A Case Study of Hatshepsut and Amenirdis I Jessica
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Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Antiguo Oriente
ORE Open Research Exeter TITLE Peftjauawybast, King of Nen-nesut: genealogy, art history, and the chronology of Late-Libyan Egypt AUTHORS Morkot, RG; James, PJ JOURNAL Antiguo Oriente DEPOSITED IN ORE 14 March 2017 This version available at http://hdl.handle.net/10871/26545 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication CUADERNOS DEL CENTRO DE ESTUDIOS DE HISTORIA DEL ANTIGUO ORIENTE ANTIGUO ORIENTE Volumen 7 2009 Pontificia Universidad Católica Argentina Facultad de Filosofía y Letras Centro de Estudios de Historia del Antiguo Oriente Ciudad Autónoma de Buenos Aires - Argentina Facultad de Filosofía y Letras, Departamento de Historia Centro de Estudios de Historia del Antiguo Oriente Av. Alicia Moreau de Justo 1500 P. B. Edificio San Alberto Magno (C1107AFD) Buenos Aires Argentina Sitio Web: www.uca.edu.ar/cehao Dirección electrónica: [email protected] Teléfono: (54-11) 4349-0200 int. 1189 Fax: (54-11) 4338-0791 Antiguo Oriente se encuentra indizada en: BiBIL, University of Lausanne, Suiza. DIALNET, Universidad de La Rioja, España. INIST, Centre Nationale de la Recherche Scientifique, Francia. LATINDEX, Catálogo, México. LIBRARY of CONGRESS, Washington DC, EE.UU. Núcleo Básico de Publicaciones Periódicas Científicas y Tecnológicas Argentinas (CONICET). RAMBI, Jewish National and University Library, Jerusalén, Israel. Hecho el depósito que marca la Ley 11.723 Impreso en la Argentina © 2010 UCA ISSN 1667-9202 AUTORIDADES DE LA UNIVERSIDAD CATÓLICA ARGENTINA Rector Monseñor Dr. -
University of Birmingham the Order of the Kushite Kings According To
University of Birmingham The Order of the Kushite Kings According to Sources from the Eastern Desert and Thebes Jurman, Claus DOI: 10.1163/18741665-12340037 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Jurman, C 2017, 'The Order of the Kushite Kings According to Sources from the Eastern Desert and Thebes: Or: Shabataka was here first!', Journal of Egyptian History, vol. 10, no. 2, pp. 124-151. https://doi.org/10.1163/18741665-12340037 Link to publication on Research at Birmingham portal Publisher Rights Statement: Article published in The Journal of Egyptian History, Vol 10, Issue 2, 2017 http://booksandjournals.brillonline.com/content/journals/10.1163/18741665-12340037 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Creativity and Innovation in the Reign of Hatshepsut
iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 2014 studies in ancient ORientaL civiLizatiOn • numbeR 69 THE ORIENTAL INSTITUTE of THE UNIVERSITY of CHICAgo chicagO • IllinOis v Table of Contents List of Abbreviations .............................................................................. vii Program of the Theban Workshop, 2010 Preface, José M. Galán, SCIC, Madrid ........................................................................... viii PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal Discourse in the Time of Hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why Did Hatshepsut Invent the Image of Her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries in the new Kingdom. Betsy M. Bryan, The Johns Hopkins -
The Smiting of the Enemies Scenes in the Mortuary Temple of Ramses III at Medinet Habu
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositório Aberto da Universidade Aberta Volume 1 2012 The smiting of the enemies scenes in the mortuary temple of Ramses III at Medinet Habu José das Candeias Sales Universidade Aberta; CHUL Abstract: The ritual scenes of smiting the enemies are a topos of the Egyptian ico- nography of military nature which goes through Egyptian history almost in its entirety, from the 4th millennium BC until the 2nd century AD. Regarding to the New Kingdom there are numerous known and signifi- cant cases that we can evoke as examples. There is, however, one extraor- dinary example, by the profusion of that kind of scenes in almost every room and its components, which arises a noteworthy emphasis: the mortuary temple at Medinet Habu, built for Ramses III (c. 1182 – 1151 BC), second pharaoh of the 20th Dynasty and for many scholars the last great pharaoh of the New Kingdom. In this text we will pass in detailed review these scenes, explaining and interpreting the underlying ideological message as the function of its recur- rent and appealing iconographic utilization, as in the function of the space- architectural localization where they are to be found at the Medinet Habu complex. Keywords: Medinet Habu, ideology, ritual scenes, symbology, winning pharaoh. 86 José das Candeias Sales Resumo As cenas rituais de massacre dos inimigos são um topos da iconografia egípcia de cariz militar que atravessa quase toda a história egípcia, do IV milénio a.C. ao séc. II d.C. -
Creativity and Innovation in the Reign of Hatshepsut
