DOCSLIB.ORG

Hans-Ola Ericcson, Orgue / Organ Johann Sebastian Bach:The Neumeister Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hans-Ola Ericcson, Orgue / Organ Johann Sebastian Bach:The Neumeister Collection Salle Redpath Hall 3461, rue McTavish, Montréal, QC Billetterie / Box Office: 514-398-4547 Renseignements / Information: 514-398-5145 www.mcgill.ca.music Le samedi 7 avril 2018 Saturday, April 7, 2018 à 15h 3:00 p.m. Hans-Ola Ericcson, orgue / organ Johann Sebastian Bach:The Neumeister Collection 1. Der Tag, der ist so freudenreich, BWV 719 Johann Sebastian Bach 2. Wie Christenleut, BWV 1090 (1685-1750) 3. Das alte Jahr vergangen ist, BWV 1091 4. Herr Gott, nun schleuss den Himmel auf, BWV 1092 5. Herzliebster Jesu, was hast du verbrochen, BWV 1093 6. O Jesu, wie ist dein Gestalt, BWV 1094 7. O Lamm Gottes unschuldig, BWV 1095 8. Christe, der du bist Tag und Licht, BWV 1096 9. Ehre sei dir, Christe, der du leidest Not, BWV 1097 10. Wir glauben all an einen Gott, BWV 1098 11. Aus tiefer Not schrei ich zu Dir, BWV 1099 12. Allein zu dir, Herr Jesu Christ, BWV 1100 13. Ach Gott und Herr, BWV 714 14. Ach Herr, mich armen Sünder, BWV 742 15. Durch Adams Fall ist ganz verderbt, BWV 1101 16. Du Friedefürst, Herr Jesu Christ, BWV 1102 17. Erhalt uns, Herr, bei deinem Wort, BWV 1103 18. Vater unser im Himmelreich, BWV 737 19. Wenn dich Unglück tot greifen an, BWV 1104 20. Jesu, meine Freude, BWV 1105 21. Gott ist mein Heil, mein Hilf und trost, BWV 1106 22. Jesu, meines Lebens Leben, BWV 1107 23. Als Jesus Christus in der Nacht, BWV 1108 24. Ach Gott, tu dich erbarmen, BWV 1109 25. O Herre Gott, dein göttlich Wort, BWV 1110 26. Nun last uns den Leib begraben, BWV 1111 27. Christus, der ist mein Leben, BWV 1112 28. Ich hab mein sach Gott heimgestellt, BWV 1113 29. Herr Jesu Christ, du höchstes Gut, BWV 1114 30. Herzlich lieb hab ich dich, o Herr, BWV 1115 31. Was Gott tut, das ist wohlgetan, BWV 1116 32. Alle Menschen müssen sterben, BWV 1117 33. Machs mit mir Gott, nach deiner Güt, BWV 957 34. Werde munter mein Gemüte, BWV 1118 35. Wie nach einer Wasserquelle, BWV 1119 36. Christe, der du bist der helle Tag, BWV 1120 Salle Redpath Hall 3461, rue McTavish, Montréal, QC Billetterie / Box Office: 514-398-4547 Renseignements / Information: 514-398-5145 www.mcgill.ca.music L’orgue de la salle Redpath, Université McGill / The Redpath Hall Organ of McGill University Grand-Orgue Récit (2e clavier, C-g’’’) (3e clavier, f-d’’’) Bourdon ............................................................. 16’ Bourdon ............................................................... 8’ Montre .................................................................. 8’ Prestant ................................................................ 4’ Bourdon ............................................................... 8’ Cornet ................................................................. III Prestant ................................................................ 4’ Hautbois ............................................................... 8’ Grosse Tierce ................................................ 3-1/5’ Nazard ........................................................... 2-2/3’ Pédale Doublette .............................................................. 2’ (C-f’, anches AA-f’) Tierce ............................................................ 1-3/5’ Bourdon ............................................................. 16’ Fourniture ............................................................ 2’ Flûte ..................................................................... 8’ Cymbale ........................................................... 1/2’ Gros Nazard .................................................. 