades ágrafas, al no contar con un sistema de escritura, juntaron los cuentos, historias, leyendas y mitos de su cultura seminómada en sus mentes y lenguas y de allí los revelaron y transmitieron a sus descendientes. Al realizar el relato de voz a oído, heredaron esa imaginación colectiva que dio identidad propia a sus pueblos. Conjunto integrado de sistemas de ideas, costumbres y creencias que ha logrado sobrevivir a la conquista europea de Aridoamérica y a los impactos e influencias de otras culturas. La riqueza de la tradición narrativa oral prehispánica se muestra parcialmente en la serie de relatos recogidos por el explorador noruego Carl Lumholtz en su libro El México Desconocido, que fue producto de sus expediciones e investigaciones entre los pueblos indígenas de la Sierra Madre Occidental, durante las postrimerías del siglo XIX. Por su parte, el investigador americanista alemán Konrad Theodor Preuss afirmó que: “si él lograba vivir en una de las tribus descritas por Lumholtz quizá proyectaría una nueva luz acerca de México prehispánico y particularmente de los aztecas” (BENÍTEZ, FERNANDO. “Los tepehuanes / los náhuas”, en: Los Indios de México, Tomo V, México, Ed. Era, 1980, p. 110). Entre abril y junio de 1907, Preuss compiló una excelente colección de relatos populares en San Pedro Jícoras, municipio de Mezquital, Durango, y con ellos integró el libro: Mitos y Cuentos Náhuas de la Sierra Madre Occidental. -
2015 Anthony Quinn Centenary Series
For details, art or photos about FLICKERS media releases, contact Tsutomu Brelsford, [email protected] Photos available upon request: FLICKERS CELEBRATES THE CENTENARY OF LEGENDARY ACTOR, ANTHONY QUINN WITH SPECIAL YEAR-LONG FOCUS AND FREE SCREENING SERIES ANNOUNCES FILM SERIES, PANELS AND SYMPOSIA IN COLLABORATION WITH THE RI FILM AND TELEVISION OFFICE AND THE ANTHONY QUINN FOUNDATION “ANTHONY QUINN: A 100 YEAR LEGACY” is a year-long focus by the Flickers: Rhode Island International Film Festival (RIIFF) on the art, history and film of legendary actor, Anthony Quinn presented in collaboration with the RI Film and Television Office and the Anthony Quinn Foundation. Running through November 2015, this special program will include free screenings of his films at libraries across the state with a curated monthly series; scholarly monographs at special events; panel discussions with film and history scholars; special breakout screenings of signature films, a student essay contest (high school and college) on the legacy of this seminal artist and a video competition geared for area college students to recreate a scene from one of five films that will be showcased: La Strada, Lust for Life, Requiem for a Heavyweight, Lawrence of Arabia, and The Guns of Navarone. Throughout film history, there have been a select few Latino actors who broke the barrier of language and stereotypes to make their way in the United States, paving the way for new generations of actors like Javier Bardem or Antonio Banderas. Perhaps the most notable was the magnificent Anthony Ruldolph Oaxaca Quinn, born on April 21, 1915, in Chihuahua, Mexico who became a Hispanic legend, managing to get from a humble beginning in Mexico to become one of the most iconic actors in Hollywood.