iii OccasiOnal prOceedings Of the theban wOrkshOp creativity and innovation in the reign of hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 The OrienTal insTiTuTe OF The universiTy OF ChiCaGO iv The Oriental Institute, Chicago © 2014 by The university of Chicago. all rights reserved. Published 2014. Printed in the united states of america. series editors Leslie Schramer and Thomas G. Urban with the assistance of Rebecca Cain Series Editors’ Acknowledgment Brian Keenan assisted in the production of this volume. Cover Illustration The god amun in bed with Queen ahmes, conceiving the future hatshepsut. Traced by Pía rodríguez Frade (based on Édouard naville, The Temple of Deir el Bahari Printed by through Four Colour Imports, by Lifetouch, Loves Park, Illinois USA The paper used in this publication meets the minimum requirements of american national standard for information services — Permanence of Paper v table of contents Preface. José M. Galán, Spanish National Research Council, Madrid ........................................... vii list of abbreviations .............................................................................. xiii Bibliography..................................................................................... xv papers frOm the theban wOrkshOp, 2010 1. innovation at the Dawn of the new Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of innovation and Their application -
God's Wife, God's Servant
GOD’S wiFE, GOD’S seRVant Drawing on textual, iconographic and archaeological evidence, this book highlights a historically documented (but often ignored) instance, where five single women were elevated to a position of supreme religious authority. The women were Libyan and Nubian royal princesses who, consecutively, held the title of God’s Wife of Amun during the Egyptian Twenty-third to Twenty-sixth dynasties (c.754–525 bc). At a time of weakened royal authority, rulers turned to their daughters to establish and further their authority. Unmarried, the princess would be dispatched from her father’s distant political and administrative capital to Thebes, where she would reign supreme as a God’s Wife of Amun. While her title implied a marital union between the supreme solar deity Amun and a mortal woman, the God’s Wife was actively involved in temple ritual, where she participated in rituals that asserted the king’s territorial authority as well as Amun’s universal power. As the head of the Theban theocracy, the God’s Wife controlled one of the largest economic centers in Egypt: the vast temple estate at Karnak. Economic independence and religious authority spawned considerable political influence: a God’s Wife became instrumental in securing the loyalty of the Theban nobility for her father, the king. Yet, despite the religious, economic and political authority of the God’s Wives during this tumultuous period of Egyptian history, to date, these women have only received cursory attention from scholars of ancient Egypt. Tracing the evolution of the office of God’s Wife from its obscure origins in the Middle Kingdom to its demise shortly after the Persian conquest of Egypt in 525 bc, this book places these five women within the broader context of the politically volatile, turbulent seventh and eighth centuries bc, and examines how the women, and the religious institution they served, were manipulated to achieve political gain. -
A Statuette of Isis Nursing Horus the Child from the Turn of the Twenty
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXVI 2013 ALEKSANDRA MAJEWSKA A Statuette of Isis Nursing Horus the Child from the Turn of the Twenty-fi fth and Twenty-sixth Dynasties in the Collection of the National Museum in Warsaw 454 ALEKSANDRA MAJEWSKA A stone statuette of Isis seated hieratically on a throne and holding the Horus child in her lap, now in the collection of the National Museum in Warsaw, represents the Isis lactans iconographic type,1 which fi gures the goddess in the role of a mother personifying the ideal virtues of wife and mother. In the fi rst millennium BC the worship that was given this feature of the personality of the multi-aspect goddess raised her above all other goddesses with maternal attributes.2 Isis became the object of faith for countless believers in Egypt and beyond, turning into an universal goddess for the living as well as for the dead. The type is an iconographic record of the idea of maternity rather than a representation of the emotional bond between mother and child. The gesture symbolizing the importance of nourishment as a source of life is present in Egyptian iconography of the Old Kingdom and is closely related to the theology of royal power.3 Representations of the mother goddess, occurring in all periods of ancient Egyptian history, depicted her as the celestial cow nursing a child pharaoh or as a woman nursing a boy standing next to her. They belonged to a repertoire of scenes used commonly on the walls of tombs and temples. -
Internecine Conflict in the Second Kingdom of Kush
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 2013 The Enemy Within: Internecine Conflict in the Second Kingdom of Kush Sophia Farrulla College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Farrulla, Sophia, "The Enemy Within: Internecine Conflict in the Second Kingdom of ushK " (2013). Undergraduate Honors Theses. Paper 771. https://scholarworks.wm.edu/honorstheses/771 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. ! ! The!Enemy!Within:! Internecine!Conflict!in!the!Second!Kingdom!of!Kush!! ! ! ! A"thesis"submitted"in"partial"fulfillment"of"the"requirement" for"the"degree"of"Bachelor"of"Arts"in"History"from"" The"College"of"William"and"Mary" " " by" " Sophia"Farrulla" " " " """"""" Accepted"for"____________________________________________" " " " " " """"""""""(Honors,"High"Honors,"Highest"Honors)" " " " !!!!! ! ! ___________________________________________! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Jeremy!Pope,!Director" " " " " " " ___________________________________________" " " " Neil!Norman! ! ! ! ! ! ! ___________________________________________! ! ! ! Ronald!Schechter! " " " " """""""""""""""Williamsburg,"Virginia" " " " " """"""""""April"25,"2013" " i" Contents! -