5-1/3’ Cornet .................................................................. V Flûte ..................................................................... 4’ Trompette ............................................................. 8’ Grosse Tierce ................................................ 3-1/5’ Clairon ................................................................. 4’ Flûte ..................................................................... 2’ Voix humaine ....................................................... 8’ Bombarde ........................................................... 16’ Trompette ............................................................. 8’ Clairon ................................................................. 4’ Positif (1er clavier, c-g’’’) Dessus de flûte ..................................................... 8’ Accouplements et Accessoires Bourdon ............................................................... 8’ Positif sur Grand-Orgue Prestant ................................................................ 4’ Tirasse Grand-Orgue Nazard ........................................................... 2-2/3’ Tirasse Positif Quarte de Nazard ................................................. 2’ Tremblant fort Tierce ............................................................ 1-3/5’ Tremblant doux Larigot ........................................................... 1-1/3’ Rossignol Fourniture ............................................................ 1’ Cymbale ........................................................ 1-1/3’ Pression : 75mm. Cromorne ............................................................. 8’ Tempérament selon d’Alembert, a = 415 Hz. Facteurs d’orgues : Hellmuth Wolff & Associés, Laval, Qué., 1981 .
Load more

Recommended publications
  • Bärenreiter Organ Music
    >|NAJNAEPAN KNC=JIQOE? .,-.+.,-/ 1 CONTENTS Organ Music Solo Voice and Organ ...............30 Index by Collections and Series ...........4–13 Books............................................... 31 Edition Numbers ....................... 34 Composers ....................................14 Contemporary Music Index by Jazz .............................................. 29 A Selection ..............................32 Composers / Collections .........35 Transcriptions for Organ .........29 Photo: Edition Paavo Blåfi eld ABBREVIATIONS AND KEY TO FIGURES Ed. Editor Contents Ger German text Review Eng English text Content valid as of May 2012. Bärenreiter-Verlag Fr French text Errors excepted and delivery terms Karl Vötterle GmbH & Co. KG Lat Latin text subject to change without notice. International Department BA Bärenreiter Edition P.O. Box 10 03 29 H Bärenreiter Praha Cover design with a photograph D-34003 Kassel · Germany SM Süddeutscher Musikverlag by Edition Paavo Blåfi eld. Series E-Mail: paavo@blofi eld.de www.baerenreiter.com a.o. and others www.blofi eld.de E-Mail: [email protected] Printed in Germany 3/1206/10 · SPA 238 2 Discover Bärenreiter … www.baerenreiter.com Improved Functionality Simple navigation enables quick orientation Clear presentation Improved Search Facility Comprehensive product information User-friendly searches by means of keywords Product recommendations Focus A new area where current themes are presented in detail … the new website3 ORGAN Collections and Series Enjoy the Organ Ave Maria, gratia plena Ave-Maria settings The new series of easily playable pieces for solo voice and organ (Lat) BA 8250 page 30 Enjoy the Organ I contains a collection of stylistically varied Bärenreiter Organ Albums pieces for amateur organists Collections of organ pieces which are equally suitable for page 6-7 use in church services and in concerts.
    [Show full text]
  • Remes Essay NEW for ONLINE
    TEXTUAL ILLUSTRATION IN J.S. BACH’S SETTINGS OF O LAMM GOTTES, UNSCHULDIG Derek Remes Eastman School of Music [email protected] www.derekremes.com May, 2015 !1 J.S. Bach set the tune O Lamm Gottes, unschuldig six times in his surviving works. [slide 2] The settings range from early to late works, and vary widely in instrumentation, length, and complexity. Because this tune was always paired with the same text, we are afforded an opportunity to compare how Bach treated the same text in a variety of contexts. As we will see, Bach consistently used chromaticism, diminished seventh chords, and suspensions—that is, dissonance—at certain poignant words, implying that these techniques carried specific extramusical meaning in these contexts. These associations between text and compositional technique enhance our understanding of Bach’s musical vocabulary. [Slide 3] The text of O Lamm Gottes, unschuldig was written by Nicolaus Decius in 1531.1 There are three Low German hymns ascribed to him, each intended to replace portions of the Latin Ordinary: Hyllich ys Godt de vader (Sanctus), Allein Gott in der höh sei ehr (Gloria in excelsis), and O Lamm Gottes, unschuldig (Agnus Dei). These three texts are the oldest evangelical hymns, preceding Luther’s first chorale texts by almost a year.2 O Lamm Gottes, unschuldig is an expanded translation of the Agnus Dei, the more literal German translation being the text Christe, du Lamm Gottes, both shown in the table. Christe, du Lamm Gottes is paired with a different tune, which Bach set in the Orgelbüchlein as BWV 619, and again in the cantata Du wahrer Gott und Davids Sohn, BWV 23.
    [Show full text]
  • The Neumeister Collection of Chorale Preludes of the Bach Circle: an Examination of the Chorale Preludes of J
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 "The eumeiN ster collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works Sara Ann Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Jones, Sara Ann, ""The eN umeister collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works" (2002). LSU Doctoral Dissertations. 77. https://digitalcommons.lsu.edu/gradschool_dissertations/77 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE: AN EXAMINATION OF THE CHORALE PRELUDES OF J. S. BACH AND THEIR USAGE AS SERVICE MUSIC AND PEDAGOGICAL WORKS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts Sara Ann Jones B. A., McNeese State University
    [Show full text]
  • Bach 2000 Organ Celebration-Ii
    ■ si Bach 2000 Organ Celebration-ii "Tracing the Footsteps of Johann Sebastian Bach" with Visiting Organist Kimberly Marshall I Sunday, September 24, 2000 at 3:00 pm Convocation Building Hail University of Alberta mm-07 Cb Program Program Notes In the autumn of 1705, Johann Sebastian Bach requested four weeks' leave from his I Prelude in E-FIat Major, BWV 552 Johann Sebastian Bach church in Amstadt to travel to Lubeck and leam from the famous Dieterich (1685-1750) Buxtehude, organist of the Marienkirche. He left for Ltlbeck in November and did not return until Febmaiy, at which time he was rebuked by the Amstadt Consistory 0. Ach Herr, mich armen Sunder, BWV 742 Johann Sebastian Bach for his prolonged absence, and also for his improper playing, making "curious 3. Jesu meine Freude, BWV 1105 (from the Neumeister Collection) variationes in the chorale" so that the congregation was confused by it. Bach's organ playing had clearly changed as a result of his time in Lilbeck, and his early organ Gelobet seist du, Jesu Christ, BWV 722 Johann Sebastian Bach works testify to his study of music in the north German style, with virtuosic (from the Amstadt Congregational Chorales) figuration, important pedal solos, and the altemation of improvisatory and contrapuntal sections. In addition, he was also very influenced by Italian and French organists, such as Frescobaldi and Grigny. In today's program, we'll trace the Ciacona in E Minor, BuxWV 159 Dieterich Buxtehude different paths Bach travelled in developing his own highly personal approach to Canzonetta in G Major, BuxWV 171 (1637-1707) organ composition.