THE Statuette Group of God Amun and Amenirdis I Cairo Museum (CG 42199) MANAL B
MANAL B. HAMMAD (JAAUTH), Vol. 17 No. 1, 2019, pp. 26-36. THE Statuette Group of God Amun and Amenirdis I Cairo Museum (CG 42199) MANAL B. HAMMAD [email protected] Tourist Guiding Department - Faculty of Tourism and Hotels-Helwan University ARTICLE INFO Abstract Keywords: This article is to study the Karnak statuette group CG exhibited in Amenirdis I; God’s the Egyptian museum in Cairo. The statuette group is an innovation wife; 25th Dynasty; in the ancient Egyptian art, since it reflects an immense amount of Embracing; God passion and love between Amenirdis I, the God’s wife of the 25th Amun; Statuette group; Dynasty and her spouse God Amun. This type of emotions was only represented in the Amarna art. The statuette group is inscribed by (JAAUTH) inscriptions giving names and titles of Amun and Amenirdis I that Vol. 17, No. 1, (2019), were mistranslated. The titles contributed in understanding the significance behind the statuette group. pp. 26-36. The Egyptian museum in Cairo houses a small statuette group measuring 13 cm. in height. It was bought after it has been found to the north of Karnak during the excavations of Moussa Said1. It bears the no. (CG 42199) 2. Moreover, it is made out of blue faience and it is partially preserved. Fig 1. Frontal view of the statuette group, Cairo Museum CG 42199. Photograph courtesy of the Cairo Museum and hand copy by Eman Badawy. 1 G. LEGRAIN, Rec. Trav.31, (Paris, 1909), 139-142. 2 G. LEGRAIN, C.G. nos. 42192-42250, Statues et Statuettes De Rois et De Particuliers, Tome Troiseme , (Caire, 1914), 8-9. -
Downloaded340037 from Brill.Com10/04/2021 03:55:09AM Via Free Access the Order of the Kushite Kings 125
Journal of Egyptian History �0 (�0�7) ��4–�5� brill.com/jeh The Order of the Kushite Kings According to Sources from the Eastern Desert and Thebes. Or: Shabataka was here first! Claus Jurman University of Birmingham [email protected] Abstract The correct order of the first two kings of the Twenty-Fifth Dynasty has been the sub- ject of a growing debate since Michael Bányai proposed a revision of the traditional chronological model in 2013. By placing Shabataka1 before Shabaka Bányai challenged the commonly accepted view according to which it was Shabaka who established the Twenty-Fifth Dynasty and secured Kushite control over all of Egypt after having re- conquered the North and disposed of his adversary Bocchoris of the Twenty-Fourth Dynasty. Since then Bányai’s proposal of modifying the sequence of the Kushite kings, thus making Shabataka Bocchoris’ opponent, has received a growing number of sup- porters who have brought forward additional arguments in favour of it. * This article is based upon a paper presented at the conference “Thebes in the First Millennium BC,” held at the Mummification Museum in Luxor in September 2016. I am indebted to the editors of the conference proceedings, Julia Budka, Ken Griffin, and Elena Pischikova, for allowing me to publish the results of my research in the JEgH. I would also like to thank the editors of the JEgH for accepting my paper for inclusion in the current issue at such a late date. Furthermore, I am indebted to Christophe Thiers, director of the CFEETK, for letting me personally examine the Nile Level Records in September 2016. -
Lesko, “Women's Monumental Mark on Ancient Egypt”
Women's Monumental Mark on Ancient Egypt Author(s): Barbara S. Lesko Source: The Biblical Archaeologist, Vol. 54, No. 1 (Mar., 1991), pp. 4-15 Published by: The American Schools of Oriental Research Stable URL: http://www.jstor.org/stable/3210327 . Accessed: 04/07/2014 09:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The American Schools of Oriental Research is collaborating with JSTOR to digitize, preserve and extend access to The Biblical Archaeologist. http://www.jstor.org This content downloaded from 146.96.24.14 on Fri, 4 Jul 2014 09:46:51 AM All use subject to JSTOR Terms and Conditions _|-P9 usuallyarenentlyEvenwith usually femalegraceinfigures tomb portrayed workersand scenespromi- Womeas Monumental Grand templesand tombs on chronologicalchart} offer the rare andcolossal statues bear Mark opportunityto look at a society manyreminders ofEgypt's goingabout its business,not just aIlcientqueens and fe- Ancient religiousand funerary rites but malepharaohs, but even common agricultural,hunting and economic womenleft a monumentalmark. Egypt pursuitsas well as entertainment Thislegacy consists of tombchapels andsports. The svelte,attractively withextensive wall decoration, por- by BarbaraS.Lesko groomedsnd fetchinglygarbed traitstatues, funerary Egyptianwoman andvotive stelae, and _ _ cuts a strikingfigure offeringtables, all _ in almostall scenes.