    [Show full text]
  • AHLMAN-DMA-TREATISE.Pdf (14.62Mb)
    Copyright by Christopher Stephen Ahlman 2011 The Treatise Committee for Christopher Stephen Ahlman Certifies that this is the approved version of the following treatise: The Compositional Nature and Performance Practice of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 Committee: Luisa Nardini, Supervisor Gerre E. Hancock, Co-Supervisor Judith E. Hancock Guido Olivieri A. D. Renner Cinzia Russi The Compositional Nature and Performance Practice of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 by Christopher Stephen Ahlman, B.A.; M.Div.; M.S.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2011 Dedication This work is dedicated to my wife and son, who have endured so much during our time in Austin. I am enormously grateful to them for their love, support, and patience, even in the midst of an unfairly challenging time. Acknowledgements I acknowledge and thank the members of my doctoral Treatise committee for their support and willingness to work with me on my chosen topic, especially Dr. Luisa Nardini, Supervisor, and Prof. Gerre E. Hancock, Co-Supervisor. I also express gratitude to all those who have contributed to my musical education in many and various ways, particularly piano instructors Mr. Stephen W. Hoelter, Ms. Jeanelle A. Mooney, and Ms. Tamara Riley Wyman; organ instructors Dr. Craig J. Cramer, Prof. Gerre E. Hancock, Prof. Judith E. Hancock, Ms. Carol Jarman, Mr.
    [Show full text]
  • The Complete Organ Works, Vol. 5 DAVID GOODE
    JOHANN SEBASTIAN BACH The Complete Organ Works, Vol. 5 DAVID GOODE Trinity College Chapel, Cambridge CD1 Chorale Partita on “Ach, was soll ich Sünder machen”, BWV 770 1 [0.53] 2 [0.42] 3 [1.00] 4 [1.04] 5 [0.44] 6 [0.44] 7 [0.42] 8 [0.48] 9 [2.49] 10 [3.46] Neumeister Chorales Nos 1-36. 11 “Der Tag, der ist so freudenreich”, BWV 719 [2.02] 12 “Wir Christenleut”, BWV 1090 [2.11] 13 “Das alte Jahr vergangen ist”, BWV 1091 [2.37] 14 “Herr Gott, nun schleuß den Himmel auf”, BWV 1092 [2.32] 15 “Herzliebster Jesu, was hast du verbrochen”, BWV 1093 [2.38] 16 “O Jesu, wie ist dein Gestalt”, BWV 1094 [3.09] 17 “O Lamm Gottes unschuldig”, BWV 1095 [2.22] 18 “Christe, der du bist Tag und Licht / Wir danken dir, Herr Jesu Christ”, BWV 1096 [2.37] 19 “Ehre sei dir Christe, der du leidest Not”, BWV 1097 [2.31] 20 “Wir glauben all an einen Gott”, BWV 1098 [2.19] 21 “Aus tiefer Not schrei ich zu dir”, BWV 1099 [2.22] 22 “Allein zu dir, Herr Jesu Christ”, BWV 1100 [2.24] 23 “Ach Gott und Herr”, BWV 714a [2.32] 2 24 “Ach Herr, mich armen Sünder”, BWV 742 [2.09] 25 “Durch Adams Fall ist ganz verderbt”, BWV 1101 [3.41] 26 “Du Friedefürst, Herr Jesu Christ”, BWV 1102 [2.43] 27 “Erhalt uns Herr, bei deinem Wort”, BWV 1103 [1.51] 28 “Vater unser im Himmelreich”, BWV 737 [2.14] 29 “Wenn dich Unglück tut greifen an”, BWV 1104 [1.46] 30 “Jesu, meine Freude”, BWV 1105 [2.00] Total times [61.53] 3 [ CD2 [ 7 [ 8 [ 1 “Gott ist mein Heil, mein Hilf und Trost”, BWV 1106 [1.50] 2 “Jesu, meines Lebens Leben”, BWV 1107 [1.40] Neumeister Chorales Nos 1-36.
    [Show full text]
  • Sämtliche Orgelchoräle the Complete Organ Chorales
    Johann Michael BACH Sämtliche Orgelchoräle The Complete Organ Chorales mit einem Anhang /with an Appendix Orgelchoräle des Bach-Kreises, hauptsächlich aus der Neumeister-Sammlung Organ Chorales of the Bach Circle, mainly from the Neumeister Collection herausgegeben von /edited by Christoph Wolff Stuttgarter Bach-Ausgaben Urtext C Carus 30.650 Inhalt Johann Michael Bach Anhang · Appendix Sämtliche Orgelchoräle Orgelchoräle des Bach-Kreises, hauptsächlich aus der Neumeister-Sammlung The complete organ chorales Organ chorales of the Bach circle, mainly from the Neumeister collection I. Orgelchoräle aus der Neumeister-Sammlung / Organ chorales III. Anonym überlieferte bzw. verschiedenen Autoren zugeschriebene Werke from the Neumeister collection (Yale University Manuscript LM 4708) Works anonymously transmitted and works attributed to various authors 1. Nun komm, der Heiden Heiland 11 27. Christ lag in Todesbanden (J. Pachelbel) 58 2. Meine Seele erhebt den Herren / Gott, sei uns gnädig (Versus 1–3) 12 28. Was mein Gott will, das gscheh allzeit (J. Pachelbel) 60 3. Herr Christ, der einig Gottes Sohn 15 29. Ich ruf zu dir, Herr Jesu Christ (I) (J.M. Bach) 61 4. Nun freut euch, lieben Christen gmein (I) 16 30. Ich ruf zu dir, Herr Jesu Christ (II) (J.M. Bach) 62 5. Nun freut euch, lieben Christen gmein (II) /Es ist gewißlich an der Zeit 18 31. Ach Gott, vom Himmel sieh darein (J.H. Buttstedt) 64 6. Gott hat das Evangelium (I) 20 32. Heut triumphieret Gottes Sohn (F.W. Zachow) 66 7. Gott hat das Evangelium (II) 22 33. Gott Vater, der du deine Sonn (J. Pachelbel/J.M. Bach?) 68 8.
    [Show full text]
  • The Organ Music of J. S. BACH, Second Edition Peter Williams Frontmatter More Information
    Cambridge University Press 0521814162 - The Organ Music of J. S. BACH, Second Edition Peter Williams Frontmatter More information The Organ Music of J. S. Bach Second edition This is a completely revised edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This new edition takes account of the Bach scholarship of the last twenty-five years. Peter Williams’s piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the ‘free works’, followed by chorales and ending with the doubtful works, including the ‘newly discovered chorales’ of 1985. Peter Williams is an internationally renowned Bach scholar and performer. He was Professor of Performance Practice and the first Director of the Russell Collection of Harpsichords at the University of Edinburgh, Arts and Sciences Distinguished Professor at Duke University, NC, and until recently John Bird Professor at the University of Wales, Cardiff. He has written numerous books on the organ, organ history and organ repertoire. The first edition of The Organ Music of J. S. Bach was published in 1980(vols. I and II) and 1984 (vol. III). © Cambridge University Press www.cambridge.org Cambridge University Press 0521814162 - The Organ Music of J.
    [Show full text]
  • A Bach Manuscript Recovered: Berlin, Bibliothek Der Hochschule Der Künste, Spitta Ms
    A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491 David Schulenberg The musical manuscript Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491 is one of a number of items listed by Christoph Wolff as missing from this library since World War II.1 Part of the estate of the nineteenth-century musicologist and Bach biographer Johann Philipp Spitta (1841–94), the manuscript is the principal source for the organ chorale preludes of Johann Christoph Bach (1642– 1703), the most distinguished of Sebastian's ancestors. It was, moreover, the sole known source of Sebastian's early chorale prelude Der Tag der ist so freudenreich BWV 719, prior to the identification of the Neumeister Codex, which contains a concordance.2 The manuscript also contained organ chorales by Pachelbel, Buttstedt, and others, as well as additional material relevant to the study of composition and improvisation during the eighteenth or early nineteenth century.3 In fact, the manuscript was in private hands since at least 1954 and has recently been returned to the Berlin library that is its legitimate owner. The return was made possible by Roderick A. Manson of Montréal, who introduced himself to the present author after the latter had given a public lecture as part of the Bach International Harpsichord Festival in that city in May 1997. Manson, a retired social worker, Bach enthusiast, and accomplished organist, presented photographs of a manuscript for which he was seeking an appropriate depository. Identifying marks within the manuscript, such as library stamps and a bookplate, had been removed or defaced, and thus it is understandable that its possessor was unaware that the manuscript had disappeared, presumably during the war, from the Berlin Hochschule für Musik and that it remained of great interest to scholars.4 When the present author traveled to Montréal in March 1998 to retrieve the manuscript, he found the latter being kept unprepossessingly in a locked metal box, a prized possession in a modest, austerely furnished flat.
    [Show full text]
  • Doblinger, 1975. OS1 ALB Albrechtsberger, Johann Georg,8 Kleine 1736-1809
    OS1 ALB Albrechtsberger, Johann Georg,5 Praeludien 1736-1809. für Orgel / Wien : Doblinger, 1975. OS1 ALB Albrechtsberger, Johann Georg,8 kleine 1736-1809. Praeludien : für Orgel / Wien : Doblinger, c1975. OS1 ARN Arnold, Samuel, 1740-1802.Six overtures for the harpsichord or piano forte, opera VIII / New York : Performers' Facsimiles, [1992] OS1 BAC Bach, Carl Philipp Emanuel,Preludium 1714-1788, and composer. six sonatas = (Preludium en zes sonates) / Hilversum, Holland : Internationale Muziekuitgeverij Harmonia-Uitgave, [between 1950 and 1959?] OS1 BAC Bach, Carl Philipp Emanuel,Organ 1714-1788. works / Los Altos, Calif. : Packard Humanities Institute, 2008 OS1 BAC Bach, Carl Philipp Emanuel,Sonaten 1714-1788. für Orgel = Organ sonatas / Wien : Wiener Urtext Edition, c1995 OS1 BAC Bach, Johann Sebastian, 1685-1750,Orgelwerke composer. = Organ works / Kassel ; Basel ; London : Bärenreiter, 1958-1984. OS1 BAC Bach, Johann Sebastian, 1685-1750,Das wohltemperierte composer. Klavier = The well-tempered clavier / Kassel ; Basel ; London : Bärenreiter, [1989?-1996?] OS1 BAC Bach, Johann Sebastian, 1685-1750,Choralpartiten composer. ; einzeln überlieferte Choralbearbeitungen A-G = Chorale partitas ; individually tra Wiesbaden : Breitkopf & Härtel, [2018] OS1 BAC Bach, Johann Sebastian, 1685-1750,Die sechs Französischencomposer. Suiten : BWV 812-817 : ältere Fassung (A) und jüngere Fassung (B) mit VerKassel ; Basel ; London : Bärenreiter, [1980?] OS1 BAC Bach, Johann Sebastian, 1685-1750,Einzeln überlieferte composer. Choralbearbeitungen H-Z = Individually transmitted organ chorales H-Z / Wiesbaden : Breitkopf & Härtel, [2018] OS1 BAC Bach, Johann Sebastian, 1685-1750,Fantasien composer.; Fugen = Fantasias ; Fugues / Wiesbaden : Breitkopf & Härtel, [2016] OS1 BAC Bach, Johann Sebastian, 1685-1750,Inventionen composer. und Sinfonien = Inventions and symphonies / Kassel ; Basel ; London : Bärenreiter, [1972?] OS1 BAC Bach, Johann Sebastian, 1685-1750,Orgelchoräle composer.
    [Show full text]
  • Kooiman-E-R03-B1c[Aeulus-15CD
    Recordings / Aufnahmen / Enregistrements: April 2008 (Ewald Kooiman – Ebersmunster, Bouxwiller), June 2008 (Ewald Kooiman – Marmoutier), October 2008 (Ewald Kooiman – Wasselonne, Marmoutier), March 2010 (Gerhard Gnann – Wasselonne), September 2010 (Ute Gremmel-Geuchen – Strasbourg), October 2010 (Bernhard Klapprott – Arlesheim, Ute Gremmel-Geuchen – Marmoutier), November 2010 (Gerhard Gnann – Strasbourg), March 2011 (Ute Gremmel-Geuchen – Villingen), July 2011 (Gerhard Gnann – Soultz Haut-Rhin) Producer / Aufnahmeleitung / Direction artistique: Christoph Martin Frommen Engineering, editing & mastering / Technik, Schnitt & Mastering / Prise de son, montage & mastering: Christoph Martin Frommen Mikrofone / Microphones: 9 x DPA 4006 omnidirectional Photos: Christoph Martin Frommen, Jean-Philippe Grille (cover photo SACD vol.17) Organ maintenance: Gaston Kern, Manufacture d’orgues Daniel Kern, Quentin Blumenroeder, Bernhard Fleig Registranten / Assistants: Anne den Hartigh, Victoria Siegert (Strasbourg, November 2010) Dank an / Acknowledgements / Remerciements: Jean-Philippe Grille (Wasselonne), Père Florent & Hubert Sigrist (Marmoutier), Daniel Maurer, Daniel Leininger, René Gerber (Strasbourg), Anne-Laure Thallinger (Bouxwiller), Bernard Chalté & Henri Keller (Ebersmunster), Ulrich Kolberg (Villingen), Jean-Claude Zehnder & Peter Koller (Arlesheim), Monique Leimbach-Weinzäpfel (Soultz-Haut-Rhin), Quentin Blumenroeder. Greatest thanks to Anne den Hartigh. +© 2012 Postfach 300 226, 41343 Korschenbroich, Germany mail@aeolus–music.com www.aeolus–music.com
    [Show full text]
  • Bärenreiter Music for Organ 2014/2015
    Bärenreiter Music for Organ 2014/2015 Your Music Dealer: 1 Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 238 ORGAN MUSIC · CONTENTS Collections and Series ................3–11 Transcriptions for Organ ..............28 Contemporary Music Choir & Organ Series ......................12 Viola/Cello and Organ ...................29 A Selection .............................. 32-33 Composers ................................... 13-27 Solo Voice and Organ .....................30 Promotional Gifts ...........................34 Jazz .......................................................28 Books ....................................................31 Index by Composers & Collections ............ 35 Photo: Edition Paavo Blåfield ABBREVIATIONS AND KEY TO FIGURES Ed. Editor www.youtube.com/ Ger German text BaerenreiterVerlag Eng English text Bärenreiter-Verlag Fr French text www.facebook.com/ Karl Vötterle GmbH & Co. KG Lat Latin text baerenreiter BA Bärenreiter Edition International Department H Bärenreiter Praha Content valid as of May 2014. P.O. Box 10 03 29 SM Süddeutscher Musikverlag Errors excepted and delivery terms 34003 Kassel · Germany Series subject to change without notice. www.baerenreiter.com a.o. and others E-Mail: [email protected] Contents Cover design with a photograph Review by Edition Paavo Blåfield. Printed in Germany E-Mail: [email protected] 3/1406/12 · SPA 238 www.blofield.de 2 COLLECTIONS AND SERIES Collections An Easy Bach Organ Album NEW 2013 and Series Ed. D. Moult BA 11212 Ave Maria, gratia plena This Organ Album presents Ave Maria settings works by J. S. Bach of easy to for solo voice and organ (Lat) medium difficulty which can be Ed. P. Wagner played on smaller instruments BA 8250 → page 30 and are therefore suitable for non-professional church Bärenreiter Organ Albums musicians and organists. The → pages 4-5 edition divides into original works and arrangements by the editor.
    [Show full text]